CHAPTER XVII

Illness, Death, and Burial

Ailments and Remedies.

All serious ailments occurring up to certain ages, and except in

certain cases, are generally assumed to be the work of someone acting

in connection with a spirit; but, speaking generally, no efforts appear

to be made by imprecation or other supernatural method to propitiate

or contend against these spirits, except by the use of general charms

against illness, and except, so far as the propitiation or driving out

of the spirit is involved, by one or other of the specific remedies

for specific ailments mentioned below. The natives have, however,

for common diseases cures of which some are obviously purely fanciful

and superstitious, but some are probably more or less practical.

The chief ailments are colds and complications arising from them,

malaria, dysentery, stomach and bowel and similar complaints, toothache

and wounds.

Dysentery has recognised and accredited curers, both men and women. The

operator chews and crushes with his teeth the root of a vegetable

(I do not know what it is) which they grow in their gardens, and then

wraps it up into a small bundle in a bunch of grass, and gives it to

the patient to suck. This remedy does not appear to be effective.

There are men who are specially skilled in dealing with stomach and

bowel troubles. The operator takes in his hand a stone, and with the

other hand he sprinkles that stone over with ashes. He then makes over

it an incantation, in which, though his lips are seen to be moving,

no sound comes out of them; after which he takes some of the ashes

from the stone, which he still holds in his hand, and with these

ashes he rubs the stomach of the patient, who, I was told, generally

at once feels rather better, or says so.

There are also women who deal with cases believed to be caused by the

presence in the stomach of a snake, which has to be got out. Here

the operator takes a piece of bark cloth, with which she rubs the

front of the patient's body, but without any incantation. Then, as

she removes the cloth from the body, she makes a movement as though

she were wrapping up in it something, presumably the escaped snake;

and afterwards she carries the cloth away with her, and the cure is

thus effected.

A man with toothache will say that "a spirit is eating my teeth." The

people seem to have a knowledge of something inside the teeth,

the nature of which I am not able to state definitely, but which

apparently is, in fact, the nerve, and they recognise that it is in

this something that the pain arises; but I could not ascertain the

connection between this something and the spirit which is supposed

to cause the trouble. If the aching tooth can be got at, they adopt a

method the native explanation of which was translated to me as being a

drawing or driving out of the mysterious something from the tooth. This

is done in some way with an ordinary native comb, without extracting

the tooth itself; but how it is done I could not ascertain. There

is no incantation connected with the operation. Another cure is for

the patient to chew the leaf of a certain tree (I do not know what

tree), so that the sap of it gets into the hole in the tooth, and

thereby, as they think, draws or drives out this nerve, or whatever

the something may be. The Fathers of the Mission told me that both

these two remedies do really appear to be effective.

Wounds are the speciality of many healers with special knowledge of

the curative properties of various plants, and who gather the plant,

make an incantation over it, boil it in water, and then with that

water wash the wound. There are also men who operate surgically on

wounds with knives made of stone or shell or bamboo.

Charms, probably of a poisonous nature, are used generally for the

warding off of sickness, these being carried in the little charm bags.

A general and universal cure for all ailments is a piece of bark,

tied with a piece of string to the neck or head, all neck ornaments

having been first removed.

I regret that as regards all these matters I am only able to indicate

shortly and generally the methods of cure, and can give no further

explanation concerning them.

Death and Burial.

_(Ordinary People.)_

When a man or woman is regarded as dying, he or she is at once attended

by a woman whose permanent office it is to do this, and who has other

women and girls with her to assist her, these others including, but

not necessarily being confined to, the females of the dying man's own

family and relatives. The house is full of women; but there is no

man there. This special woman and the others attend the dying man,

[97] nursing him, washing him from time to time, and keeping the

flies away from him; but they apparently do not attempt any measures

for curing him, their offices only beginning when he is regarded as

dying. In the meantime they all wail, and there are also a number of

other women wailing outside the house.

The special woman watches the dying person; and when she thinks he

is dead she gives him a heavy blow on the side of the head with her

fist, and pronounces him dead. She apparently does not feel his heart,

or do more than watch his face; and I should think it may often be

that in point of fact he is not dead when the blow is given, and

might perhaps have recovered.

Then the women inside the house say to one another that he is dead,

and communicate the news to the people outside; whereupon the men in

the village all commence shouting as loudly as they can. The reason

given for this shouting is that it frightens away the man's ghost;

but if so it is apparently only a partial intimidation of the ghost,

who, as will be seen hereafter, is subjected to further alarms at a

later stage. The men communicate the news in the ordinary way adopted

by these people of shouting it across the valleys; and so it spreads

to other villages, and even to other communities. The man being dead,

the wailing of the women inside and outside the house is changed into

a true funeral wailing song; but this latter only continues for a few

minutes. The special woman and some others, probably relatives only,

remain in the house; but they do not touch the body at this stage. The

other women, probably non-relatives, go out. The relatives of the

deceased, both men and women, immediately smear their bodies with mud,

but no one else in the village does so.

This is the situation until the first party of women, generally

accompanied by men, begin to come in from other villages of the

same, and probably of one or more other, communities. These people

have been laughing and playing and enjoying themselves on their way

to the village, and do so freely until they get close to it. Then

they commence wailing (not the funeral song) and shouting, calling

the deceased by a relationship term, such as father, brother, etc.,

though they may never have heard of him before; and, doing this, they

enter the village, and go to the house. The incoming women, but not

the men, all arrive smeared with mud. The women crowd into and about

the house, still wailing as before, but not the funeral song. They

all see the body; and each woman, after seeing it, comes out and sits

on the platform of the house or on the ground outside. The party of

outside village women then cease their first wailing, and commence

the funeral song, in which they are joined by the female relatives

of the deceased and other women of the village. But again this only

lasts for a few minutes, the period being longer or shorter according

to the importance of the person who has died.

Other similar parties, coming in from other villages, go through the

same performance as they come into the village; and in each case, as

the women of each fresh party come out of the house after seeing the

corpse, there is a fresh outburst of the funeral song on the part of

all the women present, but always only for a few minutes. This goes on

till the last batch of visitors has arrived. The people of the village

know when this last batch has come, because they have been told by

cross-valley shouting which villages are sending parties. The total

number of women in the village is then generally very large. After the

last batch of visitors has arrived, and until the funeral ceremony,

all the women again break out into the funeral song for a few minutes

about once an hour in the daytime, but not so often at night.

The funeral takes place probably about twenty-four hours after

death. The body is now wrapped up by the special woman attendant,

helped by the female relatives of the deceased, in leaves, especially

banana leaves, and bark of trees, and remains so wrapped up in

the house.

It is placed with the knees bent up to the chin, and the heels to the

buttocks. In the meantime men of the village dig a grave 2 or 3 feet

deep in the village open enclosure. When all is ready the funeral

song begins again, the singers this time being the female relatives

of the deceased and the women who have come from outside villages,

but not the other women of the village of the deceased. Men of the

village then carry the corpse, wrapped and doubled up, and place it,

lying on its back, in the grave. There is no real procession from the

house to the grave, though all the people assemble at the latter;

but during the whole of the time, until the body is in the grave,

the singing by the women of the funeral song continues. As soon as

the body is in the grave, all the men, both villagers and visitors,

shout again as before, and for the same purpose. The grave is then

filled up, the women in the meantime singing as before; and when this

is done the funeral is over.

The relatives of the deceased now go into mourning. The widow or

widower or other nearest relative wears the mourning string necklace

already described. He or she, and also the other near relatives,

smear their faces, and sometimes, but not always, their bodies, with

black, to which, as regards the face, but not the body, is added oil or

water. Some more distant relatives, instead of blackening themselves,

wear the mourning shell necklace. And all this will continue,

nominally without break, until the mourning is formally removed, in

the way to be explained hereafter. As a matter of fact, the insignia

of mourning are not worn without interruption, and the black smearing

is by no means so retained; but on any special occasion the person

would take care to appear in mourning. There is a custom under which

the widow or widower or other nearest relative may, instead of wearing

the mourning string necklace, abstain during the period of mourning

from eating some particular food, of which deceased was most fond. [98]

In connection with mourning, I should also mention a curious custom,

which I understand is common, though not universal, for a woman who

has lost a child, and especially a first-born or very clear child,

to amputate the top end of one of her fingers, up to the first joint,

with an adze. Having done this once for one child, she will possibly

do it again for another child; and a woman has been seen with three

fingers mutilated in this way. [99]

The family of the deceased invite men and women from some other

community, but only one community, to a funeral feast, which is

held after an interval of two or three days from the day of the

funeral. On the day appointed these guests arrive. They are all well

ornamented, but, with one exception, they do not wear their dancing

ornaments. One of them, however, usually a chief or the son of a chief

of the community invited, comes in his full dancing ornaments. All

the guest men bring with them their spears, and perhaps adzes or clubs.

When they arrive the following performances take place, the village

enclosure being left by the villagers empty and open:--First two guest

women enter the village enclosure at one end, and run in silence round

it, brandishing spears in both hands, as at the big feast; but they

make no hostile demonstration. When these two women have reached their

starting point, they again do the same thing, brandishing their spears

as before, and all the guest men, except the specially dressed one,

follow them by advancing with a dancing step along the enclosure,

they also brandishing their spears, and also being silent. Thus the

whole group goes to the other end of the village, passing the grave

of the deceased as they do so; then they turn round, and come back

again in the same way, but on their return they stop before they

reach the grave.

Then the specially ornamented guest man enters alone, without his arms,

but with his drum, which he beats. He dances up the village enclosure

in a zigzag course, going from side to side of the enclosure, and

always facing in the direction in which he is at the time moving; and

during his advance he beats his drum., but otherwise he and all the

other people are silent. When in this way he has reached the grave,

the chief of the clan of the village where the funeral takes place,

who does not wear any dancing ornaments, approaches him, and removes

his heavy head ornament. This ends the first part of the ceremony;

and the villagers and guests then chat and conduct themselves in the

ordinary way.

Plates 82 and 83 illustrate scenes at a funeral feast in the village

of Amalala. In the former plate the grave is very clear, and the

remains of an older grave are visible behind the post a little to the

left. At the upper end of the village enclosure are the visitors, who

are about to dance along the enclosure past the grave, and then back

again up to it. The figures in the _emone_ behind are Amalala men,

watching the performance. In the latter plate the visitor chief is

seen dancing along the village enclosure towards the grave.

In the meantime the members of the family of the deceased bring in one

or more village pigs and some vegetables. A number of sticks are laid

upon the ground over the grave, the sticks crossing each other so as

to form a rude ground platform (this is not done by any particular

person), and these sticks are covered with banana leaves. [100] The

pigs are placed on this platform, and are then killed by the pig-killer

and cut up, and the vegetables and pieces of pig are distributed by

the chief of the clan, helped perhaps by the family of the deceased,

among the male visitors. The one specially dressed visitor, being

the only one who has really danced, gets much the largest share. For

example, if there be two or more pigs, he will get an entire pig for

himself. Then the ceremony is over, and the guests return home. The

wood of the platform is not removed from the grave, but is left to

rot there. The killing of the pigs at this ceremony is regarded as

the act which will, they think, finally propitiate or drive away the

ghost of the departed.

It will be noticed that, though representatives from several

communities may be invited and come to the funeral, only one community

is invited to the subsequent funeral feast, just as only one community

is invited to the big feast, which latter we must, I think, associate

with the general superstitious idea of laying the ghosts of past

departed chiefs and notables. I cannot say what is the reason for the

confinement of these invitations to one community only, but it must, I

think, have had some definite origin [101]; and as to this I am struck

by the similarity of the Massim idea, referred to by Dr. Seligmann,

that an individual's death primarily concerns the dead man's hamlet

and one other hamlet of his clan, with which certain death feasts

are exchanged, other members of the clan being comparatively little

affected. [102]

As soon as possible after the funeral pig-killing, they catch some

wild pig or pigs, and kill and eat them, and sweep down the village

by way of purification ceremony, very much as they do in the case

of the big feast, except that it is on a very much smaller scale,

and that the people do not afterwards leave the village.

The ceremony of removal of the mourning may take place after an

interval of only a week or two, or of so much as six months, the

date often depending upon the occurrence of some other ceremony,

at which the removal of the mourning can be carried out without

necessitating a ceremony for itself only. Visitors from some

other community attend. The ceremony only applies to the nearest

relative--the person who wears the string necklace; but, on his or

her mourning being ceremoniously removed, the mourning of all others

in respect of the same deceased ceases automatically. [103] This

nearest relative has to provide a village pig. There is a feast,

and dancing and pig-killing and distribution of food and pig, in

the usual way, and this may be in the village of the deceased or

in some other village of the community. The pig-killing is done by

the pig-killer under the platform of a chiefs platform grave, or on

the site of it. The pig, specially provided by the nearest relative,

is bought and paid for by some person, as in the case of some of the

ceremonies already described, and this person, after the killing of

the pig, without special ceremony, cuts off the mourner's string

necklace, dips it in the blood of the pig, and throws it away;

then he takes some coloured paint, usually red, and with it daubs

two lines on each side of the face across the cheek of the mourner,

who of course at this ceremony will still have his black paint. If

the mourner has been refraining from food, instead of wearing the

necklace, the ceremony is confined to the paint-daubing. Then the

mourner pays this ceremonial pig-buyer for his services, probably in

feathers or dog-teeth, and the mourning is at an end.

There will at a later date be a purification ceremony, at which wild

pigs will be killed, such as has already been described. [104]

Death and Burial.

_(Chiefs.)_

A dying chief is attended by the special woman and others in the

way above described, except that many women of the clan are there,

and that this special attendance and its accompanying wailing begin

earlier, perhaps two or three days earlier, than in the case of an

ordinary person, and that all the women of the clan who are not in

the house wail outside it.

In this case, however, there is a special ceremony for ascertaining

whether or not the chief is in fact going to die--a ceremony which is

usually performed at his own request. Some vegetable food, probably

sweet potato, or perhaps sugar-cane or taro, is given him to eat;

and this he will do although he may be very ill, and may not have been

taking food, though of course, if he were insensible or unable to eat,

this special ceremony could not be carried out. The inedible portions

of this food, _e.g.,_ the peel of the potato or the hard fibres of

the sugar-cane, are then handed to certain magical persons of the

community, whose special duty it is to perform the ceremony about to be

described, but as to whom I was unable to ascertain who and what they

are, and whether they have any other special functions besides those

of this ceremony. Some of these portions of food may even be sent to

some similar magic person of high reputation in another community,

in order that he also may perform the same ceremony. Each of these

magic persons also has handed to him a portion of a perineal band

belonging to, and recently worn by, the ailing chief.

Each of the magic men then wraps up the portion of food which has

been given to him in the piece of band; and this he again wraps up in

leaves, and continues doing so until the parcel has become a round

ball 4 or 5 inches in diameter. The men then separate, and each of

them goes off alone to a spot outside the village, where he collects

some very dry firewood, and heaps it up against the trunk of a tree

to a height of, say, 6 feet. He then engages in an incantation, after

which he puts the ball inside the bottom of the wood pile, and lights

the pile at the bottom. Then he lies down by this fire and closes his

eyes. After an interval of perhaps two to five minutes he gets up,

as though awakening from a bad dream, and hears the wailing in the

adjoining village, and asks himself what all this wailing is about;

and he then appears to remember for what purpose he is there, goes to

the fire, and takes out the ball. If the fire has burnt or scorched

the food wrapped up in the ball, it is an indication that the chief

is to die. If not, it indicates that he will live. These magic men

then return to the village, and report the result. If their report

be that the chief is going to live, the people cease their wailing,

but if it be that he is to die, the wailing continues.

Pausing here for a moment, I may admit that, though I have told

the tale of this ceremony, with its private cogitations--real or

pretended--of the magic men, as it was told to me, the tale is open

to obvious questions. How can a magic man from a distant community

hear the wailing? What would happen if the results of the ceremonies

of the various magic men were to differ? What would be the situation

if a chief whose death was indicated by the ceremony lived, or if one

whose recovery was foretold became worse and died? All these points

I tried to elucidate without success; but possibly the answer to the

query as to divergence of results may be that the men take care that

the results of their experiments shall not differ.

It is believed by the natives that, if a hostile community can secure

some of the food remnants and band, and hand them to their own magic

man, for him to go through the same ceremony, he may maliciously

bring about an unfavourable result, and thus may cause the death

of the chief. If the belief that such a thing had happened arose,

it would be a _casus belli_ with that other community; and a case is

known in which an inter-community fight did occur on this ground.

If the report be that the chief is to die, the special woman attendant

will give him the blow on the head, as in the case of the ordinary

villager. The shouting of the men outside when the chiefs death is

announced is much louder than in the case of a commoner; and as they

shout they brandish their spears, and strike the roof of the chiefs

house with the spear points, and some of the men strike it with

adzes and clubs. The spreading of the news to other communities is

on a wider scale, and the number of people who respond to the news

and come to the funeral is very great, and includes a larger number

of chiefs and prominent men; there are more, and much larger, parties

of them. The funeral song of the women, commenced on the announcement

of death, lasts much longer--indeed for hours. In fact, as numerous

large bodies of people keep coming in, and some of these coming from

a distance may not arrive until just before the funeral, and as the

funeral song has to be recommenced as each fresh party comes in,

and lasts so much longer each time, it follows that this funeral song

practically continues without ceasing from the moment when death is

announced until the actual funeral. The immediate smearing by men and

women of their bodies with mud is done by all the members of the entire

community. When the guests reach the village, they are all, both men

and women, smeared with mud, and they loudly call on the dead chief

by his title _amidi_, or as _babe_ (father). Also the various chiefs'

wives among the guests remain in the house after seeing the body,

instead of coming out with the other guest women.

The funeral does not take place till thirty-six or forty-eight hours

after the death. The various chiefs' wives take part in the wrapping

up of the body; and to the ordinary wrappings are added large pieces

of bark cloth.

The grave [105] is quite different from that of a commoner. There are

two methods of sepulture adopted for chiefs, the grave being in both

cases in or by the edge of the open village enclosure.

The first of these methods is a burial platform, a very rough erection

of upright poles from 9 to 12 feet high, the number of which may be

four, or less or more than that, at the top of which erection is a

rude wooden box-shaped receptacle, about 2 or 3 feet square, and from

6 inches to a foot deep, and uncovered at the top, in which receptacle

the corpse is placed. Sometimes the supporting structure, instead

of being composed of a number of poles, is only a rough tree trunk,

on which the lower ends of the branches are left to support the box.

The second method is tree burial. The tree in which this is done is

a special form of fig tree called _gabi_, the burial box, similar to

the one above described, being placed in its lowest fork, or, if that

be already occupied, then in the next one, and so on. [106] A tree

has been seen with six of these boxes in it, one above another. This

tree is specially used for such burials. The natives will never cut it

down. In selecting a village site they will often specially choose one

where one of these trees is growing; and indeed the presence of such

a tree in the bush raises a probability that there is, or has been,

a native village there. [107]

If a burial platform afterwards falls down through decay, the people

throw away all the bones, except the skull and the larger bones of the

arms and legs; and these they deal with in one of three alternative

ways. They either (1) dig a shallow grave in the ground under the

fallen platform, and put the skull and special bones there, and then

fill in the grave with soil, on this put a heap of stones, and on these

put the wooden remains of the collapsed platform, planting round them

tobacco or croton, or some other fine-leaved plant, or (2) they put

the skull and special bones in a box on the _gabi_ burying tree, or

(3) they take them to the _emone_, and there hang them up till they

are wanted for a big feast. In the same way, if a tree box falls,

they retain only the skull and large arm and leg bones, and replace

them in a new box in the same tree.

We have already seen a chiefs burial platform in the two plates 69 and

70 relating to the big feast at Seluku, and the following plates are

additional illustrations:--Plate 84 is the grave of a chiefs child in

the village of Malala. The supports of the grave rise from the village

enclosure fence behind, and are quite distinct from the underground

commoner's grave, which is seen in front. The positions of the two

graves can be seen in the general view of the village (Plate 58). Plate

85 is a group of graves of chiefs and chiefs' relatives in the village

of Tullalave (community of Auga). Plate 86 shows the grave of a chiefs

child in the village of Faribe (community of Faribe). The form of this

grave is quite different from those of the others, and is not, I think,

so common, but a grave somewhat resembling it is seen in Plate 60.

Plate 87 is a _gabi_ fig tree, used for tree burial, near to the

village of Seluku, and Plate 88 shows the remains of an old burial

box in one of its forks. The bones are still in this box, and indeed

one of them may be just discerned at the extreme left, close to the

upright stem of the tree.

Plate 89 illustrates what I have said as to what is done when a burial

platform falls down from decay. The skull and larger arm and leg bones

of the body have been buried underground, and upon these have been

heaped first stones and then the remains of the collapsed platform, and

one little foliage plant and dried-up looking specimens of others can

be seen around it. This picture was taken in the village of Seluku,

and the actual position of the grave in the village enclosure is

seen in Plate 55. Plate 90, of an _emone_ in the village of Voitele

(community of Sivu) illustrates the alternative plan of hanging the

skull and bones up in the _emone_.

At the funeral all the women present, those of the village and of

the whole community and the guests, join in singing the funeral song;

but here again there is no actual procession, and the carrying of the

body is not necessarily entrusted to any particular person. When the

grave, whether on a platform or on a tree, is reached, all the men

present begin to shout loudly, and there is a terrible noise. They all

have their spears, but there is no brandishing of them. Then some men

(anyone may do this) climb up to the box, and others hand the wrapped

body up to them, and they place it lying on its back in the box. This

ends the actual burial ceremony.

The black mourning face, and sometimes body-staining is then adopted by

all the people of the community, and perhaps also by chiefs from other

communities who have been friends of the dead chief. The special string

necklace worn by the nearest relative and the other family emblems of

mourning are the same as in the case of an ordinary person, except

that the chiefs widow will probably also wear the special mourning

network vest already described, and that the mourning shell necklace,

which in the case of an ordinary man is only worn by distant relatives,

is worn by all the married men and women of the clan who have or can

procure it.

The subsequent ceremony and feast are in this case held one or two

days after the funeral, the acceleration in the case of a chief being

necessary in consequence of the retention of the corpse above ground

and the foul smell which immediately begins to emanate from it. This

feast is on a very large scale, though here again only one community

is invited. The guests enter the village just as they do in the case

of the death of an ordinary person; but they are all specially well

decorated, and the one guest who comes in full dancing ornaments will

certainly be a chief, or at least a chiefs son. The subsequent part

of the ceremony, up to the removal of the head feather ornament from

the dancer, is the same; but this removal is done by the nearest male

relative of the deceased chief, who will probably be the person to whom

the chieftainship has descended. Then follows the feast itself. The

vegetables and village pigs for the feast are provided by the whole

clan, and are in very large quantities. No platform of sticks is

placed on the grave, the grave in this case not being underground;

but the banana leaves are placed around (not under) the supports of

the burial platform, or around the trunk of the burial tree. The pigs

are killed upon these banana leaves by the pig-killer and his helpers,

and the killed pigs are then placed in circles around the platform

or tree, and are there cut up. The distribution of food and pig's

flesh is made by the chiefs nearest male relative, with assistance,

here again the special dancer getting the largest share, and the

ceremony is then over, and the guests return to their villages.

And now a true desertion of the village by its inhabitants takes

place, as indeed is necessary, as the putrefying body is becoming

so offensive; and it will be at least two or three weeks before the

emission of the smells is over. The villagers all go off into the bush,

with the exception of two unhappy men, more or less close relatives of

the dead chief, who have to remain in the village. Whilst there alone

they are well ornamented, though not in their full dancing decoration,

but in particular, though not themselves chiefs, they wear on their

heads the cassowary feathers which are the distinctive decoration of

a chief, and they carry their spears. There they remain amidst the

awful stench of the decomposing body and all the mess and smell of the

pigs' blood and garbage about the village. It is a curious fact that,

in speaking of these two men, the natives do not speak of them as

watching over the body of the chief, but as watching over the blood

of the killed pigs.

When the stench is over, the villagers in the bush are informed, and

they then return to the village. Then follow the killing and eating

of wild pigs and sweeping down of the village, as in the case of the

death of an ordinary person, but again on a much larger scale.

It will be noticed that, though the desertion of the village after a

big feast lasts for six months, that which follows a chiefs funeral

only lasts for a few weeks.

The removal of the mourning takes place after an interval which may be

anything between one and six months. This is a special ceremony, and

will not be postponed for the purpose of tacking it on to some other

ceremony, as in the case of an ordinary person's mourning removal; but

other ceremonies will often be tacked on to it. The guests invited are

from only one other community. Here again the person actually dealt

with is the chief mourner, and the removal of mourning from him or

her terminates the mourning for everyone. The village pigs for this

occasion are provided by the dead man's family, and not by the whole

clan, as in the case of a chiefs funeral feast. There will probably

be two or three of such pigs provided; but, as the ceremony is also

available for various other ceremonies, there may be a considerable

number of pigs killed. The dancing and pig-killing and feast are

the same as those of an ordinary mourning-removal ceremony, but on a

larger scale. The pig-killing in this case is done round the platform

or tree on which the chief is buried. The buyer of the pig, who cuts

off the mourning necklace and daubs the face of the chief mourner,

if not a chief, will at all events be a person of importance; but

the ceremonies relating to all these matters are identical with those

already described. There is also the subsequent purification ceremony,

at which wild pigs are killed and eaten as before.

The graves of chiefs' wives and members of their families, and

other persons of special importance, are platform or tree graves,

like those of chiefs, and the funeral ceremonies on the deaths of

these people are very similar to those of chiefs, though they are on

a scale which is smaller, in proportion to the relative smallness

of the importance of the person to be buried; and they are subject

to a few detailed differences, which the difference of the situation

involves. The special magic ceremony for ascertaining if the patient

is or is not going to die is not performed in the case of these people.

The Mafulu: Mountain People of British New Guinea · 第 17 / 21 章