"I know they do--to _you_," said Margaret. She turned as she spoke, and

looked at her friend with the same old affection and admiration which

she had felt for her from childhood, but now with a sort of speculative

curiosity added. How must it feel to live such a life--to be constantly

surrounded and accompanied by an atmosphere of devotion and enthralment

such as that letter had expressed? Beatrice seemed to divine something

of her friend's thought, and answered it after her fashion.

"It is such a comfort to be with you, Margaret," she said,

affectionately; "it has always been a comfort, ever since we were

children. I can talk freely to you, and as I can talk to no one else.

You understand; you do not misunderstand. But all the other women I meet

invariably do; or, at least, pretend to enough to excuse their being

horribly disagreeable."

Margaret took her hand. They had taken off their gloves, as the

afternoon was warm, and they had the heights to themselves; it was early

in March, and the crowd of tourists who come in the spring to Italy, and

those more loitering travellers who had spent the winter in Naples or

Rome, had not yet reached Florence, although it may be said that they

were at the door. Mrs. Lovell's hands, now destitute of ornament save

the plain band of the wedding-ring, were small, dimpled, very white; her

friend Miss Stowe had hands equally small, but darker and more slender.

"You have been happy all your life, have you not, Beatrice?" said

Margaret, not questioningly so much as assertively.

"Yes," answered Mrs. Lovell, "I think I have. Of course I was much

shocked by Mr. Lovell's death; he was very kind to me."

"Mr. Lovell," as his wife always called him, had died four months

previously. He was fifty-six years of age, and Beatrice had been his

wife for a little more than a year. He had been very happy with her, and

had left her his fortune and his blessing; with these, and his memory,

she had come abroad, and had been for six weeks in Sicily, with some

elderly friends. She had stopped in Florence to see Miss Stowe, who was

spending the winter there with an aunt; but she was not to remain. In

her present state of seclusion she was to visit Venice and the Lakes in

advance of the season, and spend the summer in "the most quiet village"

which could be discovered for her especial benefit on the Brittany

coast. The friends had not met for two years, and there had been much to

tell--that is, for Beatrice to tell. Her always personal narratives were

saved from tediousness, however, because they were not the usual

decorated feminine fancies, but plain masculine facts (oh, very plain!);

and because, also, the narrator was herself quite without the vanity

which might naturally have accompanied them. This last merit seemed to

her admirers a very remarkable one; in reality it was only that, having

no imagination, she took a simple, practical view of everything,

themselves included. This last, however, they never discovered, because

her unfailing tact and gentleness lay broadly and softly over all.

"And what shall you do about your Sicily person?" said Margaret, not in

the least, however, associating the remark, and knowing also that

Beatrice would not associate it, with "Mr. Lovell" and his "memory" (it

was quite well understood between them about "Mr. Lovell").

"Of course I shall not answer."

"And if he follows you?"

"He will hardly do that--now. Besides, he is going to America; he sails

to-morrow. Our having been together in Sicily was quite by chance, of

course; he knows that, and he knows also that I intend to pay, in every

way, the strictest respect to Mr. Lovell's memory. That will be fully

two years."

"And then?"

"Oh, I never plan. If things do not assert themselves, they are not

worth a plan."

"You certainly are the most delightful little piece of common-sense I

ever met," said Margaret, laughing, and kissing her. "I wish you would

give me a share of it! But come--it is late; we must go."

As they went down the slope together towards the village where their

carriage was waiting, they looked not unlike the two seventeen-year-old

school-girls of eight years before; Beatrice was smiling, and Margaret's

darker face was lighted by the old animation which had always charmed

her lovely but unanimated friend. It may here be remarked that the

greatest intellectual excitements which Beatrice Lee had known had been

when Margaret Stowe had let loose her imagination, and carried her

friend up with her, as on strong wings, to those regions of fancy which

she never attained alone; Beatrice had enjoyed it, wondered over it, and

then had remained passive until the next time.

"Ah well--poor Sicily person!" said Margaret, as they took their places

in the carriage. "I know just what you will do with him. You will write

down his name in a memorandum-book, so as not to forget it; you will

safely burn his poor letter, as you have safely burned so many others;

and you will go gently on to Brittany without even taking the ashes!"

"Keep it for me!" said Mrs. Lovell, suddenly, drawing the letter from

her pocket and placing it in Margaret's hand. "Yes," she repeated,

enjoying her idea and dwelling upon it, delighted to find that she

possessed a little fancy of her own, after all, "keep it for me, and

read it over once in a while. It is quite well written, and will do you

good, because it is not one of your theories, but a fact. There is

nothing disloyal in my giving it to you, because I always tell you

everything, and this Sicily person has no claim for exemption in that

regard. He has gone back to America, and you will not meet him.

No--positively, I will not take it. You must keep it for me."

"Very well," said Margaret, amused by this little unexpected flight.

"But as I may go back to America also, I want to be quite sure where I

stand. Did you happen to mention to this Sicily person my name, or

anything about me?"

"No," replied Mrs. Lovell, promptly. "We did not talk on such subjects,

you know."

"And he had no idea that you were to stop in Florence?"

"No; he supposed I was to take the steamer at Naples for Marseilles. You

need not be so scrupulous; everything is quite safe."

"And when shall I return the epistle?"

"When I ask for it," said Mrs. Lovell, laughing.

The next morning she went northward to Venice.

* * * * *

Two weeks later Miss Stowe formed one of the company at a reception, or,

rather, a musical party. She looked quite unlike the "Margaret" of

Fiesole as she sat on a small, faded purple satin sofa, listening,

rather frowningly, to the rippling movement that follows the march in

Beethoven's sonata, opus twenty-six; she had never liked that rippling

movement, she did not pretend to like it now. Her frown, however, was

slight--merely a little line between her dark eyebrows; it gave her the

appearance of attention rather than of disapprobation. The "Margaret" of

Fiesole had looked like an animated, almost merry, young girl; the "Miss

Stowe" of the reception appeared older than she really was, and her face

wore an expression of proud reserve, which, although veiled by all the

conventional graciousness required by society, was not on that account

any the less apparent. She was richly dressed; but the general effect of

her attire was that of simplicity. She fanned herself slowly with a

large fan, whose sticks were of carved amber, and the upper part of soft

gray ostrich plumes, curled; closed or open, as she used it or as it lay

beside her, this fan was an object of beauty. As the music ceased a lady

came fluttering across the room, and, with a whispered "Permit me,"

introduced a gentleman, whose name, in the hum of released

conversation, Miss Stowe did not hear.

"He understands _everything_ about old pictures, and you know how

ignorant _I_ am!" said this lady, half closing her eyes, and shaking her

ringleted head with an air of abnegation. "_I_ have but _one_

inspiration; there is room in me but for _one_. I bring him, therefore,

to _you_, who have so many! We _all_ know your love for the early

masters--may I not say, the _earliest_?"

Madame Ferri was an American who had married a Florentine; she was now a

little widow of fifty, with gray ringlets and emotions regarding music

almost too ineffable to be expressed. I say "almost," because she did,

after all, express them, as her friends knew. She was a useful person in

Florence because she indefatigably knew everybody--the English and

Americans as well as the Florentines; and she spent her time

industriously at work mingling these elements, whether they would or no.

No one thanked her for this especially, or remembered it after it was

done; if republics are ungrateful, even more so is a society whose

component parts are transient, coming and departing day by day. But

Madame Ferri herself appreciated the importance of her social

combinations if no one else did; and, like many another chemist, lived

on content in the consciousness of it.

"I know very little about old pictures," said the stranger, with a

slight smile, finding himself left alone beside Miss Stowe.

"And I--do not like them," she replied.

"If, more than that, you dislike them, we shall have something to talk

about. Dislike can generally express itself very well."

"On the contrary, I think it is one of those feelings we do not

express--but conceal."

"You are thinking of persons, perhaps. I was speaking of things.

Pictures are things."

Miss Stowe felt herself slightly displeased; and the feeling was not

lessened when, with a "Will you allow me?" the stranger took a seat at

the end of her sofa, in the space left free by the gray silken sweep of

her dress. There was in reality an abundance of room for him; other men

were seated, and there was no chair near. Still, the sofa was a small

one; the three Italians and two Frenchmen who had succeeded each other

in the honor of standing beside her for eight or ten minutes'

conversation had not thought of asking for the place so calmly taken by

this new-comer. She looked at him as he began talking; he was quite

unlike the three Italians and two Frenchmen. He was not ruddy enough for

an Englishman of that complexion; he had a lethargic manner which was

un-American. She decided, however, that he was, like herself, an

American; but an American who had lived much abroad.

He was talking easily upon the various unimportant subjects in vogue at

a "small party;" she replied in the same strain.

Margaret Stowe was not beautiful; "pretty" was the last word that could

have been applied to her. Her features were irregular; she had a

well-shaped, well-poised head, and a quantity of dark hair which she

wore closely braided in a low knot behind. She was tall, slender, and

rather graceful; she had dark eyes. As has been said before, she was not

beautiful; but within the past two years she had acquired, her friends

thought, an air of what is called distinction. In reality this was but

a deep indifference, combined with the wish at the same time to maintain

her place unchanged in the society in which she moved. Indifference and

good manners taken together, in a tall and graceful person, will

generally give that air. Beatrice Lovell had not perceived this change

in her friend, but on that day at Fiesole Miss Stowe had been simply the

"Margaret" of old.

In accordance with what we have called her good manners, Miss Stowe now

gave to the stranger beside her easy replies, several smiles, and a fair

amount of intelligent attention. It was all he could have expected; but,

being a man of observation, he perceived her indifference lying broadly

underneath, like the white sand under a shallow river.

During the same week she met him at a dinner-party, and they had some

conversation. Later he was one of the guests at a reception which she

attended, and again they talked together awhile. She now mentioned him

to her aunt, Miss Harrison, to whom she generally gave, every few days,

a brief account of the little events in the circle to which they

belonged. She had learned his name by this time; it was Morgan.

"I wonder if he is a grandson of old Adam Morgan," said Miss Harrison,

who was genealogical and reminiscent. "If he is, I should like to see

him. Has he a Roman nose?"

"I think not," said her niece, smiling.

"Well, describe him, then."

"He is of medium height, neither slender nor stout; he is light, with

rather peculiar eyes because they are so blue--a deep, dull blue, like

old china; but they are not large, and he does not fully open them. He

has a long, light mustache, no beard, and very closely cut hair."

"He must be good-looking."

"No; he is not, especially. He may be anywhere between thirty and forty;

his hair in a cross-light shows a slight tinge of gray. He looks

fatigued; he looks cynical. I should not be surprised if he were

selfish. I do not like him."

"But if he should be the grandson of old Adam, I should have to invite

him to dinner," said Miss Harrison, reflectively. "I could not do less,

I think."

"I won't poison the soup. But Morgan is a common name, Aunt Ruth; this

is the fourth Morgan I have met here this spring. There isn't one chance

in a thousand that he belongs to the family you know." She was smiling

as she spoke, but did not explain her smile; she was thinking that

"Morgan" was also the name signed to that letter locked in her

writing-desk--a letter whose expressions she now knew quite well, having

obeyed Mrs. Lovell's injunction to "read it over" more than once. They

were ardent expressions; it might be said, indeed, that they were very

ardent.

But now and then that one chance in a thousand, so often summarily

dismissed, asserts its existence and appears upon the scene. It turned

out in the present case that the stranger was the grandson of the old

Adam Morgan whom Miss Harrison remembered. Miss Stowe, in the meantime,

had continued to meet him; but now she was to meet him in a new

way--when he would be more upon her hands, as it were; for Miss Harrison

invited him to dinner.

Miss Ruth Harrison was an invalid of nearly sixty years of age; she had

been for ten years in Europe, but had only had her orphaned niece with

her during the past eighteen months. She had a large fortune, and she

gave Margaret every luxury; especially she liked to see her richly

dressed. But it was quite well understood between them that the bulk of

her wealth was to go to another relative in America who bore her family

name. It was understood between them, but it was not understood outside.

On the contrary, it was generally believed in Florence that Miss Stowe

would inherit the whole. It is just possible that this belief may have

had a remote influence in shaping the opinion which prevailed

there--namely, that this young lady was "handsome" and "gracious," when,

in truth, she was neither. But Mr. Morgan, the new-comer, exhibited so

far, at least, no disposition to fall in with this fiction. In his

estimation Miss Stowe was a conventionally agreeable, inwardly

indifferent young lady of twenty-six, who carried herself well, but was

too ironical as well as too dark. He came to dinner. And did not change

his opinion.

A few days after the dinner Miss Harrison invited her new acquaintance

to drive; she was able to go out for an hour or two in the afternoon,

and she had a luxurious carriage and fine horses. Miss Stowe did not

accompany them; she went off by herself to walk in the Boboli Garden.

Miss Harrison returned in good-humor. "I like him," she announced, as

the maid removed her bonnet. "Yes, I think I may hope that the grandson

of old Adam is not going to be a disappointment."

"The grandson of Adam--I suppose his name is Adam also--is a fortunate

person, Aunt Ruth, to have gained your liking so soon; you do not often

take likings to strangers."

"His name is not Adam," pursued Miss Harrison, "and that is a pity;

there is character as well as association in Adam. He has a family

name--Trafford. His mother was a Miss Trafford, of Virginia, it seems."

Miss Stowe was selecting flowers from a fragrant heap before her to fill

the wide-mouthed vases which stood on the floor by her side; but now she

stopped. "Trafford Morgan" was the name signed at the end of that

letter! It must be he; it was not probable that there were two names of

that special combination; it seemed a really remarkable chance. And

evidently he had not gone to America, in spite of Mrs. Lovell's belief.

She began to smile and almost to laugh, bending her head over a great

soft purple heap of Florence lilies in order that her aunt might not

observe it. But the large room was dusky, and Miss Harrison

near-sighted; she observed nothing. The two ladies occupied an apartment

in a house which, if it had not been so new, would have been called a

"palace." Although modern, the measurements had been after the old

Florentine pattern, and the result was that the occupants moved about in

rooms which could have contained entire, each one, a small American

house. But they liked the vastness. After a moment Miss Stowe went on

arranging her blossoms, but inwardly she was enjoying much

entertainment; she was going over in her own mind the expressions of

that letter, which now took on quite a new character, coming no longer

from some formless stranger, but from a gentleman with whom she had

spoken, a person she had met and would meet again. "I never should have

dreamed that he was capable of it," she said to herself. "He has seemed

indifferent, _blasé_. But it places me in a nice position! Especially

now that Aunt Ruth has taken a fancy to him. I must write to Beatrice

immediately, and ask her to take back the stupid letter." She wrote

during the same evening.

The next day she was attacked by a severe illness--severe, although

short. No one could tell what was the matter with her; even the

physician was at fault. She did not eat or sleep, she seemed hardly to

know what they said when they spoke to her. Her aunt was alarmed. But at

the end of the week, as suddenly as she had fallen ill, she came back to

life again, rose, ordered the maid to braid her hair, and appeared at

Miss Harrison's lonely little dinner-table quite herself, save that she

was tremulous and pale. But by the next day even these signs were no

longer very apparent. It was decided that she had had an attack of

"nervous prostration;" "although why in the world you should have been

seized by it just now, and here, I am at a loss, Margaret, to imagine,"

said her aunt.

On the day of her reappearance at the dinner-table there came a letter

from Beatrice which bore the postmark of a village on one of the Channel

islands. Mrs. Lovell had changed her plans, and gone yachting for a

month or two with a party of friends, a yacht probably being considered

to possess attributes of seclusion more total than even the most

soundless village on the Brittany shore. Of course she had not received

Margaret's letter, nor could she receive one--their route being

uncertain, but nevertheless to the southward--until her return.

Communication between them for the present was therefore at an end.

On the afternoon after Margaret's reappearance Madame Ferri was making a

visit of congratulation upon the recovery of "our dear girl." It was a

cool day, a heavy rain had fallen, and fresh snow gleamed on the summits

of the Apennines; our dear girl, very unresponsive and silent, was

dressed in black velvet, whose rich, plain folds brought out her

slenderness, and made more apparent than usual the graceful shape of her

head and hair. But the unrelieved black made her look extremely pale,

and it was her recent illness, probably, which made her look also tired

and languid. Madame Ferri, who kept constantly in practice her talent

for being charming (she was always spoken of as "charming"), looked at

her for a time while conversing; then she rose, took all the crimson

roses from a vase, and, going to her, placed one in her hair,

meditatively; another in a button-hole of the closely fitting high

corsage; and, after a moment's reflection, all the others in a bunch in

a velvet loop which was on the side of the skirt not quite half-way

down, rapidly denuding herself of pins for the purpose as she proceeded.

"There!" she said, stepping back a few paces to survey her handiwork,

with her head critically on one side, "_now_ you are a picture. Look,

dear Miss Harrison, pray look."

Miss Harrison put up her glass and approved. And then, while this climax

still lasted, Madame Ferri took her departure; she liked to depart in a

climax.

She had hardly gone when another card was brought in: "Mr. Trafford

Morgan." He, too, had come to pay his respects to Miss Harrison upon the

change for the better in her niece; he had not expected to see the

latter person, he had merely heard that there was "an improvement."

After he had been there twenty minutes he said to himself that there

was, and in more ways than one. She not only looked much better than

usual (this may have been owing to the roses), but there was a new

gentleness about her; and she listened with a perceptible increase of

attention to what he said. Not that he cared much for this; he had not

admired Miss Stowe; but any man (this he remarked to himself) likes to

be listened to when he is talking better than the contrary; and as the

minutes passed he became conscious that Miss Stowe was not only

listening, but bestowing upon him also what seemed an almost serious

attention. She did not say much--Miss Harrison said more; but she

listened to and looked at him. She had not looked at him previously;

people can turn their eyes upon one without really looking, and Miss

Stowe had excelled in this accomplishment.

During the next week he met her at a dinner-party; she went to these

entertainments with a friend of her aunt's, a lady who was delighted to

act as chaperon for the heiress. The spring season was now at its height

in Florence, and the members of the same circle perforce constantly met

each other; on each separate occasion during the two weeks that followed

Trafford Morgan was conscious that Miss Stowe was honoring him, although

in a studiously guarded and quiet way, with much of a very observant

attention. This, in the end, excited in him some curiosity. He had as

good an opinion of himself as most men have; but he did not think it

probable that the heiress had suddenly fallen in love with him without

rhyme or reason, as it were, the "rhyme" being that he was neither an

Apollo, an Endymion, nor a military man; the "reason," that he had

never in the least attempted to make himself agreeable to her. Of

course, if he had attempted--But he had not. She was not in need of

entertainment; she had enough of that, of all sorts, including

apparently the sort given by suitors. She showed no sign of having

troublesomely impulsive feelings; on the contrary, she seemed cold. "She

is playing some game," he thought; "she has some end in view. But if she

wishes to make use of me she must show her hand more. I may assist her,

and I may not; but, at any rate, I must understand what it is--I will

not be led." He made up his mind that her aim was to excite remark in

their circle; there was probably some one in that circle who was to be

stimulated by a little wholesome jealousy. It was an ancient and

commonplace method, and he had not thought her commonplace. But human

nature at heart is but a commonplace affair, after all, and the methods

and motives of the world have not altered much, in spite of the gray

lapse of ages.

Morgan was an idle man; at present he was remaining in Italy for a

purpose, and had nothing to do there. The next time he met Miss Stowe he

followed out his theory and took the lead; he began to pay her attention

which might, if pursued, have aroused observation. To his surprise she

drew back, and so completely that he was left stranded. He tried this

three times on three different occasions, and each time met the same

rebuff. It became evident, therefore, that Miss Stowe did not wish for

the kind of attention which he had supposed was her point; but as,

whenever she could do it unobserved, she continued to turn upon him the

same quiet scrutiny, he began to ask himself whether she wished for any

other. An opportunity occurred which made him think that she did.

Dorothy, and Other Italian Stories · 第 8 / 18 段