CHAPTER XI

After Mrs. Maitland had had an interview with the Dean, she went off

across the yard, under the great elms dripping in the rainy January

thaw. Following his directions, she found her way through the corridors

of a new building whose inappropriate expensiveness was obvious at

every turn. Blair had rooms there, as had most of the sons of rich

fathers. The whole place smelt of money! In Blair's apartment money was

less obvious than beauty--but it was expensive beauty. He had a few

good pictures, and on one wall a wonderful tapestry of forest foliage

and roebucks, that he had picked up in Europe at a price which added to

the dealer's affection for traveling Americans. The furnishing was in

quiet and, for that period, remarkably good taste; masculine enough to

balance a certain delicacy of detail--exquisite Tanagra figures,

water-colors and pastels of women in costumes of rose and violet gauze,

incense smoldering in an ivory jar, and much small bijouterie that

meant an almost feminine appreciation of exquisite and costly

prettiness.

Mrs. Maitland came tramping down the hall, her face set and stern; but

suddenly, almost at Blair's door, she paused. Some one was singing; she

knew the voice--beautiful, joyous, beating and pulsating with life:

"Drink to me only with thine eyes,

And I will pledge with mine."

She moved over to a window that lit the long corridor, and listened:

"Or leave a kiss . . ."

Sarah Maitland stared out into the rain; the bare branches of the trees

whipped against one another in the wind, but she did not see them. She

leaned her forehead on the glass, listening to the golden voice. A warm

wave seemed to rise in her breast, a wave of cosmic satisfaction in

this vitality that was _hers_, because he was hers! Her eyes blurred so

with emotion that she did not see the rocking branches in the rain. All

the hardness of her face melted, under those melting cadences into

exultant maternity:

"Or leave a kiss but in the cup,

And I'll not look for wine;

The thirst that from the soul--"

She smiled, then turned and knocked peremptorily at her son's door.

Blair, pausing in his song to comment on a thirst that rises otherwhere

than in the soul, roared out a jolly command to "come in!" but for an

instant he did not realize who stood on the threshold; nor was his

mother able to distinguish him in the group of men lounging about a

room dim with tobacco smoke. He was standing with his back to the door,

pulling a somewhat reluctant cork from a bottle of sherry gripped

between his knees.

Blair was immensely popular at college, not only because of the easy

generosities of his wealth,--which were often only a pleasant form of

selfishness that brought the fellows about him as honey brings flies,

but because of a certain sympathetic quality of mind, a genius for

companionship that was almost a genius for friendship. Now, his room

was full of men. One of his guests was sitting on the window-sill,

kicking his heels and swaying rhythmically back and forth to the twang

of his banjo. One had begun to read aloud with passionate emphasis a

poem, of which happily Mrs. Maitland did not catch the words; all of

them were smoking. The door opened, but no one entered. One of the

young men, feeling the draught, glanced languidly over his

shoulder,--and got on his feet with extraordinary expedition! He said

something under his breath. But it was the abrupt silence of the room

that made Blair turn round. It did not need his stammering dismay, his

half-cringing--"Clear out, will you, you fellows "--to get the men out

of the room. They did not know who she was, but they knew she was

Somebody. She did not speak, but the powerful personality seemed to

sweep in and clear the atmosphere of its sickly triviality. She stood

blocking up the doorway, looking at them; they were mostly Seniors, but

there was not a man among them who did not feel foolish under that

large and quiet look. Then she stepped a little aside. The movement was

unmistakable. They jostled one another like a flock of sheep in their

effort to get away quickly. Somebody muttered, "Good afternoon--" but

the others were speechless. They left a speechless host behind them.

Mrs. Maitland, her rusty bonnet very much on one side, watched them go;

then she closed the door behind them, and stood looking at her son who

was still holding the corkscrew in his hands. Her feet were planted

firmly wide apart, her hands were on her hips; her eyebrow was lifting

ominously. "Well?" she said; with the echo of that golden voice still

in her ears, her own voice was, even to herself, unexpectedly mild.

"I didn't expect you," Blair managed to say.

"I inferred as much," she said dryly; "so this is the way you keep up

with your classes?"

"There are no lectures at this time of day," he said. "If you had been

so kind, my dear mother, as to let me know you were coming"--he spoke

with that exaggerated and impertinent politeness that confesses fright;

"I would have met you. Instead of that, you--you--you burst in--" he

was getting whiter and whiter. The thought that the men had seen the

unkempt figure, the powerful face, the straggling locks of hair, the

bare hands,--seen, in fact, the unlovely exterior of a large and

generous nature, a nature which, alas, he, her son, had never seen;

that they had seen her, and guessed, of course, that she was his

mother, was positively unendurable to Blair. He tried to speak, but his

voice shook into silence. His dismay was not entirely ignoble; the

situation was excruciating to a man whose feeling for beauty was a form

of religion; his mortification had in it the element of horror for a

profaned ideal; his mother was an esthetic insult to motherhood.

"I've no fault to find with your friends being here, if they don't

interfere with your studies," Mrs. Maitland said.

"Oh," he said rather blankly; then his shame of her stung him into

fury: "why didn't you tell me that you--"

"I've been to see the Dean," she said; "sit down there and listen to

me. Here, give me a chair; not that pincushion thing! Give me a chair

fit for a man to sit on,--if you've got one in this upholstery shop."

Blair, with trembling hands, pushed a mahogany chair to her side. He

did not sit down himself. He stood with folded arms and downcast eyes.

She was not unkind; she was not even ungentle. She was merely explicit:

_he was a fool_. All this business,--she pointed to the bottle and the

empty glasses; all this business was idiotic, it was a boy's

foolishness. "It shows how young you are, Blair," she said kindly,

"though the Lord knows you are old enough in years to have some sense!"

But if he kept the foolishness up, and this other tomfoolery on account

of which she had had to leave the Works and spend her valuable time

talking to the Dean, why, he might be expelled. He would certainly be

suspended. And that would put off his getting into business for still

another year. "And you are twenty-four!" she said.

While she talked she looked about her, and the mother-softness began to

die out of her eyes. Sarah Maitland had never seen her son's room; she

saw, now, soft-green hangings, great bowls of roses, a sideboard with

an array of glasses, a wonderfully carved ivory jar standing on a

teak-wood table whose costliness, even to her uneducated eyes, was

obvious. Suddenly she put on her spectacles, and still talking, rose,

and walked slowly about the room glancing at the water-colors. By and

by, just at the end of her harangue,--to which Blair had listened in

complete silence,--she paused before a row of photographs on the

mantelpiece; then, in the midst of a sentence, she broke off with an

exclamation, leaned forward, and seizing a photograph, tore it in two,

across the smiling face and the bare bosom, across the lovely, impudent

line of the thigh, and flung it underfoot. "Shame on you! to let your

mother see a thing like that!"

"I didn't ask my mother to see it."

"If you have thoughts like this," she said, "Elizabeth did well to

throw you over for David."

Blair lifted one eyebrow with a glimmer of interest. "Oh, David has got

her, has he?"

"At any rate, he's a _man!_ He doesn't live like this"--she made a

contemptuous gesture; "muddling with silks and paintings, and pictures

of bad women! What kind of a room is this for a man? Full of flowers

and stinking jars, and cushions, and truck? It's more fit for a--a

creature like that picture"--she set her heel on the smiling face;

"than for a man! I ought never to have sent you here. I ought to have

put you to puddling." She looked at him in growing agitation. "My God!

Blair, what are you--living this way, with silks and perfumery and clay

baby dolls? You've got no guts to you! I didn't mind your making a fool

of yourself; that's natural; nobody can get to be a man till he's been

a fool; but this--" She stood there, with one hand on the mantelpiece

beside the row of photographs and bits of carving and little silver

trinkets, and looked at him in positive fright. "And you are _my_ son,"

she said.

The torrent of her angry shame suddenly swept Blair's manhood of

twenty-four years away; her very power stripped him bare as a baby; it

almost seemed as if she had sucked his masculinity out of him and

incorporated it into herself. He stood there like a cringing schoolboy

expecting to be whipped. "One of the men gave me that picture; I--"

"You ought to have slapped his face! Listen to me: you are going to be

looked after,--do you hear me? You are going to be watched. Do you

understand?" She gathered up the whole row of photographs, innocent and

offensive together, and threw them into the fire. "You are going to

walk straight, or you are coming home, and going to work."

It was a match to gunpowder; in an instant Blair's temper, the terrific

temper of the uniformly and lazily amiable man, flashed into furious

words.

Stammering with rage, he told her what he thought of her; to record his

opinion is not for edification. Even Sarah Maitland flinched before it.

She left him with a bang. She saw the Dean again, and her

recommendations of espionage were so extreme and so unwise that he

found himself taking Blair's part in his effort to save the young man

from the most insolent intrusion upon his privacy. She went back to

Mercer in a whirl of anger but in somber silence. She had scorched and

stung under the truths her son told her about herself; she had bled

under the lies she had told him as to her feeling for him. She looked

ten years older for that hour in his room. But she had nothing to say.

She told poor, frightened Nannie that she had "seen Master Blair"; she

added that he was a fool. To Robert Ferguson she was a little more

explicit:

"Blair has not been behaving himself; he's in debt; he has been

gambling. See that all these bills are paid. Tell Watson to give him a

hundred dollars more a month; I won't have him running in debt in this

way. Now what about the Duluth order?"

The Iron Woman · 第 11 / 35 章