HALL OF THE EMPERORS.

and their wives, whose ancient authentic busts are arranged round the

room in chronological order:--

1. Julius Cæsar.

2. Augustus.

4. Tiberius.

6. Drusus, sen.

7. Drusus, jun.

8. Antonia.

9. Germanicus.

10. Agrippina, sen.

11. Caligula.

12. Claudius.

13. Messalina.

14. Agrippina, jun.

16. Nero.

17. Poppæa Sabina.

18. Galba.

19. Otho.

20. Vitellius.

21. Vespasian.

22. Titus.

23. Julia.

24. Domitian.

25. Domitia Longina.

27. Trajan.

28. Plotina.

31. Hadrian.

33. Julia Sabina.

35. Antoninus Pius.

36. Faustina, sen.

38. Marcus Aurelius.

39. Faustina, jun.

43. Commodus.

44. Crispina.

45. Pertinax.

46. Didius Julianus.

47. Manlia Scantilla.

50. Septimius Severus.

52. Julia Pia.

53. Caracalla.

54. Geta.

55. Macrinus.

57. Elagabalus.

60. Alexander Severus.

62. Maximinus.

64. Gordianus I.

65. Gordianus II.

66. Pupienus.

67. Balbinus.

68. Gordianus III.

69. Philip.

70. Decius.

72. Hostilianus.

73. Gallus.

76. Gallienus.

77. Salonina.

80. Diocletian.

81. Chlorus.

82. Julian, the philosopher.

83. Magnus Decentius.

There are several bas-reliefs round the room. Seated in the centre is

Agrippina, "the glory of the Roman matrons;" daughter of M. V. Agrippa

and Julia, daughter of Augustus; wife of Germanicus, and mother of

Caligula. "It is a statue combining an expression of moral dignity and

of intellectual force, with as much beauty and poetical grace as the

genius of sculpture ever borrowed from breathing nature to work out

its own miracles of art. This statue--a history and an epic in

itself--represents a woman in the prime of life seated in a chair of

state, and in the deep repose of meditative thought. The statue is

lofty, her brow of high capacity, her mouth expressive of love and

wit, and all her features are harmonized by that regularity which is

ever denied to defective organizations. Over the whole of this

simply-draped and noble figure there is an air of tranquil majesty,

which, in its solemn influence, likens it to the statues of the gods"

(Lady Morgan). It may have originally stood on the cinerary base in

the courtyard of the Palazzo dei Conservatori.

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