Transcriber's Note
Superscript text is indicated by caret signs, e.g. M^t Pelion. The text
includes diacritics which may not display well in all software, e.g. the
inverted breve in ἀστροπελέκι̯α.
MODERN GREEK FOLKLORE
AND
ANCIENT GREEK RELIGION
CAMBRIDGE UNIVERSITY PRESS
London: FETTER LANE, E.C.
C. F. CLAY, MANAGER
[Illustration]
Edinburgh: 100, PRINCES STREET
Berlin: A. ASHER AND CO.
Leipzig: F. A. BROCKHAUS
New York: G. P. PUTNAM’S SONS
Bombay and Calcutta: MACMILLAN AND CO., LTD.
_All rights reserved_
MODERN GREEK FOLKLORE
AND
ANCIENT GREEK RELIGION
A STUDY IN SURVIVALS
BY
JOHN CUTHBERT LAWSON, M.A.
FELLOW AND LECTURER OF PEMBROKE COLLEGE, CAMBRIDGE,
FORMERLY CRAVEN STUDENT OF THE UNIVERSITY
Cambridge:
at the University Press
1910
Cambridge:
PRINTED BY JOHN CLAY, M.A.
AT THE UNIVERSITY PRESS
PIIS MANIBUS
ROBERTI ALEXANDRI NEIL
LABORUM ADHORTANTE IPSO SUSCEPTORUM
HUNC DEDICAVI FRUCTUM.
PREFACE.
This book is the outcome of work undertaken in Greece during my two
years’ tenure of the Craven Studentship from 1898 to 1900. It is
therefore my first duty gratefully to commemorate John, Lord Craven,
to whose benefactions of two and a half centuries ago I owed my
opportunity for research.
The scheme of work originally proposed was the investigation of the
customs and superstitions of modern Greece in their possible bearing
upon the life and thought of ancient Greece; and to the Managers of the
Craven Fund at that time, with whom was associated Mr R. A. Neil of
Pembroke College to whose memory I have dedicated this book, I render
hearty thanks for their willingness to encourage a venture new in
direction, vague in scope, and possibly void of result.
The course of research proposed was one which required as the first
condition of any success considerable readiness in speaking and
understanding the popular language, and to the attainment of this my
first few months were necessarily devoted. When once the ear has become
accustomed to the modern pronunciation, a knowledge of ancient Greek
makes for rapid progress; and some three or four months spent chiefly
in the _cafés_ of small provincial towns rendered me fairly proficient
in ordinary conversation. Subsequent practice enabled me also to follow
conversations not intended for my ear; and on more than one occasion
I obtained from the talk of peasants thus overheard information which
they might have been chary of imparting to a stranger.
The time at my disposal however, after I had sufficiently mastered
the language, would have been far too short to allow of any complete
enquiry into the beliefs and customs of the country, had it not been
for the existence of two books, _Das Volksleben der Neugriechen und das
Hellenische Alterthum_ by Bernhard Schmidt, and Μελέτη ἐπὶ τοῦ βίου τῶν
νεωτέρων Ἑλλήνων by Professor Polites of Athens University, which at
once supplied me with a working knowledge of the subject which I was
studying and suggested certain directions in which further research
might profitably be pursued. My debt to these two books is repeatedly
acknowledged in the following pages; and if I have given references to
Schmidt’s work more frequently than to that of Polites, my reason is
not that I owe less to the latter, but merely that the former is more
generally accessible.
In pursuit of my task I followed no special system. I have known of
those who professed to obtain a complete knowledge of the folklore of
a given village in the course of a few hours’ visit, and whose method
was to provide themselves with an introduction to the schoolmaster,
who would generally be not even a native of the place, and to read
out to him a formidable _questionnaire_, in the charitable and
misplaced expectation that the answers given would be prompted not by
courtesy and loquacity, which are the attributes of most Greeks, but
by veracity, which is the attribute of few. The formal interview with
paper and pencil is in my opinion a mistake. The ‘educated’ Greek whose
pose is to despise the traditions of the common-folk will discourse
upon them no less tediously than inaccurately for the sake of having
his vapourings put on record; but the peasant who honestly believes the
superstitions and scrupulously observes the customs of which he may
happen to speak is silenced at once by the sight of a note-book. Apart
however from this objection to being interviewed, the countryfolk are
in general communicative enough. They do not indeed expect to be plied
with questions until their own curiosity concerning the new-comer has
been satisfied, and even then any questions on uncanny subjects must
be discreetly introduced. But it is no difficult matter to start some
suitable topic. A wedding, a funeral, or some local _fête_ perhaps
is in progress, and your host is eager to have the distinction of
escorting you to it and explaining all the customs appropriate to the
occasion. You have been taken to see the village-church, and some
offering there dedicated, to which you call attention, elicits the
story of some supernatural ‘seizure’ and miraculous cure. You express a
desire to visit some cave which you have observed in the mountain-side,
and the dissuasion and excuses which follow form the prelude to an
account of the fearful beings by whom it is haunted. Your guide crosses
himself or spits before fording a stream, and you enquire, once
safely across, what is the particular danger at this spot. Your mule
perhaps rolls with your baggage in the same stream, and the muleteer’s
imprecations suggest luridly novel conceptions of the future life.
Much also may be effected by playing upon patriotism or vanity or,
let it be confessed, love of lucre. You relate some story heard in
a neighbouring village or praise some custom there observed, and the
peasant’s parochial patriotism is up in arms to prove the superiority
of his native hamlet. You show perhaps some signs of incredulity (but
not until your informant is well launched upon his panegyric), and
his wounded pride bids him call in his neighbours to corroborate his
story. Or again you may hint at a little largesse, not of course for
your host--only witches and the professional reciters of folk-tales and
ballads are entitled to a fee--but on behalf of his children, and he
may pardon and satisfy what might otherwise have seemed too inquisitive
a curiosity.
Such are the folk to whom I am most beholden, and how shall I fitly
acknowledge my debt to them? Their very names maybe were unknown to me
even then, or at the most a ‘John’ or ‘George’ sufficed; and they in
turn knew not that I was in their debt. You, muleteers and boatmen,
who drove shrewd bargains for your services and gave unwittingly so
much beside, and you too, cottagers, who gave a night’s lodging to a
stranger and never guessed that your chatter was more prized than your
shelter, how shall I thank you? Not severally, for I cannot write nor
could you ever read the list of acknowledgements due; but to you all,
Georges and Johns, Demetris and Constantines, and rare anachronistic
Epaminondases, in memory of services rendered unawares, greeting from
afar and true gratitude!
Nor must I omit to mention the assistance which I have derived from
written sources. In recent times it has been a favourite amusement with
Greeks of some education to compile little histories of the particular
district or island in which they live, and many of these contain a
chapter devoted to the customs and superstitions of the locality. From
these, as also from the records of travel in Greece, particularly those
of French writers of the seventeenth and eighteenth centuries, I have
culled much that is valuable.
Nearly ten years have passed since my return from Greece, and such
leisure as they have allowed has been devoted to co-ordinating the
piecemeal information which I personally obtained or have gathered
from the writings of others, and to examining its bearing upon the
life and thought of Ancient Greece. In the former half of this task
I have but followed in the steps of Bernhard Schmidt and of Polites,
who had already presented a coherent, if still incomplete, account of
the folklore of Modern Greece, and my work has been mainly to check,
to correct, and to amplify; but for the latter half I would ask the
indulgent consideration which may fairly be extended to a pioneer.
Analogies and coincidences in the beliefs and customs of modern and of
ancient Greece have indeed been pointed out by others; but no large
attempt has previously been made to trace the continuity of the life
and thought of the Greek people, and to exhibit modern Greek folklore
as an essential factor in the interpretation of ancient Greek religion.
It is my hope that this book will prove interesting not to Greek
scholars only, but to readers who have little or no acquaintance with
Greek. All quotations whether from the ancient or modern language
are translated, and references to ancient and modern writers are
distinguished by the use of the ordinary Latinised names and titles in
the case of the former, and the retention of the Greek character for
denoting the latter. As regards the transliteration of modern Greek
words, I have made no attempt to represent the exact sound, except to
indicate in some words the accented syllable and to make the obvious
substitution of the English _v_ for the Greek β; but to replace
γ by _gh_ and δ by _dh_, as is sometimes done, gives to words an
uncouth appearance without assisting the majority of readers in their
pronunciation.
It remains only to express my thanks to the reviser of my proofs, Mr
W. S. Hadley of Pembroke College, but these are the hardest to express
adequately. I was conscious of making no small demand on the kindness
of the Tutor of a large College when I asked him to do me this service;
and I am conscious now that any words in acknowledgement of his
kindness are a poor expression of my gratitude for the generous measure
of time and of trouble which he has expended on each page.
Lastly I would thank the Syndics of the University Press for their
willingness to undertake the publication of this book, and the staff of
the Press for their unfailing courtesy in the course of its preparation.
J. C. L.
PEMBROKE COLLEGE,
CAMBRIDGE,
_December 31, 1909_.
TABLE OF CONTENTS.
PAGE
PREFACE vii-x
CHAPTER I. INTRODUCTORY.
§ 1. Modern Folklore as a source for the study of
Ancient Religion 1-7
§ 2. The survival of Ancient Tradition 8-25
§ 3. The survival of Hellenic Tradition 25-36
§ 4. The survival of Pagan Tradition 36-64
CHAPTER II. THE SURVIVAL OF PAGAN DEITIES.
§ 1. The Range of Modern Polytheism 65-71
§ 2. Zeus 72-74
§ 3. Poseidon 75-77
§ 4. Pan 77-79
§ 5. Demeter and Persephone 79-98
§ 6. Charon 98-117
§ 7. Aphrodite and Eros 117-120
§ 8. The Fates 121-130
§ 9. The Nymphs 130-162
§ 10. The Queens of the Nymphs 162-173
§ 11. Lamiae, Gelloudes, and Striges 173-184
§ 12. Gorgons 184-190
§ 13. The Centaurs 190-255
§ 14. Genii 255-291
CHAPTER III. THE COMMUNION OF GODS AND MEN. 292-360
CHAPTER IV. THE RELATION OF SOUL AND BODY.
§ 1. The Modern Greek Vampire 361-376
§ 2. The Composition of the Superstition: Slavonic,
Ecclesiastical, and Hellenic Contributions 376-412
§ 3. Revenants in Ancient Greece 412-434
§ 4. Revenants as Avengers of Blood 434-484
CHAPTER V. CREMATION AND INHUMATION 485-514
CHAPTER VI. THE BENEFIT OF DISSOLUTION 515-542
CHAPTER VII. THE UNION OF GODS AND MEN 543-606
GENERAL INDEX 607-617
INDEX OF GREEK WORDS AND PHRASES 618-620
CHAPTER I.
INTRODUCTORY.
§ 1. MODERN FOLKLORE AS A SOURCE FOR THE STUDY OF ANCIENT RELIGION.
The sources of information most obviously open to the student of
ancient Greek religion are the Art and the Literature of ancient
Greece; and the idea that modern Greece can have any teaching to impart
concerning the beliefs of more than two thousand years ago seems seldom
to have been entertained. Just as we speak of ancient Greek as a dead
language, and too often forget that many of the words and inflexions
in popular use at the present day are identical with those of the
classical period and even of the Homeric age, while many others, no
longer identical, have suffered only a slight modification, so are we
apt to think of Greek paganism as a dead religion, and do not enquire
whether the beliefs and customs of the modern peasant may not be a
direct heritage from his classical forefathers. And yet, if any such
heritage exist, there is clearly a fresh source of knowledge open to
us, from which to supplement and to correct the lessons of Art and
Literature.
Art, by its very nature, serves rather as illustration than as proof
of any theory of ancient religion. Sculpture has preserved to us the
old conceptions of the divine personalities. Vase-paintings record
many acts of ritual and scenes of worship. Architectural remains allow
us to restore in imagination the grandeur of holy places. But these
things are only the externals of religion: they need an interpreter,
if we would understand the spirit which informed them: and however
able the interpreter, the material with which he deals is so small
a remnant of the treasures of ancient art, that from day to day
some fresh discovery may subvert his precariously founded theories.
Though all would acknowledge how fruitful in religious suggestion the
evidence of art has proved when handled by competent critics, none
would claim that that evidence either in its scope, which the losses of
time have limited, or in its accuracy, which depends upon conjectural
interpretation, is a complete or infallible guide to the knowledge of
ancient religion.
From literature more might be expected, and more indeed is forthcoming,
though not perhaps where the modern mind, with its tendency to
methodical analysis, would look for it. If anyone should attempt to
classify ancient Greek literature in modern fashion, under the headings
of religion, science, history, drama, and so forth, he would remark one
apparent deficiency. While history, philosophy, and poetry of every
kind are amply represented and, however much has perished to be read no
more, the choicest blossoms and richest fruit of Greek toil in these
fields have been preserved to us, religion seems at first sight to have
been almost barren of literary produce. The department of religion
pure and simple would have little beyond an Hesiodic Theogony or some
Orphic Hymns to exhibit,--and even these have little enough bearing
upon real religion. In short, it is not on any special branch of Greek
literature, but rather upon the whole bulk thereof, that the student
of Greek religion must rely. He must recognize that a religious spirit
pervades the whole; that there is hardly a book in the language but has
some allusion to religious beliefs and customs, to cults and ceremonies
and divine personalities. And while recognizing this, he must still
admit the fact that nowhere is there found any definite exposition of
accepted beliefs as a whole, any statement of doctrine, any creed which
except a man believe he cannot be saved. How are we to reconcile these
two facts,--the constant presence of religion in all Greek literature,
and the almost total absence of any literature appertaining to religion
only? The answer to this question must be sought in the character of
the religion itself.
Greek religion differed from the chief now existing religions of the
world in its origin and development. It had no founder. Its sanction
was not the _ipse dixit_ of some inspired teacher. It possessed nothing
analogous to the Gospel of Jesus Christ, or the Koran. It was a
free, autochthonous growth, evolved from the various hopes and fears
of a whole people. If we could catch a glimpse of it in its infancy,
we should probably deny to it the very name of religion, and call it
superstition or folklore. Great teachers indeed arose, like Orpheus,
advocating special doctrines and imposing upon their followers special
rules of life. Great centres of religious influence were developed,
such as Delphi, exercising a general control over rites and ceremonies.
But no single preacher, no priesthood, succeeded in dominating over
the free conscience of the people. Nothing was imposed by authority.
In belief and in worship each man was a law unto himself; and so far
as there were any accepted doctrines and established observances,
these were not the subtle inventions of professional theologians or
an interested priesthood, but were based upon the hereditary and
innate convictions of the whole Greek race. The individual was free to
believe what he would and what he could; it was the general, if vague,
consensus of the masses which constituted the real religion of Greece.
The _vox populi_ fully established itself as the _vox dei_.
Again in this popular religion, when it had emerged from its earliest
and crudest form and had reached the definitely anthropomorphic stage
in which we know it, we can discern no trace of any tendency towards
monotheism. The idea of a single supreme deity, personal or impersonal,
appealed only to some of the greatest thinkers: the mass of the people
remained frankly polytheistic. For this reason the development of
Greek religion proceeded on very different lines from that of Hebrew
religion. The earliest Jewish conception of a God ‘walking in the
garden in the cool of the day’ was certainly no less anthropomorphic
than the Homeric presentation of the Olympian deities: but the
subsequent growth of Judaism was like that of some tall straight palm
tree lifting its head to purer air than is breathed by men; whereas
Greek religion resembled rather the cedar spreading wide its branches
nearer the earth. The Jew, by concentrating in one unique being every
transcendent quality and function, exalted gradually his idea of
godhead far above the anthropomorphic plane: the Greek multiplied
his gods to be the several incarnations of passions and powers and
activities pertaining also, though in less fulness, to mankind.
It is obvious that in point of simplicity and consistency the
monotheistic system must prove superior. As the worshipper’s
intellectual and spiritual capacities develop, he discards the older
and cruder notions in favour of a more enlightened ideal. Abraham’s
crude conception of the deity as a being to whom even human sacrifice
would be acceptable was necessarily rejected by an humaner age to whom
was delivered the message ‘I will have mercy and not sacrifice.’ In the
growth of Greek polytheism, on the contrary, the new did not supersede
the old, but was superimposed upon it. Fresh conceptions were expressed
by the creation or acceptance of fresh gods, but the venerable
embodiments of more primitive beliefs were not necessarily displaced by
them. The development of humaner ideas in one cult was no bar to the
retention of barbarous rites by another. The same deity under different
titles of invocation (ἐπωνυμίαι) was invested with different and even
conflicting characters: and reversely the same religious idea found
several expressions in the cults of widely different deities. The forms
of worship, viewed in the mass, were of an inconsistent and chaotic
complexity. Human sacrifice, we may be sure, was a thing abhorrent to
the majority of the cults of Zeus: yet Lycaean Zeus continued to exact
his toll of human life down to the time of Pausanias[1]. The worship of
Dionysus embodied something of the same religious spirit which pervaded
the teachings of Orpheus and the mysteries of Demeter, and came to be
closely allied with them: yet neither the austerity of Orphism nor
the real spirituality of the Eleusinian cult succeeded in mitigating
the wild orgies of the Bacchant or in repressing the savage rite of
_omophagia_ in which drunken fanatics tore a bull to pieces with their
teeth. Aphrodite was worshipped under two incompatible titles: in the
_rôle_ of the ‘Heavenly’ (οὐρανία), says Artemidorus[2], she looks
favourably upon marriage and childbirth and the home life, while under
her title of ‘Popular’ (πάνδημος) she is hostile to the matron, and
patroness of laxer ties. It is needless to multiply illustrations. The
forms in which the religious spirit of Greece found embodiment are
beyond question confused and mutually inconsistent. The same religious
idea might be expressed in so great a variety of rites, and the same
divine personality might be associated with so great a variety of
ideas, that no formal exposition of Greek religion as a whole was
possible. The verbal limitations of a creed, a _summa theologiae_,
would have been too narrow for the free, imaginative faith of Greece.
It was a necessary condition of Hellenic polytheism that, as it came
into being without any personal founder, without any authoritative
sacred books, so in its development it should be hampered and confined
neither by priestcraft nor by any literature purely and distinctively
religious. The spirit which manifested itself in a myriad forms of
worship could not brook the restraint of any one form of words.
And not only would it have been difficult to give adequate expression
to the essential ideas of Greek religion, but there was no motive for
attempting the task. Those of the philosophers who dealt with religion
wrote and taught for the reason that they had some new idea, some fresh
doctrine, to advance. Plato certainly abounds in references to the
popular beliefs of his age: but his object is not to expound them for
their own sake: rather he utilizes them as illustration and ornament
of his own philosophical views: his treatment of them in the main is
artistic, not scientific. In fact there was no one interested in giving
to popular beliefs an authoritative and dogmatic expression. There
was no hierarchy concerned to arrest the free progress of thought or
to chain men’s minds to the faith of their forefathers. A summary of
popular doctrines, if it could have been written, would have had no
readers, for the simple reason that the people felt their religion
more truly and fully than the writer could express it: and few men
have the interests of posterity so largely at heart, as to write what
their own contemporaries will certainly not read. Thus it appears that
there was neither motive nor means for treating the popular religion
in literary form: to formulate the common-folk’s creed, to analyse the
common-folk’s religion, was a thing neither desired nor feasible.
But because we observe an almost total absence of distinctively
religious literature, we need not for that reason be surprised at the
constant presence of religious feeling in all that a Greek wrote or
sang. Rather it was consistent with that freedom and that absence of
all control and circumscription which we have noted, that religion
should pervade the whole life of the people, whose hearts were its
native soil, and should consequently pervade also the literature in
which their thoughts and doings are recorded. For religion with them
was not a single and separate department of their civilisation, not
an avocation from the ordinary pursuits of men, but rather a spirit
with which work and holiday, gaiety and gloom, were alike penetrated.
We should be misled by the modern devotion to dogma and definite
formulae of faith, were we to think that so vague a religion as Greek
polytheism was any the less an abiding force, any the less capable of
inspiring genuine enthusiasm and reverence. It is not hard to imagine
the worshipper animated for the time by one emotion only, his mind
void of all else and flooded with the one idea incarnate in the divine
being at whose altar he sat in supplication. It is impossible really
to misdoubt the strength and the depth of Greek religious sentiment,
however multifarious and even mutually contradictory its modes of
display. A nation who peopled sky and earth and sea with godlike forms;
who saw in every stream and glen and mountain-top its own haunting,
hallowing presence, and, ill-content that nature alone should do them
honour, sought out the loveliest hills and vales in all their lovely
land to dedicate there the choicest of their art; who consecrated with
lavish love bronze and marble, ivory and gold, all the best that wealth
could win and skill adorn, in honour of the beings that were above man
yet always with him, majestic as Zeus, joyous as Dionysus, grave as
Demeter, light as Aphrodite, yet all divine; such a nation, though it
knew nought of inspired books and formulated creeds, can be convicted
of no shortcoming in real piety and devotion.
Their gods were very near to those whom they favoured; no communion
or intercourse was beyond hope of attainment; gods fought in men’s
battles, guided men’s wanderings, dined at men’s boards, and took to
themselves mortal consorts; and when men grew degenerate and the race
of heroes was no more, gods still held speech with them in oracles.
Religious hopes, religious fears, were the dominant motive of the
people’s whole life. It was in religion that sculpture found its
inspiration, and its highest achievements were in pourtraying deities.
The theatre was a religious institution, and on the stage, without
detriment to reverence, figured the Eumenides themselves. Religious
duties were excuse enough for Sparta to hang back from defending the
freedom of Greece. Religious scruples set enlightened Athens in an
uproar, because a number of idols were decently mutilated. Religious
fears cost her the loss of the proudest armament that ever sailed from
her shores. A charge of irreligion was pretext enough for condemning
to death her noblest philosopher. In everything, great and small, the
pouring of libations at the feast, the taking of omens before battle,
the consulting of the Delphic oracle upon the most important or most
trivial of occasions, the same spirit is manifest. Religion used or
abused, piety or superstition, was to the Greeks an abiding motive and
influence in all the affairs of life.
It is chiefly of these definite doings and customs that literature
tells us, just as art depicts the _mise-en-scène_ of religion. Yet it
would be inconceivable that a people who displayed so strong and so
abundant a religious feeling in all the circumstances and tasks of
life, should not have pondered over the essential underlying questions
of all religion, the nature of the soul and the mystery of life and
death. Literature tells us that to their poets and philosophers these
problems did present themselves, and many were the solutions which
different thinkers propounded: but of the general sense of the people
in this respect, of the fundamental beliefs which guided their conduct
towards gods and men in this life and prompted their care for the dead,
literature furnishes no direct statement: its evidence is fragmentary,
casual, sporadic. Everywhere it displays the externals, but it leaves
the inner spirit veiled. Literature as well as art needs an interpreter.
It is precisely in this task of interpretation that the assistance
offered by the folklore of Modern Greece should be sought. It should
be remembered that there is still living a people who, as they have
inherited the land and the language, may also have inherited the
beliefs and customs, of those ancients whose mazes of religion are
bewildering without a guide who knows them. Among that still living
people it is possible not only to observe acts and usages, but
to enquire also their significance: and though some customs will
undoubtedly be found either to be mere survivals of which the meaning
has long been forgotten, or even to have been subjected to new and
false interpretations, yet others, still rooted in and nourished by an
intelligent belief, may be vital documents of ancient Greek life and
thought.
§ 2. THE SURVIVAL OF ANCIENT TRADITION.
There may perhaps be some few who, quite apart from the continuity of
the Hellenic race, a question with which I must deal later, would be
inclined to pronounce the quest of ancient religion in modern folklore
mere lost labour. The lapse, they may think, of all the centuries which
separate the present day from the age of Hellenic greatness would in
itself disfigure or altogether efface any tradition of genuine value.
Such a view, however, is opposed to all the lessons that have of late
years been gained from a more systematic study of the folklore of all
parts of the world. Certain principles of magic and certain tendencies
of superstition seem to obtain, in curiously similar form, among
peoples far removed both in racial type and in geographical position.
It is sometimes urged by way of explanation that the resources of the
primitive mind are necessarily so limited, that many coincidences in
belief and custom are only to be expected, and that therefore the
similarity of form presented by some superstitions of widely separated
peoples is no argument in favour of their common origin. But, for my
part, when I consider such a belief as that in the Evil Eye, which
possesses, I believe, an almost world-wide notoriety, I find it
more reasonable to suppose that it was a tenet in the creed of some
single primitive people, of whom many present races of the world are
offshoots, and from whom they have inherited the superstition, than
that scores or hundreds of peoples, who had long since diverged in
racial type and dwelling and language, should subsequently have hit
upon one uniform belief. Indeed it may be that in the future the study
of folklore will become a science of no less value than the study of
language, and that by a comparison of the superstitions still held by
various sections of the human race it will be possible to adumbrate
the beliefs of their remotest common ancestors as clearly as, by
a comparison of their various speeches, the outlines of a common
ancestral language have been, and are being, traced. The _data_ of
folklore are in the nature of things more difficult to collect, more
comprehensive in scope, and more liable to misinterpretation, than the
_data_ of linguistic study; but none the less, when once there are
labourers enough in the field, it is not beyond hope that the laws
which govern the tradition and modification of customs and beliefs may
be found to be hardly less definite than the laws of language.
But comparative folklore is outside my present purpose. I assume
only, without much fear of contradiction, that many of the popular
superstitions and customs and magical practices still prevalent in the
world date from a period far more remote than any age on which Greek
history or archaeology can throw even a glimmering of light. If then
I can show that among the Greek folk of to-day there still survive in
full vigour such examples of primaeval superstition as the belief in
‘the evil eye’ and the practice of magic, I shall have established at
least an antecedent probability that there may exist also vestiges of
the religious beliefs and practices of the historical era.
The fear of ‘the evil eye’ (τὸ κακὸ μάτι, or simply τὸ μάτι[3],) is
universal among the Greek peasantry, and fairly common though not so
frankly avowed among the more educated classes. The old words βασκαίνω
and βασκανία are still in use, but ματιάζω and μάτι̯αγμα[4], direct
formations from the word μάτι, are more frequently heard. It would be
difficult to say on what grounds this power of ‘overlooking,’ if I
may use a popular English equivalent, is usually imputed to anyone.
Old women are most generally credited with it, but not so much owing
to any menacing appearance as because they are the chief exponents of
witchcraft and it is only fitting that the wise woman of a village
should possess the power of exercising the evil eye at will. These form
therefore quite a distinct class from those persons whose eyes are
suspected of exerting naturally and involuntarily a baneful influence.
In the neighbourhood of Mount Hymettus it appears that blue eyes fall
most commonly under suspicion: and this is the more curious because in
Attica, with its large proportion of Albanian inhabitants, blue eyes
are by no means rare. Possibly, however, it was the native Greeks’
suspicion of the strangers who settled among them, which first caused
this particular development of the belief in this district. Myself
possessing eyes of the objectionable colour, I have more than once been
somewhat taken aback at having my ordinary salutation (’γει̯ά σου,
‘health to you,’) to some passing peasant answered only by the sign
of the Cross. Fortunately in other localities I never to my knowledge
inspired the same dread; had it been general, I should have been forced
to abandon my project of enquiring into Greek folklore; for the risk
of being ‘overlooked’ holds the Greek peasant, save for a few phrases
of aversion, in awe-stricken silence. My impression is that any eyes
which are peculiar in any way are apt to incur suspicion, and that in
different localities different qualities, colouring or brilliance or
prominence, excite special notice and, with notice, disfavour. The evil
eye, it would seem, is a regular attribute both of the Gorgon and of
the wolf; for both, by merely looking upon a man, are still believed to
inflict some grievous suffering,--dumbness, madness, or death; and yet
there is little in common between the narrow, crafty eye of the wolf
and either the prominent, glaring eyes in an ancient Medusa’s head or
the passionate, seductive eyes of the modern Gorgon, unless it be that
any fixed unflinching gaze is sufficient reason for alarm.
Some such explanation will best account for the strange vagary of
superstition which brings under the category of the evil eye two
classes of things which seemingly would have no connexion either with
it or with each other, looking-glasses and the stars.
To look at oneself in a mirror is, in some districts, regarded as a
dangerous operation, especially if it be prolonged. A bride, being
specially liable to all sinister influences, is wise to forego the
pleasure of seeing her own reflection in the glass; and a woman in
child-bed, who is no less liable, is deprived of all chance of seeing
herself by the removal of all mirrors from the room. The risk in
all cases is usually greatest at night, and in the town of Sinasos
in Cappadocia no prudent person would at that time incur it[5]. The
reflection, it would seem, of a man’s own image may put the evil eye
upon him by its steady gaze: and it was in fear of such an issue that
Damoetas, in the _Idylls_ of Theocritus, after criticizing his own
features reflected in some glassy pool, spat thrice into his bosom that
he might not suffer from the evil eye[6].
The belief in a certain magical property of the stars akin to that of
the evil eye is far more widely held. They are, as it were, the eyes
of night, and in the darkness ‘overlook’ men and their belongings as
disastrously as does the human eye in the day-time. Just as a woman
after confinement is peculiarly liable to the evil eye and must have
amulets hung about her and mirrors removed from her room, so must
particular care be taken to avoid exposure to stellar influence.
Sonnini de Magnoncourt, who had some medical experience in Greece,
speaks authoritatively on this subject. According to the popular view,
he says, she must not let herself be ‘seen by a star’; and if she
goes out before the prescribed time,--according to this authority,
only eight days, but now preferably forty days, from the birth of
the child,--she is careful to return home and to shut herself up in
her room by sunset, and after that hour to open neither door nor
window, for fear that a star may surprise her and cause the death of
both mother and child[7]. So too in the island of Chios, if there is
occasion to carry leaven from one house to another, it must be covered
up,--in the day-time ‘to prevent it from being seen by any strange
eye,’ at night ‘to prevent it from being seen by the stars’: for if it
were ‘overlooked’ by either, the bread made with it would not rise[8].
Such customs show clearly that the stars are held to exercise exactly
the same malign influence as the human eye: the same simple phrases
denote in Greek the operation of either, and the ‘overlooking’ of
either has the same blighting effect.
The range of this mischievous influence--for I now take it that the
evil eye and the stars are indistinguishable in their ill effects--is
very large. Human beings are perhaps most susceptible to it. In some
districts[9] indeed new-born infants up to the time of their baptism
are held to be immune; till then they are the children of darkness,
and the powers of darkness do not move against them. But in general
no one at any moment of his life is wholly secure. Amulets however
afford a reasonable safety at ordinary times; it is chiefly in the
critical hours of life, at marriage and at the birth of children, that
the fear of the evil eye is lively and the precautions against it more
elaborate. Animals also may be affected. Horses and mules are very
commonly protected by amulets hung round their necks, and this is the
original purpose of the strings of blue beads with which the cab-horses
of Athens are often decorated. The shepherd too has cause for anxiety
on behalf of his flock, and, when a bad season or disease diminishes
the number of his lambs, is apt to re-echo the pastoral complaint,
Nescio quis teneros oculus mihi fascinat agnos[10].
‘Some jealous eye “o’erlooks” my tender lambs.’
And the pernicious influence makes itself felt in even a lower scale
of life. In the neighbourhood of Sparta, where there is a considerable
silk industry, the women believe that silk-worms are susceptible of
mischief from the evil eye; and the same superstition is recorded by de
Magnoncourt from Chios.
Of inanimate things, those most easily damaged in a similar way are
leaven, salt, and vinegar,--as being possessed of quickening or
preservative properties to which the blighting, destructive power of
the evil eye or of the stars is naturally opposed. The precautions
to be observed in carrying leaven from house to house have already
been noticed. Equal care is required in the making of the bread. It
often happens, so I have been told, that when a woman is kneading,
some malicious neighbour will come in, ostensibly for a chat, and put
the evil eye upon the leaven; and unless the woman perceives what is
going on and averts disaster by a special gesture which turns the evil
influence against the intruder, nothing to call bread will be baked
that day. Similarly it is unwise to borrow or to give away either salt
or vinegar at night[11]; but if it is necessary, it is prudent to
take precautions to prevent its exposure to the stars, which may even
be cheated of their prey by some such device as calling the vinegar
(ξεῖδι) ‘syrup’ (γλυκάδι) in asking for it[12]. Further, an object
which has been exposed to the stars may even carry the infection, as
it were, to those who afterwards use it. For this reason the linen and
clothes of a mother and her new-born infant must never be left out of
doors at night[13].
The precaution, as I have said, most commonly adopted is the wearing
of amulets. The articles which have the greatest intrinsic virtue for
this purpose are garlic, bits of blue stone or glass often in the form
of beads, old coins, salt, and charcoal: but many other things, by
their associations, may be rendered efficacious. The stump of a candle
burnt on some high religious festival, or a shred of the Holy Shroud
used on Good Friday, is by no means to be despised; and the bones of a
bat or a snake’s skin over which a witch has muttered her incantations
acquire thereby an equal merit. But such charms as these are _objets
de luxe_; the ordinary man contents himself with the commoner articles
whose virtue is in themselves. No midwife, I understand, would go about
her business without a plentiful supply of garlic. It is well that the
room should be redolent of it, and a few cloves must be fastened about
the baby’s neck either at birth or immediately after the baptism. Blue
beads are in general use for women, children, and animals. If men wear
them, they are usually concealed from view. But mothers value them
above all, because in virtue of their colour--γαλάζιος is modern Greek
for ‘blue’--they ensure an abundant supply of milk (γάλα) unaffected
by the evil eye or any other sinister potency. Salt and charcoal are
most conveniently carried in little bags with a string to go round the
neck. An effective charm consists of three grains of each material with
an old coin. But many other things are also used; when I have been
permitted to inspect the contents of such a bag, I have found strange
assortments of things, pebbles, pomegranate-seeds, bits of soap, leaves
of basil and other plants, often hard to recognize through age and dirt
and grease. One scientifically-minded man recommended me sulphate of
copper.
Special occasions also have special precautions proper to them. At
a wedding, the time of all others when envious eyes are most likely
to cause mischief, the bridegroom commonly carries a black-handled
knife slipped inside his belt[14], and the bride has an open pair of
scissors in her shoe or some convenient place, in order that any such
evil influence may be ‘cut off.’ But some of these magical safeguards
concern not only the evil eye, but ghostly perils in general, and will
claim notice in other connexions.
If, however, through lack of precautions or in spite of them, a man
suspects that he is being ‘overlooked,’ he must rely for protection
on the resources with which nature has provided him. The simplest
thing is to spit,--three times for choice, for that number has magical
value,--but on oneself, not at the suspected foe. Theocritus was
scrupulously correct, according to the modern view, in making his
shepherd spit thrice on his own bosom. Another expedient, though no
garlic be at hand to give effect to the words, is to ejaculate, σκόρδο
’στὰ μάτι̯α σου, ‘garlic in your eyes!’ Or use may be made of an
imprecation considered effective in many circumstances of danger, νὰ
φᾶς τὸ κεφάλι σου, ‘may you devour your own head!’ Lastly there is the
φάσκελον, a gesture of the hand,--first raised with the fist closed
and then suddenly advanced either with all the fingers open but bent,
or with the thumb and little finger alone extended,--which returns the
evil upon the offender’s own head with usury.
But, in spite of these manifold means of defence, the evil eye has
its victims; some malady seizes upon a man, for which no other cause
can be assigned; and the question of a cure arises. Here the Church
comes to the rescue, with special forms of prayer, commonly known as
βασκανισμοί, provided for the purpose. The person affected goes to the
church, or, if the case be serious, the priest comes to his house,
the prayers are recited, and the sufferer is fumigated with incense.
Also if there happens to be a sacred spring or well, ἅγι̯ασμα as it
is called, in the precincts of any church near,--and there are a fair
number of churches in Greece which derive both fame and emolument from
the possession of healing and miracle-working waters[15],--the victim
of the evil eye is well-advised to drink of them. There are some,
however, who rate the powers of a witch more highly than those of a
priest, and prefer her incantations to the prayers of the Church. She
knows, or is ready to improvise, forms of exorcism (ξόρκια, ξορκισμοί)
for all kinds of affliction. A typical example[16] begins, as do many
of the incantations of witchcraft, with an invocation of Christ and the
Virgin and the Trinity and the twelve Apostles; then comes a complaint
against the grievous illness which needs curing; next imprecations
upon the man or woman responsible for causing it; and finally an
adjuration of the evil eye to depart from the sufferer’s ‘head and
heart and finger-nails and toe-nails and the cockles of the heart,
and to begone to the hills and mountains[17]’ and so forth; after all
which the Lord’s prayer or any religious formula may be repeated _ad
libitum_. During the recitation of some such charm, the witch fumigates
her patient either with incense, or,--what is more effectual where a
guess can be made as to the identity of the envious enemy,--by burning
something belonging to the latter, a piece of his clothing or even a
handful of earth from his doorway[18]. Or again, if the patient is at a
loss to conjecture who it is that has harmed him, recourse may be had
to divination. A familiar method is to burn leaves or petals of certain
plants,--basil and gillyflower being of special repute[19],--mentioning
at the same time a number of names in succession. A loud pop or
crackling denotes that the name of the offender has been reached, and
the treatment can then proceed as described above.
* * * * *
No less widespread in Greece than the belief in the evil eye, and
equally primitive in character, is the practice of magic. Few
villages, I believe, even at the present day do not possess a wise
woman (μάγισσα). Often indeed, owing to the spread of education and
the desire to be thought ‘European’ and ‘civilised,’ the inhabitants
will indignantly deny her existence, and affect to speak of witches
as things of the past. But in times of illness or trouble they are
apt to forget their pretensions of superiority, and do not hesitate
to avail themselves of the lore inherited from their superstitious
forefathers. For the most part women are the depositaries of these
ancient secrets, and the knowledge of charms, incantations, and all
the rites and formularies of witchcraft is handed down from mother to
daughter. But men are not excluded from the profession. The functions
of the priest, for example, are not clearly distinguished from those of
the unconsecrated magician. At a baptism, which often takes place in
the house where the child is born and not at the church, the priest
opens the service by exorcising all evil spirits and influences from
the four corners of the room by swinging his censer, but the midwife,
who usually knows something of magic, or one of the god-parents,
accompanies him and makes assurance doubly sure by spitting in each
suspected nook. Moreover if a priest lead a notoriously evil life or
chance to be actually unfrocked, the devil invests him with a double
portion of magical power, which on any serious occasion is sure to be
in request. But, apart from the clergy who owe their powers to the use
or abuse of their office, there are other men too here and there who
deal in witchcraft. They are usually specialists in some one branch,
and professors of the white art rather than of the black,--one versed
in popular medicine and the incantations proper to it, another in
undoing mischievous spells, another in laying the restless dead. The
general practitioners, causing disease as often as curing it, binding
with curses as readily as loosing from them, are for the most part
women.
I shall not attempt to enumerate here all the petty uses of magic
of which I have heard or read: indeed an exhaustive treatment of
the subject, even for one who had devoted a lifetime to cultivating
an intimacy with Greek witches, would be hardly possible; for their
secrets are not lightly divulged, and new circumstances may at any
time require the invention of new methods. I propose only to describe
some of the best known and most widely spread practices, some
beneficent, others mischievous. Most of them will be seen to be based
on the primitive and worldwide principle of sympathetic magic,--the
principle that a relation, analogy, or sympathy existing, or being once
established, between two objects, that which the one does or suffers,
will be done or suffered also by the other.
If it be desired to cause physical injury or death to an enemy, the
simplest and surest method is to make an image of him in some malleable
material,--wax, lead, or clay,--and, if opportunity offer, to knead
into it or attach to it some trifle from the enemy’s person. Three
hairs from his head are a highly valuable acquisition, but parings
of his nails or a few shreds of his clothing will serve: or again
the image may be put in some place where his shadow will fall upon
it as he passes. These refinements of the practice, however, are not
indispensable; the image by itself will suffice. This being made, the
treatment of it varies according to the degree of suffering which it is
desired to inflict.
Acute pain may be caused to the man by driving into his image pins
or nails. This device is popularly known as κάρφωμα, ‘pinning’ or
‘nailing,’ and many variations of it are practised. One case recorded
in some detail was that of a priest’s wife who from her wedding-day
onward was a prey to various pains and ills. The priest tried in vain
to relieve them by prayer, and finally called in a witch to aid him.
After performing certain occult rites of divination, she informed him
that he must dig in the middle of his courtyard. There he found a tin,
which on being opened revealed an assortment of pernicious charms,--one
of his wife’s bridal shoes with a large nail through it, a dried-up bit
of soap (presumably from the bridal bath) stuck full of pins, a wisp
of hair (probably some of the bride’s combings) all in a tangle, and
lastly a padlock. The nail and pins were at once pulled out and the
hair carefully disentangled, with the result that the woman was freed
from her pains and her complicated ailments. But the padlock could not
be undone, and was thrown away into the sea, with the result that the
woman remained childless. The bride had been ‘nailed’ (καρφωμένη) by a
rival. In this case, it is true, no waxen or leaden image was used, but
the principle is the same. The use of an image is only preferable as
allowing the maker of it to select any part of the body which he wishes
to torture.
Another method of dealing with the image is to melt or wear it away
gradually; if it be of wax or lead, it may be seared with a red-hot
poker, or placed bodily in the fire; if it be of clay, it may be
scraped with a knife, or put into some stream which will gradually wash
it away. Accordingly as it is thus wasted away, slowly or rapidly, so
will the person whom it represents waste and die. This is in principle
the same system as that adopted by Simaetha in the Idyll of Theocritus
to win back the love of Delphis. ‘Even as I melt this wax,’ she cries,
‘with God’s help, so may the Myndian Delphis by love be straightway
molten[20]’; and she too used in her magic rites a fringe from Delphis’
cloak, to shred and to cast into the fierce flame.[21] Only, in her
case, the incantation turned what might have been a death-spell into a
love-charm.
Love and jealousy are still the passions which most frequently suggest
the use of magic. Occult methods are necessary to the girl whose
modesty prevents her from courting openly the man on whom her heart is
set, and not less so to her who would punish the faithlessness of a
former lover.
The following are some recorded recipes[22] for winning the love of an
apathetic swain.
Obtain some milk from the breasts of a mother and daughter who are both
nursing male infants at the same time, or, in default of that, from any
two women both nursing first-born male infants; mix it with wheat-flour
and leaven, and contrive that the man eat of it. Repeat therewith the
following incantation: ὅπως κλαῖνε καὶ λαχταρίζουν τώρα τὰ παιδία ποῦ
τοὺς λείπει τὸ γάλα τους, ἔτσι νὰ λαχταρίσῃ καὶ ὁ τάδε γι̯ὰ τὴν τάδε,
‘As the infants now cry and throb with desire for the milk which fails
them, so may N. throb with desire for M.’
Take a bat or three young swallows, and roast to cinders on a fire of
sticks gathered by a witch at midnight where cross-roads meet: at the
same time repeat the words, ὅπως στρηφογυρίζει, τρέμει, καὶ λαχταρίζει
ἡ νυχτερίδα ἔτσι νὰ γυρίζῃ ὁ τάδε, νὰ τρέμῃ καὶ νὰ λαχταρίζῃ ἡ καρδι̯ά
του γι̯ὰ τὴν τάδε, ‘As the bat writhes, quivers, and throbs, so may N.
turn, and his heart quiver and throb with desire for M.’ The ashes of
the bat are then to be put into the man’s drink.
Take a bat and bury it at cross-roads; burn incense over it for forty
days at midnight; dig it up and grind its spine to powder. Put the dust
in the man’s drink as before.
Such are some of the magic means of winning love; and the rites, while
involving as much cruelty to the bat as was suffered by the bird of
witchcraft, the ἴυγξ, in the ancient counterpart of these practices,
are at any rate, save for the ashes in the man’s liquor, innocuous
to him. But the weapon of witchcraft wherewith a jealous woman takes
vengeance upon a man who has forsaken her or who has never returned
her affection and takes to himself another for his bride, is truly
diabolical. This is known as the spell of ‘binding’ (δέσιμον or
ἀμπόδεμα[23]). Its purpose is to fetter the virility of the husband
and so to prevent the consummation of the marriage. The rite itself
is simple. Either the jealous girl herself or a witch employed by her
attends the wedding, taking with her a piece of thread or string in
which three loops have been loosely made. During the reading of the
gospel or the pronouncement of the blessing, she pulls the ends of
the string, forming thereby three knots in it, and at the same time
mutters the brief incantation, δένω τὸν τάδε καὶ τὴν τάδε, καὶ τὸ
διάβολο ’στὴ μέση, ‘I bind N. and M. and the Devil betwixt them.’ The
thread is subsequently buried or hidden, and unless it can be found
and either be burnt or have the knots untied, there is small hope for
the man to recover from his impotence. There is no doubt, I think,
that the extreme fear in which this spell is held has in some cases so
worked upon the bridegroom’s nerves as to render the ‘binding’ actually
effective, just as extreme faith in miraculous _icons_ occasionally
effects cures of nervous maladies[24]. Sonnini de Magnoncourt vouches
for a case, known to him personally, in which the effect of this
terror continued for several months, until finally the marriage was
dissolved on the ground of non-consummation, and the man afterwards
married another wife and regained his energy[25]. I myself have more
than once been told of similar cases, in which however divorce was not
sought (it is extremely rare in Greece) but the spell was broken by
the finding of the thread or by countervailing operations of magic. In
Aetolia, where this superstition is specially rife, I knew of a priest,
a son of Belial by all accounts, who made a speciality of loosing
these binding-spells. By his direction the afflicted man and his wife
would go at sunset to a lonely chapel on a mountain-side, taking
with them food and a liberal supply of wine, with which to regale
themselves and the priest till midnight. At that hour they undressed
and stood before the priest, who pronounced over them some form of
exorcism and benediction,--my informant could not give me the words.
They then retired to rest on some bedding provided by the priest on
the chapel-floor, while he recited more prayers and swung his censer
over them. I was assured that more than one couple in the small town
where I was staying confessed to having obtained release from the spell
by a night thus spent and with the extreme simplicity of the peasants
of that district thought no shame to confess it. And this is the more
easily intelligible, because, as we shall see later[26], the practice
of ἐγκοίμησις, sleeping in some holy place with a view to being cured
of any ailment, is as familiar to Christians of to-day as it was to
their pagan ancestors.
But pure magic too, no less than these quasi-Christian methods, may
effect the loosing of the bond, even without the discovery of the
knotted thread which is the source of the mischief. In a recent case
on record, a witch, having been consulted by a couple thus distressed,
took them to the sea-shore, bade them undress, bound them together with
a vine-shoot, and caused them to stand embracing one another in the
water until forty waves had beaten upon them[27]. On the significance
of the details of this charm no comment is made by the recorder of
it; but they deserve, I think, some notice. The vine-shoot, like the
olive-shoot, is a known instrument of purification, and is sometimes
laid on the bier beside the dead during the lying-in-state (πρόθεσις).
Salt is likewise possessed of magical powers to avert all evil
influences,--we have noticed the use of it in amulets to protect from
the evil eye,--and the sea is therefore more efficacious than a river
for mystic purposes. Forty is the number of purification; the churching
of women takes place on the fortieth day from the birth, whence the
Greek word for to ‘church’ is σαραντίζω,--from σαράντα, ‘forty.’ Lastly
the beating of the waves seems intended to drive out by physical
compulsion the devil or any power of evil by which husband and wife are
kept apart.
In view of this danger it is natural that ample precautions should
be taken at every wedding. During the dressing of the bride or the
bridegroom, it is customary to throw a handful of salt into a vessel
of water, saying, ὅπως λυώνει τὸ ἁλάτι, ἔτσι νὰ λυώσουν οἱ ὀχτροί
(ἐχθροί), ‘As the salt dissolves, so may all enemies dissolve.’ The
black-handled knife worn by the bridegroom in his belt, and the pair
of scissors put in the bride’s shoe or sometimes attached to her
girdle, both of which have been noticed as safeguards against the
evil eye, serve also to ‘cut’ this magic bond of impotence. Sometimes
too a pair of scissors and a piece of fisherman’s net are put in the
bridal bed. In Acarnania and Aetolia, and it may be elsewhere, a still
more primitive custom prevails; both bride and bridegroom wear an
old piece of fishing-net,--in which therefore resides the virtue of
salt water,--round the loins next to the body; and from these bits of
netting are afterwards made amulets to be worn by any children of the
marriage. Such customs are likely long to continue among the simpler
folk of modern Greece, who frankly and innocently wish the bride at her
wedding reception ‘seven sons and one daughter.’
But it is not only for ailments induced by malicious magic that magical
means of cure or aversion are used. The whole of popular medicine is
based upon the knowledge of charms and incantations. Many simples and
drugs are of course known and employed; but it is still generally
believed, as it was in old time, that ‘there would be no good in the
herb without the incantation[28].’ For the most ordinary diseases are
credited to supernatural causes, and there is no ill to which flesh is
heir,--from a headache to the plague,--without some demon responsible
for it. A nightmare and the sense of physical oppression which often
accompanies it are not traced to so vulgar a cause as a heavy supper,
but are dignified as the work of a malicious being named Βραχνᾶς[29],
who in the dead of night delights to seat himself on the chest of
some sleeper, and by his weight produces an unpleasant feeling of
congestion. Material for a similar personification has been found also
in the more terrible pestilences by which Greece has from time to time
been visited. It is still believed among the poorest folk of Athens
that in a cleft on the Hill of the Nymphs, undisturbed even by the
modern observatory on its summit, there lives a gruesome sisterhood,
a trinity of she-devils, Χολέρα, Βλογι̯ά, and Πανοῦκλα,--Cholera,
Smallpox, and Plague.
Granted then that illness in general is the malicious work of
supernatural beings, common reason recommends the employment of
supernatural means to defeat and expel them. Forms of exorcism have
in past times been provided by the Church and are still in vogue; but
here, as in other matters, the functions of the priest are shared
with the witch, and an old woman versed in the traditional lore of
popular medicine is as competent as any bishop to cast out the devils
of sickness. Nor do the popular incantations differ much in substance
from the ecclesiastical. The witch knows better than to try to cast
out devils in the Devil’s name, and her exorcisms contain invocations
of God and the saints of the same character as those sanctioned by
the Church; only in her accompanying rites and gestures there is a
picturesque variety which is lacking in the swinging of the priest’s
censer.
The details of the rites and the full forms of incantation are in
general extremely difficult to obtain. The witches themselves are
always reticent on such points, and I have known one plead, by way of
excuse for her apparent discourtesy in withholding information, that
the virtue of magic was diminished in proportion as the knowledge of
it was disseminated. One cure, however,--a cure for headache--will
sufficiently illustrate the principle on which the healing art among
the common-folk generally proceeds. This cure is based upon the
assumption that the tense and bruised feeling of a bad headache is
due to the presence of some demon within the skull, and that the
room which he occupies must have been provided by distention of the
head,--which will therefore measure more in circumference while it
aches than when the demon has been exorcised. This is demonstrated in
the course of the cure. The witch takes a handkerchief and measures
with it the patient’s head. Doubling back the six or eight inches of
the handkerchief that remain over, she puts in the fold three cloves of
garlic, three grains of salt, or some other article of magical virtue,
and ties a knot. Then waving the handkerchief about the patient’s head,
she recites her form of exorcism,--but usually in a tone so low and
mumbling that the bystanders cannot catch the words. The exorcism being
finished, she again measures the head, and this time the knot, which
marks the previous measurement, is found to overlap, by two or three
inches it may be, the other end of the kerchief,--a sure sign that the
intruding demon has been expelled and that the head having returned to
its natural dimensions will no longer ache[30]. The exact words of the
incantation which should accompany this rite I could not obtain; but
I make little doubt that in substance they would differ little from a
Macedonian formula recently published:--
‘For megrim and headache:
‘Write on a piece of paper:--God of Abraham, God of Isaac, God of
Jacob, loose the demon of the megrim from the head of Thy servant. I
charge thee, unclean spirit which ever sittest in the head of man,
take thy pain and depart from the head: from half-head, membrane, and
vertebra, from the servant of God, So-and-so. Stand we fairly, stand we
with fear of God. Amen[31].’
In this instance we have the formula but not, it seems, the rite which
should accompany it; for the mere act of committing the words to paper
is hardly likely to be deemed sufficient. Probably the paper would be
laid under the pillow at night, or, as I have known in other cases,
would be burnt, and its ashes taken as a sedative powder.
The various charms which we have so far considered are directed towards
the hurt or the healing of man: but external nature is also responsive
to magic spells. It is rumoured that there are still witches who have
power to draw down the moon from the heavens by incantation; but a more
useful ceremony, designed to draw down the clouds upon a parched land,
may still be actually witnessed. The most recent case known to me was
in the April of 1899, when the rite was carried out some few days,
unfortunately, after I had left the district by the people of Larissa.
The custom is known all over the north of Greece--in Epirus[32],
Thessaly, and Macedonia,--and also it is said among some of the Turks,
Wallachs, and Servians; to the south of those regions and in the
islands of the Aegean I heard nothing of it. A boy (or sometimes, it
is said, a girl[33]) is stripped naked and then dressed up in wreaths
and festoons of leafage, grass, and flowers, and, escorted by a troop
of children of his own age, goes the round of the neighbourhood. He is
known as the περπερία, and his companions sing as they go,
Perpería goes his way
And to God above doth pray,
Rain, O God, a gentle rain,
Shed, O God, a gentle shower,
That the fields may give their grain,
And the vines may come to flower,
and so forth in such simple strain[34]. At each doorway and more
particularly at every spring and well, which it is the special duty of
the Perpería to visit, anyone who will may empty a vessel of water over
the boy, to whom some compensation for his drenching is usually made in
the form of sweetmeats or coppers.
The word περπερία has been the subject of considerable discussion.
By-forms περπερίτσα, περπεροῦνα, and παππαροῦνα also occur. The first
two are of the nature of diminutives; the last-named is a corrupt form
used only, so far as I know, in one district of Epirus, and means
a ‘garden-poppy.’ The perversion of the word has in this district
(Zagorion) affected the rite itself; for it is considered necessary
for this flower to be used largely in dressing up the chief actor in
the ceremony[35]. But the most general, and, as I think, most correct
form is περπερία (or περπερεία). With the ancient word περπερεία,
derived from the Latin _perperus_ and used in the sense of ‘boasting’
or ‘ostentation,’ it can, I feel, have no connexion; and I suggest that
it stands for περιπορεία, with the same abbreviation as in περπατῶ
for περιπατῶ, ‘walk,’ and subsequent assimilation of the first two
syllables. If my conjecture is right, the word originally meant nothing
more than a ‘procession round’ the village; next it became confined in
usage to a procession for the particular purpose of procuring rain;
and finally, the words πορεία[36] and πορεύομαι having been lost from
popular speech, it was taken to be the name of the boy who plays the
uncomfortable part of vegetation craving water. And indeed it would
seem likely that the song which forms part of the ceremony was actually
first composed at a time when περπερία was still understood in the
sense of ‘procession’: for in every recorded version known to me it
would be still possible to interpret the word in this meaning without
detriment to the context.
The rite itself as an example of sympathetic magic requires no
commentary: a simpler application of the principle that like produces
like could not be found.
* * * * *
Other examples of primitive customs and beliefs still prevalent
in Greece might easily be amassed: but I have preferred to select
these few for detailed treatment rather than to glance over a larger
number, in order that they may the more clearly be seen to belong to
certain types of superstition found the whole world over and therefore
presumably dating from prehistoric ages: for if the population of
Greece has proved a good vehicle for the transmission of superstitions
so primaeval, it will surely follow that there is nothing extravagant
in hoping to learn also from their traditions something of the religion
of historic Hellas.
§ 3. THE SURVIVAL OF HELLENIC TRADITION.
There may however be some who, while admitting that mere lapse of time
need not have extinguished ancient Hellenic ideas, will be disposed to
question the likelihood, even the possibility, of their transmission
on racial grounds. The belief in the evil eye and the practice of
sympathetic magic were once, they may say, the common property of the
whole uncivilised world; and though the inhabitants of modern Greece
have inherited these old superstitions and usages, there is nothing
to show from what ancestry they have received the inheritance. The
population, it may be urged, has changed; the Greeks of to-day are not
Hellenes; their blood has been contaminated by foreign admixture, and
with this admixture may have come external, non-Hellenic traditions;
has not Fallmerayer stoutly maintained that the modern inhabitants of
Greece have practically no claim to the name of Hellenes, but come of a
stock Slavonic in the main, though cross-bred with the offscourings of
many peoples?
The historical facts from which Fallmerayer argued are not to be
slighted. It is well established[37] that, from the middle of the sixth
century onwards, successive hordes of Slavonic invaders swept over
Greece, driving such of the native population as escaped destruction
into the more mountainous or remote districts; that in the middle of
the eighth century, when the numbers of the Greek population had been
further reduced by the great pestilence of 746, ‘the whole country,’
to use the exact phrase of Constantine Porphyrogenitus[38], ‘became
Slavonic and was occupied by foreigners’; that the Slavonic supremacy
lasted at least until the end of the tenth century; that thereafter
a gradual fusion of the remnants of the Greek population with their
conquerors began, but proceeded so slowly that at the beginning of the
thirteenth century the ‘Franks,’ as the warriors of Western Christendom
were popularly called, found Slavonic tribes in Elis and Laconia quite
detached from the rest of the population, acknowledging indeed the
supremacy of the Byzantine government, but still employing their own
language and their own laws; and finally that the amalgamation of the
two races was not complete even by the middle of the fifteenth century,
for the Turks at their conquest of Greece found several tribes of the
Peloponnese, especially in the neighbourhood of Mount Taygetus, still
speaking a Slavonic tongue.
If then, as is now generally admitted, Fallmerayer’s conclusions were
somewhat exaggerated, it remains none the less an historical fact that
there is a very large admixture of Slavonic blood in the veins of the
present inhabitants of Greece. The truth of this is moreover enforced
by the physical characteristics of the people as a whole. Travellers
conversant alike with Slavs and with modern Greeks have affirmed to me
their impression that there is a close physical resemblance between the
two races; and while I have not the experience of Slavonic races which
would permit me to judge of this resemblance for myself, it certainly
offers the best explanation of my own observations with regard to the
variations of physical type in different parts of the Greek world. In
the islands of the Aegean and in the promontory of Maina, to which the
Slavs never penetrated, the ancient Hellenic types are far commoner
than in the rest of the Peloponnese or in Northern Greece. Not a
little of the charm of Tenos or Myconos or Scyros lies in the fact
that the grand and impassive beauty of the earlier Greek sculpture may
still be seen in the living figures and faces of men and women: and if
anyone would see in the flesh the burly, black-bearded type idealised
in a Heracles, he need but go to the south of the Peloponnese, and
among the Maniotes he will soon be satisfied: for there he will find
not merely an occasional example, as of reversion to an ancestral type,
but a whole tribe of swarthy, stalwart warriors, whose aspect seems to
justify their claim that in proud, though poverty-stricken, isolation
they have kept their native peninsula free from alien aggression,
and the old Laconian blood still pure in their veins. The ordinary
Greek of the mainland, on the other hand, is usually of a mongrel and
unattractive appearance; and in view of the marked difference of the
type in regions untouched by the Slavs, I cannot but impute his lack of
beauty to his largely Slavonic ancestry.
Yet even in the centre of the Peloponnese where the Slavonic influence
has probably been strongest, the pure Greek type is not wholly extinct.
I remember a young man who acted as ostler and waiter and in all other
capacities at a small _khan_ on the road from Tripolitza to Sparta, who
would not have been despised as a model by Praxiteles; and elsewhere
too, now and again, I have seen statuesque forms and classic features,
less perfect indeed than his, but yet proclaiming beyond question an
Hellenic lineage; so that I should hesitate to say that in any part of
Greece the population is as purely Slavonic as in Maina or many of the
islands it is purely Greek.
But, as I think, the exact proportion of Slavonic and of Hellenic
blood in the veins of the modern Greeks is not a matter of supreme
importance. Even if their outward appearance were universally and
completely Slavonic, I would still maintain that they deserve the
name of Greeks. Though their lineage were wholly Slavonic, their
nationality, I claim, would still be Hellenic. For the nationality of
a people, like the personality of an individual, is something which
eludes definition but which embraces the mental and the moral as
well as the physical. A man’s personality is not to be determined by
knowledge of his family and his physiognomy alone; and similarly racial
descent and physical type are not the sole indices of nationality. Even
if a purely Slavonic ancestry had dowered the inhabitants of Greece
with a purely Slavonic appearance, yet, if their thoughts and speech
and acts were, as they are, Greek, I would still venture to call them
Greek in nationality. _Ce n’est que la peau dont l’Ethiope ne change
pas._
But the people of modern Greece do not actually present so extreme
a case of acquired nationality. They are partly Greek in race: and
if it should appear that they are wholly Greek in nationality, the
explanation must simply be that the character, no less than the
language, of their Hellenic ancestors was superior in vitality to that
of the Slavs who intermarried with them, and alone has been transmitted
to the modern Greek people.
What, then, is the national character at the present day?
The first feature of it which casual conversation with any Greek will
soon bring into view is that narrow patriotism which was so remarkable
a trait in the Greeks of old time. If he be asked what is his native
land (πατρίδα), his answer will be, not Greece nor any of the larger
divisions of it, but the particular town or hamlet in which he happened
to be born: and if in later life he change his place of abode, though
he live in his new home ten or twenty years, he will regard himself
and be regarded by the native-born inhabitants as a foreigner (ξένος).
Or again if a man obtain work for a short time in another part of
the country, or if a girl marry an inhabitant of a village half a
dozen miles from her own, the departure is mourned with some of those
plaintive songs of exile in which the popular muse delights. Nor are
there lacking historical cases in which this narrow love of country
has produced something more than fond lamentations; the boast of the
Maniotes that they have never acknowledged alien masters is in the
main a true boast, and it was pure patriotism which nerved them in
their long struggle with the Turks for the possession of their rugged,
barren, storm-lashed home. It was patriotism too, narrow and proud,
that both sustained the heroic outlaws of Souli in their defiance of
Ottoman armies, and also,--because they disdained alliance with their
Greek neighbours,--contributed to their final downfall.
But so tenacious and indomitable a courage is in modern, as it was in
ancient, Greece the exception rather than the rule. The men of Maina
and of Souli are comparable to the Spartans: but in no period of Greek
history has steadfast bravery been commonly displayed. Yet, in spite
of the humiliating experiences of the late Graeco-Turkish war, the
Greek people should not be judged devoid of courage. But theirs is a
courage which comes of impulse rather than of self-command; a courage
which might prompt a charge as brilliant as that of Marathon, but could
not cheerfully face the hardships of a campaign; a courage which might
turn a slight success into a victory, but could not save a retreat from
becoming a rout.
It must be acknowledged also that the rank and file are in general
more admirable than their officers. The bravery of the men, impulsive
and short-lived though it be, is inspired by a real devotion of
themselves to a cause; whereas among the officers self-seeking and even
self-saving are conspicuous faults. Even the really courageous leaders
seldom have a single eye to the success of their arms. Their plans are
marred by petty jealousies. The same rivalries for the supreme command
which embarrassed the Greeks of old in defending their liberty against
Persia, were repeated in the struggles of the last century to throw off
the Turkish yoke. And if in both cases the Greeks were successful, in
neither was victory due to the unity and harmony of their leaders, but
rather to that passionate hatred of the barbarians which stirred the
people as a whole.
Indeed, not only in war but in all conditions of life, any personal
eminence or distinction has been apt to turn the head of a Greek.
‘The abundant enjoyment of power or wealth,’ said the ancients not
without knowledge of the national character, ‘begets lawlessness and
arrogance’; and in humbler phrase the modern proverb sums up the same
qualities of the race,--καλὸς δοῦλος, κακὸς ἀφέντης, ‘a good servant
and a bad master.’ In all periods of Greek history there have been
few men who have attained to power without abusing it. The honour
of being returned to the Greek Parliament upsets the mental balance
of a large number of deputies. Without any more intimate knowledge
of politics than can be obtained from second-rate newspapers, they
believe themselves called and qualified to lead each his own party,
with the result--so it is commonly said--that no government since the
first institution of parliament has ever had an assured majority in
the House, and on an average there have been more than one dissolution
a year. The modern parliament is as unstable an institution as the
ancient ecclesia of Athens when there was no longer a Pericles to
control it, and its demagogues are as numerous.
Even the petty eminence of a village schoolmaster proves to be too
giddy a pinnacle for many. Such an one thinks it necessary to support
his position--which owing to the Greek love of education is more highly
respected perhaps than in other countries--by a pretence of universal
knowledge and a pedantry as lamentable as it is ludicrous. I remember
a gentleman who boasted the title of Professor of Ancient History in
the _gymnasium_ or secondary school of a certain town, who called to me
one day as I was passing a _café_ where he and some of his friends were
sitting, and said that they were having a pleasant little discussion
about the first Triumvirate, and had recalled the names of Cicero and
Caesar, but could not at the moment remember the third party. Could
I help them? I hesitated a moment, and then resolved to risk it and
suggest, what was at least alliterative if not accurate, the name of
Cato. ‘Of course,’ he answered, ‘how these things do slip one’s memory
sometimes!’ Yet this Professor posed as an authority on many subjects
outside his own province of learning, and frequently when I met him
would insist on talking dog-Latin with an Italian pronunciation, a
medium in which I found it difficult to converse.
In this readiness to discourse on any and every subject and to
display attainments in and out of season, he and the class of which
he is typical are the living images of the less respectable of the
ancient Sophists. And in pedantry of language too they fairly rival
their famous prototypes. The movement in favour of an artificial
revival of ancient Greek has already been of long duration, and has
had a detrimental effect upon the modern language. The vulgar tongue
has a melodious charm, while many classical words, in the modern
pronunciation, are extremely harsh and uncouth. The object of the
movement is to secure an uniform ‘pure’ speech, as they call it,
approximate to that of Plato or of Xenophon; and the method adopted is
to mix up Homeric and other words of antiquarian celebrity with literal
renderings of modern French idioms, inserting datives, infinitives,
and other obsolete forms at discretion. To aid in this movement is the
task and the delight of the schoolmasters: and such is their devotion
to this linguistic sophistry, that they are not dismayed even by the
ambiguity arising from the use of ancient forms indistinguishable in
modern speech. The two old words ἡμέτερος and ὑμέτερος have now no
difference in sound: yet the schoolmaster uses them and inculcates
the use of them, with the lamentable result that the children are not
taught to distinguish _meum_ and _tuum_ even in speech.
And here again the character of the modern Greek reflects that of his
ancestors. Honesty and truthfulness are not the national virtues. To
lie, or even to steal, is accounted morally venial and intellectually
admirable. It is a proof of superior mother-wit, than which no quality
is more valued in the business of everyday life. Almost the only
things in Greece which have fixed prices are tobacco, newspapers, and
railway-tickets. The hire of a mule, the cost of a bunch of grapes,
the price of meat, the remuneration for a vote at the elections,--such
matters as these are the subject of long and vivacious bargaining, and
if the money does not change hands on the spot, the bargain may be
smilingly repudiated and an attempt made, on any pretext which suggests
itself, to extort more. Yet there is a certain charm in all this; for,
if a man get his own price, it is not so much the amount of his profit
which pleases him as his success in winning it; and if he fail, he
takes a smaller sum with perfect good humour and increased respect for
the man who has outwitted him. Anyone may be honest; but to be ἔξυπνος,
as they say, shrewd, wide-awake,--this is Greek and admirable. The
contrast of an Aristides with a Themistocles is the natural expression
of Greek thought. Moral uprightness and mental brilliance are not to be
expected of one and the same man; and for the most part the Greeks now
as in old time praise others for their justice and pride themselves on
their cunning. The acme of cleverness is touched by him who can both
profit by dishonesty and maintain a reputation for sincerity.
But, while truthfulness and fair dealing are certainly rare, there
is one relation in which the most scrupulous fidelity is unfailingly
shown. The obligations of hospitality are everywhere sacred. The
security and the comfort of the guest are not in name only but in
actual fact the first consideration of his host. However unscrupulous
a Greek may be in his ordinary dealings, he never, I believe, harbours
for one moment the idea of making profit out of the stranger who
seeks the shelter of his roof. For hospitality in Greece, it must be
remembered, means not the entertainment of friends and acquaintances
who are welcome for their own sake or from whom a return in kind may
be expected, but real φιλοξενία, a generous and friendly welcome to
a stranger unknown yesterday and vanished again to-morrow. To each
unbidden chance-comer the door is always open. For lodging he may
chance to have an incense-reeking room where the family _icons_ hang,
or a corner of a cottage-floor barricaded against the poultry and
other inmates; for food, hot viands rich in circumambient oil, or
three-month-old rye-bread softened in a cup of water; but among rich
and poor alike he is certain of the best which there is to give. Even
where there are inns available, the stranger will constantly find
that the first native of the place to whom he puts the Aristophanic
enquiry ὅπου κόρεις ὀλίγιστοι[39]--which inn is of least entomological
interest--will constitute himself not guide but host and will place the
resources of his own house freely at the service of the chance-found
visitor.
The reception accorded by Eumaeus to Odysseus, in its revelation of
human--and also of canine--character, differs in no respect from
that which may await any traveller at the present day. As Odysseus
approached the swineherd’s hut, ‘suddenly the yelping dogs espied him,
and with loud barking rushed upon him, but Odysseus guilefully sat
down and let fall his staff from his hand[40].’ Such is the opening
of the scene; and many, I suppose, must have wondered, as they read
it, wherein consisted Odysseus’ guilefulness. A shepherd of Northern
Arcadia resolved me that riddle. I had been attacked on a mountain-path
by two or three of his dogs,--‘like unto wild beasts[41],’ as Homer
has it,--and the combat may have lasted some few minutes when the
shepherd thought fit to intervene. Sheep-dogs are of course valued in
proportion to their ferocity towards any person or animal approaching
the flock, and a taste of blood now and again is said to keep them
on their mettle. Fortunately matters had not reached that point; but
none the less I suggested to the man that he might have bestirred
himself sooner. ‘Oh,’ he replied, ‘if you are really in difficulties,
you should sit down’; and when I showed some surprise, he explained
that anyone who is attacked by sheepdogs has only to sit down and let
go his walking-stick or gun or other offensive weapon, and the dogs,
understanding that a truce has been called, will sit down round him and
maintain, so to speak, a peaceful blockade[42]. On subsequent occasions
I tested the shepherd’s counsel, beginning prudently with one dog only
and, as I gained assurance, raising the number: it is uncomfortable[43]
to remain sitting with a bloodthirsty Molossian hound at one’s back,
ready to resume hostilities if any suspicious movement is made; but I
must own that, in my own fairly wide experience, Greek dogs, as they
are _sans peur_ in combat, are also _sans reproche_ in observing a
truce. The traveller may fare worse than by following the example of
guileful Odysseus.
But if the scene of the encounter be not a mountain-path but the
approach to some cottage, the dogs’ master will, like Eumaeus, hasten
to intervene, ‘chiding them and driving them this way and that with
a shower of stones[44],’--for the Greek dog does not heed mere
words,--and again like Eumaeus will assure his visitor that he himself
would have been ‘covered with shame[45]’ if the dogs had done his guest
any hurt. Then he will conduct his guest into his cottage and bid him
take his fill of bread and wine before he tells whence he is come
and how he has fared[46]: for Greek hospitality spares the guest the
fatigue of talking until he is refreshed. The visitor therefore sits
at his ease, silent and patient, while his host catches and kills such
beast or fowl as he may possess, cuts up the flesh in small pieces,
threads these on a spit, and holds them over the embers of his fire
till they are ready to serve up[47]: similarly, in Homeric fashion,
he mixes wine and water[48]; and then, all the preparations being now
complete, he urges his guest to the meal[49].
Thus the hospitality of to-day, in its details no less than in its
spirit, recalls the hospitality of the Homeric age. The supreme virtue
of the ancient Greek remains the supreme virtue of the modern, and a
familiarity with the manners of the present day alone might suffice
to explain why Paris who stole another man’s wife was execrable but
Admetus who let his own wife die for him could yet win admiration. The
one broke the laws of hospitality; the other, by hiding his loss and
entertaining his guest, upheld them.
A comparative estimate, such as I have essayed, of the characters of
Greeks of old and Greeks of to-day is perhaps evidence of a somewhat
intangible nature to those who are not personally intimate with the
people: but no foreigner, even though he were totally ignorant of the
modern language, could chance upon one of the many festivals of the
country without remarking that there, in humbler form, are re-enacted
many of the scenes of ancient days. The πανηγύρια, as they call these
festivals,--diminutives, both in name and in form, of the ancient
πανηγύρεις,--present the same medley of religion, art, trading,
athletics, and amusement which constituted the Olympian games. The
occasion is most commonly some saint’s-day, and a church or a sacred
spring (ἅγι̯ασμα) the centre of the gathering. Art is represented by
the contests of local poets or wits in improvising topical and other
verses, and occasionally there is present one of the old-fashioned
rhapsodes, whose number is fast diminishing, to recite to the
accompaniment of a stringed instrument still called the κιθάρα[50] the
glorious feats of some patriot-outlaw (κλέφτης) in defiance of the
Turks. Then there are the pedlars and hucksters strolling to and fro or
seated at their stalls, and ever crying their wares--fruit, sausages,
confectionery of strange hues and stranger taste, beads, knives, cheap
_icons_ ranging in subject from likenesses of patron-saints to gaudy
views of hell, and all manner of tin-foil trinkets representing ships,
cattle, and parts of the human body for dedication in the church. Then
in some open space there will be a gathering of young men, running,
wrestling, hurling the stone; yonder others, and with them the girls,
indulge in the favourite recreation of Greece, those graceful dances,
of which the best-known, the συρτός[51], and probably others too, are
a legacy from dancers of old time. It is impossible to be a spectator
of such scenes without recognising that here, in embryonic form, are
the festivals of which the famous gatherings of Olympia and Nemea,
Delphi and the Isthmus, were the full development.
And it may well happen too that the observant onlooker will descry
also the rudiments of ancient drama. Often, as is natural in so
mountainous and rugged a country, the only level dancing-place which
a village possesses is a stone-paved threshing-floor hewn out of the
hill-side. Hither on any festal occasion, be it a saint’s-day or one
of the celebrations which naturally follow the ingathering of harvest
or vintage, the dancers betake themselves. Here too a small booth
or tent, still called σκηνή, is often rigged up, to which they can
retire for rest or refreshment, while on the slopes above are ranged
the spectators. The circular threshing-floor is the _orchestra_,
the hill-side provides its tiers of seats, the dancers, who always
sing while they dance, are the chorus; add only the village musician
twanging a sorry lyre, and in the intervals of dancing an old-fashioned
rhapsode reciting some story of bygone days, or, it may be, two village
wits contending in improvised pleasantries, and the rudiments of
ancient Tragedy or Comedy are complete.
Other illustrations might easily be amassed. On March 1st the boys
of Greece still parade the village-streets with a painted wooden
swallow set on a flower-decked pole, and sing substantially the same
‘swallow-song’ (χελιδόνισμα)[52] as was sung in old time in Rhodes[53].
On May 1st the girls make wreaths of flowers and corn which, like the
ancient εἰρεσιώνη, must be left hanging over the door of the house till
next year’s wreaths take their place. The fisherman still ties his oar
to a single thole with a piece of rope or a thong of leather, as did
the mariners of Homer’s age[54]. The farmer still drives his furrows
with an Hesiodic plough.
Such are a few of the survivals which bear witness to the genuinely
Hellenic nationality of the inhabitants of modern Greece: and last,
but not least, there is the language, which, albeit no index of race,
is most cogent evidence of tradition. To the action of thought upon
language there corresponds a certain reaction of language upon thought:
it is impossible to speak a tongue which contains, let us say, the
word νεράϊδα (modern Greek for a ‘nymph’) without possessing also an
idea of the being whom that word denotes. Therefore even if the whole
population of Greece were demonstrably of Slavonic race, the fact that
it now speaks Greek would go far to support its claim to Hellenic
nationality: for its adoption of the Greek language would imply its
assimilation of Greek thought.