CHAPTER XXIII. MISS REDWOOD.

“I got invited to Sir Jervis’s house,” Alban resumed, “by treating the

old savage as unceremoniously as he had treated me. ‘That’s an idle

trade of yours,’ he said, looking at my sketch. ‘Other ignorant people

have made the same remark,’ I answered. He rode away, as if he was not

used to be spoken to in that manner, and then thought better of it, and

came back. ‘Do you understand wood engraving?’ he asked. ‘Yes.’

‘And etching?’ ‘I have practiced etching myself.’ ‘Are you a Royal

Academician?’ ‘I’m a drawing-master at a ladies’ school.’ ‘Whose

school?’ ‘Miss Ladd’s.’ ‘Damn it, you know the girl who ought to have

been my secretary.’ I am not quite sure whether you will take it as a

compliment--Sir Jervis appeared to view you in the light of a reference

to my respectability. At any rate, he went on with his questions. ‘How

long do you stop in these parts?’ ‘I haven’t made up my mind.’ ‘Look

here; I want to consult you--are you listening?’ ‘No; I’m sketching.’ He

burst into a horrid scream. I asked if he felt himself taken ill. ‘Ill?’

he said--‘I’m laughing.’ It was a diabolical laugh, in one syllable--not

‘ha! ha! ha!’ only ‘ha!’--and it made him look wonderfully like that

eminent person, whom I persist in thinking he resembles. ‘You’re an

impudent dog,’ he said; ‘where are you living?’ He was so delighted when

he heard of my uncomfortable position in the kennel-bedroom, that

he offered his hospitality on the spot. ‘I can’t go to you in such a

pigstye as that,’ he said; ‘you must come to me. What’s your name?’

‘Alban Morris; what’s yours?’ ‘Jervis Redwood. Pack up your traps when

you’ve done your job, and come and try my kennel. There it is, in a

corner of your drawing, and devilish like, too.’ I packed up my traps,

and I tried his kennel. And now you have had enough of Sir Jervis

Redwood.”

“Not half enough!” Emily answered. “Your story leaves off just at the

interesting moment. I want you to take me to Sir Jervis’s house.”

“And I want you, Miss Emily, to take me to the British Museum. Don’t let

me startle you! When I called here earlier in the day, I was told that

you had gone to the reading-room. Is your reading a secret?”

His manner, when he made that reply, suggested to Emily that there was

some foregone conclusion in his mind, which he was putting to the test.

She answered without alluding to the impression which he had produced on

her.

“My reading is no secret. I am only consulting old newspapers.”

He repeated the last words to himself. “Old newspapers?” he said--as if

he was not quite sure of having rightly understood her.

She tried to help him by a more definite reply.

“I am looking through old newspapers,” she resumed, “beginning with the

year eighteen hundred and seventy-six.”

“And going back from that time,” he asked eagerly; “to earlier dates

still?”

“No--just the contrary--advancing from ‘seventy-six’ to the present

time.”

He suddenly turned pale--and tried to hide his face from her by looking

out of the window. For a moment, his agitation deprived him of his

presence of mind. In that moment, she saw that she had alarmed him.

“What have I said to frighten you?” she asked.

He tried to assume a tone of commonplace gallantry. “There are limits

even to your power over me,” he replied. “Whatever else you may do, you

can never frighten me. Are you searching those old newspapers with any

particular object in view?”

“Yes.”

“May I know what it is?”

“May I know why I frightened you?”

He began to walk up and down the room again--then checked himself

abruptly, and appealed to her mercy.

“Don’t be hard on me,” he pleaded. “I am so fond of you--oh, forgive me!

I only mean that it distresses me to have any concealments from you. If

I could open my whole heart at this moment, I should be a happier man.”

She understood him and believed him. “My curiosity shall never embarrass

you again,” she answered warmly. “I won’t even remember that I wanted to

hear how you got on in Sir Jervis’s house.”

His gratitude seized the opportunity of taking her harmlessly into his

confidence. “As Sir Jervis’s guest,” he said, “my experience is at your

service. Only tell me how I can interest you.”

She replied, with some hesitation, “I should like to know what happened

when you first saw Mrs. Rook.” To her surprise and relief, he at once

complied with her wishes.

“We met,” he said, “on the evening when I first entered the house. Sir

Jervis took me into the dining-room--and there sat Miss Redwood, with

a large black cat on her lap. Older than her brother, taller than her

brother, leaner than her brother--with strange stony eyes, and a skin

like parchment--she looked (if I may speak in contradictions) like

a living corpse. I was presented, and the corpse revived. The last

lingering relics of former good breeding showed themselves faintly in

her brow and in her smile. You will hear more of Miss Redwood presently.

In the meanwhile, Sir Jervis made me reward his hospitality by

professional advice. He wished me to decide whether the artists whom

he had employed to illustrate his wonderful book had cheated him by

overcharges and bad work--and Mrs. Rook was sent to fetch the engravings

from his study upstairs. You remember her petrified appearance, when she

first read the inscription on your locket? The same result followed when

she found herself face to face with me. I saluted her civilly--she was

deaf and blind to my politeness. Her master snatched the illustrations

out of her hand, and told her to leave the room. She stood stockstill,

staring helplessly. Sir Jervis looked round at his sister; and I

followed his example. Miss Redwood was observing the housekeeper too

attentively to notice anything else; her brother was obliged to speak

to her. ‘Try Rook with the bell,’ he said. Miss Redwood took a fine old

bronze hand-bell from the table at her side, and rang it. At the shrill

silvery sound of the bell, Mrs. Rook put her hand to her head as if the

ringing had hurt her--turned instantly, and left us. ‘Nobody can manage

Rook but my sister,’ Sir Jervis explained; ‘Rook is crazy.’ Miss Redwood

differed with him. ‘No!’ she said. Only one word, but there were volumes

of contradiction in it. Sir Jervis looked at me slyly; meaning, perhaps,

that he thought his sister crazy too. The dinner was brought in at the

same moment, and my attention was diverted to Mrs. Rook’s husband.”

“What was he like?” Emily asked.

“I really can’t tell you; he was one of those essentially commonplace

persons, whom one never looks at a second time. His dress was shabby,

his head was bald, and his hands shook when he waited on us at

table--and that is all I remember. Sir Jervis and I feasted on salt

fish, mutton, and beer. Miss Redwood had cold broth, with a wine-glass

full of rum poured into it by Mr. Rook. ‘She’s got no stomach,’ her

brother informed me; ‘hot things come up again ten minutes after they

have gone down her throat; she lives on that beastly mixture, and calls

it broth-grog!’ Miss Redwood sipped her elixir of life, and occasionally

looked at me with an appearance of interest which I was at a loss to

understand. Dinner being over, she rang her antique bell. The shabby old

man-servant answered her call. ‘Where’s your wife?’ she inquired. ‘Ill,

miss.’ She took Mr. Rook’s arm to go out, and stopped as she passed me.

‘Come to my room, if you please, sir, to-morrow at two o’clock,’ she

said. Sir Jervis explained again: ‘She’s all to pieces in the morning’

(he invariably called his sister ‘She’); ‘and gets patched up toward the

middle of the day. Death has forgotten her, that’s about the truth of

it.’ He lighted his pipe and pondered over the hieroglyphics found among

the ruined cities of Yucatan; I lighted my pipe, and read the only book

I could find in the dining-room--a dreadful record of shipwrecks and

disasters at sea. When the room was full of tobacco-smoke we fell asleep

in our chairs--and when we awoke again we got up and went to bed. There

is the true story of my first evening at Redwood Hall.”

Emily begged him to go on. “You have interested me in Miss Redwood,” she

said. “You kept your appointment, of course?”

“I kept my appointment in no very pleasant humor. Encouraged by my

favorable report of the illustrations which he had submitted to

my judgment, Sir Jervis proposed to make me useful to him in a new

capacity. ‘You have nothing particular to do,’ he said, ‘suppose you

clean my pictures?’ I gave him one of my black looks, and made no other

reply. My interview with his sister tried my powers of self-command in

another way. Miss Redwood declared her purpose in sending for me the

moment I entered the room. Without any preliminary remarks--speaking

slowly and emphatically, in a wonderfully strong voice for a woman of

her age--she said, ‘I have a favor to ask of you, sir. I want you to

tell me what Mrs. Rook has done.’ I was so staggered that I stared at

her like a fool. She went on: ‘I suspected Mrs. Rook, sir, of having

guilty remembrances on her conscience before she had been a week in

our service.’ Can you imagine my astonishment when I heard that Miss

Redwood’s view of Mrs. Rook was my view? Finding that I still said

nothing, the old lady entered into details: ‘We arranged, sir,’ (she

persisted in calling me ‘sir,’ with the formal politeness of the old

school)--‘we arranged, sir, that Mrs. Rook and her husband should occupy

the bedroom next to mine, so that I might have her near me in case of

my being taken ill in the night. She looked at the door between the two

rooms--suspicious! She asked if there was any objection to her changing

to another room--suspicious! suspicious! Pray take a seat, sir, and tell

me which Mrs. Rook is guilty of--theft or murder?’”

“What a dreadful old woman!” Emily exclaimed. “How did you answer her?”

“I told her, with perfect truth, that I knew nothing of Mrs. Rook’s

secrets. Miss Redwood’s humor took a satirical turn. ‘Allow me to ask,

sir, whether your eyes were shut, when our housekeeper found herself

unexpectedly in your presence?’ I referred the old lady to her brother’s

opinion. ‘Sir Jervis believes Mrs. Rook to be crazy,’ I reminded her.

‘Do you refuse to trust me, sir?’ ‘I have no information to give you,

madam.’ She waved her skinny old hand in the direction of the door.

I made my bow, and retired. She called me back. ‘Old women used to

be prophets, sir, in the bygone time,’ she said. ‘I will venture on a

prediction. You will be the means of depriving us of the services of

Mr. and Mrs. Rook. If you will be so good as to stay here a day or two

longer you will hear that those two people have given us notice to

quit. It will be her doing, mind--he is a mere cypher. I wish you

good-morning.’ Will you believe me, when I tell you that the prophecy

was fulfilled?”

“Do you mean that they actually left the house?”

“They would certainly have left the house,” Alban answered, “if Sir

Jervis had not insisted on receiving the customary month’s warning. He

asserted his resolution by locking up the old husband in the pantry. His

sister’s suspicions never entered his head; the housekeeper’s conduct

(he said) simply proved that she was, what he had always considered

her to be, crazy. ‘A capital servant, in spite of that drawback,’ he

remarked; ‘and you will see, I shall bring her to her senses.’ The

impression produced on me was naturally of a very different kind.

While I was still uncertain how to entrap Mrs. Rook into confirming my

suspicions, she herself had saved me the trouble. She had placed her own

guilty interpretation on my appearance in the house--I had driven her

away!”

Emily remained true to her resolution not to let her curiosity embarrass

Alban again. But the unexpressed question was in her thoughts--“Of what

guilt does he suspect Mrs. Rook? And, when he first felt his suspicions,

was my father in his mind?”

Alban proceeded.

“I had only to consider next, whether I could hope to make any further

discoveries, if I continued to be Sir Jervis’s guest. The object of

my journey had been gained; and I had no desire to be employed as

picture-cleaner. Miss Redwood assisted me in arriving at a decision.

I was sent for to speak to her again. The success of her prophecy had

raised her spirits. She asked, with ironical humility, if I proposed to

honor them by still remaining their guest, after the disturbance that I

had provoked. I answered that I proposed to leave by the first train the

next morning. ‘Will it be convenient for you to travel to some place at

a good distance from this part of the world?’ she asked. I had my own

reasons for going to London, and said so. ‘Will you mention that to my

brother this evening, just before we sit down to dinner?’ she continued.

‘And will you tell him plainly that you have no intention of returning

to the North? I shall make use of Mrs. Rook’s arm, as usual, to help me

downstairs--and I will take care that she hears what you say. Without

venturing on another prophecy, I will only hint to you that I have my

own idea of what will happen; and I should like you to see for yourself,

sir, whether my anticipations are realized.’ Need I tell you that this

strange old woman proved to be right once more? Mr. Rook was released;

Mrs. Rook made humble apologies, and laid the whole blame on her

husband’s temper: and Sir Jervis bade me remark that his method had

succeeded in bringing the housekeeper to her senses. Such were

the results produced by the announcement of my departure for

London--purposely made in Mrs. Rook’s hearing. Do you agree with me,

that my journey to Northumberland has not been taken in vain?”

Once more, Emily felt the necessity of controlling herself.

Alban had said that he had “reasons of his own for going to London.”

Could she venture to ask him what those reasons were? She could only

persist in restraining her curiosity, and conclude that he would have

mentioned his motive, if it had been (as she had at one time supposed)

connected with herself. It was a wise decision. No earthly consideration

would have induced Alban to answer her, if she had put the question to

him.

All doubt of the correctness of his own first impression was now at an

end; he was convinced that Mrs. Rook had been an accomplice in the

crime committed, in 1877, at the village inn. His object in traveling

to London was to consult the newspaper narrative of the murder. He, too,

had been one of the readers at the Museum--had examined the back numbers

of the newspaper--and had arrived at the conclusion that Emily’s father

had been the victim of the crime. Unless he found means to prevent it,

her course of reading would take her from the year 1876 to the year

1877, and under that date, she would see the fatal report, heading the

top of a column, and printed in conspicuous type.

In the meanwhile Emily had broken the silence, before it could lead to

embarrassing results, by asking if Alban had seen Mrs. Rook again, on

the morning when he left Sir Jervis’s house.

“There was nothing to be gained by seeing her,” Alban replied. “Now that

she and her husband had decided to remain at Redwood Hall, I knew where

to find her in case of necessity. As it happened I saw nobody, on the

morning of my departure, but Sir Jervis himself. He still held to his

idea of having his pictures cleaned for nothing. ‘If you can’t do it

yourself,’ he said, ‘couldn’t you teach my secretary?’ He described the

lady whom he had engaged in your place as a ‘nasty middle-aged woman

with a perpetual cold in her head.’ At the same time (he remarked) he

was a friend to the women, ‘because he got them cheap.’ I declined to

teach the unfortunate secretary the art of picture-cleaning. Finding me

determined, Sir Jervis was quite ready to say good-by. But he made use

of me to the last. He employed me as postman and saved a stamp. The

letter addressed to you arrived at breakfast-time. Sir Jervis said, ‘You

are going to London; suppose you take it with you?’”

“Did he tell you that there was a letter of his own inclosed in the

envelope?”

“No. When he gave me the envelope it was already sealed.”

Emily at once handed to him Sir Jervis’s letter. “That will tell you who

employs me at the Museum, and what my work is,” she said.

He looked through the letter, and at once offered--eagerly offered--to

help her.

“I have been a student in the reading-room at intervals, for years

past,” he said. “Let me assist you, and I shall have something to do in

my holiday time.” He was so anxious to be of use that he interrupted her

before she could thank him. “Let us take alternate years,” he suggested.

“Did you not tell me you were searching the newspapers published in

eighteen hundred and seventy-six?”

“Yes.”

“Very well. I will take the next year. You will take the year after. And

so on.”

“You are very kind,” she answered--“but I should like to propose an

improvement on your plan.”

“What improvement?” he asked, rather sharply.

“If you will leave the five years, from ‘seventy-six to ‘eighty-one,

entirely to me,” she resumed, “and take the next five years, reckoning

_backward_ from ‘seventy-six, you will help me to better purpose. Sir

Jervis expects me to look for reports of Central American Explorations,

through the newspapers of the last forty years; and I have taken the

liberty of limiting the heavy task imposed on me. When I report my

progress to my employer, I should like to say that I have got through

ten years of the examination, instead of five. Do you see any objection

to the arrangement I propose?”

He proved to be obstinate--incomprehensibly obstinate.

“Let us try my plan to begin with,” he insisted. “While you are looking

through ‘seventy-six, let me be at work on ‘seventy-seven. If you still

prefer your own arrangement, after that, I will follow your suggestion

with pleasure. Is it agreed?”

Her acute perception--enlightened by his tone as wall as by his

words--detected something under the surface already.

“It isn’t agreed until I understand you a little better,” she quietly

replied. “I fancy you have some object of your own in view.”

She spoke with her usual directness of look and manner. He was evidently

disconcerted. “What makes you think so?” he asked.

“My own experience of myself makes me think so,” she answered. “If _I_

had some object to gain, I should persist in carrying it out--like you.”

“Does that mean, Miss Emily, that you refuse to give way?”

“No, Mr. Morris. I have made myself disagreeable, but I know when to

stop. I trust you--and submit.”

If he had been less deeply interested in the accomplishment of his

merciful design, he might have viewed Emily’s sudden submission with

some distrust. As it was, his eagerness to prevent her from discovering

the narrative of the murder hurried him into an act of indiscretion.

He made an excuse to leave her immediately, in the fear that she might

change her mind.

“I have inexcusably prolonged my visit,” he said. “If I presume on your

kindness in this way, how can I hope that you will receive me again? We

meet to-morrow in the reading-room.”

He hastened away, as if he was afraid to let her say a word in reply.

Emily reflected.

“Is there something he doesn’t want me to see, in the news of the year

‘seventy-seven?” The one explanation which suggested itself to her mind

assumed that form of expression--and the one method of satisfying her

curiosity that seemed likely to succeed, was to search the volume which

Alban had reserved for his own reading.

For two days they pursued their task together, seated at opposite desks.

On the third day Emily was absent.

Was she ill?

She was at the library in the City, consulting the file of _The Times_

for the year 1877.

"I Say No" · 第 23 / 67 章