THE ATRIUM VESTÆ.

After the destructive fire of 192, the Forum and edifices on the Sacra

Clivus were rebuilt by Septimius Severus and Julia Domna (Spartianus,

Dion Cassius, Eutropius), the empress taking upon herself the special

work of rebuilding the temple and residence of the Vestal Virgins; and

although the original podium of the temple was used, it was

considerably raised by rubble being placed on the top of the ancient

tufa platform. This was necessary owing to the raising of the level

from _débris_.

For the Atrium Vestæ a different site was selected, more to the south

under the Palatine; in fact the whole disposition of the edifices

about here was changed, as proved by comparing the earlier with the

later classical notices, and the excavations of 1883-4.

[Illustration: DEDICATION OF THE TEMPLE.]

To commemorate this rebuilding a silver coin was struck by the

empress, bearing her head on the obverse; and on the reverse is the

Temple of Vesta in the background, in front of which stands an altar,

and on either side are three virgins, two of whom are pouring an

oblation over the altar.

This new arrangement of the buildings is thus exactly described by

Servius (in "Æn." vii. 153): "By the Temple of Vesta was the Regia of

Numa Pompilius, but near to the Atrium of Vesta, which was distinct

from the temple."

Standing just inside, at the top of the steps, we have the whole

Atrium Vestæ, as their residence was named, uncovered before us--a

large peristylium paved with black and white mosaic, 222 feet long by

76 feet wide. Standing out thirteen feet from the boundary wall of the

Atrium, and extending all round the court, were forty-four columns of

various marbles, whilst under the colonnade were the pedestals bearing

honorary inscriptions and statues of High Vestals: sixteen on each

side, six at the top, and six at the bottom. Of these, thirteen

honorary inscriptions have been found dedicated to six different High

Vestal Virgins, the Lady Superiors of the nunnery. Four slight

fragments of other inscriptions were also found, making seventeen in

all. Twelve of the statues, more or less perfect, have also been

found: likewise an honorary pedestal to Caracalla; and a statue to

Vettius Agorius Prætextatus, erected to this champion of paganism, 367

A.D., by Cœlia Concordia, the last of the High Vestal Virgins.

At the east end of the Atrium is the fountain, beyond which is a step

up on to a tesselated pavement, and from that four steps lead into the

tabularium, or reception-room, having on each side three chambers, in

which most probably the Vestals deposited those objects intrusted to

their sacred keeping.

On each side of the Atrium were the residential chambers of the High

Vestals, the simple Virgins, and their domestics, two stories high.

Those on the south side are best preserved.

From the tesselated pavement a door gives access into a corridor, once

paved with white and black mosaic; at the end, on the left, is a

bath-chamber; and opening out from the corridor are several chambers

showing traces of marble pavements, frescoed and marble-cased walls.

In the second chamber are the remains of the mill for grinding the

salt used in sacrifice. (See Virgil, "Buc." viii. 82; Horace, "O."

iii. 23; Festus.) Pliny (xxxi. 41) says, "It is in our sacred rites

more particularly that the high importance of salt is to be

recognized, no offering ever being made unaccompanied by crushed

salt."

This corridor does not run the whole length of the Atrium, but turns

off to a flight of stairs leading to the upper chambers. The remainder

of the chambers on this side were reached direct from the Atrium by

steps. The first one contains a hexagonal pedestal to Flavia Publicia.

From the marble and fresco decorations found here, these rooms were

most probably the apartment of the High Vestal Virgin.

[Illustration]

The inscriptions to the High Vestals found, date between 180 and 364

A.D., and were erected in return for some advantage derived from the

patronage of the High Vestal. Historically they are of no great

importance, giving us only names of Vestals that were already known.

The most important inscriptions are those found here which do not

refer to the Virgins. Commencing with the first pedestal at the top of

the entry steps, they read as follows:--

Flavia Publicia. Erected July 9, 283 A.D.

Concordiæ. Dedicated June 9, 364. She was the last High Vestal, and

her name was erased because she became a Christian.

Cœlia Claudiana. 253-7 A.D.

Caracalla pedestal. July 2, 114 A.D.

Prætextata Crassi. 180-200 A.D.

Flavia Publicia. 257-284.

Numisia Maximilla. 201-216.

Statue of an unknown Vestal; no head.

Flavia Publicia. 257-84.

Another pedestal to her, with statue adjoining.

Pedestal to Trentia Flavola. About 350.

Blank pedestal, with statue of Ceres adjoining.

Pedestal to Flavia Publicia. September 30, 257.

Statue of Vettius Agorius Prætextatus. 380.

Fragment of a seated statue.

Statue unknown.

Statue and pedestal to Flavia Publicia.

This part of the city was finally destroyed by the great fire, when

Robert Guiscard burned Rome from the Lateran to the Capitol, in 1084.

During this long period of nearly seven hundred years the Atrium Vestæ

underwent many changes and received other tenants, for the new

excavations show that it had been inhabited after the Vestals were

abolished.

At the rear of the first pedestal a terra-cotta jar was discovered,

containing a brooch bearing the name of Pope Martin III., 943-46; a

gold coin of the Eastern Emperor Theophilus (827-42); and eight

hundred and thirty Anglo-Saxon silver coins of Alfred the Great

(871-900), Edward (900-24), Edgar Athelstan (925-41), and Edmund I.

(941-48)--four kings of Northumbria--and of Plegmund, Archbishop of

Canterbury (889-923). We may presume that this money was brought to

Rome by some English tourist, who left his all and fled when the

building was finally destroyed by fire; or that it formed part of a

donation of "Peter's Pence." Ethelwulf, the English king during the

time of Leo IV. (845-57), was the first English prince who gave

tribute to the See of Rome; and as such his portrait is to be seen in

_chiaro-oscuro_, by Caravaggio, in the Stanze of the Incendio del

Borgo in the Vatican.

After running a course of one thousand and eighty years, Gratian in

367 "refused the office of Pontifex Maximus, and abolished the

functions of the Vestal Virgins" (Zosimus, iv.), which were finally

suppressed by Theodosius in 392. "Theodosius directed his attention

towards the suppression of idolatry, and issued a law commanding the

demolition of idolatrous temples." "The faithful emperor Theodosius

interdicted these rites and consigned them to disuse" (Theodoret, v.

21).

The Bishop of Rome and his clergy came by right, as heads of the

established religion, into the possessions of the defunct faiths, and

inhabited the quarters of the Vestals, assuming the title of the head

of the ancient religion, Pontifex Maximus, a title held to the present

day--a dignity two thousand six hundred and forty years old, the

oldest title in the world.

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