A WELSH MUSICAL FESTIVAL.

I had been knocking about London, as the phrase goes, for more months

than I choose to mention, when, my purse presenting unmistakable

symptoms of a coming state of collapse, I began seriously to look about

me for the means of replenishing it. Luckily, I had not to wait long for

an opportunity. One morning, as I sat in the box of a coffee-room in

Holborn, running my eye over the advertisement columns of the "Times,"

I met with one which promised novelty, at least; I had had too much

experience in such matters to anticipate from it any very great

_pecuniary_ compensation. The said advertisement was to the effect,

that a gentleman who combined literary tastes with business habits was

required to edit a paper published in a town in South Wales; and it went

on to state, that application, personally or by letter, might be made to

the proprietor of the said journal at M----.

That I possessed some taste for literature I was well enough assured;

but as for my "business habits," perhaps the least said about them, the

better. This condition of candidateship, however, I quietly shirked,

while counting over my few remaining coins, scarcely more than

sufficient, after paying my landlady, to defray my expenses to M----,

some one hundred and sixty miles distant. Determining, then, to assume a

commercial virtue, though I had it not, I quitted the metropolis, and in

due time reached the land of leeks, with a light heart, and seven and

sixpence sterling in my pocket.

A queer little Welsh town was M----, with an androgynous population,--or

so it seemed to me, who had never before beheld women wearing men's hats

and coats, and men with head-coverings and other articles of apparel

of a very ambiguous description. It chanced to be market-day when I

arrived, so that I had a capital opportunity of observing the population

for whose edification my "literary tastes" were, I hoped, to be called

into requisition. But at the very outset a tremendous difficulty stared

me in the face. Nine out of every ten of the people I met or passed

spoke in a language that to me was as unintelligibly mysterious as the

cuneiform characters on Mr. Layard's Nineveh sculptures. It was a hard,

harsh, guttural dialect, which even those who were to the manner born

seemed to jerk out painfully and spasmodically from their lingual

organs. This was especially obvious during a bargain, where an excited

market-man was endeavoring to pass off a tough old gander as a tender

young goose, to some equally excited customer. It was dissonant enough

to _my_ ear, but I fancy it would have driven a sensitive Italian to

distraction. After listening to the horrible jargon for some time, I

could easily believe the story which poor William Maginn used to tell

with such unction, of the origin of the Welsh language. It was to this

effect.--When the Tower of Babel was being built, the workmen all spoke

one tongue. Just at the very instant when the "confusion" occurred, a

mason, trowel in hand, called for a brick. This his assistant was so

long in handing to him, that he incontinently flew into a towering

passion, and discharged from the said trowel a quantity of mortar, which

entered the other's windpipe just as he was stammering out an excuse.

The air, rushing through the poultice-like mixture, caused a spluttering

and gurgling, which, blending with the half-formed words, became that

language ever since known as Welsh.--I think it my duty to advise the

reader never to tell this anecdote to any descendants of Cadwallader,

who are peculiarly sensitive on the subject, and so hot-blooded, that it

is not at all unlikely the injudicious story-teller might be deprived of

any future opportunity of insulting the Ap-Shenkins, the Ap-Joneses, and

the race of very irascible Taffys in general.

I had, however, little time to study either language or character; so,

after a plain dinner at the Merlin's Head, the chief inn of the place, I

set out for the purpose of seeing the newspaper proprietor. Fortified by

a letter of introduction and some testimonials, I entered his shop,--he

was a bookseller and stationer,--and inquired for Mr. F----.

"That's my name," said a red-faced man behind the counter. I handed him

the introductory note, he glanced at it and then at me, thrust it into

his waistcoat pocket, and, as soon as he had served the customer with

whom he was engaged, led the way into a little room adjoining the place

of business.

Mr. F--- owned the newspaper; but, as he never ventured in a literary

way beyond reading proofs of advertisements, he was compelled to employ

an editor to do the leaders, select from the exchanges, prepare the

local news, and get up the reporting. He was, however, a practical

printer, and, in the main, a good fellow. After looking at my

testimonials and asking a few questions, my services were accepted,

and I was duly installed as editor of the "M---- Beacon," a small,

but rather influential county sheet. I ought to observe, that, as it

circulated chiefly in places where English was generally spoken, my

ignorance of Welsh was of but little importance, especially as the

foreman of the printing-office was a Cambrian, who could correct any

errors I might make in Taffy's orthography, which, prodigal as it is of

consonants and penurious of vowels, and, as it regards pronunciation,

embarrassing to the last degree, might drive Elihu Burritt back to his

smithy in an agony of despair.

Thus assisted, I got on tolerably well, though at first I made some

awful mistakes in the names of places mentioned by witnesses in courts

of justice and elsewhere. For instance, at the assizes, a man swore that

he resided at a place which he pronounced Monothosluin, and so I spelt

it in my report. "Cot pless me, Sur!--sure inteed, and you have

not spelt hur right," remarked Mr. Morgan, the foreman; and for my

edification he set it up thus,--_Mynyddysllwyn_. I almost turned my

tongue into a corkscrew, trying to speak the word as he did, and I

fairly gave up in despair. After that, I made it a rule, when I did

not know how to spell some unpronounceable word, to huddle a number of

consonants together in most admired disorder, and I was then usually

nearer correctness than if I had orthographized by ear.

I had been installed in the editorial chair some six months when Mr.

F---- informed me it was necessary I should visit Abergavenny, a town

some twenty-five miles distant, for the purpose of reporting the

proceedings at the CYMREIGGDDYON.

"And what the deuse is that?" I inquired.

I learned that it was a Triennial Musical Festival, so called,--at which

all the musical talent of Wales would be present; in short, that it was

a very grand occasion indeed, would be patronized by the aristocracy

of the Principality, and full reports of each of the three days'

proceedings were absolutely necessary.

Here again the Welsh difficulty started up; but as the Cymreiggddyon

would be quite a novelty, I determined to trust to Chance and

Circumstance,--two allies of mine who have gallantly aided me in many a

tough battle of literary life.

Remembering the words of Goldsmith,--"The young noble who is whirled

through Europe in his chariot sees society at a peculiar elevation, and

draws conclusions widely different from him who makes the grand tour on

foot," I determined to make my way to Abergavenny either by means of my

own legs or through the chance aid of those of a Welsh pony. So,

one bright morning, with stick in hand, knapsack on shoulder, and a

wandering artist for a companion, I started for the iron district,

as that part of Wales is termed. Wildly romantic were the roads we

traversed; and after having threaded many a glen, leaped frequent

torrents, ascended and descended mountains with impossible names, and

plodded wearily across dreary moors, glad enough were we to observe, in

the less thinly scattered cottages, indications of a town.

The clouds had been gathering ominously during the latter half of our

long day of travel,--and as the sun set blood-red behind a heavy bank of

vapor, it cast lurid reflections on large bodies of dense mist, which

sailed heavily athwart the crests of the mountains, with low, ragged,

trailing edges, that were too surely the precursors of a storm. Just

before the orb finally disappeared, its slant rays streamed through some

dark purple bars on the horizon's verge, and for an instant tinged the

opposite distant mountains with strange supernatural hues. The Blorenge

and the Sugar Loaf glowed like huge carbuncles, while the pale green

light which bathed their bases gleamed faintly like a setting of

aqua-marina. My artist companion incontinently fell into professional

raptures, and raved of "effect," and "Turner," and "Ruskin," heedless of

my advice that he had better hasten onward, lest night should overtake

us in that wild region, where sheep-tracks, scarcely visible even by

daylight, were our sole guides. At length, however, I managed to

start him, and on we stalked, the decreasing twilight and the distant

reverberations of thunder among the mountains hastening our steps, until

they became almost a trot.

But soon the trot declined once more into a walk, and a slow one

too,--for we entered a gloomy pass or gorge, whose rocky walls on either

side effectually excluded what little light yet lingered in the sky.

Cautiously picking our way, we slowly travelled on, until at length

we became sensible of a faint red flush in the narrow strip of sky

overhead. It seemed as though the sun had just wheeled back to give a

forgotten message to some starry-night-watcher,--or so my companion

intimated. But, unfortunately for his theory, the dull red glare

above us, which every moment deepened in intensity, was evidently

the reflection of earthly, not heavenly fire. I had seen too many

conflagrations to doubt that for an instant. Presently a dull, confused

sound fell on our ears, and at a sudden turn round an angle of our

mountain road we stood speechless as we gazed on a spectacle which

Milton might have conceived and Martin painted.

"Far other light than that of day there shone

Upon the wanderers entering Padalon,"

murmured the artist, as he gazed on the strange scene. And strange

indeed was it to our startled eyes. We stood on the end and summit of a

mountain spur, some two thousand feet above the valley, or rather basin,

below, from the centre of which burst forth a thousand fires, whose

dull roar--dulled by distance--was like "the noise of the sea on an

iron-bound shore." The extent of space covered by those strange, fierce

fires must have amounted to many acres,--in fact, did so, as we

afterwards ascertained,--and the effect produced by them may be

partially imagined when it is remembered that these flames were of all

hues, from rich ruby-red, to the pale lurid light of burning sulphur.

Fancy all the gems of Aladdin's Palace or Sinbad's Valley in fierce

flashing combustion, immensely magnified, and you may form some faint

idea of the scene in that Welsh valley.

Stretching out, like spokes of a gigantic wheel, from their fiery

centre, were huge embankments, like those of Titanic railways, whose

summits and sides, especially towards their extremities, glowed in

patches with all the hues of the rainbow. As I gazed wonderingly on one

of these,--a real mountain of light, far surpassing the Koh-i-Noor,--I

observed a dark figure gliding along its summit, pushing something

before it, like a black imp conveying an unfortunate soul from one part

of Tophet to another. At the extremity of the ridge the imp stopped, and

suddenly there shot down the steep, not a tortured ghost, but a shower

of radiant gems even more brilliant than those to which I have already

referred.

"What, in the name of all that's wonderful, is _that_?" said my friend,

Mr. Vandyke Brown; and I was also trying to account for the phenomena,

when a voice close to my ear--a voice which I was certain belonged

neither to Mr. B. nor myself--uttered the mysterious word,--

"Sl-aa-g!"

I looked round, and, sure enough, there stood a being who might very

easily be mistaken for a new arrival from the bottomless pit. Such,

however, it was evident he was not. Though he was black enough, in all

conscience, he had neither horns, hoof, nor tail, and he was redolent

rather of 'bacco than brimstone; a queer old hat, in the band of which

was stuck an unlighted candle, covered a mass of matted red hair; his

eyes were glaring and rimmed with red; and there was a gash in his face

where his mouth should have been. A loose flannel shirt, which had once

been red, a pair of indescribable trowsers, and thick-soled shoes,

completed his dress,--an attire which I at once recognized as that

common among the coal-miners of the district.

"'Deed and truth, Sur, they is cinder-heaps and slag from the

iron-works, Sur; and yon is Merthyr-Tydvil, sure."

Piloted by our dusky guide,--not exactly, though, like Campbell's

"_Morning_ brought by Night,"--we soon reached the town,--which is named

after a young lady of legendary times named Tydfil, a Christian martyr,

of which Merthyr-Tydvil is a corruption,--and made the best of our

way to the Bush Inn, where we treated our sable friend to some _cwrw

dach,--Anglicé_, strong ale; and after a hearty supper of Welsh rabbit,

which Tom Ingoldsby calls a "bunny without any bones," and "custard with

mustard,"--which, as made in the Principality, it much resembles,--I

took a stroll through the town. It was a dull-looking place enough, and

as dirty as dull; every house was built with dingy gray stones, without

any reference whatever to cleanliness or ventilation; and as to the

civilization of the inhabitants, I saw enough to convince me, that, to

see real barbarism, an Englishman need only visit that part of Great

Britain called Wales. It was eight in the evening, and the day-laborers

at the furnaces had just left work. The doors of all the cottages were

open, and, as I passed them, in almost every one was to be seen a

perfectly naked stalwart man rubbing himself down with a dirty rough

towel, while his wife and grown-up daughters or sisters, almost as nude

and filthy as himself, stood listlessly by, or prepared his supper.

Glad to escape from such disgusting objects, I hurried back to the Bush

and to bed. But not to rest, though; for during that long, miserable

night, the eternal rattle of machinery, clattering of hammers, whirling

of huge wheels, and roaring of blast-furnaces completely murdered sleep.

Never, for one instant, did these sounds cease,--nor do they, it is

said, the long year through; for if any accident happens at one of the

five great iron-works, there are four others which rest not day nor

night. Little, however, is this heeded by the people of Merthyr; _they_

are lulled to repose by the clatter of iron bars and the thumping of

trip-hammers, but are instantaneously awakened by the briefest intervals

of silence.

Glad enough was I, the next morning early, to cross an ink-black stream

and leave the town, and pleasant was it to breathe the free, fresh

mountain air, after inhaling the foul smoke of the iron-works. Towards

the close of the afternoon, after a delightful walk, a great portion

of it on the banks of the picturesque river Usk, we came in sight of

Abergavenny, where the Cymreiggddyon was to be held.

The first of the glorious three days was duly ushered in with the firing

of cannon, ringing of bells, and all kinds of extravagant jubilation.

It wasn't quite as noisy as a Fourth of July, but much more discordant.

Strings of flags were suspended across the streets,--flags with harps

of all sorts and sizes displayed thereon,--flags with Welsh mottoes,

English mottoes, Scotch mottoes, and no mottoes at all. In front of the

Town Hall was almost an acre of transparent painting,--meant, that is,

to be so after dark, but mournfully opaque and pictorially mysterious in

the full glare of sunshine. As far as I could make it out, it was the

full-length portrait--taken from life, no doubt--of an Ancient Welsh

Bard. He was depicted as a baldheaded, elderly gentleman, with upturned

eyes, apparently regarding with reverence a hole in an Indian-ink cloud

through which slanted a gamboge sunbeam, and having a white beard,

which streamed like a (horse-hair) "meteor on the troubled air." This

venerable minstrel was seated on a cairn of rude stones, his white robe

clasped at his throat and round his waist by golden brooches, and with a

harp, shaped like that of David in old Bible illustrations, resting on

the sward before him. In the background were some Druidical remains, by

way of audience; and the whole was surrounded by a botanical border,

consisting of leeks, oak-leaves, laurel, and mistletoe, which had a very

rare and agreeable effect. Nor were these hieroglyphical decorations

without a deep meaning to a Cambrian; for while the oak-leaf typified

the durability of Welsh minstrelsy, the mistletoe its mysterious origin,

and the laurel its reward, the national leek was pleasantly suggestive

of its usual culinary companions, Welsh mutton and toasted cheese.

As in America, so in Wales, almost every public matter is provocative of

a procession, and the proceedings of the Festival commenced with one. No

doubt, it was to the eyes of the many, who from scores of miles round

had travelled to witness it, a very imposing and serious demonstration;

but anything more ridiculously amusing it was never my good fortune to

see. I had, however, to keep all my fun to myself, for Welshmen are not

to be trifled with. Any one who wishes to be convinced of this need only

walk into a Welsh village, singing the old child-doggerel of

"Taffy was a Welshman, Taffy was a thief,

Taffy came to my house and stole a piece

of beef," etc.,

and, my life on it, he will not leave it without striking proofs of

Welsh sensitiveness, and voluble illustrations of some Jenny Jones's

displeasure. By no means inclined to subject myself to such inconvenient

experiences, I prudently kept my eyes wide open and my mouth shut,--or

if I spoke, I merely asked questions, by which means I acquired

necessary information and passed off for a gratified stranger and an

admiring spectator.

All the resources of the town and its neighborhood, and indeed of the

county itself, had been exhausted to give due effect to the parade,

of which I regret to say that I cannot hope to give any adequate

description. All the usual elements of processions were to be seen.

Bands of music,--there were at least a dozen of them, all playing

different pieces at one and the same moment, which had a somewhat

distracting effect on those sensitively-eared people who weakly prefer

one air at a time and do not appreciate tuneful tornadoes. As the

procession went by at a brisk pace, it was curious enough to notice how

the last wailing notes of "A noble race was Shenkin," played by a band

in advance, blended with the brisk music of "My name's David Price, and

I'm come from Llangollen," performed by a company in the rear. In fact,

it was a genuine Welsh musical medley, and the daring genius who would

have occupied himself in "untwisting all the links which tied its hidden

soul of harmony," would have had about as difficult and distressing a

task as he who tried to make ropes out of sea-sand.

Of course, these bands were made up of divers instruments, but the

national harp was head and chief of them all, as might naturally have

been expected in such a place and at such a time. There were harps of

all sorts and shapes; some of the Welsh urchins had even Jews-harps

between their teeth. There were Irish harps, English harps, and Welsh

harps. There was no Caledonian harp, though; but a remarkably dirty

fellow in the procession seemed to be making up for the lack of one

stringed instrument by bringing another,--the Scotch fiddle!--on which

he perpetually played the tune of "God bless the gude Duke of Argyle!"

There were harps with one, two, and three sets of strings,--harps with

gold strings, silver strings, brass strings,--strings of cat-gut and

brass,--strings red, and brown, and white. I looked sharp for the "harp

of a thousand strings," but it was nowhere to be seen; and surmising

that such is only played on by the spirits of just men made perfect, I

ceased to search further for it in _that_ procession,--for though the

men composing it might be just enough, they were evidently a long way

from perfection. And when it is remembered that all these harps were

twang-twanging away furiously, and that their strings were being

swept over with no Bochsa fingers, few will wonder that I longed for

cotton-wool, and blessed the memory of Paganini, who had only one string

to his bow.

Harps, however, would be of little value, were there no bards to sing

and no minstrels to play. Walter Scott was decidedly wrong, when,

speaking of his minstrel, he says,--

"The _last_ of all the bards was he."

Nonsense! I saw at least fifty in that procession,--regular, legitimate

bards,--each one having a bardic bald pate, a long white bardic beard,

flowing bardic robes, bardic sandals, a bardic harp in his hand, and an

ancient bardic name. There was Bard Alaw, Bard Llewellyn, Bard Ap-Tudor,

Bard Llyyddmunnddggynn, (pronounce it, if you can, Reader,--I can't,)

and I am afraid to say how many more, in face of the high poetical

authority I have just cited and refuted. Talk of the age of poetry

having passed away, when three-score and ten bards can be seen at one

time in a little Welsh town! These men of genius were headed by Bard

Alaw, whose unpoetical name, I almost hesitate to write it, was

Williams,--Taliesin Williams,--the Welsh given name alone redeeming it

from obscurity. I found, too, to my disenchantment, that all the other

bards were Joneses and Morgans, Pryces and Robertses, when they were met

in everyday life, before and after these festivals; and that they kept

shops, and carried on mechanical trades. Only fancy Bard Ap-Tudor

shaving you, or Bard Llyynnssllumpllyynn measuring you for a new pair of

trowsers!

After the bards and minstrels came the gentry of the county, the clergy,

and distinguished strangers, before and behind whom banners floated and

flags streamed. On many of these banners were fancy portraits of Saint

David, the Patron Saint of Wales, always with a harp in his hand. But

the Saint must have had a singularly varied expression of countenance,

or else his portrait-painters must have been mere block-heads, for no

two of their productions were alike. I saw smiling Davids, frowning

Davids, mild Davids, and ferocious Davids,--Davids with oblique eyes,

red noses, and cavernous mouths,--and Davids as blind as bats, or with

great goggle-orbs, aquiline nasal organs, blue at the tips, and lips

made for a lisp. One David had a brown Welsh wig on his head, and was

anachronistically attired in a snuff-colored coat, black small-clothes,

gray, coarse, worsted stockings, high-low boots, with buckles, and he

wore on his head a three-cornered hat, and used spectacles as big as

tea-saucers. On my remarking to a bystander, that I was not aware

knee-breeches were worn in the time of the ancient kings, I was

condescendingly informed that _this_ David was not the celebrated

Monarch-Minstrel, but a Mr. Pryce David, the founder of the

Cymreiggddyon Society. But the most amusing David was one depicted on a

banner carried in front of a company of barbers belonging to the order

of Odd Fellows. In that magnificent work of art David was represented

bewailing the death of Absalom, that unhappy young man being seen

hanging by his hair from a tree. Out of the mouth of David issued a

scroll, on which was inscribed the following touching verse:--

"Oh, Absalom! Oh, Absalom!

Oh, Absalom, my son!

If thou hadst worn a good Welsh wig,

Thou hadst not been undone!"

It was with no little trouble that I elbowed my way into the great

temporary hall where the exercises were to be held: but by dint of much

pressing forward, I at length reached the reporters' bench. Directly in

front was a raised platform, and on two sides of the tent galleries

had been erected for the bards and orators. On the platform table

were arranged prizes to be given for the best playing, singing, and

speaking,--and also for articles of domestic Welsh manufacture, such

as plaids, flannels, and the like. A large velvet and gilded chair was

placed on a daïs for the president, and on either side of this, seats

for ladies and visitors. In a very short time every corner of the

spacious area was crammed.

And a pretty and a cheerful spectacle was presented wherever the eye

turned. As in almost all other gatherings of the kind, the fair sex were

greatly in the majority; and during the interval which elapsed between

the opening of the doors and the beginning of business, the clatter of

female tongues was prodigious. The sex generally are voluble when in

crowds; but as for Welsh women, their loquacity was far beyond anything

of the kind I had ever conceived of. And there were some wonderfully

handsome specimens of girlhood, womanhood, and matronhood among that

great gathering; though I am compelled to admit that in Wales beauty

forms the exception, rather than the rule.

But the bards are in their places,--the front rows of either gallery;

the president has taken his seat; the leading ladies of the county are

in their chairs; and while the large audience are settling down into

their places, let us glance at two or three of the celebrities present.

On the foremost seat, to the right of the chairman, sits a lady who is

evidently a somebody, since all the gentlemen, on entering, pay her

especial respect. She is rather past the middle age, but has worn well;

her eye is still bright, her cheek fresh-colored, and her skin smooth.

Evidently she takes much interest in the proceedings,--and little

wonder,--for it is mainly owing to her exertions that the Festival

has not become one of the things that were. Her name? You may see it

embroidered in dahlias on yonder broad strip of white cotton, stretching

across the breadth of the hall, nearly over her head. These blossoms

form the letters and words, GWENNEN GWENT, or "The Bee of Gwent,"--Gwent

being the ancient name of that portion of Glamorgan. The title is apt

enough; for Lady Hall--that is her matter-of-fact name--is proverbially

one of the busiest of her sex in all that relates to the welfare of her

poorer neighbors. She is wife of Sir Benjamin Hall, member of Parliament

for the largest parish in London, St. Mary-le-bone, and whose

county residence is at Llanover Court, near Abergavenny. That tall,

aristocratic man near her is her husband; but he looks somewhat out of

place there. As a member of the House of Commons, he is prominent; but

evidently his present position is not at all to his taste.

On the left of the chairman is another lady, whose name is well known

in literary circles. She is not Welsh by birth, though she is so by

marriage,--she being united to one of the great iron-masters. She has a

large face, open and cheerful-looking, if not handsome. The forehead is

broad and white,--the eyes dark and lustrous. Formerly she was known to

the reading world as Lady Charlotte Lindsay; now she is Lady Charlotte

Guest; a woman than whom very few archaeologists are better acquainted

with the Welsh language and its ancient literature. She is the author of

that very learned work, "The Mabinogion," a collection of early Welsh

legends. This book was printed a few years since by the pale-faced,

intelligent-looking man who is standing behind her chair,--Mr. Rees,--a

printer in an obscure Welsh hamlet, named Llandovery. He has, with

perfect propriety, been termed the Welsh Elzevir; and certainly a finer

specimen of typography than that furnished by the "Mabinogion" can

scarcely be produced.

The chairman is a pompous old nobody. Him I need not describe. The

presiding and directing spirit of the place is a tall, slender gentleman

with snow-white hair, dark, flashing eyes, and a graceful bearing; it is

the Rev. Thomas Price, or, as his Welsh title has it, _Carnuhanawc_.

He is a thorough believer in the ultra-excellence of everything

Welsh,--Welsh music, Welsh flannels, Welsh scenery, Welsh mutton; and

so far as regards the latter, I am quite of his opinion. After a very

animated speech, he directs the competitors on the triple harp to stand

forward and begin a harmonious contest.

There are three,--an old blind man, a young man, and a girl some

fourteen years of age. Every one cheers the latter lustily, and "wishes

she may get it." So do I, of course; and I listen with great interest as

Miss Winifred Jenkins commences her performance, which she does without

blush or hesitation, and with quite an I-know-all-about-it sort of air.

I forget the particular piece the young lady played; but upon it she

extemporized so many variations, that long before she came to an ending

I had lost all remembrance of the text from which she had deduced her

melodious sermon. There was, I thought, more mechanical tact than

expression in her performance, but it was enthusiastically applauded for

all that; and with an awkward curtsy--much like Sydney Smith's little

servant-maid Bunch's "bobbing to the centre of the earth"--the

red-cheeked little harpist vanished.

Next came the young man; but several of the harp-strings at once snapped

in consequence of his fierce fingering, and he broke down amidst howls

of guttural disapprobation. So far as competition was concerned, he was,

in sporting parlance, nowhere!

The old blind gentleman followed, and I do not think that I ever

witnessed a more melancholy spectacle. Apollo playing on his stringed

instrument presents a very graceful appearance; but fancy a Welsh

Orpheus with a face all seamed and scarred by smallpox,--a short, fiery

button in the middle of his countenance, serving for a nose,--a mouth

awry and toothless,--and two long, dirty, bony hands, with claw-like

fingers tipped with dark crescents,--and I do not think the picture will

be a pleasant one. If the horrible-looking old fellow had concealed

his ghastly eyes by colored glasses, the effect would not have been so

disagreeable; but it was absolutely frightful to see him rolling his

head, as he played, and every now and then staring with the whites of

his eyes full in the faces of his unseen audience. At length, greatly

to my relief, he gave the last decisive twang, and was led away by his

wife. It is almost needless to say that the musical "Bunch" took the

prize.

"Penillionn Singing" was the next attraction. This was something like

an old English madrigal done into Welsh, and, as a specimen of

vocalization, pleasing enough,--as pleasing, that is, as Welsh singing

can be to an English ear; but how different from the soft, liquid

Italian trillings, the flexible English warblings, the melodious ballads

of Scotland, or the rollicking songs of Ireland! There was only one of

the many singers I heard at the Festival who at all charmed me, and that

was a little vocalist of much repute in Southern Wales for her bird-like

voice and brilliancy of execution. Her professional name was pretty

enough,--_Eos Vach Morganwg_,--"The Little Nightingale of Glamorgan."

Her renderings of some simple Welsh melodies were delicious; they as far

excelled the outpourings of the other singers as the compositions of

Mendelssohn or Bellini surpass a midnight feline concert. I have heard

Chinese singing, and have come to the conclusion, that, next to it,

Welsh prize-vocalism is the most ear-distracting thing imaginable.

So it went on; Welsh, Welsh, Welsh, nothing but Welsh, until I was

heartily sick of it. Then, the singing part of the performance being

concluded, the bardic portion of the business commenced. It was

conducted in this manner:--

The names of several subjects were written on separate slips of paper,

and these being placed in a box, each bard took one folded up and with

but brief preparation was expected to extemporize a poem on the theme he

had drawn. The contest speedily commenced, and to me this part of the

proceedings was far and away the most entertaining. Of course, being, as

I said, ignorant of the language, I could not understand the _matter_ of

the improvisations; but as for the _manner_, just imagine a mad North

American Indian, a howling and dancing Dervise, an excited Shaker, a

violent case of fever-and-ague, a New York auctioneer, and a pugilist

of the Tom Hyer school, all fused together, and you may form some faint

idea of a Welsh bard in the agony of inspiration. Such roaring,

such eye-rolling, such thumping of fists and stamping of feet, such

joint-dislocating action of the arms, such gyrations of the head, such

spasmodic jerkings--out of the language of the ancient Britons, I never

heard before, and fervently pray that I never may again. And, let it be

remembered, the grotesque costume of the bard wonderfully heightened the

effect. His long beard, made of tow, became matted with the saliva which

ran down upon it from the corners of his mouth; his make-believe

bald scalp was accidentally wiped to one side, as he mopped away the

perspiration from his forehead with a red cotton handkerchief; and a

nail in the gallery front catching his ancient robe, in a moment of

frenzy, a fearful rending sound indicated a solution of continuity, and

exposed a modern blue _un_bardic pair of breeches with bright brass

buttons beneath,--an incident in keeping with the sham nature of all the

proceedings. For a mortal half hour this exhibition lasted, and when

the impassioned speaker sat down, panting and perspiring, the multitude

stamped, clapped, and hallooed, and went into such paroxysms of frenzy,

that Bedlam broke loose could alone be compared with it.

During the three days the Festival lasted, such scenes as I have

described were repeated,--the only changes being in the persons of

the singers and spouters. Glad enough was I when all was over, and my

occupation as reporter gone, for that time at least. With the aid of

a Welsh friend I managed to make a highly florid report of the

proceedings, which occupied no less than eight columns of the "M----

Beacon." As several of the speakers were only too glad to give me, _sub

rosâ_, copies of their speeches in their native language, and as none

knew of the fact but ourselves, I gained no little reputation as an

accomplished Welsh scholar. The result of this was, that presents of

Welsh Bibles, hymn-books, histories, topographies, and the like, by the

score, were forwarded to me,--some out of respect for my talents as a

great Welsh linguist, others for review in the newspaper. I was neither

born to such greatness, nor did I ever achieve it; it was literally

thrust on me; so also were sundry joints of the delicious Liliputian

Welsh mutton, which latter I am not ashamed to say I thoroughly

understood, appreciated, and digested. The ancient _litter_-ature, I am

sorry to confess, I sold as waste paper, at so much per pound; but

to show that some lingering regard for at least two of Cambria's

institutions yet reigns in this ---- bosom, I am just about to begin

upon a Welsh rabbit, and wash it down with a pitcher of _cwrw dach_.

The Atlantic Monthly, Volume 01, No. 05, March, 1858 A Magazine of Literature, Art, and Politics · 第 30 / 54 题