6¾ in. × 10 in. Signed and dated, “_R. R. Reinagle_, 18--” (the
last two figures are hidden by the mount).
Cottages with tall trees on left; horse and cart on roadway in centre;
bend of river on right, with distant mountains.
144. NORWICH CATHEDRAL. 1793. (Plate XXVI.) EDWARD DAYES
10⅜ in. × 14½ in. Signed and dated, “_E. Dayes_, 1793.” A similar
view, but with different figures in foreground, was engraved by W.
Angus and published, October 1801, in the “Beauties of England and
Wales” (Norfolk volume).
View from the river; gateway on left; cathedral in centre; figures on
river-bank in foreground.
145. NORBURY PARK. _Circa_ 1798. J. M. W. TURNER, R.A.
8½ in. × 14 in. Christie’s, July 1912 (J. E. Taylor), as “Autumn in
Surrey” (No. 113).
Warm autumn tints on foliage in foreground; distant view over flat
country with hills beyond.
146. KENILWORTH. _Circa_ 1796. (Plate XXXI.) THOMAS GIRTIN
8¼ in. × 11½ in.
Ruins in centre; wooden fence and foliage on right in foreground.
147. WATER MILL. _Circa_ 1798. (Plate III.) J. M. W. TURNER, R.A.
9½ in. × 13¼ in.
Mill, with water-wheel, to left; two figures on rustic bridge among
foliage on right.
148. LLANGOLLEN BRIDGE. EDWARD DAYES
9¼ in. × 14½ in. This is incorrectly named; probably Llanrwst Bridge,
Denbighshire. An engraving by J. Walker, of Llanrwst Bridge, “from
an original picture by E. Dayes,” was published in the “Copper-Plate
Magazine,” August 1799. Some cattle in the engraving are omitted in
this drawing, and the figures are different.
149. THAXTED CHURCH, ESSEX. T. HEARNE
9¾ in. × 7⅞ in. Signed “_Hearne_.” An engraving of this subject
from a drawing by Hearne was published in William Byrne’s “Antiquities
of Great Britain.”
150. J. M. W. TURNER, R.A., IN THE PRINT ROOM OF THE BRITISH
MUSEUM
J. R. SMITH
8¾ in. × 7⅛ in.
In profile, seated, looking at an engraving which he holds in his
hand. Smith was Keeper of the Print Room when he made this drawing.
151. DERBYSHIRE. P. DE WINT
5½ in. × 12¾ in.
Trees in foreground, with distant hills on right.
152. A MOUNTAIN STREAM. _Circa_ 1798. (Plate IV.)
J. M. W. TURNER, R.A.
8½in. × 12¾ in. Probably a leaf of the “Hereford Court” Sketch Book
(Turner Bequest, XXXVIII). Christie’s, 1912 (J. E. Taylor).
River in centre, tumbling over boulders in foreground; mountains
beyond.
153. VALLEY OF THE WASHBURNE, NEAR FARNLEY. 1816-1818. (Plate
XIV.)
J. M. W. TURNER, R.A.
10¾ in. × 15¼ in. Slightly different view from _Banks of
Washburne_ in Farnley Hall Collection.
Looking along river, with steep wooded bank on right; Leathley Church
in middle distance on left; Otley Chevin in distance.
154. THE ABBEY GATEWAY, READING. F. MACKENZIE
9¾ in. × 13 in. A similar view of the gateway was drawn by E. Dayes
and published in “Beauties of England and Wales” (Berkshire volume),
January 1804.
155. MALVERN CHURCH. W. S. GILPIN
7¼ in. × 11½ in.
View of Little Malvern Church with mountain beyond, on left.
156. WILLESDEN CHURCH. _Circa_ 1796. J. M. W. TURNER, R.A.
9¾ in. × 13½ in. Blue and grey-wash. Christie’s, 1912 (J. E. Taylor),
as _Kilburn Church_ (No. 88).
View of church in centre, with grave-digger in foreground on right.
157. WARWICK CASTLE. _Circa_ 1830. J. M. W. TURNER, R.A.
9 in. × 13½ in. Christie’s, 1912 (J. E. Taylor), as A POOL.
Water in foreground; towers seen among foliage on right.
158. CROSSES AND BRASSES, WHALLEY ABBEY. _Circa_ 1798.
J. M. W. TURNER, R.A.
10 in. × 7¼ in. From Ruskin, Harrison, and J. E. Taylor Collections.
Engraved by J. Basire and published, August 1800, in Whitaker’s
“History of the Parish of Whalley.”
159. MOUNTAINOUS LANDSCAPE. Attributed to ALEXANDER COZENS
5½ in. × 9 in. Probably a leaf from Turner’s “North Wales” Sketch Book.
River in centre, with distant mountain.
160. AN ICEBERG. _Circa_ 1845. J. M. W. TURNER, R.A.
8¼ in. × 12¼ in. Christie’s, 1912 (J. E. Taylor).
An iceberg with splashes of red and black. In foreground some writing
in pencil.
161. DERWENTWATER. JOHN CONSTABLE, R.A.
23¼ in. × 38 in.
Lake in centre surrounded by mountains.
162. A ROAD THROUGH A VILLAGE. SAMUEL PROUT
25½ in. × 36 in.
Man with two dogs driving cattle on road; old priory building in
centre, with houses on left.
163. MEADOWS BY THE RIVER LUGG, HEREFORDSHIRE. DAVID COX
28½ in. × 42 in.
Sheep in meadow beside river on left; seated figures in foreground on
right, with a man stooping to get water from a pool; row of trees in
shadow on left bank of river; hills, with cattle, beyond.
164. A MOUNTAIN SPRING. DAVID COX
29¼ in. × 25¼ in. Signed, “_David Cox_.”
Two figures with pails in foreground; rocks and mountain above.
165. WESTMINSTER. 1806. M. DUBOURG
18¼ in. × 28½ in. Signed, “_M. Dubourg_. 1806.”
Bridge in centre towards right, with Westminster Abbey beyond; barges
and boats on river; in foreground on right, two figures drawing boat
aground, and children playing.
166. A WELSH FUNERAL: BETTWS-Y-COED. DAVID COX
23 in. × 33 in. A larger and slightly different version of this subject
was exhibited at the Society of Painters in Water-Colours, 1850.
Tall trees casting shadow over crowd of figures in roadway in
foreground; belfry of chapel among trees in middle distance; mountains
beyond.
167. IN SWITZERLAND. CLARKSON STANFIELD, R.A.
18¼ in. × 25 in. Signed, “_C. Stanfield, R.A._ 1849.”
Buildings and trees at foot of mountains; figures on road in
foreground.
168. UNDER A WELSH CRAG. 1888. T. COLLIER
23¼ in. × 35 in. Signed and dated, “_Thos. Collier_. 1888.”
169. HOUNDEAN VALLEY, NEAR LEWES. H. G. HINE
19 in. × 34½ in.
170. BRENDON VALLEY. CECIL G. LAWSON
16½ in. × 23 in.
FOOTNOTES:
[A] The numbers are those in the Catalogue of Messrs. Agnew’s
Exhibition which appears at the end of this volume.
[B] Reproduced in “The Water-Colours of J. M. W. Turner” (STUDIO
Special Number, 1909).