_situated in the Piazza Borghese, which is connected with the Corso by
the Via Fontanella Borghese. Catalogues for the use of visitors in
each room. Open on Monday, Wednesday, and Friday, from 10 till 3._ The
following are the principal objects of interest:--
FIRST ROOM: SCHOOLS OF MILAN AND PERUGIA.--3. Holy Family, by
Perugino; 5. Vanity; 27, 28. Petrarch and Laura; 35. Raphael as a
Boy, by himself; 43. Madonna, by Francia; 49, 57. History of Joseph,
by Pinturicchio; 61. S. Antonio, by Francia; 68. Doubting Thomas, by
Mazzolini.
SECOND ROOM: SCHOOL OF GAROFALO.--6. Madonna; 9. Mourners over Christ,
both by Garofalo; 22. Portrait of a Cardinal, by Bronzino; 23.
"Madonna col divin' amore," school of Raphael; 26. Cæsar Borgia (?),
by Bronzino; 38. Entombment, by Raphael; 51. S. Stephen, by Francia.
THIRD ROOM.--5. "Noli me tangere," by Bronzino; 24, 28. Madonna, by
Andrea del Sarto; 40. Danae, by Correggio (notice the cupids
sharpening an arrow); 48. The Flagellation, by Sebastiano del Piombo;
46. Reading Magdalene, by Correggio.
FOURTH ROOM: BOLOGNESE SCHOOL.--2. Cumæan Sibyl, by Domenichino; 20.
S. Joseph, by Guido; 36. Madonna, by Carlo Dolci; 42. Head of Christ,
by Carlo Dolci; 43. Madonna, by Sassoferrato.
FIFTH ROOM.--11-14. The Four Seasons, by Albani; 15. The Hunt of
Diana, by Domenichino; 25. The Deposition, by Zuccari.
SIXTH ROOM.--10. S. Stanislaus, by Ribera; 13. The Three Ages of Man,
copied by Sassoferrato from Titian.
SEVENTH ROOM.--Mirrors painted with Cupids and flowers; marble tables.
EIGHTH ROOM.--Mosaic portrait of Pope Paul V.
NINTH ROOM.--1. Fresco, Nuptials of Alexander and Roxana; 2. Fresco,
Nuptials of Vertumnus and Pomona; 3. Fresco, Archers Shooting at a
Target,--all by Raphael or his school.
TENTH ROOM.--13. David with the Head of Goliath, by Giorgione; 21.
Sacred and Profane Love, by Titian.
ELEVENTH ROOM.--11. Venus and Cupid on Dolphins, by Cambiaso; 15.
Christ and the Mother of Zebedee's Children, by Bonifazio; 16. Return
of the Prodigal, by Bonifazio; 17. Samson, by Titian.
TWELFTH ROOM: DUTCH SCHOOL.--1. Crucifixion, by Vandyck; 7.
Entombment, by Vandyck; 8. Tavern Scene, Teniers; 22. Cattle-Piece, by
Paul Potter.
_On leaving the gallery, turn to the right, and take the continuation
of the Via Ripetta on the left. Keeping straight on down the Via della
Scrofa, in the third turning on the right, at Via Portoghesi, is the
Torre della Scimmia_, better known to Hawthorne's readers as