56. =Claus of Innsbruck=. An imaginary artist.

This poem is a fine example of Browning's skill in the use of dramatic

monologue. (See Introduction.) The Duke is skilfully made to reveal

his own character and motives, and those of the Duchess, and at the

same time to indicate the actions of himself and his listener.

Construct in imagination the scene and the action of the poem. What

has brought the Duke and the envoy together? What things indicate the

Duke's pride? Was his jealousy due to pride or to affection? Does he

prize the picture as a work of art or as a memory of the Duchess? What

faults did he find in her? What character do these criticisms show her

to have had? What did he wish her to he? Note the anti-climax in

lines 25-28: what is the effect? What shows the Duke's difficulty in

breaking his reserve on this matter? What motive has he for so doing?

Where does the poet show skill in condensation, in character drawing,

in vividness, in enlisting the reader's sympathy?

_The Flight of the Duchess_ should be read as a development and

variation of this theme.

Browning's Shorter Poems · 第 199 / 249 题