"You mean you are no longer serious."

"That is it. I used to be absurdly serious. But it is an age since we

last met. You were going to Trieste, were you not? I hope you found it

agreeable?"

"It is not an age; it is a year."

"Oh, a great deal can happen in a year," said Miss Stowe, turning away.

She was as richly dressed as ever, and not quite so plainly. Her hair

was arranged in little rippling waves low down upon her forehead, which

made her look, if not what might be called more worldly, at least more

fashionable, since previously she had worn it arranged with a simplicity

which was neither. Owing to this new arrangement of her hair, her eyes

looked larger and darker.

He continued to walk beside her for some moments, and then, as she came

upon a party of friends, he took leave.

In the evening he called upon Miss Harrison, and remained an hour. Miss

Stowe was not at home. The next day he sent to Miss Harrison a beautiful

basket of flowers.

"He knows we always keep the rooms full of them," remarked Miss Stowe,

rather disdainfully.

"All the same, I like the attention," said Miss Harrison. And she sent

him an invitation to dinner. She liked to have one guest.

He came. During the evening he asked Miss Stowe to sing. "I have lost my

voice," she answered.

"Yes," said Miss Harrison, "it is really remarkable; Margaret, although

she seems so well, has not been able to sing for months--indeed, for a

full year. It is quite sad."

"I am not sad about it, Aunt Ruth; I am relieved. I never sang well--I

had not voice enough. There was really nothing in it but expression; and

that was all pretence."

"You are trying to make us think you very artificial," said Morgan.

"I can make you think what I please, probably. I can follow several

lines of conduct, one after the other, and make you believe them all."

She spoke lightly; her general tone was much lighter than formerly, as

she herself had said.

"Do you ever walk in the Boboli Garden now?" he asked, later.

"Occasionally; but it is a dull place. And I do not walk as much as I

did; I drive with my aunt."

"Yes, Margaret has grown indolent," said Miss Harrison; "and it seems to

agree with her. She has more color than formerly; she looks well."

"Wonderfully," said Morgan. "But you are thinner than you were," he

added, turning towards her.

"And darker!" she answered, laughing. "Mr. Morgan does not admire

arrangements in black and white, Aunt Ruth; do not embarrass him." She

wore that evening a white dress, unrelieved by any color.

"I see you are bent upon being unkind," he said. It was supposed to be a

society remark.

"Not the least in the world," she answered, in the same tone.

He met her several times in company, and had short conversations with

her. Then, one afternoon, he came upon her unexpectedly in the Cascine;

she was strolling down the broad path alone.

"So you do walk sometimes, after all," he said.

"Never. I am only strolling. I drove here with Aunt Ruth, but, as she

came upon a party of American friends who are going to-morrow, I gave up

my place, and they are driving around together for a while, and no doubt

settling the entire affairs of Westchester County."

"I am glad she met them; I am glad to find you alone. I have something I

wish much to say to you."

"Such a beginning always frightens me. Pray postpone it."

"On the contrary, I shall hasten it. I must make the most of this rare

opportunity. Do you remember when you did me the honor, Miss Stowe, to

make me the subject of an experiment?"

"You insist upon recalling that piece of folly?" she said, opening her

parasol. Her tone was composed and indifferent.

"I recall it because I wish to base something upon it. I wish to ask

you--to allow yourself to be passively the subject of an experiment on

_my_ part, an experiment of the same nature."

She glanced at him; he half smiled. "Did you imagine, then, that mine

was in earnest?" she said, with a fine, light scorn, light as air.

"I never imagine anything. Imaginations are useless."

"Not so useless as experiments. Let yours go, and tell me rather what

you found to like in--Trieste."

"I suppose you know that I went to England?"

"I know nothing. But yes--I do know that you are going to--Tarascon."

"I shall not go if you will permit what I have asked."

"Isn't it rather suddenly planned?" she said, ironically. "You did not

know we were coming."

"Very suddenly. I have thought of it only since yesterday."

They had strolled into a narrow path which led by one of those patches

of underwood of which there are several in the Cascine--little bosky

places carefully preserved in a tangled wildness which is so pretty and

amusing to American eyes, accustomed to the stretch of real forests.

"You don't know how I love these little patches," said Miss Stowe.

"There is such a good faith about them; they are charming."

"You were always fond of nature, I remember. I used to tell you that art

was better."

"Ah! did you?" she said, her eyes following the flight of a bird.

"You have forgotten very completely in one year."

"Yes, I think I have. I always forget, you know, what it is not

agreeable to remember. But I must go back; Aunt Ruth will be waiting."

They turned.

"I will speak more plainly," said Morgan. "I went to England during July

last--that is, I followed Mrs. Lovell. She was in Devonshire. Quite

recently I have learned that she has become engaged in--Devonshire, and

is soon to be married there. I am naturally rather down about it. I am

seeking some other interest. I should like to try your plan for a while,

and build up an interest in--you."

Miss Stowe's lip curled. "The plans are not alike," she said. "Yours is

badly contrived. _I_ did not tell _you_ beforehand what I was

endeavoring to do!"

"I am obliged to tell you. You would have discovered it."

"Discovered what a pretence it was? That is true. A woman can act a part

better than a man. _You_ did not discover! And what am I to do in this

little comedy of yours?"

"Nothing. It is, in truth, nothing to you; you have told me that, even

when you made a great effort towards that especial object, it was

impossible to get up the slightest interest in me. Do not take a violent

dislike to me; that is all."

"And if it is already taken?"

"I shall have to conquer that. What I meant was--do not take a fresh

one."

"There is nothing like precedent, and therefore I repeat your question:

what if you should succeed--I mean as regards yourself?" she said,

looking at him with a satirical expression.

"It is my earnest wish to succeed."

"You do not add, as I did, that in case you do succeed you will of

course never see me again, but that at least the miserable old feeling

will be at rest?"

"I do not add it."

"And at the conclusion, when it has failed, shall you tell me that the

cause of failure was--the inevitable comparisons?"

"Beatrice is extremely lovely," he replied, turning his head and gazing

at the Arno, shining through an opening in the hedge. "I do not attempt

to pretend, even to myself, that she is not the loveliest woman I ever

knew."

"Since you do not pretend it to yourself you will not pretend it to me."

She spoke without interrogation; but he treated the words as a question.

"Why should I?" he said. And then he was silent.

"There is Aunt Ruth," said Miss Stowe; "I see the horses. She is

probably wondering what has become of me."

"You have not altogether denied me," he said, just before they reached

the carriage. "I assure you I will not be in the least importunate. Take

a day or two to consider. After all, if there is no one upon whom it can

really infringe (of course I know you have admirers; I have even heard

their names), why should you not find it even a little amusing?"

Miss Stowe turned towards him, and a peculiar expression came into her

eyes as they met his. "I am not sure but that I shall find it so," she

answered. And then they joined Miss Harrison.

The day or two had passed. There had been no formal question asked, and

no formal reply given; but as Miss Stowe had not absolutely forbidden

it, the experiment may be said to have been begun. It was soon reported

in Florence that Trafford Morgan was one of the suitors for the hand of

the heiress; and, being a candidate, he was of course subjected to the

searching light of Public Inquiry. Public Inquiry discovered that he was

thirty-eight years of age; that he had but a small income; that he was

indolent, indifferent, and cynical. Not being able to find any open

vices, Public Inquiry considered that he was too _blasé_ to have them;

he had probably exhausted them all long before. All this Madame Ferri

repeated to Miss Harrison, not because she was in the least opposed to

Mr. Morgan, but simply as part of her general task as gatherer and

disseminator.

"Trafford Morgan is not a saint, but he is well enough in his way,"

replied Miss Harrison. "I am not at all sure that a saint would be

agreeable in the family."

Madame Ferri was much amused by this; but she carried away the

impression also that Miss Harrison favored the suitor.

In the meantime nothing could be more quiet than the manner of the

supposed suitor when he was with Miss Stowe. He now asked questions of

her; when they went to the churches, he asked her impressions of the

architecture; when they visited the galleries, he asked her opinions of

the pictures. He inquired what books she liked, and why she liked them;

and sometimes he slowly repeated her replies.

This last habit annoyed her. "I wish you would not do that," she said,

with some irritation. "It is like being forced to look at one's self in

a mirror."

"I do it to analyze them," he answered. "I am so dense, you know, it

takes me a long time to understand. When you say, for instance, that

Romola is not a natural character because her love for Tito ceases, I,

who think that the unnatural part is that she should ever have loved

him, naturally dwell upon the remark."

"She would have continued to love him in life. Beauty is all powerful."

"I did not know that women cared much for it," he answered. Then, after

a moment, "Do not be too severe upon me," he added; "I am doing my

best."

She made no reply.

"I thought certainly you would have answered, 'By contrast?'" he said,

smiling. "But you are not so satirical as you were. I cannot make you

angry with me."

"Have you tried?"

"Of course I have tried. It would be a step gained to move you--even in

that way."

"I thought your experiment was to be all on one side?" she said. They

were sitting in a shady corner of the cloisters of San Marco; she was

leaning back in her chair, following with the point of her parasol the

lines of the Latin inscription on the slab at her feet over an old

monk's last resting-place.

"I am not so consistent as I should be," he answered, rising and

sauntering off, with his hands in the pockets of his short morning-coat,

to look at St. Peter the Martyr.

At another time they were in the Michael Angelo chapel of San Lorenzo.

It was past the hour for closing, but Morgan had bribed the custode to

allow them to remain, and the old man had closed the door and gone away,

leaving them alone with the wondrous marbles.

"What do they mean?" he said. "Tell me."

"They mean fate, our sad human fate: the beautiful Dawn in all the pain

of waking; the stern determination of the Day; the recognition of

failure in Evening; and the lassitude of dreary, hopeless sleep in

Night. It is one way of looking at life."

"But not your way?"

"Oh, I have no way; I am too limited. But genius takes a broader view,

and genius, I suppose, must always be sad. People with that endowment, I

have noticed, are almost always very unhappy."

He was sitting beside her, and, as she spoke, he saw a little flush rise

in her cheeks; she was remembering when Mrs. Lovell had used the same

words, although in another connection.

"We have never spoken directly, or at any length, of Beatrice," she

said, suddenly. "I wish you would tell me about her."

"Here?"

"Yes, here and now; Lorenzo shall be your judge."

"I am not afraid of Lorenzo. He is not a god; on the contrary, he has

all our deepest humanity on his musing face; it is for this reason that

he impresses us so powerfully. As it is the first time you have

expressed any wish, Miss Stowe, I suppose I must obey it."

"Will it be difficult?"

"It is always difficult, is it not, for a man to speak of an unhappy

love?" he said, leaning his elbow on the back of the seat, and shading

his eyes with his hand as he looked at her.

"I will excuse you."

"I have not asked to be excused. I first met Mrs. Lovell in Sicily. I

was with her almost constantly during five weeks. She is as lovable as a

rose--as a peach--as a child." He paused.

"Your comparisons are rather remarkable," said Miss Stowe, her eyes

resting upon the grand massiveness of Day.

"They are truthful. I fell in love with her; and I told her so because

there was that fatal thing, an opportunity--that is, a garden-seat,

starlight, and the perfume of flowers. Of course these were

irresistible."

"Indeed?"

"Do not be contemptuous. It is possible that you may not have been

exposed to the force of the combination as yet. She rebuked me with that

lovely, gentle softness of hers, and then she went away; the Sicilian

days were over. I wrote to her--"

He was sitting in the same position, with his hand shading his eyes,

looking at her; as he spoke the last phrase he perceived that she

colored, and colored deeply.

"You knew the story generally," he said, dropping his arm and leaning

forward. "But it is not possible you saw that letter!"

She rose and walked across, as if to get a nearer view of Day. "I admire

it so much!" she said, after a moment. "If it should stretch out that

great right arm, it could crush us to atoms." And she turned towards him

again.

As she did she saw that he had colored also; a deep, dark flush had

risen in his face, and covered even his forehead.

"I am safe--very safe!" he said. "After reading such a letter as that,

written to another woman, you are not likely to bestow much regard upon

the writer, try as he may!"

Miss Stowe looked at him. "You are overacting," she said, coldly. "It is

not in your part to pretend to care so soon. It was to be built up

gradually."

"Lorenzo understands me," he said, recovering himself. "Shall I go on?"

"I think I must go now," she answered, declining a seat; "it is late."

"In a moment. Let me finish, now that I have begun. I had thought of

returning to America; indeed, Beatrice had advised it; she thought I was

becoming expatriated. But I gave it up and remained in Italy because I

did not wish to appear too much her slave (women do not like men who

obey them too well, you know). After this effort I was consistent enough

to follow her to England. I found her in--Devonshire, lovelier than

ever; and I was again fascinated; I was even ready to accept beforehand

all the rules and embargo of the strictest respect to the memory of Mr.

Lovell."

Miss Stowe's eyes were upon Day; but here, involuntarily, she glanced

towards her companion. His face remained unchanged.

"I was much in love with her. She allowed me no encouragement. But I did

not give up a sort of vague hope I had until this recent change. Then,

of course, I knew that it was all over for me."

"I am sorry for you," replied Miss Stowe after a pause, still looking at

Day.

"Of course I have counted upon that--upon your sympathy. I knew that you

would understand."

"Spare me the quotation, 'A fellow-feeling,' and so forth," she said,

moving towards the door. "I am going; I feel as though we had already

desecrated too long this sacred place."

"It is no desecration. The highest heights of art, as well as of life,

belong to love," he said, as they went out into the cool, low hall,

paved with the gravestones of the Medici.

"Don't you always think of them lying down below?" she said. "Giovanni

in his armor, and Leonore of Toledo in her golden hair?"

"Since when have you become so historical? They were a wicked race."

"And since when have you become so virtuous?" she answered. "They were

at least successful."

Time passed. It has a way of passing rapidly in Florence; although each

day is long and slow and full and delightful, a month flies. Again the

season was waning. It was now believed that Mr. Morgan had been

successful, although nothing definite was known. It was remarked how

unusually well Miss Stowe looked: her eyes were so bright and she had so

much color that she really looked brilliant. Madame Ferri repeated this

to Miss Harrison.

"Margaret was always brilliant," said her aunt.

"Oh, extremely!" said Madame Ferri.

"Only people never found it out," added Miss Harrison.

She herself maintained a calm and uninquiring demeanor. Sometimes she

was with her niece and her niece's supposed suitor, and sometimes not.

She continued to receive him with the same affability which she had

bestowed upon him from the first, and occasionally she invited him to

dinner and to drive. She made no comment upon the frequency of his

visits, or the length of his conversations upon the little balcony in

the evening, where the plash of the fountain came faintly up from below.

In truth she had no cause for solicitude; nothing could be more tranquil

than the tone of the two talkers. Nothing more was said about Mrs.

Lovell; conversation had sunk back into the old impersonal channel.

"You are very even," Morgan said one evening. "You do not seem to have

any moods. I noticed it last year."

"One is even," she replied, "when one is--"

"Indifferent," he suggested.

She did not contradict him.

Two things she refused to do: she would not sing, and she would not go

to the Boboli Garden.

"As I am especially fond of those tall, ceremonious old hedges and

serene statues, you cut me off from a real pleasure," said Morgan.

It was on the evening of the 16th of May; they were sitting by the open

window; Miss Harrison was not present.

"You can go there after we have gone," she said, smiling. "We leave

to-morrow."

"You leave to-morrow!" he repeated. Then, after an instant, "It is

immensely kind to tell me beforehand," he said, ironically. "I should

have thought you would have left it until after your departure!"

She made no reply, but fanned herself slowly with the beautiful gray

fan.

"I suppose you consider that the month is more than ended, and that you

are free?"

"You have had all you asked for, Mr. Morgan."

"And therefore I have now only to thank you for your generosity, and let

you go."

"I think so."

"You do not care to know the result of my experiment--whether it has

been a failure or a success?" he said. "You told me the result of

yours."

"I did not mean to tell you. It was forced from me by your

misunderstanding."

"Misunderstandings, because so slight that one cannot attack them, are

horrible things. Let there be none between us now."

"There is none."

"I do not know." He leaned back in his chair and looked up at the soft

darkness of the Italian night. "I have one more favor to ask," he said,

presently. "You have granted me many; grant me this. At what hour do you

go to-morrow?"

"In the afternoon."

"Give me a little time with you in the Boboli Garden in the morning."

"You are an accomplished workman, Mr. Morgan; you want to finish with a

polish; you do not like to leave rough ends. Be content; I will accept

the intention as carried out, and suppose that all the last words have

been beautifully and shiningly spoken. That will do quite as well."

"Put any construction upon it you please," he answered. "But consent."

But it was with great difficulty that he obtained that consent.

"There is really nothing you can say that I care to hear," she declared,

at last.

"The king is dead! My time is ended, evidently! But, as there _is_

something you can say which _I_ care to hear, I again urge you to

consent."

Miss Stowe rose, and passed through the long window into the lighted

empty room, decked as usual with many flowers; here she stood, looking

at him, as he entered also.

"I have tried my best to prevent it," she said.

"You have."

"And you still insist?"

"I do."

"Very well; I consent. But you will not forget that I tried," she said.

"Good-night."

The next morning at ten, as he entered the old amphitheatre, he saw her;

she was sitting on one of the upper stone seats, under a statue of

Diana.

"I would rather go to our old place," he said, as he came up; "the seat

under the tree, you know."

"I like this better."

"As you prefer, of course. It will be more royal, more in state; but, to

be in accordance with it, you should have been clothed in something

majestic, instead of that soft, yielding hue."

"That is hardly necessary," she answered.

"By which you mean, I suppose, that your face is not yielding. And

indeed it is not."

She was dressed in cream color from head to foot; she held open, poised

on one shoulder, a large, heavily fringed, cream-colored parasol. Above

this soft drapery and under this soft shade the darkness of her hair and

eyes was doubly apparent.

He took a seat beside her, removed his hat, and let the breeze play over

his head and face; it was a warm summer morning, and they were in the

shadow.

"I believe I was to tell you the result of my experiment," he said,

after a while, breaking the silence which she did not break.

"You wished it; I did not ask it."

If she was cool, he was calm; he was not at all as he had been the night

before; then he had seemed hurried and irritated, now he was quiet. "The

experiment has succeeded," he said, deliberately. "I find myself often

thinking of you; I like to be with you; I feel when with you a sort of

satisfied content. What I want to ask is--I may as well say it at

once--Will not this do as the basis of a better understanding between

us?"

She was gazing at the purple slopes of Monte Morello opposite. "It

might," she answered.

He turned; her profile was towards him, he could not see her eyes.

"I shall be quite frank," he continued; "under the circumstances it is

my only way. You have loved some one else. I have loved some one else.

We have both been unhappy. We should therefore, I think, have a peculiar

sympathy for and comprehension of each other. It has seemed to me that

these, combined with my real liking for you, might be a sufficient

foundation for--let us call it another experiment. I ask you to make

this experiment, Margaret; I ask you to marry me. If it fails--if you

are not happy--I promise not to hold you in the slightest degree. You

shall have your liberty untrammelled, and, at the same time, all shall

be arranged so as to escape comment. I will be with you enough to save

appearances; that is all. In reality you shall be entirely free. I think

you can trust my word."

"I shall have but little from my aunt," was her answer, her eyes still

fixed upon the mountain. "I am not her heiress, as you suppose."

"You mean that to be severe; but it falls harmless. It is true that I

did suppose you were her heiress; but the fact that you are not makes no

difference in my request. We shall not be rich, but we can live; it

shall be my pleasure to make you comfortable."

"I do not quite see why you ask this," she said, with the same slow

utterance and her eyes turned away. "You do not love me; I am not

beautiful; I have no fortune. What, then, do you gain?"

"I gain," he said--"I gain--" Then he paused. "You would not like me to

tell you," he added; and his voice was changed.

"I beg you to tell me." Her lips were slightly compressed, a tremor had

seized her; she seemed to be exerting all her powers of self-control.

He watched her a moment, and then, leaning towards her while a new and

beautiful expression of tenderness stole into his eyes, "I gain,

Margaret," he said, "the greatest gift that can be given to a man on

this earth, a gift I long for--a wife who really and deeply loves me."

Dorothy, and Other Italian Stories · 第 10 / 18 段