DAUGHTERS OF SHILOH

I

Mrs. Serina Pepperall had called her husband twice without success. It

was at that hatefulest hour of the whole week when everybody that has to

get up is getting up and realizing that it is Monday morning, and

raining besides.

It is bad enough for it to be Monday, but for it to be raining is

inexcusable.

Young Horace Pepperall used to say that that was the reason the world

didn't improve much. People got good on Sunday, and then it had to go

and be Monday. He had an idea that if Sunday could be followed by some

other day, preferably Saturday, there would be more happiness and virtue

in the world. Mrs. Pepperall used to say that her boy was quite a

ph'losopher in his way. Mr. Pepperall said he was a hopeless loafer and

spent more time deciding whether he'd ought to do this or that than it

would have taken to do 'em both twice. Whereupon Mrs. Pepperall, whose

maiden name was Boody--daughter of Mrs. Ex-County-Clerk Boody--would

remind her husband that he was only a Pepperall, after all, while her

son was at least half Boody. Whereupon her husband would remind her of

certain things about the Boodys. And so it would go. But that was other

mornings. This was this morning.

Among all the homes that the sun looked upon--or would have looked upon

if it could have looked upon anything and if it hadn't been raining and

the Pepperall roof had not been impervious to light, though not to

moisture--among them all, surely the Pepperall reveille would have been

the least attractive. Homer never got his picture of rosy-fingered

Aurora smilingly leaping out of the couch of night from any such home as

the Pepperalls' in Carthage.

Serina was as unlike Aurora as possible. Aurora is usually poised on

tiptoe, with her well-manicured nails gracefully extended, and nothing

much about her except a chariot and more or less chiffon, according to

whether the picture is for families or bachelors.

Serina was entirely surrounded by flannelette, of simple and pitilessly

chaste design--a hole at the top for her head to go through and a larger

one at the other extreme for her feet to stick out at. But it was so

long that you couldn't have seen her feet if you had been there. And

Papa Pepperall, who was there, was no longer interested in those once

exciting ankles. They had been more interesting when there had been less

of them. But we'd better talk about the sleeves.

The sleeves were so long that they kept falling into the water where

Serina was making a hasty toilet at the little marble-topped altar to

cleanliness which the Pepperalls called the "worsh-stand"--that is, the

"hand-wash-basin," as Mrs. Hippisley called it after she came back from

her never-to-be-forgotten trip to England.

But then Serina's sleeves had always been falling into the suds, and

ever since she could remember she had rolled them up again with that

peculiar motion with which people roll up sleeves. This morning, having

failed to elicit papa from the bed by persuasion, she made such a racket

about her ablutions that he lifted his dreary lids at last. He realized

that it was morning, Monday, and raining. It irritated him so that he

glared at his faithful wife with no fervor for her unsullied and

unwearied--if not altogether unwearisome--devotion. He watched her roll

up those sleeves thrice more. Somehow he wanted to scream at the

futility of it. But he checked the impulse partly, and it was with

softness that he made a comment he had choked back for years. "Serina--"

he began.

"Well," she returned, pausing with the soap clenched in one hand.

He spoke with the luxurious leisureliness and the pauses for commas of a

nearly educated man lolling too long abed:

"Serina, it has just occurred to me that, since we have been married,

you have expended, on rolling back those everlastingly relapsing sleeves

of yours, enough energy to have rolled the Sphinx of Egypt up on top of

the Pyramid of Cheops."

Serina was so surprised that she shot the slippery soap under the

wash-stand. She went right after it. There may be nymphs who can stalk a

cake of soap under a wash-stand with grace, but Serina was not one of

them. Her indolent spouse made another cynical comment:

"Don't do that! You look like the Goddess of Liberty trying to peek into

the Subway."

But she did not hear him. She was rummaging for the soap and for an

answer to his first remark. At length she emerged with both. She stood

up and panted.

"Well, I can't see as it would 'a' done me any good if I had have!"

"Had have what?" her husband yawned, having forgotten his original

remark.

"Got the Sphinnix on top of the Cheops. And besides, I've been meaning

to hem them up; but now that you've gone bankrupt again, and I have to

do my own cooking and all--"

"But, my dear Serina, you've said the same thing ever since we were

married. What frets me is to think of the terrible waste of labor with

nothing to show for it."

She sniffed, and retorted with all the superiority of the unsuccessful

wife of an unsuccessful husband:

"Well, I can't see as you're so smart. Ever since we been married you

been goin' to that stationery-store of yours, and you never learned

enough to keep from going bankrupt three times. And now they've shut

the shop, and you've nothing better to do than lay in bed and make fun

of me that have slaved for you and your children."

They were always his children when she talked of the trouble they were.

Her all too familiar oration was interrupted by the eel-like leap of the

soap. This time it described a graceful arc that landed it under the

middle of the bed--a double bed at that.

Pepperall had the gallantry to pursue it. He went head first over the

starboard quarter of the deck, leaving his feet aboard. Just as he

tagged the soap with his fingers his feet came on over after him, and he

found himself flat on his back, with his head under the bed and his feet

under the bureau.

When the thunder of his downfall had subsided he heard Serina say, "Now

that you're up you better stay up."

So he wriggled out from under and got himself aloft, rubbing his

indignant back. If Serina was no Aurora rising from the sea, her husband

was no Phoebus Apollo. His gown looked like hers, only younger. It had

a frivolous little pocket, and the slit-skirt effect on both sides; and

it was cut what is called "misses' length," disclosing two of the least

attractive shins in Carthage.

He was aching all over and he was angry, and he snarled as he stood at

the wash-stand:

"Have you finished with this water?"

"Yes," she said, muffledly, from the depths of a face-towel.

"Why don't you ever empty the bowl then?" he growled, and viciously

tilted the contents into the--must I say the awful word?--the

slop-jar--what other word is there?

The water splashed over and struck the bare feet of both icily. They

yowled and danced like Piute Indians, and glared at each other as they

danced. They glared in a nagged rage that would have turned into an ugly

quarrel if a great sorrow had not suddenly overswept them. They saw

themselves as they were and by a whim of memory they remembered what

they had been. He laughed bitterly:

"It's the first time we've danced together in a long time, eh?"

Her lower lip began to quiver and swell quite independently and she

sighed:

"Not much like the dances we used to dance. Oh dear!"

She dropped into a chair and stared, not at her husband, but at the

bridegroom of long ago he had shriveled from. She remembered those

honeymoon mornings when they had awakened like eager children and

laughed and romped and been glad of the new day. The mornings had been

precious then, for it was a tragedy to let him go to his shop, as it was

a festival to watch from the porch in the evening till he came round the

corner and waved to her.

She looked from him to herself, to what she could see of herself--it was

not all, but more than enough. She saw her heavy red hands and the

coarse gown over her awkward knees, and the dismal slovenliness of her

attitude. She felt that he was remembering the slim, wild, sweet girl he

had married. And she was ashamed before his eyes, because she had let

the years prey upon her and had lazily permitted beauty to escape from

her--from her body, her face, her motions, her thoughts.

She felt that for all her prating of duty she had committed a great

wickedness lifelong. She wondered if this were not "the unpardonable

sin," whose exact identity nobody had seemed to decide--to grow

strangers with beauty and to forget grace.

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