CHAPTER XVI

APRIL SHOWERS

"That Miller girl needs a good rest," said Miss Jinny emphatically.

She had come in from her visit to the Academy, where she had

interviewed the model with a thoroughness that left little of her past

unexplored, and her face was sad and thoughtful as she stood pulling

off her gloves, finger by finger, by the big side window in the studio.

Mrs. Shelly went on with her knitting, but Patricia, who was mending a

long rent in her best blouse, looked up with eager interest.

"Did you have a chance to talk to her much?" she asked, snapping off

her thread in her absorption. "What is she really like? Does she

remember Rockham? And does she know we have the old place?"

Miss Jinny chuckled and then grew grave and thoughtful.

"I guess she wouldn't last much longer at this business," she said,

smoothing the creases out of the glove fingers. "She's got a pinched

look and her cheeks are mighty pink. No, it ain't paint; I asked right

out, and she answered just as nice as could be. She seems tired, poor

girl, and mortally glad to have some one take an interest. She says

the class rooms are so hot, and the change from living in eighty

degrees to sixty-five, like it is in her room, has made her downright

sick part of the time."

"It must be hard on her," acquiesced Patricia. "Why didn't she get

something else to do?"

"Couldn't," said Miss Jinny, briefly. "A girl without friends or money

hasn't much show in a big town. I'm going to take charge of that girl,

Patricia."

Patricia felt a thrill of alarm.

"You aren't going to bring her _here_?" she queried, a faint flush of

shame at the selfishness of her speech creeping into her cheeks.

"Certainly _not_," said Miss Jinny crisply. "I'm merely a guest here.

I'm going to do something more practical, and I want you to help me, if

you can stop being jealous of the poor girl, for----"

Patricia flung the sewing aside and threw her arms about her friend in

a tempest of contrition. "I didn't mean to be horrid," she cried.

"You know I wouldn't really be so selfish--if I thought you wanted it.

But we have been so happy together here, and I wanted it to go onto the

end, just like a beautiful story that ends happily. I'm sorry I seemed

mean."

Miss Jinny gave her a pat and a kiss. "I guess I feel quite as much

that way as you do, Miss Pat," she said with unusual softness. "I

hadn't the wildest notion of bringing Mary Miller here. I'm going to

take her to Rockham with me."

Patricia's heart sank, but she concealed her feelings sufficiently to

reassure Miss Jinny, who went on briskly:

"I'm going to take her out with us day after tomorrow--she's not going

back to the Academy--and I'm going to get work for her. There's where

you can help. She's a good sewer, she says, though she'd rather live

with someone and do housework."

"Shouldn't think she'd be strong enough for housework," said Patricia,

puckering her brow. "Mrs. Hand wants a 'lady houseworker,' but I don't

believe she'd have an ex-model. She's so awfully particular, you know."

Miss Jinny nodded. "She'd work her to death, anyway," she agreed.

"She's mighty inhuman under her soft outside. Her help don't hear much

of her purry ways, I can tell you. That's why they're always leaving.

No, Mrs. Hand won't do." She sighed in perplexity. "I wish we were

well enough off to keep her ourselves. I've taken a liking to her

quiet ways, and I'd enjoy having her about, I'm sure. Most country

girls are so loud and clumping that I've never wanted help before, but

she's mighty different."

Patricia rubbed the end of her nose with the scissors. "There are the

Haldens and the Berkleys and Tattans," she mused. "They're all

supplied. Perhaps someone will leave and then she can get their place.

Maybe Hannah Ann will have her help sometimes,--we can't afford to have

anyone regularly, you know."

Miss Jinny rose abruptly, and putting away her things, began

preparations for tea.

"Well, it's settled that she's going with us," she said comfortably.

"I guess the future will take care of itself. If we do the best we can

and leave the rest to the Lord, we can't go far astray. I feel that

Mary Miller is going to be taken care of some way."

It had been raining all the afternoon, a gentle persistent rain that

gave no sign of clearing, and they decided, after a cozy dinner at

home, that their projected trip to Rockham the next day would have to

be given up; but when Bruce pulled aside the curtain from the studio

window to compare his watch with the illuminated disc of the St.

Francis clock tower, he gave an exclamation of satisfaction.

"It's cleared off, after all," he said. "It's going to be a ripping

fine day tomorrow."

They crowded to the big window, and saw, through the wet flicker of

tiny sprouting leaves, a wind-swept sky with racing clouds and

brilliant stars blazing in the dark, serene spaces between the hurrying

masses of billowy vapor.

Judith clapped her hands. "We'll go, won't we, Bruce, and Elinor, and

Miss Jinny?" she asked, whirling to each authority in turn. "We'll see

dear, delectable Greycroft and have our picnic in the barn?"

"And the pup-pup-pergola, too," added Patricia mischievously.

Miss Jinny meditated for a moment. "I don't believe I'll go," she

said. "I'm going back in another day or so, and mama and I will have

enough of Rockham anyway. I'll stay with her and finish that library

book that Mr. Spicer lent me. It's overdue now, anyway."

So it was arranged that the four of them, Elinor, Patricia, Judith, and

Bruce, should take the early train to Rockham and spend the day in

adjusting matters at Greycroft for their return the following Saturday,

coming back to town in the late afternoon or early evening.

Just as they had finished, to their great satisfaction the studio

knocker sounded the quick double knock that always heralded Griffin,

and Judith flew to welcome her.

"I didn't ring," she explained, standing on the little blue rug by the

umbrella stand, and jabbing her dripping umbrella into the stand. "The

hall door was open and I came right in." She hesitated, and then

rushed on, directing most of her speech to Elinor. "Geraldine Leighton

is dying, they say, and I thought we might each send a little note to

Doris--she's awfully alone, now that Mrs. Leighton is ill, you know.

It mightn't help her much, but it would show her that we----"

"Dying!" cried Patricia, aghast. "Why they said she was better this

morning."

Judith crept near to Mrs. Shelly and caught her hand close in both of

hers. The others put eager questions. Griffin, who was deeply

stirred, answered breathlessly. Suddenly, in the midst of the quiet,

home-like, cozy evening, had come tragedy and the shadow of death.

Patricia had known Geraldine Leighton in a very slight and casual way,

but with the word "dying," she became the heroic center of her hurrying

thoughts. She saw her in the dim room with Doris and the nurse and

doctor, each agonizingly intent on the slow, faltering heart-beats and

the fitful, irregular breathing. As her swift mind galloped on to the

end, and the subdued sounds of grief caught her inner ear, another face

began to print itself rapidly on that quick-moving scene--Doris, white

and haggard, looked into her eyes, and she felt her whole heart go out

to her.

Griffin was just ending the sentence that had hurried the fleeting

pictures through her mind when Patricia slipped away unnoticed into the

hall, where she flung on a cape and soft hat of Judith's and softly let

herself out.

The Leighton house was a big dark pile at the end of the street and the

only light visible was in the back room where Patricia knew the

struggle against death and disease was being fought out. She paused

for a long look and then she ran lightly up the steps and put a

shrinking finger on the bell.

It seemed an eternity till the door was grudgingly opened and a

white-faced, gruff boy asked unrecognizingly what she wanted.

Patricia put her questions tremblingly, for she feared the stern,

strange face of the boy in knickerbockers. She had seen him playing

and shouting in the square on other days, and the change was so great

that she felt death alone could have wrought it. But he answered

evenly that 'Geraldine was just the same,' and was closing the door

when Patricia stopped him. After a hasty parley, on his part, at first

stubborn and then yielding, the door closed and Patricia, with beating

heart, ran down the steps and hurried to the side of the house where

the long windows of the drawing room protruded their iron balconies

over the sidewalk.

Here she waited in the shadow of the fluttering violet arc light, with

her eyes fastened to the silent, insensible windows. Ten minutes that

seemed ten eternities went lagging by. Tears of disappointment rose to

Patricia's eyes and she shivered as the gusts of west wind flung the

drops from the saturated trees in a silver shower across the darkened

panes.

"I'll count ten, and then I'll go," she said to herself.

The windows remained dark, and the only sounds on the quiet side street

were the wind in the wet trees and the sizzle of the arc light above

her head.

"Five, six, sev----"

She sprang forward as the second window slowly moved and a muffled

figure stood on the balcony.

"Oh, Doris!" was all she found to say, as she stretched eager hands

toward her.

Doris shrank back with a low, horrified cry.

"Don't come near me!" she warned in a stifled voice. "Go back as far

as the tree. Don't you know it's scarlet fever? I'll go in at once if

you come nearer."

Patricia retreated to the tree, and Doris stood with one hand clutching

the cloak and the light strong on her face. She looked more beautiful

than ever to Patricia's friendly eyes, and there was a calm strength in

her manner that awed while it comforted her. All consciousness of

herself was gone, and, Patricia felt, gone forever, and in its place a

quiet courage that spoke of conquered pride and vanity and selfishness.

Doris Leighton had found herself.

In the hurried words that they exchanged there was a more solid welding

of their renewed friendship than the telephone could have accomplished

for them in many interviews, and they parted at the end of the allotted

five minutes, each with a growing faith in the mercies of that

Providence which had led them to a nobler comradeship.

Patricia, promising to give Doris' messages to Elinor and the rest,

hurried off, leaving the drawing-room windows once more blank and

impassive. She ran into the studio as Griffin was rising to go, with

her umbrella, reclaimed from the stand, still dripping slow occasional

drops unheeded on the polished floor.

They had not missed her, much to her surprise. She felt she had

undergone so much, and they were still in the very state she had left

them. She blurted out her triumphant account of the new Doris, almost

forgetting Geraldine, and to their excited questionings and comments

she flashed illuminating replies, making them see the very figure in

the muffled cloak with the courageous expression on its lovely face.

There was generous and general rejoicing at her account of the brief

interview, and a strong feeling that under this happier augury

Geraldine must recover. Patricia went to bed feeling that the storm of

the afternoon had been a type of her own day, and that for her the

stars were serenely shining after the tempest of doubt and estrangement.

"Geraldine won't die," she said fervently to Elinor as she put out the

light. "I _know_ she won't die."

And the morning proved her prophecy, for at the first inquiry came the

joyful news that the crisis was past and Geraldine already improving.

"Now we can go on our spree with clear minds," said Judith, as they sat

down to breakfast in the sunny sitting-room. "It's a perfect day and

Rockham will look too sweet for anything."

"What a beautiful description of a spring day in the country by a

budding literary light," commented Patricia merrily. "I'm afraid your

style is rather going off, Ju! You haven't been consulting that

dictionary of yours recently."

Judith merely shrugged and went on with her breakfast, while Bruce and

Elinor, who had been up unusually early and were already equipped,

discussed Elinor's finished wall-decoration which stood at the far end

of the studio, just visible from the breakfast table. Bruce was much

elated over the progress of his pupil, and prophesied great things for

Elinor in time. He even went so far as to promise that the stained

glass window for which she had made a cartoon should be executed and

put in the little Rockham church.

Altogether they were in a happy frame of mind and life seemed very

satisfactory to them. As they left the town behind and the dimpling,

downy, spring-time country rolled out beyond their flying windows, they

became positively hilarious, intoxicated by sunshine and spring. They

found Greycroft, Hannah Ann and Henry all equally admirable. The

pergola was inspected and found well-composed and attractive, and the

site for Patricia's concrete seat was decided on hopefully. The picnic

luncheon in the big barn, which Hannah Ann served with great delight

while Henry hurried back and forth to the house with warm dishes and

reinforcements of delicious food, was a glorious frolic, and even the

big black clouds that swept suddenly over the luminous sky did not

distress them.

"Let's stay here for a minute or two, and then run up to the house

before it comes," suggested Patricia, with her chin on the half door of

the barn, looking out over the tender landscape and down at the flowers

in the unused barnyard far below.

Hannah Ann and Henry had disappeared with the remains of the feast and

the four were alone in the big solid structure, with hay mows on either

side of their banqueting floor and a smell of dry, sweet herbage in the

air.

Bruce scanned the rushing yellow clouds.

"Better shut the windows there, Miss Pat," he said. "I'll close the

doors and then we'll hustle. It's going to be a stunner when it comes."

Patricia had barely clicked the bolts in the glass upper doors and

heard the heavy clash of the wooden contact as Bruce slid the great

leaves of the big door into place, when with a swish and sweep the

storm broke.

"We can't go now," cried Patricia, throwing her voice above the sound

of the wind, but Bruce and Elinor at the other end of the barn were

apparently absorbed in the spectacle, and did not hear her. Judith

cuddled close and Patricia felt her hands go cold, but she could only

clasp them harder to reassure her--no words could reach her ear.

The wind, driving furiously from the west, flung the clouds before

it--great sullen masses of flying gray vapor that now broke into

drenching torrents, shaking the barn and tearing at the casements. In

a moment the place was dark with its roar and the rumble of coming fury

undertoned the shrill screams of the greedy tempest wind.

Patricia held Judith close, with her own heart beating tumultuously to

the rhythm of the storm. Hard rattling drops castinetted at the glass,

beating an accompaniment to the roar of the racing clouds. For a

moment all was black, then, as the whirling cloud masses swept apart,

the pelting drops lulled and a gray twilight full of ominous murmurs

filled the place. Before Patricia could frame the swift thought that

the storm was passing, darkness swept over them again, and the fierce

scream of the relentless wind tore at the corners of the barn. The

rain beat, deluged, engulfed the out-of-doors; it drummed gayly with

diminishing ferocity; then it roared sullenly, flooding the rain spouts

to bursting; it raged again, with the scream of the wind growing

higher, and snapping branches flung themselves past the gray squares of

the windows, flying leaves pasted wet green blurs on the streaming

glass. Judith shuddered.

"Oh, Patricia!" she cried in Patricia's ear, but the words died into

the tempest.

The sound of running water outside their shelter gradually forced its

way into the tumult. The road was a yellow waterway; the brook tore

above the limit of its deep banks into a widening saffron river among

the green meadows, which showed in the ghastly light in crude and ugly

colors.

Then, suddenly as it had come, the storm passed, trailing dark,

yellow-gray, ragged clouds in its wake. The light came back and the

awed girls at the little window saw below them in the emerald meadows,

wide ugly yellow splotches that grew as they looked, meeting other

growing patches of swirling yellow water from the lanes and roads.

Trees showed fresh wounds and masses of broken branches clotted the

discolored waters of the brook. Birds called excitedly and flew

exultantly about in the limpid air. The sun flung gay greens and

golds. The storm was past.

Patricia drew a deep breath.

"Look, look!" cried Judith, her eyes alight and her whole slender

little figure relaxed. "Two trees are down!"

Across the road a huge sycamore blocked the way and on the pike a giant

willow had crashed down.

"Oh, Bruce, the sycamore you painted is gone!" called Patricia, not

turning. "Come and see!"

Elinor came, with the painter following, and as soon as they saw the

work of the storm, Bruce awoke to immediate action.

"You girls tell Henry to come down with the axe and grubbing-hoe," he

commanded briskly. "I'm off." And flinging his coat to Elinor, he

seized a hatchet that was lying in the stairway and started for the

wreckage, while Patricia and Judith flew to fulfill his orders.

The sun shone and the birds sang while the work went on, and far down

the pike they could see other prone trees with busy choppers clearing

limbs and entangling foliage from the highway. A band of men begirt

with axes, cords and other implements passed on their way to the school

house where a big maple blocked the pike.

Patricia was tremendously interested and it was with the greatest

regret that she heard the whistle of the up-train, while the tangle of

the sycamore was still undisturbed in the roadway.

"Oh, do let's stay till it's all done," she urged, but Bruce and Elinor

were adamant.

"What does it matter if we do miss the train?" she insisted. "We can

take the early one in the morning. We'll be home almost as soon."

"I've got to pack tonight, young lady," Bruce reminded her. "I'm not

so fortunate as to be coming to Greycroft, you'll remember. It takes

longer to get to Chicago than to Rockham."

"Oh, that's so," acquiesced Patricia. "I suppose you do have to be

there for that private view of the panels."

"And a fresh suit is advisable, too," added Bruce. "I don't want my

duds to come a week later, as they did in Milwaukee. I'll make sure

this time."

"All right," said Patricia, amiably. "We've had a glorious day anyway,

and we'll soon be back here for keeps. I guess I'm not pig enough to

grumble. Come on, Judy, we've got to go see Hannah Ann's new hat

before we go. I wish she'd left us get it for her. I'm sure it's a

fright."

Judith followed sedately with her head in the air.

"I'm going to ask Elinor if Hannah Ann and Henry can't come in town

Saturday for the 'housebreaking,'" she said to Patricia as they climbed

the stairs. "I think it would be very nice for them to see all our

friends. They're such _urbane dependents_."

Miss Pat at School · 第 16 / 17 章