CHAPTER VIII.

"BARONESS AURELIA VON F----, to the Abbess

of the Cistertian Convent at Kreuzberg:--

"My dear kind Mother--How shall I find adequate words to announce

to you that your daughter is fortunate and happy--that at length

the horrid spectre is banished, whose terrific influence, blighting

every flower, and clouding every sun-gleam, had, for a long

interval, rendered her existence utterly wretched!

"But now self-reproach falls heavy on my heart. When after my

unhappy brother's death, and when my father perished from grief and

disappointment, you received and supported me during my otherwise

hopeless affliction, I ought then, not only to have confessed my

sins, but to have acquainted you fully and explicitly with the

strange and mysterious impressions, by which my tranquillity had

been broken.

"I was unwilling, however, to disturb you by a detail, which would

have seemed rather like the fantastic illusions of a disordered

imagination, than reality, and of which the malignant influence

then admitted of no cure nor antidote. Circumstances are now

changed, and I can freely write to you of that secret, which has so

long been deeply concealed in my own breast. It seems to me,

indeed, as if that mysterious power by whom I have been haunted,

had mocked, like a demon, at my every prospect of happiness! I have

been tost about hither and thither, as if on the waves of a stormy

sea, and left ever and anon to perish without hope of rescue! Yet

Heaven has almost miraculously assisted me, even at the moment when

I was on the point of being irrecoverably lost.

"In order to render my disclosures intelligible, I must look back

to the period of my earliest recollections, for even at that time,

the foundation was laid in my heart of those apprehensions which

have since grown with my growth, and strengthened with my strength.

"It happened when I was only about four years old, that one day,

when the spring season was at its brightest and loveliest, I was

busily engaged with Hermogen at play in the castle gardens.

Hermogen had run about supplying me with a thousand varieties of

flowers, which he also assisted me to weave into garlands, with

which I adorned myself, till being completely decked out like a

fairy queen, and covered with flowers, I said, 'Now, let me go!--I

must shew myself to my mother!'

"Hermogen, as you know, was older than I was, and exercised a kind

of authority over his sister. At these words of mine, he started

up, 'Stay here, Aurelia,' said he, in a commanding voice--'Thy

mother is in her blue closet, and speaks with the devil!' I could

not tell what my brother meant by this, but, quite overcome with

terror, I began to weep bitterly--'Foolish Aurelia,' said Hermogen,

'wherefore weepest thou?--Your mother speaks every day with the

devil. But let us keep out of his way, and he will do us no harm!'

He spoke, and looked angrily, so that I was obliged to be silent.

"My mother was even then in very feeble health--she was attacked

often by frightful convulsions, which left her in a state of

deathlike weakness. This happened once in presence of Hermogen,

and myself. We were ordered out of the room, and I wept bitterly;

but Hermogen only said, 'It is the devil that has done this to

her!'

"Thus the belief was firmly impressed on my mind, that my mother

every day held conversations with some frightful spectre, whom,

even to look upon, would, to any one else, be death. (As to

religious instructions, they were, of course, yet wholly beyond my

comprehension.) One day, after rambling through the castle, I was

horrified to find myself alone in the blue cabinet which had been

alluded to by Hermogen.

"I should instantly have taken refuge in flight, but my mother came

in with a deadly paleness on her countenance, and without observing

me, (for I stood in a corner,) in a deep melancholy tone, she

pronounced the name, 'Francesco--Francesco!' There was then a

strange rustling and rattling behind the oak pannels of the wall.

The boards began to move, and drew themselves asunder. I then saw a

full-length portrait, so admirably painted, that it had all the

animation of life, representing a man in a foreign dress, with a

dark violet-coloured mantle.

"The figure and expressive countenance of this unknown, made on me

an indescribable impression, which I never afterwards forgot. My

admiration was such that I could no longer be silent, but uttered

an exclamation of joy, which, for the first time, made my mother

aware of my presence. Her temper, which was generally mild and

equable, was now more ruffled than on any former occasion.--'What

would'st thou here, Aurelia?' said she, in an angry tone; 'who

brought thee hither?'--'They left me all alone,' cried I, bursting

into tears. 'I know not how I came hither, and had no wish to be

here!'

"Meanwhile the pannels were again put in motion, and the portrait

disappeared.--'Alas!' said I, 'the beautiful picture--Mother,

dearest mother, why is it gone?'--The Baroness lifted me up in her

arms, and caressed me.--'Thou art my dear good child,' said she;

'but no one must see that picture, nor speak of its having been

there. It is now gone, Aurelia, and will never come again!'

"Accordingly, as long as I remembered this warning, I intrusted to

no one what I had observed in the mysterious blue cabinet. Only to

Hermogen, I once said--'Dearest brother, it is not with the devil,

as you supposed, that our mother speaks, but with a young handsome

man. However, he is only a picture, and starts out of the wall when

she calls for him.'--'The devil,' answered Hermogen, with a fixed

serious look, 'may look as he will,--so says our father confessor.

But as to the Baroness, he dare no longer trouble her!'--Horror

seized on me at these words, and I begged of Hermogen, that he

never would speak of the devil again.

"Soon after this we went to the _residenz_, and the picture

_almost_ vanished from my remembrance; nor did I think of it till

after my mother's death, when we came back to the country. The wing

of the castle in which was that blue cabinet, remained uninhabited.

Here had been my late mother's favourite apartments; and my father

could not enter them without suffering from the most painful

recollections.

"At last, after an interval of several years, it became necessary

to order some repairs in that wing; and being now in my fourteenth

year, restless and wild, I happened to come into the blue cabinet,

just at the time when the workmen were about to tear up the floor.

When one of them was in the act of lifting a heavy table, which

stood in the middle of the room, there was a strange noise heard

behind the wall, the pannels burst asunder, and the portrait of the

unknown again became visible.

"On examination, they discovered a spring in the floor, which being

pressed down, brought into motion certain machinery behind the

wainscot, which was accordingly drawn aside, as already described,

so as to exhibit the picture. Once more that extraordinary event of

my childhood was brought vividly to my remembrance; and, at the

recollection of my beloved mother, tears started into my eyes. Yet

I could not turn away my looks from the expressive and interesting

features of the unknown, which were so admirably painted, that they

seemed more like life and reality, than any work of art. Above all,

his eyes were so animated, that their glance seemed to penetrate

into my very soul.

"Probably the workmen had sent word to my father, of the discovery

which they had made; for while I yet stood gazing on the unknown,

he hastily entered the room. He had scarcely cast a fleeting

glance on the picture, when he appeared almost petrified by some

mysterious emotion, and murmured to himself, in a deep tone, the

name '_Francesco!_'--

"Then suddenly, as if awoke from a painful reverie, he turned round

to the workmen, and, with a stern voice, commanded them, that they

should directly tear the painting from the wall, roll it up, and

give it in charge to Reinhold. I was greatly distressed by this

order. It seemed to me as if I should never more behold that form,

so heroic, noble, and interesting; who, in his foreign garb,

appeared to me almost like some prince of the spiritual world! Yet

an unconquerable timidity prevented me from requesting of my

father, that he would not allow the portrait to be destroyed.

"In a few days, however, these impressions altogether vanished; nor

did they recur till after a long interval. I was now carried away

by the volatility and light-heartedness of youth. A thousand

sports, of my own devising, every day engaged my attention; and my

father often said, that Hermogen, at this time, had the quiet,

timid manners of a well-behaved girl; while I, on the contrary,

behaved like a wild romping boy!

"These characteristics, however, were soon to be changed. Hermogen

was already past the years of adolescence, and began to devote his

whole attention to his own professional pursuits as a young

soldier. He thought only of hardening his frame to endure every

possible fatigue--of parades and reviews--of military

tactics--above all, of actual service in time of danger; and in

these views, his father (having determined on his son's

destination) wholly concurred.

"For my part, my whole existence now underwent a complete

revolution, which I was then unable to interpret, and which I yet

cannot adequately describe. The solitude in which I lived probably

contributed to heighten every fantastic impression. If any new

feeling arose within me, being wholly undiverted by any external

influence, or by the usual dissipations of society to which others

can have recourse, it naturally grew into excess. I became

thoughtful, melancholy, nervous, and discontented. By night, I was

visited by strange and unaccountable dreams; and during the day, I

was, by fits, extravagantly merry, or, on the slightest

provocation, burst into a passion of tears.

"My father observed these changes, which he ascribed to

irritability of nerves, and called in a physician, who prescribed

for me all sorts of remedies, without the slightest good effect. At

this time--I know not myself how it could have happened--but one

night the half-forgotten image of the unknown appeared before me,

in colours so vivid and lively, that he was no longer a dead

phantom on canvass, but a corporeal and living being, who gazed on

me with an aspect of kindness and compassion.

"'Alas!' cried I, 'must I then die? What is it by which I am thus

so unspeakably tormented?'--'Thou lovest me, Aurelia,' said the

vision, 'and this is the cause of thy present illness and

distraction. But canst thou dissolve the vows of one already

devoted to heaven?' To my astonishment, I now perceived that the

unknown wore the robes of a monk.

"Summoning my whole strength, I endeavoured to break the spells

with which the detestable dream had fettered my senses; and, for

the present moment, I succeeded in this; but I could not prevent

the same phantom from recurring to my imagination, and persecuting

me with tenfold power. I perceived only too well, that for me the

mysteries of a first love were revealed,--that, with a passionate

fervour, of which only the youthful heart is capable, I was

attached to the nameless and visionary unknown! My indisposition

seemed, however, to have attained its crisis, and I became

perceptibly better. My nervous irritability decreased, and I was

able again to mix in society; only the constant presence of that

image, my fantastic love of a being who existed only in my own

brain, rendered me so _distraite_, that I frequently gave absurd

answers when questioned; and being wholly wrapt up in my own

reveries, must have appeared to others either an affected prude, or

an unidea'd simpleton.

"About this time, I had found, among other romances, in my

brother's room, one containing the history of a monk, who, being

overcome by temptations of the devil, renounced his vows, and fell

in love with a young lady, who in consequence perished miserably.

This I read with avidity, and though the lessons that it contained

might have been expected to open my eyes to the dangers which I was

drawing on myself, yet it had an effect directly the reverse, by

fixing my attention more and more on those visions which I ought to

have banished for ever from my mind. Frequently I thought of

Hermogen's words--'Thy mother speaks with the devil;' and began to

think, that the unknown was, in truth, an agent of the Arch-fiend,

employed to entice me to destruction. Yet I could not cease to love

him; and when Reinhold came back, on one occasion, from a journey,

and talked much of a certain Brother Medardus, whom he had heard

preach in the town of Koenigswald, there arose within me an obscure

dim apprehension, that the original of the beloved and yet dreaded

vision might be that very Medardus; and this belief Reinhold's

description of the preacher's features and person seemed amply to

sanction. Thereafter, the wild dreams and internal conflicts by

which I was persecuted, were increased tenfold. It happened that a

monk (as was often the case) came to visit at my father's house;

and this person chose, in a very diffuse lecture, to describe the

manifold temptations of the devil, and the wretched delusions to

which especially youthful minds were subjected, if they did not

sufficiently resist his influence. My father seemed to approve of

this discourse, and I believed it was aimed particularly at

me.--'Only unbounded trust and confidence,' said the clergyman,

'not only in religion, but in her servants, and submissive

obedience to their injunctions and advice, can afford hopes of

rescue.'

"Not long after this, I accompanied my father to the town of

Koenigswald, whither he went to attend a law process which Reinhold

had been unable to finish alone. We lived at the garden-house of

the Graf van M----, which is close by the celebrated chapel of the

Capuchin Convent; and remembering the lecture which I had heard

just before leaving home, I resolved not to lose that opportunity

of fulfilling the sacred duty of confession."

[Aurelia's letter is very long, and contains a recapitulation, in a

diffuse rambling style, of events that are already known to the reader.

In the first place, there is her interview with Medardus in the church,

which has been described already in the first volume of these Memoirs.

After this, it appears that Aurelia was seized by a long and dangerous

illness, by which her passion for Medardus was, for a time, completely

subdued and alienated. To this change his vehement exhortation to her

in the confessional had also contributed; but, for the future, she

looked on the whole transaction as a dream, with which she had been

visited, in order that her eyes should be opened to the errors into

which she had, by a youthful imagination, been led.

Secondly, there is a full explanation of her conduct at the time when

Medardus appeared at the castle of her father the Baron von F----.

Though she at once recognized the former object of her affections, yet,

with an unshaken perseverance, she persisted in her determination, on no

occasion whatever to betray this recognition. Many times, however, she

now underwent severe conflicts on account of a transient recurrence of

her not yet wholly conquered passion; but against these her mind was

fortified by the constant presence and advice of Hermogen.

Thirdly, and lastly, comes a detail of recent circumstances which are

already sufficiently intelligible. No sooner had Medardus, in

consequence of Aurelia's representations, been thrown into prison, and,

by the opinion of every one, already prejudged to the scaffold, than

she became dreadfully agitated; and, although conscious that her conduct

was but the fulfilment of imperious duty, and feeling the utmost

abhorrence for him as a criminal, yet with these feelings was blended a

share of compassion, so that she almost regretted what she had done. At

this period, the discovery of the insane monk, in whom Cyrillus

recognized the true Medardus--the proofs received from Posen, that the

individual who had, in consequence of her accusations, been imprisoned,

was a Polish nobleman, and never had been a monk--effected an entire

revolution in her mind. Regret for the sufferings which she had so

unwarrantably inflicted, led naturally to the revival of her early

passion, which had now found a legitimate and innocent object.

She dwells with satisfaction on many attributes of character and

demeanour, in which her beloved Leonard differs from, and contrasts

with, the detestable monk, by whom her brother had been put to death.

Only the adventure at the Princess's country-house had, for a time,

broken in upon this confidence, and given rise to many harassing doubts

and fears, with an oppressive feeling of mystery, by which her mind is

still clouded, and against which she earnestly entreats the prayers and

maternal blessing of the Abbess for herself and her betrothed husband.]

The Devil's Elixir, Vol. 2 (of 2) · 第 8 / 23 章