THE FORMAL COUPLE

THE formal couple are the most prim, cold, immovable, and unsatisfactory

people on the face of the earth. Their faces, voices, dress, house,

furniture, walk, and manner, are all the essence of formality, unrelieved

by one redeeming touch of frankness, heartiness, or nature.

Everything with the formal couple resolves itself into a matter of form.

They don’t call upon you on your account, but their own; not to see how

you are, but to show how they are: it is not a ceremony to do honour to

you, but to themselves,—not due to your position, but to theirs. If one

of a friend’s children die, the formal couple are as sure and punctual in

sending to the house as the undertaker; if a friend’s family be

increased, the monthly nurse is not more attentive than they. The formal

couple, in fact, joyfully seize all occasions of testifying their

good-breeding and precise observance of the little usages of society; and

for you, who are the means to this end, they care as much as a man does

for the tailor who has enabled him to cut a figure, or a woman for the

milliner who has assisted her to a conquest.

Having an extensive connexion among that kind of people who make

acquaintances and eschew friends, the formal gentleman attends from time

to time a great many funerals, to which he is formally invited, and to

which he formally goes, as returning a call for the last time. Here his

deportment is of the most faultless description; he knows the exact pitch

of voice it is proper to assume, the sombre look he ought to wear, the

melancholy tread which should be his gait for the day. He is perfectly

acquainted with all the dreary courtesies to be observed in a

mourning-coach; knows when to sigh, and when to hide his nose in the

white handkerchief; and looks into the grave and shakes his head when the

ceremony is concluded, with the sad formality of a mute.

‘What kind of funeral was it?’ says the formal lady, when he returns

home. ‘Oh!’ replies the formal gentleman, ‘there never was such a gross

and disgusting impropriety; there were no feathers.’ ‘No feathers!’

cries the lady, as if on wings of black feathers dead people fly to

Heaven, and, lacking them, they must of necessity go elsewhere. Her

husband shakes his head; and further adds, that they had seed-cake

instead of plum-cake, and that it was all white wine. ‘All white wine!’

exclaims his wife. ‘Nothing but sherry and madeira,’ says the husband.

‘What! no port?’ ‘Not a drop.’ No port, no plums, and no feathers!

‘You will recollect, my dear,’ says the formal lady, in a voice of

stately reproof, ‘that when we first met this poor man who is now dead

and gone, and he took that very strange course of addressing me at dinner

without being previously introduced, I ventured to express my opinion

that the family were quite ignorant of etiquette, and very imperfectly

acquainted with the decencies of life. You have now had a good

opportunity of judging for yourself, and all I have to say is, that I

trust you will never go to a funeral _there_ again.’ ‘My dear,’ replies

the formal gentleman, ‘I never will.’ So the informal deceased is cut in

his grave; and the formal couple, when they tell the story of the

funeral, shake their heads, and wonder what some people’s feelings _are_

made of, and what their notions of propriety _can_ be!

If the formal couple have a family (which they sometimes have), they are

not children, but little, pale, sour, sharp-nosed men and women; and so

exquisitely brought up, that they might be very old dwarfs for anything

that appeareth to the contrary. Indeed, they are so acquainted with

forms and conventionalities, and conduct themselves with such strict

decorum, that to see the little girl break a looking-glass in some wild

outbreak, or the little boy kick his parents, would be to any visitor an

unspeakable relief and consolation.

The formal couple are always sticklers for what is rigidly proper, and

have a great readiness in detecting hidden impropriety of speech or

thought, which by less scrupulous people would be wholly unsuspected.

Thus, if they pay a visit to the theatre, they sit all night in a perfect

agony lest anything improper or immoral should proceed from the stage;

and if anything should happen to be said which admits of a double

construction, they never fail to take it up directly, and to express by

their looks the great outrage which their feelings have sustained.

Perhaps this is their chief reason for absenting themselves almost

entirely from places of public amusement. They go sometimes to the

Exhibition of the Royal Academy;—but that is often more shocking than the

stage itself, and the formal lady thinks that it really is high time Mr.

Etty was prosecuted and made a public example of.

We made one at a christening party not long since, where there were

amongst the guests a formal couple, who suffered the acutest torture from

certain jokes, incidental to such an occasion, cut—and very likely dried

also—by one of the godfathers; a red-faced elderly gentleman, who, being

highly popular with the rest of the company, had it all his own way, and

was in great spirits. It was at supper-time that this gentleman came out

in full force. We—being of a grave and quiet demeanour—had been chosen

to escort the formal lady down-stairs, and, sitting beside her, had a

favourable opportunity of observing her emotions.

We have a shrewd suspicion that, in the very beginning, and in the first

blush—literally the first blush—of the matter, the formal lady had not

felt quite certain whether the being present at such a ceremony, and

encouraging, as it were, the public exhibition of a baby, was not an act

involving some degree of indelicacy and impropriety; but certain we are

that when that baby’s health was drunk, and allusions were made, by a

grey-headed gentleman proposing it, to the time when he had dandled in

his arms the young Christian’s mother,—certain we are that then the

formal lady took the alarm, and recoiled from the old gentleman as from a

hoary profligate. Still she bore it; she fanned herself with an

indignant air, but still she bore it. A comic song was sung, involving a

confession from some imaginary gentleman that he had kissed a female, and

yet the formal lady bore it. But when at last, the health of the

godfather before-mentioned being drunk, the godfather rose to return

thanks, and in the course of his observations darkly hinted at babies yet

unborn, and even contemplated the possibility of the subject of that

festival having brothers and sisters, the formal lady could endure no

more, but, bowing slightly round, and sweeping haughtily past the

offender, left the room in tears, under the protection of the formal

gentleman.

Sketches of Young Couples · 第 6 / 17 题