CHAPTER I.

The Project Gutenberg Etext of Wolfville Days, by Alfred Henry Lewis

Copyright laws are changing all over the world, be sure to check

the laws for your country before redistributing these files!!!

Please take a look at the important information in this header.

We encourage you to keep this file on your own disk, keeping an

electronic path open for the next readers.

Please do not remove this.

This should be the first thing seen when anyone opens the book.

Do not change or edit it without written permission. The words

are carefully chosen to provide users with the information they

need about what they can legally do with the texts.

**Welcome To The World of Free Plain Vanilla Electronic Texts**

**Etexts Readable By Both Humans and By Computers, Since 1971**

*****These Etexts Are Prepared By Thousands of Volunteers!*****

Information on contacting Project Gutenberg to get Etexts, and

further information is included below, including for donations.

The Project Gutenberg Literary Archive Foundation is a 501(c)(3)

organization with EIN [Employee Identification Number] 64-6221541

Title: Wolfville Days

Author: Alfred Henry Lewis

Release Date: January, 2003 [Etext #3667]

[Yes, we are about one year ahead of schedule]

[The actual date this file first posted = 07/10/01]

Edition: 10

Language: English

The Project Gutenberg Etext of Wolfville Days, by Alfred Henry Lewis

*******This file should be named 3667.txt or 3667.zip******

This etext was produced by Charles Franks and the

Online Distributed Proofreading Team.

Project Gutenberg Etexts are usually created from multiple editions,

all of which are in the Public Domain in the United States, unless a

copyright notice is included. Therefore, we usually do NOT keep any

of these books in compliance with any particular paper edition.

We are now trying to release all our books one year in advance

of the official release dates, leaving time for better editing.

Please be encouraged to send us error messages even years after

the official publication date.

Please note neither this listing nor its contents are final til

midnight of the last day of the month of any such announcement.

The official release date of all Project Gutenberg Etexts is at

Midnight, Central Time, of the last day of the stated month. A

preliminary version may often be posted for suggestion, comment

and editing by those who wish to do so.

Most people start at our sites at:

https://gutenberg.org

http://promo.net/pg

Those of you who want to download any Etext before announcement

can surf to them as follows, and just download by date; this is

also a good way to get them instantly upon announcement, as the

indexes our cataloguers produce obviously take a while after an

announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03

or

ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,

as it appears in our Newsletters.

Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work. The

time it takes us, a rather conservative estimate, is fifty hours

to get any etext selected, entered, proofread, edited, copyright

searched and analyzed, the copyright letters written, etc. This

projected audience is one hundred million readers. If our value

per text is nominally estimated at one dollar then we produce $2

million dollars per hour this year as we release fifty new Etext

files per month, or 500 more Etexts in 2000 for a total of 3000+

If they reach just 1-2% of the world's population then the total

should reach over 300 billion Etexts given away by year's end.

The Goal of Project Gutenberg is to Give Away One Trillion Etext

Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]

This is ten thousand titles each to one hundred million readers,

which is only about 4% of the present number of computer users.

At our revised rates of production, we will reach only one-third

of that goal by the end of 2001, or about 4,000 Etexts unless we

manage to get some real funding.

The Project Gutenberg Literary Archive Foundation has been created

to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of June 1, 2001 contributions are only being solicited from people in:

Arkansas, Colorado, Connecticut, Delaware, Hawaii, Idaho, Indiana,

Iowa, Kansas, Louisiana, Maine, Massachusetts, Minnesota, Missouri,

Montana, Nebraska, Nevada, New Jersey, New York, Ohio, Oklahoma,

Oregon, Rhode Island, South Carolina, South Dakota, Tennessee,

Texas, Vermont, Virginia, Washington, West Virginia, and Wyoming.

We have filed in about 45 states now, but these are the only ones

that have responded.

As the requirements for other states are met,

additions to this list will be made and fund raising

will begin in the additional states. Please feel

free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork

to legally request donations in all 50 states. If

your state is not listed and you would like to know

if we have added it since the list you have, just ask.

While we cannot solicit donations from people in

states where we are not yet registered, we know

of no prohibition against accepting donations

from donors in these states who approach us with

an offer to donate.

International donations are accepted,

but we don't know ANYTHING about how

to make them tax-deductible, or

even if they CAN be made deductible,

and don't have the staff to handle it

even if there are ways.

All donations should be made to:

Project Gutenberg Literary Archive Foundation

PMB 113

1739 University Ave.

Oxford, MS 38655-4109

The Project Gutenberg Literary Archive Foundation is a 501(c)(3)

organization with EIN [Employee Identification Number] 64-6221541,

and has been approved as a 501(c)(3) organization by the US Internal

Revenue Service (IRS). Donations are tax-deductible to the maximum

extent permitted by law. As the requirements for other states are met,

additions to this list will be made and fund raising will begin in the

additional states.

We need your donations more than ever!

You can get up to date donation information at:

https://www.gutenberg.org/donation.html

***

If you can't reach Project Gutenberg,

you can always email directly to:

Michael S. Hart <hart@pobox.com>

hart@pobox.com forwards to hart@prairienet.org and archive.org

if your mail bounces from archive.org, I will still see it, if

it bounces from prairienet.org, better resend later on. . . .

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.

***

Example command-line FTP session:

ftp ftp.ibiblio.org

login: anonymous

password: your@login

cd pub/docs/books/gutenberg

cd etext90 through etext99 or etext00 through etext02, etc.

dir [to see files]

get or mget [to get files. . .set bin for zip files]

GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]

GET GUTINDEX.ALL [to get a listing of ALL books]

**The Legal Small Print**

(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***

Why is this "Small Print!" statement here? You know: lawyers.

They tell us you might sue us if there is something wrong with

your copy of this etext, even if you got it for free from

someone other than us, and even if what's wrong is not our

fault. So, among other things, this "Small Print!" statement

disclaims most of our liability to you. It also tells you how

you may distribute copies of this etext if you want to.

*BEFORE!* YOU USE OR READ THIS ETEXT

By using or reading any part of this PROJECT GUTENBERG-tm

etext, you indicate that you understand, agree to and accept

this "Small Print!" statement. If you do not, you can receive

a refund of the money (if any) you paid for this etext by

sending a request within 30 days of receiving it to the person

you got it from. If you received this etext on a physical

medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM ETEXTS

This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,

is a "public domain" work distributed by Professor Michael S. Hart

through the Project Gutenberg Association (the "Project").

Among other things, this means that no one owns a United States copyright

on or for this work, so the Project (and you!) can copy and

distribute it in the United States without permission and

without paying copyright royalties. Special rules, set forth

below, apply if you wish to copy and distribute this etext

under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market

any commercial products without permission.

To create these etexts, the Project expends considerable

efforts to identify, transcribe and proofread public domain

works. Despite these efforts, the Project's etexts and any

medium they may be on may contain "Defects". Among other

things, Defects may take the form of incomplete, inaccurate or

corrupt data, transcription errors, a copyright or other

intellectual property infringement, a defective or damaged

disk or other etext medium, a computer virus, or computer

codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES

But for the "Right of Replacement or Refund" described below,

[1] Michael Hart and the Foundation (and any other party you may

receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims

all liability to you for damages, costs and expenses, including

legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR

UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,

INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE

OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE

POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of

receiving it, you can receive a refund of the money (if any)

you paid for it by sending an explanatory note within that

time to the person you received it from. If you received it

on a physical medium, you must return it with your note, and

such person may choose to alternatively give you a replacement

copy. If you received it electronically, such person may

choose to alternatively give you a second opportunity to

receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER

WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS

TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT

LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A

PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or

the exclusion or limitation of consequential damages, so the

above disclaimers and exclusions may not apply to you, and you

may have other legal rights.

INDEMNITY

You will indemnify and hold Michael Hart, the Foundation,

and its trustees and agents, and any volunteers associated

with the production and distribution of Project Gutenberg-tm

texts harmless, from all liability, cost and expense, including

legal fees, that arise directly or indirectly from any of the

following that you do or cause: [1] distribution of this etext,

[2] alteration, modification, or addition to the etext,

or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"

You may distribute copies of this etext electronically, or by

disk, book or any other medium if you either delete this

"Small Print!" and all other references to Project Gutenberg,

or:

[1] Only give exact copies of it. Among other things, this

requires that you do not remove, alter or modify the

etext or this "small print!" statement. You may however,

if you wish, distribute this etext in machine readable

binary, compressed, mark-up, or proprietary form,

including any form resulting from conversion by word

processing or hypertext software, but only so long as

*EITHER*:

[*] The etext, when displayed, is clearly readable, and

does *not* contain characters other than those

intended by the author of the work, although tilde

(~), asterisk (*) and underline (_) characters may

be used to convey punctuation intended by the

author, and additional characters may be used to

indicate hypertext links; OR

[*] The etext may be readily converted by the reader at

no expense into plain ASCII, EBCDIC or equivalent

form by the program that displays the etext (as is

the case, for instance, with most word processors);

OR

[*] You provide, or agree to also provide on request at

no additional cost, fee or expense, a copy of the

etext in its original plain ASCII form (or in EBCDIC

or other equivalent proprietary form).

[2] Honor the etext refund and replacement provisions of this

"Small Print!" statement.

[3] Pay a trademark license fee to the Foundation of 20% of the

gross profits you derive calculated using the method you

already use to calculate your applicable taxes. If you

don't derive profits, no royalty is due. Royalties are

payable to "Project Gutenberg Literary Archive Foundation"

the 60 days following each date you prepare (or were

legally required to prepare) your annual (or equivalent

periodic) tax return. Please contact us beforehand to

let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?

Project Gutenberg is dedicated to increasing the number of

public domain and licensed works that can be freely distributed

in machine readable form.

The Project gratefully accepts contributions of money, time,

public domain materials, or royalty free copyright licenses.

Money should be paid to the:

"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or

software or other items, please contact Michael Hart at:

hart@pobox.com

*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.06/12/01*END*

[Portions of this header are copyright (C) 2001 by Michael S. Hart

and may be reprinted only when these Etexts are free of all fees.]

[Project Gutenberg is a TradeMark and may not be used in any sales

of Project Gutenberg Etexts or other materials be they hardware or

software or any other related product without express permission.]

This etext was produced by Charles Franks and the

Online Distributed Proofreading Team.

Wolfville Days

by Alfred Henry Lewis

CHAPTER I.

The Great Wolfville Strike.

"No, sir, even onder spur an' quirt, my mem'ry can only canter back

to one uprisin' of labor in Wolfville; that was printers."

At this the Old Cattleman looked unduly sagacious, refreshed himself

with a puff or two at his pipe, and all with the air of one who

might, did he see fit, consider the grave questions of capital and

labor with an ability equal to their solution. His remark was growth

of the strike story of some mill workmen, told glaringly in the

newspaper he held in his hands.

"Wolfville is not at that time," he continued, "what you-all East

would call a swirlin' vortex of trade; still she has her marts.

Thar's the copper mines, the Bird Cafe Op'ry House, the Red Light,

the O. K. Restauraw, the Dance Hall, the New York Store an' sim'lar

hives of commerce. Which ondoubted the barkeeps is the hardest

worked folks in camp, an' yet none of 'em ever goes on the warpath

for shorter hours or longer pay, so far as I has notice. Barkeeps

that a-way is a light-hearted band an' cheerful onder their burdens.

Once when Old Monte brings the stage in late because of some boggin'

down he does over at a quicksand ford in the foothills, a shorthorn

who arrives with him as a passenger comes edgin' into the Red Light.

Bein' it's four o'clock in the mornin', the tenderfoot seems amazed

at sech activities as faro-bank, an' high-ball, said devices bein'

in full career; to say nothin' of the Dance Hall, which 'Temple of

Mirth,' as Hamilton who is proprietor tharof names it, is whoopin'

it up across the street.

"'Ain't you open rather late?' says the shorthorn. His tones is

apol'getic an' no offence is took.

"That's one of them gratefyin' things about the Southwest. That

temperate region don't go pirootin' 'round strivin' to run its brand

onto things as insults where none ain't meant. The Southwest ropes

only at the intention. You may even go so far as to shoot the wrong

gent in a darkened way, an' as long as you pulls off the play in a

sperit of honesty, an' the party plugged don't happen to be a

pop'lar idol, about the worst you'd get would be a caution from the

Stranglers to be more acc'rate in your feuds, sech is the

fairmindedness an' toleration of Southwest sentiment.

"As I su'gests, the barkeep, realizin' that the stranger's bluff

arises from cur'osity rather than any notion of what booksports

calls 'captious criticism,' feels no ombrage.

"'What was you-all pleased to remark?' retorts the barkeep as he

slams his nose-paint where the shorthorn can get action.

"'Nothin',' replies the shorthorn, imbibin' of his forty drops,

"only it sort o' looks to my onaccustomed eye like this deadfall is

open rather late."

"'Which she is some late,' admits the barkeep, as he softly swabs

the counter; 'which it is some late for night before last, but it's

jest the shank of the evenin' for to-night.'

"But, as I observes a bit back on the trail, I never do hear of any

murmur of resentment on the part of the toilin' masses of the town,

save in the one instance when that bunch of locoed printers capers

out an' defies the editor an' publisher of the Wolfville COYOTE, the

same bein' the daily paper of the outfit.

"This yere imprint, the COYOTE, is done owned an' run by Colonel

William Greene Sterett. An' I'll pause right yere for the double

purpose of takin' a drink an' sympathisin' with you a whole lot in

not knowin' the Colonel. You nacherally ain't as acootely aware of

the fact as I be, but you can gamble a bloo stack that not knowin'

Colonel Sterett borders on a deeprivation. He is shore wise, the

Colonel is, an' when it comes to bein' fully informed on every

p'int, from the valyoo of queensup before the draw to the political

effect of the Declaration of Independence, he's an even break with

Doc Peets. An' as I've asserted frequent--an' I don't pinch down a

chip--Doc Peet's is the finest eddicated sharp in Arizona.

"We-all will pass up the tale at this crisis, but I'll tell you

later about how Colonel Sterett comes a-weavin' into Wolfville that

time an' founds the Coyote. It's enough now to know that when these

yere printers takes to ghost-dancin' that time, the Colonel has been

in our midst crowdin' hard on the hocks of a year, an' is held in

high regyard by Old Alan Enright, Doc Peets, Jack Moore, Boggs,

Tutt, Cherokee Hall, Faro Nell, and other molders of local opinion,

an' sort o' trails in next after Enright an' Peets in public esteem.

The Colonel is shore listened to an' heeded at sech epocks as

Wolfville sets down serious to think.

"Them printers of the Colonel's stampedes themse'fs jest followin'

the latter's misonderstandin' with Huggins, who conducts the Bird

Cage Op'ry House, an' who as I've allers maintained, incites them

mechanics, private, to rebellion, as a scheme of revenge on the

Colonel. The trouble which bears its final froote in this labor

uprisin' is like this. Huggins, as noted, holds down the Bird Cage

Op'ry House as manager, an' when lie's drunk--which, seein' that

Huggins is a bigger sot than Old Monte, is right along he allows

he's a 'Impressario.' Mebby you saveys 'Impressario,' an'

experiences no difficulty with the same as a term, but Boggs an'

Tutt goes to the fringe of a gun play dispootin' about its meanin'

the time Huggins plays it on the camp first as deescriptif of his

game.

"'A Impressario is a fiddler,' says Boggs; `I cuts the trail of one

in the States once, ropes him up, an' we has a shore enough time.'

"'Sech observations,' observes Tutt, to whom Boggs vouchsafes this

information, 'sech observations make me tired. They displays the

onlimited ability for ignorance of the hooman mind. Boggs, I don't

want to be deemed insultin', but you-all oughter go to night-school

some'ers ontil you learns the roodiments of the American language."

"When this yore colloquy ensooes, I'm away on the spring round-up,

an' tharfor not present tharat; but as good a jedge as Jack Moore,

insists that the remainder of the conversation would have come off

in the smoke if he hadn't, in his capacity of marshal, pulled his

six-shooter an' invoked Boggs an' Tutt to a ca'mer mood.

"But speakin' of this Huggins party, I never likes him. Aside from

his bein' mostly drunk, which, no matter what some may say or think,

I holds impairs a gent's valyoo as a social factor, Huggins is

avaricious an' dotes on money to the p'int of bein' sordid. He'd

gloat over a dollar like it was a charlotte roose, Huggins would.

So, as I says, I ain't fond of Huggins, an' takes no more pleasure

of his company than if he's a wet dog. Still, thar's sech a thing as

dooty; so, when Huggins comes wanderin' wild-eyed into the Red Light

about first drink time one evenin', an' confides to me in a whisper

that thar's a jack rabbit outside which has sworn to take his life,

an' is right then bushwhackin' about the door waitin' to execoote

the threat, I calls Doc Peets, an' aids in tyin' Huggins down so

that his visions can be met an' coped with medical.

"Peets rides herd on Huggins for about a week, an' at last effects

his rescoo from that hostile jack rabbit an' them crimson

rattlesnakes an' blue-winged bats that has j'ined dogs with it in

its attempts ag'in Huggins. Later, when Peets sends his charges,

this yere ingrate Huggins--lovin' money as I states--wants to squar'

it with a quart or two of whiskey checks on the Bird Cage bar.

Nacherally, Peets waves aside sech ignoble proffers as insults to

his professional standin'.

"'An' you all don't owe me a splinter, Huggins,' says Peets, as he

turns down the prop'sition to take whiskey checks as his reward.

'We'll jest call them services of mine in subdooin' your delirium

treemors a contreebution. It should shorely be remooneration enough

to know that I've preserved you to the Wolfville public, an' that

the camp can still boast the possession of the meanest sport an'

profoundest drunkard outside of the Texas Panhandle.'

"Bar none, Doc Peets is the bitterest gent, verbal, that ever makes

a moccasin track in the South-west. An' while Huggins ain't pleased

none, them strictures has to go. To take to pawin' 'round for

turmoil with Peets would be encroachin' onto the ediotic. Even if he

emerges alive from sech controversies--an' it's four to one he

wouldn't; for Peets, who's allers framed up with a brace of

derringers, is about as vivid an enterprise as Wolfville affords--

the Stranglers would convene with Old Man Enright in the cha'r, an'

Huggins wouldn't last as long as a drink of whiskey. As it is,

Huggins gulps his feelin's an' offers nothin' in return to Peets's

remarks.

"No; of course Doc Peets ain't that diffusive in his confidences as

to go surgin' about tellin' this story to every gent he meets. It's

ag'in roole for physicians that a-way to go draggin' their lariats

'round permiscus an' impartin' all they knows. You-all can see

yourse'f that if physicians is that ingenuous, it would prodooce all

sorts of troubles in the most onlooked-for places an' most

onexpected forms. No; Peets wouldn't give way to conduct so

onbecomin' a medicine man an' a sport. But rooles has their

exceptions; an so Feets, in one of them moments of sympathy an'

confidence, which two highly eddicated gents after the eighth drink

is bound to feel for each other, relates to Colonel Sterett

concernin' Huggins an' his perfidy with them Bird Cage checks.

"This yere onbosomin' of himse'f to the Colonel ain't none discreet

of Peets. The Colonel has many excellencies, but keepin' secrets

ain't among 'em; none whatever. The Colonel is deevoid of talents

for secrets, an' so the next day he prints this yere outrage onder a

derisive headline touchin' Huggins' froogality.

"Huggins don't grade over-high for nerve an' is a long way from

bein' clean strain game; but he figgers, so I allers reckons, that

the Colonel ain't no thunderbolt of war himse'f, so when he reads as

to him an' Peets an' them treemors an' the whiskey checks, he starts

in to drink an' discuss about his honor, an' gives it out he'll have

revenge.

"It's the barkeep at the Red Light posts Colonel Sterett as to them

perils. A Mexican comes trackin' along into the Colonel's room in

the second story--what he calls his 'sanctum'--with a note. It's

from the barkeep an' reads like this:

RED LIGHT SALOON.

DEAR COLONEL:--

Huggins is in here tankin' up an' makin' war medicine. He's packin'

two guns. He says he's going to plug you for that piece. I can keep

him here an hour. Meanwhile, heel yourse'f. I'll have him so drunk

by the time he leaves that he ought to be easy.

Yours sincerely,

BLACK JACK.

P. S. Better send over to the Express Company for one of them shot-

guns. Buckshot, that a-way, is a cinch; an' if you're a leetle

nervous it don't make no difference. B. J.

"About the time the 10-gauge comes over to the Colonel, with the

compliments of the Wells-Fargo Express, an' twenty shells holdin'

twenty-one buck-shot to the shell, Doc Peets himse'f comes

sa'nterin' into the sanctum.

"'You-all ought never to have printed it, Colonel,' says Peets; 'I'm

plumb chagrined over that exposure of Huggins.'

"'Don't you reckon, Doc,' says the Colonel, sort o' coaxin' the

play, 'if you was to go down to the Red Light an' say to this

inebriated miscreant that you makes good, it would steady him down a

whole lot?'

"'If I was to take sech steps as you urges, Colonel,' says Peets,

'it would come out how I gives away the secrets of my patients; it

would hurt my p'sition. On the level! Colonel, I'd a mighty sight

sooner you'd beef Huggins.'

"'But see yere, Doc,' remonstrates the Colonel, wipin' off the water

on his fore'ead, 'murder is new to me, an' I shrinks from it.

Another thing--I don't thirst to do no five or ten years at

Leavenworth for downin' Huggins, an' all on account of you declinin'

whiskey chips as a honorarium for them services.'

"'It ain't no question of Leavenworth,' argues Peets; 'sech thoughts

is figments. Yere's how it'll be. Huggins comes chargin' up,

hungerin' for blood. You-all is r'ared back yere with that 10-gauge,

all organized, an' you coldly downs him. Thar ain't no jury, an'

thar ain't no Vigilance Committee, in Arizona, who's goin' to carp

at that a little bit. Besides, he's that ornery, the game law is out

on Huggins an' has been for some time. As for any resk to yourse'f,

personal, from Huggins; why! Colonel, you snaps your fingers tharat.

You hears Huggins on the stairs; an' you gives him both barrels the

second he shows in the door. It's as plain as monte. Before Huggins

can declar' himse'f, Colonel, he's yours, too dead to skin. It's

sech a shore thing,' concloodes Peets, 'that, after all, since

you're merely out for safety, I'd get him in the wing, an' let it go

at that. Once his arm is gone, it won't be no trouble to reason with

Huggins.'

"'Don't talk to me about no arms,' retorts the Colonel, still

moppin' his feachers plenty desperate. 'I ain't goin' to do no fancy

shootin'. If Huggins shows up yere, you can put down a yellow stack

on it, I'll bust him where he looks biggest. Huggins is goin' to

take all the chances of this embroglio.'

"But Huggins never arrives. It's Dan Boggs who abates him an'

assoomes the pressure for the Colonel. Boggs is grateful over some

compliments the Colonel pays him in the Coyote the week previous.

It's right in the midst of Huggins' prep'rations for blood that

Boggs happens up on him in the Red Light.

"'See yere, Huggins,' says Boggs, as soon as ever he gets the

Impressario's grievance straight in his mind, 'you-all is followin'

off the wrong wagon track. The Colonel ain't your proper prey at

all; it's me. I contreebutes that piece in the Coyote about you

playin' it low on Peets myse'f.'

"Huggins gazes at Boggs an' never utters a word; Boggs is too many

for him.

"'Which I'm the last sport,' observes Boggs after a pause, `to put a

limit on the reccreations or meddle with the picnics of any gent,

but this yere voylence of yours, Huggins, has gone too far. I'm

obleeged to say, tharfore, that onless you aims to furnish the

painful spectacle of me bendin' a gun over your head, you had better

sink into silence an' pull your freight. I'm a slow, hard team to

start, Huggins,' says Boggs, 'but once I goes into the collar, I'm

irresist'ble.'

"Huggins don't know much, but he knows Boggs; an' so, followin'

Boggs' remarks, Huggins ups an' ceases to clamor for the Colonel

right thar. Lambs is bellig'rent compared with Huggins. The barkeep,

in the interests of peace, cuts in on the play with the news that

the drinks is on the house, an' with that the eepisode comes to a

close.

"Now you-all has most likely begun to marvel where them labor

struggles comes buttin' in. We're within ropin' distance now. It's

not made cl'ar, but, as I remarks prior, I allers felt like Huggins

is the bug onder the chip when them printers gets hostile that time

an' leaves the agency. Huggins ain't feeble enough mental to believe

for a moment Boggs writes that piece. The fact that Boggs can't even

write his own name--bein' onfortunately wantin' utterly in

eddication--is of itse'f enough to breed doubts. Still, I don't

ondervalue Huggins none in layin' down to Boggs, that time Boggs

allows he's the author. With nothin' at stake more than a fact, an'

no money up nor nothin', he shorely wouldn't be jestified in

contendin' with a gent of Boggs' extravagant impulses, an' who is

born with the theery that six-shooters is argyments.

"But, as I was observin', Huggins is no more misled by them bluffs

of Boggs than he is likely to give up his thoughts of revenge on the

Colonel. Bein' headed off from layin' for the Colonel direct--for

Boggs reminds him at closin' that, havin' asserted his personal

respons'bility for that piece, he'll take it as affronts if Huggins

persists in goin' projectin' 'round for Colonel Sterett--thar's no

doubt in my mind that Huggins goes to slyin' about, an' jumpin'

sideways at them printers on the quiet, an fillin' 'em up with nose-

paint an' notions that they're wronged in equal quantities. An'

Huggins gets results.

"Which the Colonel pays off his five printers every week. It's mebby

the second Saturday after the Huggins trouble, an' the Colonel is

jest finished measurin' up the 'strings,' as he calls 'em, an'

disbursin' the dinero. At the finish, the head-printer stiffens up,

an' the four others falls back a pace an' looks plenty hard.

"'Colonel,' says the head-printer, 'we-all sends on to the national

council, wins out a charter, an' organizes ourse'fs into a union.

You're yereby notified we claims union wages, the same bein' forty-

five centouse a thousand ems from now ontil further orders.'

"'Jim,' retorts the Colonel, 'what you an' your noble assistants

demands at my hands, goes. From now I pays the union schedoole, the

same bein' five cents a thousand ems more than former. The Coyote as

yet is not self-supportin', but that shall not affect this play. I

have so far made up deeficiencies by draw-poker, which I finds to be

fairly soft an' certain in this camp, an' your su'gestions of a

raise merely means that I've got to set up a leetle later in a game,

an' be a trifle more remorseless on a shore hand. Wharfore I yields

to your requests with pleasure, as I says prior.'

"It's mighty likely Colonel Sterett acquiesces in them demands too

quick; the printers is led to the thought that he's as simple to

work as a Winchester. It's hooman nature to brand as many calves as

you can, an' so no one's surprised when, two weeks later, them

voracious printers comes frontin' up for more. The head-printer

stiffens up, an' the four others assoomes eyes of iron, same as

before, an' the pow wow re-opens as follows:

"'Colonel,' says the range boss for the printers, while the others

stands lookin' an' listenin' like cattle with their y'ears all

for'ard, 'Colonel, the chapel's had a meetin', an' we-all has

decided that you've got to make back payments at union rates for the

last six months, which is when we sends back to the States for that

charter. The whole throw is twelve hundred dollars, or two hundred

and forty a gent. No one wants to crowd your hand, Colonel, an' if

you don't jest happen to have said twelve hundred in your war-bags,

we allows you one week to jump 'round an' rustle it.'

"But the Colonel turns out bad, an' shows he can protect himse'f at

printin' same as he can at poker. He whirls on them sharps like a

mountain lion.

"'Gents,' says the Colonel, 'you-all is up ag'inst it. I don't care

none if the cathedral's had a meetin', I declines to bow to your

claims. As I states before, I obtains the money to conduct this yere

journal by playin' poker. Now I can't play no ex post facto poker,

nor get in on any rectroactive hands, which of itse'f displays your

attitoode on this o'casion as onjust. What you-all asks is

refoosed.'

"'See yere, Colonel,' says the head-printer, beginnin' to arch his

back like he's goin' to buck some, 'don't put on no spurs to

converse with us; an' don't think to stampede us none with them

Latin bluffs you makes. You either pays union rates since February,

or we goes p'intin' out for a strike.'

"'Strike!' says the Colonel, an' his tones is decisive, 'strike,

says you! Which if you-all will wait till I gets my coat, I'll

strike with you.'

"Tharupon the entire passel, the Colonel an' them five printers,

comes over to the Red Light, takes a drink on the Colonel, an'

disperses themse'fs on the strike. Of course Wolfville looks on some

amazed at this yere labor movement, but declar's itse'f nootral.

"'Let every gent skin his own eel,' says Enright; 'the same bein' a

fav'rite proverb back in Tennessee when I'm a yooth. This collision

between Colonel Sterett an' them free an' independent printers he

has in his herd is shorely what may be called a private game. Thar's

no reason an' no call for the camp to be heard. What's your idea,

Doc?'

"'I yoonites with you in them statements,' says Peets. 'While my

personal symp'thies is with Colonel Sterett in this involvement, as

yet the sityooation offers no reason for the public to saddle up an'

go to ridin' 'round tharin.'

"'Don't you-all think,' says Boggs, appealin' to Enright, 'don't you

reckon now if me an' Tutt an' Jack Moore, all casooal like, was to

take our guns an' go cuttin' up the dust about the moccasins of them

malcontent printers--merely in our private capacity, I means--it

would he'p solve this yere deadlock a whole lot?' Boggs is a heap

headlong that a-way, an' likin' the Colonel, nacherally he's eager

to take his end.

"'Boggs,' replies Enright, an' his tones is stern to the verge of

being ferocious; 'Boggs, onless you wants the law-abidin' element to

hang you in hobbles, you had better hold yourse'f in more

subjection. Moreover, what you proposes is childish. If you was to

appear in the midst of this industr'al excitement, an' take to

romancin' 'round as you su'gests, you'd chase every one of these

yere printers plumb off the range. Which they'd hit a few high

places in the landscape an' be gone for good. Then the Colonel never

could get out that Coyote paper no more. Let the Colonel fill his

hand an' play it his own way. I'll bet, an' go as far as you like,

that if we-all turns our backs on this, an' don't take to pesterin'

either side, the Colonel has them parties all back in the corral

ag'in inside of a week.'

"Old Man Enright is right, same as he ever is. It's about fourth

drink time in the evenin' of the second day. Colonel Sterett, who's

been consoomin' his licker at intervals not too long apart, is

seated in the Red Light in a reelaxed mood. He's sayin' to Boggs,

who has been faithful at his elbow from the first, so as to keep up

his sperits, that he looks on this strike as affordin' him a much-

needed rest.

"'An' from the standp'int of rest, Dan,' observes the Colonel to

Boggs as the barkeep brings them fresh glasses, 'I really welcomes

this difference with them blacksmiths of mine. I shorely needs this

lay-off; literatoor that a-way, Dan, an' partic'lar daily paper

literatoor of the elevated character I've been sawin' off on this

camp in the Coyote, is fa-tiguin' to the limit. When them misguided

parties surrenders their absurd demands--an' between us, Dan, I

smells Huggins in this an' expects to lay for him later tharfor--I

say, when these obtoose printers gives up, an' returns to their

'llegiance, I'll assoome the tripod like a giant refreshed.'

"'That's whatever!' says Boggs, coincidin' with the Colonel, though

he ain't none shore as to his drift.

"'I'll be recooperated,' continues the Colonel, sloppin' out another

drink; 'I'll be a new man when I takes hold ag'in, an' will make the

Coyote, ever the leadin' medium of the Southwest, as strong an'

invincible as four kings an' a ace.'

"It's at this p'int the five who's on the warpath comes into the Red

Light. The head-printer, lookin' apol'getic an' dejected, j'ins

Boggs an' the Colonel where they sits.

"'Colonel,' observes the head-printer, 'the chapel's had another

meetin'; an' the short an' the long is, the boys kind o' figger

they're onjust in them demands for back pay--sort o' overplays their

hands, They've decided, Colonel, that you're dead right; an' I'm

yere now to say we're sorry, an' we'll all go back an' open up an'

get the Coyote out ag'in in old-time form.'

"'Have a drink, Jim,' says the Colonel, an' his face has a cloud of

regrets onto it; 'take four fingers of this red-eye an' cheer up.

You-all assoomes too sombre a view of this contention.'

"'I'm obleeged to you, Colonel,' replies the head-printer; 'but I

don't much care to drink none before the boys. They ain't got no

bank-roll an' no credit like you has, Colonel--that's what makes

them see their errors--an' the plain trooth is they ain't had

nothin' to drink for twenty-four hours. That's why I don't take

nothin'. It would shore seem invidious for me to be settin' yere

h'istin' in my nose-paint, an' my pore comrades lookin' he'plessly

on; that's whatever! I'm too much a friend of labor to do it,

Colonel.'

"'What!' says Boggs, quite wrought up; 'do you-all mean to tell me

them onhappy sports ain't had a drink since yesterday? It's a stain

on the camp! Whoopee, barkeep! see what them gents will have; an'

keep seein' what they'll have endoorin' this conference.'

"'Jim,' says the Colonel, mighty reluctant, 'ain't you-all

abandonin' your p'sition prematoor? Thar's somethin' doo to a

principle, Jim. I'd rather looked for a continyooation of this

estrangement for a while at least. I'd shore take time to consider

it before ever I'd let this strike c'llapse.'

"'That's all right, Colonel,' says the head-printer, 'about

c'llapsin'; an' I onderstands your feelin's an' symp'thises

tharwith. But I've explained to you the financial condition of this

movement. Thar stands the boys, pourin' in the first fire-water that

has passed their lips for a day. An' you knows, Colonel, no gent,

nor set of gents, can conduct strikes to a successful issue without

whiskey.'

"'But, Jim,' pleads the Colonel, who hates to come off his vacation,

'if I fixes the Red Light say for fifteen drinks all 'round each

day, don't you reckon you can prevail on them recalcitrant printers

to put this reeconciliation off a week?'

"However, Enright, who at this p'int comes trailin' in, takes up the

head-printer's side, an' shows the Colonel it's his dooty.

"'You owes it to the Wolfville public, Colonel,' says Enright. 'The

Coyote has now been suppressed two days. We-all has been deprived of

our daily enlightenment an' our intellects is boggin' down. For two

entire days Wolfville has been in darkness as to worldly events, an'

is right now knockin' 'round in the problem of existence like a

blind dog in a meat shop. Your attitoode of delay, Colonel, is

impossible; the public requests your return. If you ain't back at

the Coyote office to-morry mornin' by second drink time, dealin'

your wonted game, I wouldn't ondertake to state what shape a jest

pop'lar resentment will assoome.'

"'An', of course,' observes the Colonel with a sigh, 'when you-all

puts it in that loocid an' convincin' way, Enright, thar's no more

to be said. The strike is now over an' the last kyard dealt. Jim,

you an' me an' them printers will return to the vineyard of our

efforts. This over-work may be onderminin' me, but Wolfville shall

not call to me in vain.'"

Wolfville Days · 第 1 / 19 章