Higher and higher; the great chasm below grew almost a mile deeper. On

one side there were masses of square rock which looked like they were

broken by human hands. Here, far above timber line, a variety of wild

flowers blossomed, while among the rocks lived some of the strangest

little animals, the whistling marmot, a fur animal about the size of an

overgrown cat, and the peka, which has the legs of a rabbit and the head

of a mountain rat; there were also minks, weasels, porcupines and

mountain rats.

At the summit was where the magnificence of the great panorama burst

upon our view. Northward, away down on the bluish haze of the horizon,

rose the Arapahoe peaks--Long and Grey’s Peak, with their white summits

glistening in the setting sun. Northwest, Mt. Massive and Mt. Sheridan

were outlined against the clear blue sky, while the green sward of the

famous South Park, a hundred miles distant, lay between. College Range,

Mt. Yale, Mt. Princeton, Mt. Ouray and Cavenaugh reared their rugged

heads far to the west, while green mountain ranges of lesser note lay

half way between them.

Far to the southwest, far as the eye could reach, faintly outlined

against the sky, rose the snowy peaks of the Sangre de Christo and

Sierra Blanco Mountains on the other side of the grand San Luis Valley.

Looking to the south, were the Spanish Peaks and range of Greenhorn

Mountains, and a little to the southeast rose the snow-capped Gloriettas

on the borders of New Mexico.

To the east, lay the mighty plains, stretching away to where the blue of

the sky blended in coppery tones with the billowy green.

There were dark spots here and there that were dense forests of pine.

The cloud banners hung above, in all the gorgeous colors of sunset in

crimson, purple and gold.

A dark shadow crept out upon the plain toward the east, like the finger

of a mighty giant. It moved rapidly along, covering the yellow sand

lines that mark the course of old river beds, and finally, this shadow

of Pike’s Peak was covered by the shadows of other mountains lower down,

until the plain was shrouded in the sable garb of eventide.

But westward, the gold and crimson of the sky lingered long above the

distant peak of Mt. Ouray. The purple haze grew denser, and the silence

of the hour was made more solemn by the mountains standing out in dark

silhouette as the shadows of the night grew deeper and denser.

At such a time as this, one feels as though he stood upon the boundary

of another world, while all about the wide white waste and hush of

space, eternity and the infinite were calling to other glories, too

great for the understanding of the human mind.

Here, in the very dome of the skies, in this clear air, the bright

worlds seem to hover over, while the vault is strewn with stars, like

isles of light in the misty sea above our heads. The purity of the

heavenly prospect awakens that eternal predisposition to melancholy,

which dwells in the depth of the soul, and soon the spectacle absorbs us

in a vague and indefinable reverie. It is then that thousands of

questions spring up in our mind, and a thousand points of interrogation

rise to our sight--the great enigma of creation.

The harvest moon shed her yellow light over the distant plain, and

gilded with a phosphorescent light the rocks and crags of the almost

bottomless chasm below. The rocks took on fantastic shapes, while

distant mountains rose in spectral form.

I sat throughout the night, watching the ever changing panorama, the

most wondrous ever spread out to the gaze of man.

The moon and stars were bright above, while far down below storm clouds

had formed where within their inky blackness the forked lightning played

like so many fiery serpents.

There were thunderous crashes in the wild rocky pit below, where huge

rocks were shivered by lightning bolts, while echo, echoing back the

thunders of heaven’s artillery, would seem as though a legion of

imprisoned Joshuas were reaching upward again for that sun which would

stand still no more over the plains of Agalon.

The shades of night grew deeper and then the blackness was driven back

from the east by a flush of grey, gradually changing to a deep scarlet

tinged with yellow and the sun burst above a dashing sea of clouds.

There were purple and crimson waves below rising and falling in mighty

billows. A shipless and shoreless ocean whose raging bosom claims no

living thing.

An hour more and this purple sea of clouds has drifted on forever from

the sight of human eyes.

The summer sun beamed once more upon the vast panorama. Far down upon

the green mesa lay Lake Moraine, glistening in the morning light like a

molten mass of silver.

Smoke was seen to rise from Denver and Pueblo, both fully sixty miles

away. Some smelters in Cripple Creek and Victor could be seen with the

naked eye, while the streets of Colorado Springs were but sandy marks

like a checkerboard upon the plain.

I descended the peak on foot amid the beauteous scenes of green mountain

defiles, where dashing waters sing eternal symphonies amid ferns and

flowers, and the song of birds gladden the heart in their sweet echoes

from rock to rock.

XXV.

WHERE NATURE IS AT HER BEST.

If one would view the wondrous surroundings of Manitou, in all their

grandeur, let him some bright morning stroll up the long yellow road

that winds its serpentine course through Williams Canon. A little brook

with waters cold and clear as crystal, dashes along its pebbly bed

beside the road, murmuring as it were, a song of regret at leaving its

enchanted home on its journey to the sea. The road is known as Temple

Drive, named so because many towering rocks look, at first glance, like

ruined temples of India or of Egypt along the Nile.

At times the road narrows to barely carriage room between great high

cliffs, and again abruptly brings the majestic panorama of the canon

into view. High above, among the mountain crags is the Cathedral of St.

Peter, like a massive ruin whose cornice, column and frescoed walls had

fallen with decay ages past. A little farther and the Amphitheatre

rises against the cliffs in hues of brown and yellow, with brighter

streaks of golden ochre here and there, which fairly gleam and glisten

in the morning sun. High above and in the background on either side are

hills of emerald green, studded with cedar and pine, and dotted with

flowers of gorgeous color and of form, found elsewhere only in Alpine

lands. There are towering rocks that rise a thousand feet above the

road, which resemble the ruins of a Moorish citadel. There are towers,

mosques and temples, with turrets and battlements, needing only the

white-robed figure of the Arab in turban to make one fancy himself

suddenly transported to that enchanting and mysterious land of Sultan

and slave. No sky of Tangiers was ever deeper, clearer or bluer, and no

air of Geneva was ever purer or sweeter.

The road makes a sharp turn and traverses backward nearly half a mile,

then turns again and runs in its original direction, climbing the

mountain side like a great yellow serpent resting its head a thousand

feet among the crags, where eagles build their nests; the white and red

painted building that marks the entrance to the Cave of the Winds, does

duty as the serpent’s head. From this dizzy point of sight, the great

mountain gorge with its grey and brown rocks, and the sloping foothills

of green that stretch away to where fair Manitou lies cradled in the

valley, form a wondrous panorama.

Eastward, down on the horizon, far as the eye can reach, stretch the

mighty plains, westward the higher range of the eternal Rockies, and

above all rises the snow-capped summit of Pike’s Peak, about whose

whitened crest float the fleecy clouds of the soft, still summer

morning.

At the entrance of the Cave of the Winds one follows the guide into the

dark pathway that leads into the subterranean chambers, where at some

remote period a wild mountain cataract has whirled and plunged its

maddening waters, in swirl and maelstrom into the black abyss of

the earth. One is so suddenly transported from the gladsome and

awe-inspiring scenes without, that the lamp and figure of the guide

become spectral, his voice sounds in hollow tones and is echoed back

from cavernous depths as though titanic monsters were repeating his

words.

Knowing the cause, one bursts into a laugh, then the monsters laugh,

too, long and loud, and still others take up the laugh, way down the

black corridors, and high above in domes, as though all the imps of

darkness were there to laugh at one in revenge for intrusion.

The guide flashes a magnesium light and the pilgrim beholds the wonders

of Curtain Hall, which nature has ornamented with strangely colored

stalactites glistening here and there on the cavern walls, and again

where they form a curtain of an intricate work and beauty as though

wrought by maiden hands, amid scenes of love and apple blossoms. Mutely

you follow the flaring lamp of the guide into the blackness of winding

passages and across bridges that span bottomless pits opening into the

very breast of the mountain, and when the magnesium light is again

flashed, one sees the arching dome of the great canopy hall, its

stalactite nymphs, Bed of Cauliflowers, Frescoed Ceiling, Lake Basin,

Grandmother’s Skillet, Bat’s Wing, Prairie Dog Village and Fairy Scene;

all presenting a picture weird and ghost-like in the moment of

stillness, and heightened by the demoniacal, fiendish voices that

repeat your every word.

On through other crooked subterranean passages where other demons mock

the sound of your footsteps, through what the guide calls Boston Avenue,

one enters Diamond Hall. The lofty ceiling is decorated its entire

length by graceful festoons and wreaths of coral and flowering

alabaster. The walls sparkle and scintillate with the rainbow shades,

thrown back from the myriad brilliants that stud these walls like

diamonds set by hand in some antique mosaic work.

In these regions of darkness you are led by the guide until the Hall of

Beauty is lit up to your astonished gaze. Crystal flowers of the most

delicate design and exquisite workmanship hang in festoons from every

nook and corner. Sparkling incrustations that rival the beauty of Arctic

frosts and glitter in the bright light are sparkling on every side. Most

wondrous of all there are a million stalactite figures in miniature that

appear to be in a pandemonium of outlandish contortions. Maybe, who

knows, but what the goblin spirits once lived here and worked out

curious things in translucent stone, further down the black passages of

earth and caught a glimpse of our ancestors in some of the great halls

of torture way down below, and so reproduced the scene as Jack Frost has

been wont to paint the leaves of summer on our frosted window panes.

The Magi of this dark abode, the guide in wide sombrero, black eyed and

wearing a mustache fierce as a bandit of the Corsican isle, though

harmless as a Kansas Populist, beckons on and leads the way. Here the

Bridal Chamber, and there writhing reptiles, dancing devils, monkeys,

beasts, birds in every form and riotous posture. Then as the weird

wilderness is shut out in semi-darkness, one is inclined to ask of him

with lamp and sombrero, “Mister, have I got ’em, or have you?”

The light flashes on Crystal Palace, where gems and jewels bedeck the

walls, where huge chrysanthemums or chestnut burrs stand out in bold

relief in fadeless crystal flowers moulded from tinted rock, and all

seem to mutely plead for recognition as we pass. These silent beauties

hidden away under the mountain slopes, where the rays of sun can never

reach, speak with the beauty of their creation, to the soul with as

great a love and power as the violet in the sequestered glens.

It is mysterious. It is strange. It is one of those unaccountable things

in nature which no man can explain that here in the very bowels of the

earth, human scenes have been reproduced and human passions portrayed.

Here perhaps centuries before man’s eyes gazed upon the scene, we find

in moulded stone, the head of a buffalo, the skeleton of a mastodon, the

drapery of a palace, the bride at the altar, the face of sorrow, the

Nymphs of Love, War and Poetry are depicted upon these stones.

Once more the light of day, the great chasm beneath, the turquoise skies

above, and mighty plains beyond, brings one to the realm of the outer

world.

The spectral figure of an hour ago is a pleasant faced young man, who

bids you follow the winding path that leads around the mountain side

some three hundred yards and which ends at the entrance to the Grand

Caverns.

Desiring to see all, you meekly follow another guide through a dark

labyrinth and find yourself in the mighty Rotunda of the Caverns. Here

loyal hands have raised monuments to Lee, Grant and McKinley. They are

built of fragments of stone cast by visitors to the memory of these

heroes. The Imp, the guide, motions on; you are next within a mighty

auditorium and as there comes upon you the awful silence and stillness

of the hour, you hear musical notes, swelling and cadencing louder and

louder until they break in thunderous tones within the cavernous depths,

“Nearer, Nearer, My God to Thee.” High above, mid the domes of the

cavern, the light shows the organist to be playing upon the stalactites

which Nature has attuned to the same chords as instruments made by human

hands. These stalactites are of crystal, and have the same resonant

sound as though they were of finely tempered glass. Up and down the

corridors of the cave, through winding passages and circling galleries

above, come echoes of “Nearer, My God to Thee,” in waves and billows of

sound, such as is only heard by artificial means in the Notre Dame of

Paris.

Round about somewhere, in one of the chambers, near the entrance, the

visitor is shown a human skeleton, as it was found at the time of the

discovery of the cave. It belonged perhaps to that race of men known as

the Cliff Dwellers, who once upon a time, when the world was new, lived,

loved and reared a race of men in this fair region of the west whom

Saxby, a western poet, touches with his magic pen, and beautifies the

tradition of them when he says,

“Dismantled towers and turrets broken,

Like grim war-worn braves who keep

A silent guard with grief unspoken

Watch o’er the graves, by the canon weep,

The nameless graves of a race forgotten

Whose deeds, whose words, whose fate are one

With the mist, long ages past, begotten of the sun.”

The sun is now casting his shadows toward the east. From this point of

sight we see the Midland trains creeping from tunnels like monster

creatures of the Azotic period crawling from their lair. There are green

valleys below, and there is also a long serpentine road leading to this

side of the mountain by which visitors again reach the pleasant shades

of Manitou. Silence, and even sadness, abound in the green-clad

mountains beyond. They speak in whispers to themselves and you can

understand them if you will. They tell you in sweet, soft voices of the

song of birds, the lullaby of mountain brooks, and by gentle winds that

sing a song of peace through cedar, fir and pine, that the love of

nature, is the love of nature’s God.

XXVI.

WHEN THE WEST WAS NEW.

Thirty years have passed since I first crossed the plains. The buffalo

and antelope have disappeared and in their stead herds of cattle and

sheep graze in countless thousands. Farms are tilled where raging fires

swept the mighty plains in ungoverned fury; cities and towns rear

their spires where once stood Indian tepees. The westward march of

civilization has stretched across the continent and redeemed the desert.

The soil has been made to yield its harvest and the eternal hills to

give up their buried treasure. For the men who made the trails by which

these things were done, life’s shadows are falling toward the east.

They braved the vicissitudes of the western wilderness as heroic as any

soldier faced the battlefield; and the trails over which the pioneers

slowly made their way across the desert wastes, were blazed with blood

and fire. Women, too, on the frontier, volumes might be written of her

sacrifices--Indians, poverty, years of patient toil, far from former

home and friends, the luxuries of organized society denied, all for the

purpose of earning a home and a competence for declining years.

It was my good fortune to become personally acquainted with many early

pioneers of the west and number them among my warmest friends, and as I

recall to mind some of their heroic deeds I feel that these chapters

would be incomplete without a personal mention of a few of them.

* * * * *

Captain Jack Crawford, the poet scout, is one of those noble characters

whose memory will live so long as records exist of the pioneers who

braved the vicissitudes of the frontier and made possible our Western

civilization of today. A man of broad mind, daring and brave and yet

with all the sweet tenderness of a child of nature, he became great by

achievements alone. Others have gained a temporary fame by dime novel

writers. Captain Jack, in comparison with others, stands out as a

diamond of the first water. He has helped to make more trails than any

scout unless it was Kit Carson. That was before the war. During that

struggle he was wounded three times in the service of his country. When

the war closed he was for many years chief of scouts under General

Custer. He laid out Leedville in the Black Hills in 1876, and was of

great service to the government in the settlement of the Indian troubles

which succeeded the Custer massacre.

[Illustration: Captain Jack Crawford (page 208).]

Captain Jack is one of the very few thrown together with the wild, rough

element of the frontier who maintained a strictly moral character. I

knew him in the “Hills” in 1876 and have known him ever since, and have

always found him to be the same genial, whole-souled, brave Captain

Jack.

* * * * *

John McCoach, a pioneer of the sixties, was a among a party near the

headwaters of Wind River, Wyoming, in August, 1866, who defeated a

thousand warriors with the first Henri rifles used on the plains. The

story is best told in Mr. McCoach’s own language.

“Our mule trains consisting of thirty-eight wagons and forty-two men,

left Fort Leavenworth, Kansas, in April, 1866, for Virginia City,

Montana. We were all old soldiers and most of us had seen four years of

war and, inured as we were to dangers, we cared but little for the

hostile Indians of the plains.

“When we reached Fort Laramie, a big council of Indians was in progress,

Chiefs Red Cloud, Spotted Tail, American Horse and others of lesser note

were there to demand guns and ammunition from the government, saying

they needed them with which to hunt game. Officials of high rank from

Washington were there to listen to them and among the newspaper

correspondents was Henry M. Stanley, who had been sent out by the New

York Herald.

“After days of deliberation the Indians were refused the arms and they

broke camp in bad humor.

“Before allowing our party to proceed the commander of the fort had us

lined up for an inspection of our arms which were a miscellaneous

collection all the way from an old muzzle-loading rifle to a modern

musket. He told us we were too poorly armed to proceed, when the wagon

boss took him to some of the wagons and showed him 200 Henri rifles and

abundant ammunition which we were freighting to gun dealers in Virginia

City. He then allowed us to go.

“I was herding the mules one afternoon near the headwaters of Wind

River, when a party of Sioux Indians, led by Little Thunder, made a

dash, intending to stampede the animals. One of them carried a rawhide

bag containing some pebbles, which made a hideous noise. Despite their

efforts, the mules broke for our camp of circled wagons. I tried to

shoot the Indian with the rattle bag but missed. Then I dismounted and

the next shot I cut the quiver of arrows from his back when he gave a

long yell and throwing himself on the side of his pony, got away.

“When I reached camp the rifles had been distributed. We were called

from our slumbers the next morning at four o’clock and told to keep

quiet and hold our fire.

“With the first gray streak of dawn about one thousand warriors began to

encircle us, riding at full speed and like a great serpent, drawing the

coil closer about us with each revolution of the circle. Then the order

came and forty-two blazing rifles with eighteen shots to each one dealt

out death. Four years of war had taught the men the value of a steady

nerve and deliberate aim and before the astonished Indians could retreat

the plain was strewn with their dead and wounded.

“These Indians had been at the Fort Laramie council and had seen us

drawn up in line with our old assortment of guns for inspection and had

counted on us being easy prey. They were the first Henri rifles used on

the plains and caused the Indians to speak of us in whispers, as the

white men who could load a gun once and then shoot all day. That morning

we built our fires with arrows and cooked our breakfast. After that the

Indians avoided us as though we were devouring monsters.”

* * * * *

The experience of John McCoach’s party in surprising Little Thunder’s

braves with their Henri rifles, calls to mind a story often told in

Fort Laramie of how General W. S. Harney fooled these same Sioux Indians

under Little Thunder a few years previous to their attack on the McCoach

outfit. Jake Smith, a soldier with General Harney in the 60’s thus

relates the story:

“General Harney established his headquarters in Leavenworth, Kansas.

Little Thunder was at the head of the Sioux and sent word that he was

willing either to fight or shake hands with the white soldier. Harney

replied that if the Indian was without choice in the matter it might as

well be fight; besides, as he remembered his orders, he was to whip some

one. So Harney met Little Thunder and about a thousand war men on the

North Platte in Nebraska. He whipped them good and some of the Indians’

friends back East tried to make trouble for Harney because he had not

had a long preliminary confab with Little Thunder. That Sioux band was a

mild-mannered set long after Harney went back to Leavenworth.

“It was after this fight that Harney threw the Society for the

Protection of Western Savages into a particular frenzy. The wagon trail

for Oregon and California led from Fort Leavenworth to Fort Kearney,

Neb., then to Julesburg, in Colorado, from there to Fort Laramie,

through old South Pass to Badger and then to Salt Lake. The trip by ox

train took about one hundred days with good luck. I know of a party that

was on the road 300 days, delayed by Indians and then snowbound. That

wasn’t a pleasant winter for a boy of 16.

“Every now and then a band of Sioux would ride up to an ox train, kill

if they felt like it and always drive away the stock. Soldiers would be

sent out and have the pleasure of following the Indians’ trail until the

weather would make winter quarters necessary. Harney started from

Leavenworth after one band, taking about 400 cavalrymen, or dragoons.

The Indians loafed along ahead of him till they reached the mountains,

and then Harney turned back. It was the old story, the Sioux said, and

their scouts followed the soldiers until they were well into Kansas.

Then the Sioux knew the country was clear for new operations.

“Harney stopped on the Blue River in Northern Kansas near where

Marysville now stands. A wagon train reached there from Leavenworth and

Harney had all the freight unloaded--simply seized the train--then he

put 400 soldiers into those wagons and in two were mountain guns. The

great covers were pulled close and leaving a guard over the abandoned

freight and horses, Harney started on his journey as a bull-whacker. Not

a soldier or officer was permitted to put his head from under a cover in

the day time, and only at night a few got leave to stretch their legs.

All day they sat in those wagon beds, hot and dusty, playing cards,

fighting and chewing tobacco for pastime.

“There were twenty-six of those wagons and they trailed along as if they

were carrying dead freight; no faster nor slower than the ordinary

freighters, and making camp at the usual places, forming the usual

corral of wagons and herding stock at night. The train reached Fort

Kearny and slowly went across the South Platte to Julesburg. Occasional

Indian signs made Harney have hope.

Thirty Years on the Frontier · 第 8 / 10 段