This poem was suggested by the appearance in one of our
streets of a venerable relic of the Revolution, said to be one
of the party who threw the tea overboard in Boston Harbor. He
was a fine monumental specimen in his cocked hat and knee
breeches, with his buckled shoes and his sturdy cane. The smile
with which I, as a young man, greeted him, meant no disrespect to
an honored fellow-citizen whose costume was out of date, but whose
patriotism never changed with years. I do not recall any earlier
example of this form of verse, which was commended by the fastidious
Edgar Allan Poe, who made a copy of the whole poem which I have
in his own handwriting. Good Abraham Lincoln had a great liking
for the poem, and repeated it from memory to Governor Andrew,
as the governor himself told me.
I SAW him once before,
As he passed by the door,
And again
The pavement stones resound,
As he totters o'er the ground
With his cane.
They say that in his prime,
Ere the pruning-knife of Time
Cut him down,
Not a better man was found
By the Crier on his round
Through the town.
But now he walks the streets,
And he looks at all he meets
Sad and wan,
And he shakes his feeble head,
That it seems as if he said,
"They are gone."
The mossy marbles rest
On the lips that he has prest
In their bloom,
And the names he loved to hear
Have been carved for many a year
On the tomb.
My grandmamma has said--
Poor old lady, she is dead
Long ago--
That he had a Roman nose,
And his cheek was like a rose
In the snow.
But now his nose is thin,
And it rests upon his chin
Like a staff,
And a crook is in his back,
And a melancholy crack
In his laugh.
I know it is a sin
For me to sit and grin
At him here;
But the old three-cornered hat,
And the breeches, and all that,
Are so queer!
And if I should live to be
The last leaf upon the tree
In the spring,
Let them smile, as I do now,
At the old forsaken bough
Where I cling.