III

Having no arenas where captive gladiators and martyrs satisfy the public

longing for the sight of bleeding flesh and twitching nerve, the people

of our day flock to the court-rooms for their keenest excitements.

The case of "The People _vs._ Stephen Coburn" had been an intensely

popular entertainment. This day the room was unusually stuffed with men

and women. At the door the officers leaned like buttresses against the

thrust of a solid wall of humanity. Outside, the halls, the stairs, and

the sidewalk were jammed with the mob crushing toward the door for a

sight of the white-haired mother pilloried in the witness-box and

fighting with all her poor wits against the shrewdest, calmest, fiercest

cross-examiner in the State.

In the jury-box the twelve silent prisoners of patience sat in awe of

their responsibilities, a dozen extraordinarily ordinary, conspicuously

average persons condemned to the agony of deciding whether they should

consign a fellow-man to death or release a murderer among their

fellow-men.

Next the judge sat Sarah Coburn, her withered hands clenched bonily in

the lap where, not so many years ago, she had cuddled the babe that was

now the culprit hunted down and abhorred. The mere pressure of his first

finger had sent a soul into eternity and brought the temple of his own

home crashing about his head.

Next the prisoner sat his father, veteran now with the experience that

runs back to the time when the first father and mother found the first

first-born of the world with hands reddened in the blood of the earliest

sacrifice on the altar of Cain.

People railed in the street and in the press against the law's delay

with Stephen Coburn's execution and against the ability of a rich father

to postpone indefinitely the vengeance of justice. Old Coburn had forced

the taxpayers to spend vast sums of money. He had spent vaster sums

himself. The public and the prosecution, his own enormously expensive

lawyers, his son and his very wife, supposed that he still had vast sums

to spend. It was solely his own secret that he had no more. He had built

his fortune as his father had built the stone wall along his fields,

digging each boulder from the ground with his hands, lugging it across

the irregular turf and heaving it to its place. Every dollar of his had

its history of effort, of sweat and ache. And now the whole wall was

gone, carried away in wholesale sweeps as by a landslide.

In his business he had been so shrewd and so close that people had said,

"Old Coburn will fight for five days for five minute's interest on five

cents." When his son's liberty was at stake he signed blank checks, he

told his lawyers to get the best counsel in the nation. He did not ask,

"How much?" He asked, "How good?" Every technical ruse that could be

employed to thwart the prosecution he employed. He bribed everybody

bribable whose silence or speech had value. Dangerous witnesses were

shipped to places whence they could not be summonsed. Blackmailers and

blackguards fattened on his generosity and his fear.

The son, Stephen Coburn, had gone to the city, warm-hearted, young,

venturesome, not vicious, had learned life in a heap, sowed his wild

oats all at once, fallen among evil companions, and drifted by easy

stages into an affair of inexcusable ugliness, whence he seemed unable

to escape till a misplaced chivalry whispered him what to do. He had

found himself like Lancelot with "his honor rooted in dishonor" and

"faith unfaithful kept him falsely true." But Stephen Coburn was no

Lancelot, any more than his siren was a Guinevere or her slain husband a

King Arthur. He was simply a well-meaning, hot-headed, madly enamoured

young fool. The proof of this last was that he took a revolver to his

Gordian knot. Revolvers, as he found too late, do not solve problems.

They make a far-reaching noise, and their messengers cannot be recalled.

His parents had not known the city phase of their son. They had known

the adorable babe he had been, the good boy weeping over a broken-winged

robin tumbled from a nest, running down-stairs in his bare feet for one

more good-night kiss, crying his heart out when he must be sent away to

school, remembering their birthdays and abounding in gentle graces. This

was the Stephen Coburn they had known. They believed it to be the real,

the permanent, Stephen Coburn; the other was but the victim of a

transient demon. They could not believe that their boy would harm the

world again. They could not endure the thought that his repentance and

his atonement should be frustrated by a dishonorable end.

The public knew only the wicked Stephen Coburn. His crime had been his

entrance into fame. All the bad things he had done, all the bad people

he had known, all the bad places he had gone, were searched out and

published by the detectives and the reporters. To blacken Stephen

Coburn's repute so horribly that the jurors would feel it their

inescapable duty to scavenge him from the offended earth, that was the

effort of the prosecution. To prevent that blackening was one of the

most vital and one of the most costly features of the defense. To deny

the murder and tear down the web of circumstantial evidence as fast as

the State could weave it was another.

The Coburn case had become a notorious example of that peculiarly

American institution, the serial trial. The first instalment had ended

in a verdict of guilty. It had been old Coburn's task to hold up his

wife and his son in the collapse of their mad despair, while he managed

and financed the long, slow struggle with the upper courts till he wrung

from them an order for a new trial. This had ended, after weeks of

torment in the court-room and forty-eight hours of almost unbearable

suspense, in a disagreement of the jury. The third trial found the

prosecution more determined than ever, and acquainted with all the

methods of the defense. The only flaw was the loss of an important

witness, "the man across the hall," whom impatient time had carried off

to the place where subpoenas are not respected. His deposition and his

testimony at the previous trials were as lacking in vitality as himself.

And now once more old Coburn must carry everything upon his back, aching

like a world-weary Atlas who dares not shift his burden. But now he was

three years weaker, and he had no more money to squander. His house, his

acres, the cattle upon his hills, his blooded thoroughbreds, his

patriarchal stallions, his town lots, his bank-building, his bonds and

stocks, all were sold, pawned as collateral, or blanketed with

mortgages.

As he had comforted his wife when they had witnessed the bolt from the

blue, so now he sat facing her in her third ordeal. Only now she was not

on the home porch, but in the arena. He could not hold her hands. Now

she dared not close her eyes and cry; it was not the work of one

thunderbolt she had to see. Now, under the darting questions of the

court-examiner, she was like a frightened girl lost in the woods and

groping through a tempest, with lightning thrusts pursuing her on every

side, stitching the woods with fire like the needle in a sewing-machine

stabbing and stabbing at the dodging shuttle.

The old woman had gone down into the pit for her son. She had been led

through the bogs and the sewers of vice. Almost unspeakable, almost

unthinkable wickedness had been taught to her till she had become deeply

versed in the lore that saddens the eyes of the scarlet women of

Babylon. But still her love purified her, and almost sanctified the

strategy she practised, the lies she told, the truths she concealed, the

plots she devised with the uncanny canniness of an old peasant. People

not only felt that it was her duty to fight for her young like a mad

she-wolf, but they would have despised her for any failure of sacrifice.

She sat for hours baffling the inquisitor, foreseeing his wiles by

intuition, evading his masked pitfalls by instinct. She was terribly

afraid of him, yet more afraid of herself, afraid that she would break

down and become a brainless, weeping thing. It was the sincerity of her

fight against this weakness that made her so dangerous to the

prosecuting attorney. He wanted to compel her to admit that her son had

confessed his deed to her. She sought to avoid this admission. She had

not guessed that he was more in dread of her tears than of her guile. He

was gentler with her than her own attorneys had been. At all costs he

felt that he must not succeed too well with her.

The whole trial had become by now as academic as a game of chess, to all

but the lonely, homesick parents. The prosecuting attorney knew that the

mother was not telling the truth; the judge and the jury knew that she

was not telling the truth. But unless this could be geometrically

demonstrated the jury would disregard its own senses. Yet the prosecutor

knew that if he succeeded in trapping the mother too abruptly into any

admission dangerous to her son she would probably break down and cry her

dreary old heart out, and then those twelve superhuman jurors would weep

with her and care for nothing on earth except her consolation.

The crisis came as crises love to come, without warning. The question

had been simple enough, and the tone as gentle as possible: "You have

just stated, Mrs. Coburn, that your son spoke to you in his apartment

the day he is alleged to have committed this act, but I find that at the

first and second trials you testified that you did not see him in his

apartment at all. Which, please, is the correct statement?"

In a flash she realized what she had done. It is so hard to build and

defend a fortress of lies, and she was very old and not very wise, tired

out, confused by the stare of the mob and the knowledge that every word

she uttered endangered the life she had borne. Now she felt that she had

undone everything. She blamed herself for ruining the work of years. She

saw her son led to death because of her blunder. Her answer to the

question and the patient courtesy of the attorney was to throw her hands

into the air, toss her white head to and fro, and give up the battle.

The tears came like a gush of blood from a deep wound; they poured

through the lean fingers she pressed against her gaunt cheeks, and she

shook with the dry, weak weeping of senility and utter desolation. Then

her old arms yearned for him as when a babe.

"I want my boy! I want my boy!"

* * * * *

The judge grew very busy among his papers, the prosecuting attorney

swallowed hard. The jurymen thought no more of evidence and of the

stability of the laws. They all had mothers, or memory-mothers, and they

only resolved that whatever crime Stephen Coburn might have committed,

it would be a more dastardly crime for them to drive their twelve

daggers into the aching breast that had suckled him. On the instant the

trial had resolved itself into "The People _vs._ One Poor Old Mother."

The jury's tears voted for them, and their real verdict was surging up

in one thought:

"This white haired saint wants her boy: he may be a black sheep, but she

wants him, and she shall have him, by--" whatever was each juryman's

favorite oath.

When the judge had finished his charge the jury stumbled on one

another's heels to get to their sanctum. There they reached a verdict so

quickly that, as the saying is, the foreman was coming back into the

court-room before the twelfth man was out of it. Amazed at their own

unanimity, they were properly ashamed, each of the other eleven, for

their mawkish weakness, and their treachery to the stern requirements of

higher citizenship. But they went home not entirely unconsoled by the

old woman's cry of beatitude at that phrase, "Not Guilty."

She went among them sobbing with ecstasy, and her tears splashed their

hands like holy water. It was all outrageously illegal, and sentimental,

and harmful to the sanctity of the law. And yet, is it entirely

desirable that men should ever grow unmindful of the tears of old

mothers?

In a Little Town · 第 79 / 130 题