CHAPTER I.

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[Illustration]

ETIDORHPA

OR

THE END OF EARTH.

THE STRANGE HISTORY OF A MYSTERIOUS BEING

AND

The Account of a Remarkable Journey

AS COMMUNICATED IN MANUSCRIPT TO

LLEWELLYN DRURY

WHO PROMISED TO PRINT THE SAME, BUT FINALLY EVADED THE RESPONSIBILITY

WHICH WAS ASSUMED BY

JOHN URI LLOYD

WITH MANY ILLUSTRATIONS BY

J. AUGUSTUS KNAPP

SIXTH EDITION

CINCINNATI

THE ROBERT CLARKE COMPANY

1896

ASCRIPTION.

To Prof. W. H. Venable, who reviewed the manuscript of this work, I am

indebted for many valuable suggestions, and I can not speak too kindly

of him as a critic.

The illustrations, excepting those mechanical and historical, making in

themselves a beautiful narrative without words, are due to the admirable

artistic conceptions and touch of Mr. J. Augustus Knapp.

Structural imperfections as well as word selections and phrases that

break all rules in composition, and that the care even of Prof. Venable

could not eradicate, I accept as wholly my own. For much, on the one

hand, that it may seem should have been excluded, and on the other, for

giving place to ideas nearer to empiricism than to science, I am also

responsible. For vexing my friends with problems that seemingly do not

concern in the least men in my position, and for venturing to think,

superficially, it may be, outside the restricted lines of a science

bound to the unresponsive crucible and retort, to which my life has been

given, and amid the problems of which it has nearly worn itself away, I

have no plausible excuse, and shall seek none.

JOHN URI LLOYD

COPYRIGHT, 1895, BY JOHN URI LLOYD.

COPYRIGHT, 1896, BY JOHN URI LLOYD.

[_All rights reserved._]

PREFACE

[Illustration]

Books are as tombstones made by the living for the living, but destined

soon only to remind us of the dead. The preface, like an epitaph, seems

vainly to "implore the passing tribute" of a moment's interest. No man

is allured by either a grave-inscription or a preface, unless it be

accompanied by that ineffable charm which age casts over mortal

productions. Libraries, in one sense, represent cemeteries, and the rows

of silent volumes, with their dim titles, suggest burial tablets, many

of which, alas! mark only cenotaphs--empty tombs. A modern book, no

matter how talented the author, carries with it a familiar personality

which may often be treated with neglect or even contempt, but a volume a

century old demands some reverence; a vellum-bound or hog-skin print, or

antique yellow parchment, two, three, five hundred years old, regardless

of its contents, impresses one with an indescribable feeling akin to awe

and veneration,--as does the wheat from an Egyptian tomb, even though it

be only wheat. We take such a work from the shelf carefully, and replace

it gently. While the productions of modern writers are handled

familiarly, as men living jostle men yet alive; those of authors long

dead are touched as tho' clutched by a hand from the unseen world; the

reader feels that a phantom form opposes his own, and that spectral eyes

scan the pages as he turns them.

[Illustration: "THE STERN FACE, ... ACROSS THE GULF."]

The stern face, the penetrating eye of the personage whose likeness

forms the frontispiece of the yellowed volume in my hand, speak across

the gulf of two centuries, and bid me beware. The title page is read

with reverence, and the great tome is replaced with care, for an almost

superstitious sensation bids me be cautious and not offend. Let those

who presume to criticise the intellectual productions of such men be

careful; in a few days the dead will face their censors--dead.

Standing in a library of antiquated works, one senses the shadows of a

cemetery. Each volume adds to the oppression, each old tome casts the

influence of its spirit over the beholder, for have not these old books

spirits? The earth-grave covers the mind as well as the body of its

moldering occupant, and while only a strong imagination can assume that

a spirit hovers over and lingers around inanimate clay, here each title

is a voice that speaks as though the heart of its creator still

throbbed, the mind essence of the dead writer envelops the living

reader. Take down that vellum-bound volume,--it was written in one of

the centuries long past. The pleasant face of its creator, as fresh as

if but a print of yesterday, smiles upon you from the exquisitely

engraved copper-plate frontispiece; the mind of the author rises from

out the words before you. This man is not dead and his comrades live.

Turn to the shelves about, before each book stands a guardian

spirit,--together they form a phantom army that, invisible to mortals,

encircles the beholder.

[Illustration: "THE PLEASANT FACE OF ITS CREATOR ... SMILES UPON YOU."]

Ah! this antique library is not as is a church graveyard, only a

cemetery for the dead; it is also a mansion for the living. These

alcoves are trysting places for elemental shades. Essences of

disenthralled minds meet here and revel. Thoughts of the past take shape

and live in this atmosphere,--who can say that pulsations unperceived,

beyond the reach of physics or of chemistry, are not as ethereal

mind-seeds which, although unseen, yet, in living brain, exposed to such

an atmosphere as this, formulate embryotic thought-expressions destined

to become energetic intellectual forces? I sit in such a weird library

and meditate. The shades of grim authors whisper in my ear, skeleton

forms oppose my own, and phantoms possess the gloomy alcoves of the

library I am building.

[Illustration: "SKELETON FORMS OPPOSE MY OWN."]

With the object of carrying to the future a section of thought current

from the past, the antiquarian libraries of many nations have been

culled, and purchases made in every book market of the world. These

books surround me. Naturally many persons have become interested in the

movement, and, considering it a worthy one, unite to further the

project, for the purpose is not personal gain. Thus it is not unusual

for boxes of old chemical or pharmacal volumes to arrive by freight or

express, without a word as to the donor. The mail brings manuscripts

unprinted, and pamphlets recondite, with no word of introduction. They

come unheralded. The authors or the senders realize that in this unique

library a place is vacant if any work on connected subjects is missing,

and thinking men of the world are uniting their contributions to fill

such vacancies.

* * * * *

Enough has been said concerning the ancient library that has bred these

reflections, and my own personality does not concern the reader. He can

now formulate his conclusions as well perhaps as I, regarding the origin

of the manuscript that is to follow, if he concerns himself at all over

subjects mysterious or historical, and my connection therewith is of

minor importance. Whether Mr. Drury brought the strange paper in person,

or sent it by express or mail,--whether it was slipped into a box of

books from foreign lands, or whether my hand held the pen that made the

record,--whether I stood face to face with Mr. Drury in the shadows of

this room, or have but a fanciful conception of his figure,--whether the

artist drew upon his imagination for the vivid likeness of the several

personages figured in the book that follows, or from reliable data has

given fac-similes authentic,--is immaterial. Sufficient be it to say

that the manuscript of this book has been in my possession for a period

of seven years, and my lips must now be sealed concerning all that

transpired in connection therewith outside the subject-matter recorded

therein. And yet I can not deny that for these seven years I have

hesitated concerning my proper course, and more than once have decided

to cover from sight the fascinating leaflets, hide them among

surrounding volumes, and let them slumber until chance should bring them

to the attention of the future student.

These thoughts rise before me this gloomy day of December, 1894, as,

snatching a moment from the exactions of business, I sit among these old

volumes devoted to science-lore, and again study over the unique

manuscript, and meditate; I hesitate again: Shall I, or shall I

not?--but a duty is a duty. Perhaps the mysterious part of the subject

will be cleared to me only when my own thought-words come to rest among

these venerable relics of the past--when books that I have written

become companions of ancient works about me--for then I can claim

relationship with the shadows that flit in and out, and can demand that

they, the ghosts of the library, commune with the shade that guards the

book that holds this preface.

JOHN URI LLOYD.

PREFACE TO THIS EDITION.

The foot-note on page 160, with the connected matter, has awakened

considerable interest in the life and fate of Professor Daniel Vaughn.

The undersigned has received many letters imparting interesting

information relating to Professor Vaughn's early history, and asking

many questions concerning a man of whose memory the writer thinks so

highly but whose name is generally unknown.

Indeed, as some have even argued that the author of Etidorhpa has no

personal existence, the words John Uri Lloyd being a _nom de plume_, so

others have accepted Professor Vaughn to have been a fanciful creation

of the mystical author.

Professor Daniel Vaughn was one whose life lines ran nearly parallel

with those of the late Professor C. S. Rafinesque, whose eventful history

has been so graphically written by Professor R. Ellsworth Call. The cups

of these two talented men were filled with privation's bitterness, and

in no other place has this writer known the phrase "The Deadly Parallel"

so aptly appropriate. Both came to America, scholars, scientists by

education; both traveled through Kentucky, teachers; both gave freely to

the world, and both suffered in their old age, dying in

poverty--Rafinesque perishing in misery in Philadelphia and Vaughn in

Cincinnati.

Daniel Vaughn was not a myth, and, in order that the reader may know

something of the life and fate of this eccentric man, an appendix has

been added to this edition of Etidorhpa, in which a picture of his face

is shown as the writer knew it in life, and in which brief mention is

made of his record.

The author here extends his thanks to Professor Richard Nelson and to

Father Eugene Brady for their kindness to the readers of Etidorhpa and

himself, for to these gentlemen is due the credit of the appended

historical note.

J. U. L.

A VALUABLE AND UNIQUE LIBRARY.

From the Pharmaceutical Era, New York, October, 1894.

In Cincinnati is one of the most famous botanical and pharmacal

libraries in the world, and by scientists it is regarded as an

invaluable store of knowledge upon those branches of medical science. So

famous is it that one of the most noted pharmacologists and chemists of

Germany, on a recent trip to this country, availed himself of its rich

collection as a necessary means of completing his study in the line of

special drug history. When it is known that he has devoted a life of

nearly eighty years to the study of pharmacology, and is an emeritus

professor in the famous University of Strassburg, the importance of his

action will be understood and appreciated. We refer to Prof. Frederick

Flueckiger, who, in connection with Daniel Hanbury, wrote

Pharmacographia and other standard works. Attached to the library is an

herbarium, begun by Mr. Curtis Gates Lloyd when a schoolboy, in which

are to be found over 30,000 specimens of the flora of almost every

civilized country on the globe. The collections are the work of two

brothers, begun when in early boyhood. In money they are priceless, yet

it is the intention of the founders that they shall be placed, either

before or at their death, in some college or university where all

students may have access to them without cost or favor, and their wills

are already made to this end, although the institution to receive the

bequest is not yet selected. Eager requests have been made that they be

sent to foreign universities, where only, some persons believe, they can

receive the appreciation they deserve.

The resting place of this collection is a neat three-story house at 204

West Court street, rebuilt to serve as a library building. On the door

is a plate embossed with the name Lloyd, the patronymic of the brothers

in question. They are John Uri and Curtis Gates Lloyd. Every hour that

can be spent by these men from business or necessary recreation is spent

here. Mr. C. G. Lloyd devotes himself entirely to the study of botany and

connected subjects, while his brother is equally devoted to materia

medica, pharmacy, and chemistry.

In the botanical department are the best works obtainable in every

country, and there the study of botany may be carried to any height. In

point of age, some of them go back almost to the time when the art of

printing was discovered. Two copies of Aristotle are notable. A Greek

version bound in vellum was printed in 1584. Another, in parallel

columns of Greek and Latin, by Pacius, was published in 1607. Both are

in excellent preservation. A bibliographical rarity (two editions) is

the "Historia Plantarum," by Pinaeus, which was issued, one in 1561, the

other in 1567. It appears to have been a first attempt at the production

of colored plates. Plants that were rare at that time are colored by

hand, and then have a glossy fixative spread over them, causing the

colors still to be as bright and fresh as the day that the

three-hundred-years-dead workmen laid them on. Ranged in their sequence

are fifty volumes of the famous author, Linnaeus. Mr. Lloyd has a very

complete list of the Linnaean works, and his commissioners in Europe and

America are looking out for the missing volumes. An extremely odd work

is the book of Dr. Josselyn, entitled "New England Rarities," in which

the Puritan author discusses wisely on "byrds, beastes and fishes" of

the New World. Dr. Carolus Plumierus, a French savant, who flourished in

1762, contributes an exhaustive work on the "Flora of the Antilles." He

is antedated many years, however, by Dr. John Clayton, who is termed

Johannes Claytonus, and Dr. John Frederick Gronovius. These gentlemen

collated a work entitled the "Flora of Virginia," which is among the

first descriptions of botany in the United States. Two venerable works

are those of Mattioli, an Italian writer, who gave his knowledge to the

world in 1586, and Levinus Lemnius, who wrote "De Miraculis Occultis

Naturae" in 1628. The father of modern systematized botany is conceded to

be Mons. J. P. Tournefort, whose comprehensive work was published in

1719. It is the fortune of Mr. Lloyd to possess an original edition in

good condition. His "Histoire des Plantes," Paris (1698), is also on the

shelves. In the modern department of the library are the leading French

and German works. Spanish and Italian authors are also on the shelves,

the Lloyd collection of Spanish flora being among the best extant.

Twenty-two volumes of rice paper, bound in bright yellow and stitched in

silk, contain the flora of Japan. All the leaves are delicately tinted

by those unique flower-painters, the Japanese. This rare work was

presented to the Lloyd library by Dr. Charles Rice, of New York, who

informed the Lloyds that only one other set could be found in America.

One of the most noted books in the collection of J. U. Lloyd is a Materia

Medica written by Dr. David Schoepf, a learned German scholar, who

traveled through this country in 1787. But a limited number of copies

were printed, and but few are extant. One is in the Erlangen library in

Germany. This Mr. Lloyd secured, and had it copied verbatim. In later

years Dr. Charles Rice obtained an original print, and exchanged it for

that copy. A like work is that of Dr. Jonathan Carver of the provincial

troops in America, published in London in 1796. It treats largely of

Canadian materia medica. Manasseh Cutler's work, 1785, also adorns this

part of the library. In addition to almost every work on this subject,

Mr. Lloyd possesses complete editions of the leading serials and

pharmaceutical lists published in the last three quarters of a century.

Another book, famous in its way, is Barton's "Collections Toward a

Materia Medica of the United States," published in 1798, 1801, and 1804.

Several noted botanists and chemists have visited the library in recent

years. Prof. Flueckiger formed the acquaintance of the Lloyds through

their work, "Drugs and Medicines of North America," being struck by the

exhaustive references and foot-notes. Students and lovers of the old art

of copper-plate engraving especially find much in the ornate title pages

and portraits to please their aesthetic sense. The founders are not

miserly, and all students and delvers into the medical and botanical

arts are always welcome. This library of rare books has been collected

without ostentation and with the sole aim to benefit science and

humanity. We must not neglect to state that the library is especially

rich in books pertaining to the American Eclectics and Thomsonians.

Since it has been learned that this library is at the disposal of

students and is to pass intact to some worthy institution of learning,

donations of old or rare books are becoming frequent.

CONTENTS.

PAGE.

PROLOGUE--History of Llewellyn Drury, 1

CHAPTER.

I. Home of Llewellyn Drury--"Never Less Alone than When Alone," 3

II. A Friendly Conference with Prof. Chickering, 16

III. A Second Interview with the Mysterious Visitor, 23

IV. A Search for Knowledge--The Alchemistic Letter, 35

V. The Writing of "My Confession," 44

VI. Kidnapped, 46

VII. A Wild Night--I am Prematurely Aged, 55

VIII. A Lesson in Mind Study, 63

IX. I Can Not Establish My Identity, 67

X. My Journey Towards the End of Earth Begins--The Adepts

Brotherhood, 74

XI. My Journey Continues--Instinct, 80

XII. A Cavern Discovered--Biswell's Hill, 84

XIII. The Punch Bowls and Caverns of Kentucky--"Into the Unknown

Country," 89

XIV. Farewell to God's Sunshine--"The Echo of the Cry," 99

XV. A Zone of Light, Deep Within the Earth, 105

XVI. Vitalized Darkness--The Narrows in Science, 109

XVII. The Fungus Forest--Enchantment, 119

XVIII. The Food of Man, 123

XIX. The Cry from a Distance--I Rebel Against Continuing the

Journey, 128

FIRST INTERLUDE.--THE NARRATIVE INTERRUPTED.

XX. My Unbidden Guest Proves His Statements, and Refutes

My Philosophy, 134

MY UNBIDDEN GUEST CONTINUES HIS MANUSCRIPT.

XXI. My Weight Disappearing, 142

SECOND INTERLUDE.

XXII. The Story Again Interrupted--My Guest Departs, 149

XXIII. Scientific Men Questioned--Aristotle's Ether, 151

XXIV. The Soliloquy of Prof. Daniel Vaughn--"Gravitation is

the Beginning and Gravitation is the End:

All Earthly Bodies Kneel to Gravitation," 156

THE UNBIDDEN GUEST RETURNS TO READ HIS MANUSCRIPT,

CONTINUING THE NARRATIVE.

XXV. The Mother of a Volcano--"You Can Not Disprove, and You

Dare Not Admit," 162

XXVI. Motion from Inherent Energy--"Lead Me Deeper Into this

Expanding Study," 169

XXVII. Sleep, Dreams, Nightmare--"Strangle the Life from My

Body," 175

THIRD INTERLUDE.--THE NARRATIVE AGAIN INTERRUPTED.

XXVIII. A Challenge--My Unbidden Guest Accepts It, 179

XXIX. Beware of Biology--The Science of the Life of Man--The

Old Man relates a Story as an Object Lesson, 186

XXX. Looking Backward--The Living Brain, 193

THE MANUSCRIPT CONTINUED.

XXXI. A Lesson on Volcanoes--Primary Colors are Capable of

Farther Subdivision, 204

XXXII. Matter is Retarded Motion--"A Wail of Sadness

Inexpressible," 218

XXXIII. "A Study of True Science is a Study of God"--Communing

with Angels, 224

XXXIV. I Cease to Breathe, and Yet Live, 226

XXXV. "A Certain Point Within a Circle"--Men are as Parasites

on the Roof of Earth, 230

XXXVI. The Drinks of Man, 235

XXVII. The Drunkard's Voice, 238

XXXVIII. The Drunkard's Den, 240

XXXIX. Among the Drunkards, 247

XL. Further Temptation--Etidorhpa Appears, 252

XLI. Misery, 262

XLII. Eternity Without Time, 272

FOURTH INTERLUDE.

XLIII. The Last Contest, 277

THE NARRATIVE CONTINUED.

XLIV. The Fathomless Abyss--The Edge of the Earth's Shell, 306

XLV. My Heart-throb is Stilled, and Yet I Live, 310

XLVI. The Inner Circle, or the End of Gravitation--In the

Bottomless Gulf, 317

XLVII. Hearing Without Ears--"What Will Be the End?" 322

XLVIII. Why and How--The Straggling Ray of Light from those

Farthermost Outreaches, 327

XLIX. Oscillating Through Space--The Earth Shell Above Us, 333

L. My Weight Annihilated--"Tell me," I cried in alarm,

"is this a Living Tomb?" 340

LI. Is That a Mortal?--"The End of Earth," 345

FIFTH INTERLUDE.

LII. The Last Farewell, 352

EPILOGUE--Letter Accompanying the Mysterious Manuscript, 360

ILLUSTRATIONS.

FULL-PAGE.

Likeness of The--Man--Who--Did--It. Frontispiece

PAGE.

Preface Introduction--"Here lies the bones," etc. iii.

"And to my amazement, saw a white-haired man." 7, 8.

"The same glittering, horrible, mysterious knife." 29, 30.

"Fac-simile of the mysterious manuscript of I--Am--The--Man--

Who--Did--It." 35, 36.

"My arms were firmly grasped by two persons." 47.

"Map of Kentucky near entrance to cavern." 85, 86.

"Confronted by a singular looking being." 95, 96.

"This struggling ray of sunlight is to be your last for

years." 101, 102.

"I was in a forest of colossal fungi." 117, 118.

"Monstrous cubical crystals." 131, 132.

"Far as the eye could reach the glassy barrier spread as a

crystal mirror." 147, 148.

"Soliloquy of Prof. Daniel Vaughn--'Gravitation is the

beginning, and gravitation is the end; all earthly bodies

kneel to gravitation.'" 157, 158.

"We came to a metal boat." 165, 166.

"Facing the open window he turned the pupils of his eyes

upward." 197, 198.

"We finally reached a precipitous bluff." 205, 206.

"The wall descended perpendicularly to seemingly infinite

depths." 209, 210.

Etidorhpa. 255, 256.

"We passed through caverns filled with creeping reptiles." 297, 298.

"Flowers and structures beautiful, insects gorgeous." 303, 304.

"With fear and trembling I crept on my knees to his side." 307, 308.

Diagram descriptive of journey from the Kentucky cavern to

the "End of Earth," showing section of earth's crust. 332, 333.

"Suspended in vacancy, he seemed to float." 347, 348.

"I stood alone in my room holding the mysterious

manuscript." 357, 358.

Fac-simile of letter from I--Am--The--Man. 363.

Manuscript dedication of Author's Edition. 364, 365.

HALF-PAGE AND TEXT CUTS.

"The Stern Face." Fac-simile, reduced from copper plate title

page of the botanical work (1708), 917 pages, of Simonis

Paulli, D., a Danish physician. Original plate 7 x 5-1/2

inches. iv.

"The Pleasant Face." Fac-simile of the original copper plate

frontispiece to the finely illustrated botanical work of

Joannes Burmannus, M.D., descriptive of the plants collected

by Carolus Plumierus. Antique. Original plate 9 x 13 inches. v.

"Skeleton forms oppose my own." Photograph of John Uri Lloyd

in the gloomy alcove of the antiquated library. vi.

"Let me have your answer now." 12.

"I espied upon the table a long white hair." 14.

"Drew the knife twice across the front of the door-knob." 32.

"I was taken from the vehicle, and transferred to a

block-house." 52.

"The dead man was thrown overboard." 54.

"A mirror was thrust beneath my gaze." 58.

"I am the man you seek." 70.

"We approach daylight, I can see your face." 106.

"Seated himself on a natural bench of stone." 108.

"An endless variety of stony figures." 129.

Cuts showing water and brine surfaces. 136.

Cuts showing earth chambers in which water rises above brine. 137.

Cuts showing that if properly connected, water and brine

reverse the usual law as to the height of their surfaces. 138, 139.

"I bounded upward fully six feet." 143.

"I fluttered to the earth as a leaf would fall." 144.

"We leaped over great inequalities." 145.

"The bit of garment fluttered listlessly away to the distance,

and then--vacancy." 173.

Cut showing that water may be made to flow from a tube higher

than the surface of the water. 182.

Cut showing how an artesian fountain may be made without earth

strata. 184.

"Rising abruptly, he grasped my hand." 191.

"A brain, a living brain, my own brain." 200.

"Shape of drop of water in the earth cavern." 211.

"We would skip several rods, alighting gently." 227.

"An uncontrollable, inexpressible desire to flee." 229.

"I dropped on my knees before him." 232.

"Handing me one of the halves, he spoke the single word,

'Drink.'" 234.

"Each finger pointed towards the open way in front." 242.

"Telescoped energy spheres." 280.

"Space dirt on energy spheres." 281.

"I drew back the bar of iron to smite the apparently

defenseless being in the forehead." 313.

"He sprung from the edge of the cliff into the abyss below,

carrying me with him into its depths." 315.

"The Earth and its atmosphere." 336.

PROLOGUE.

My name was Johannes Llewellyn Llongollyn Drury. I was named Llewellyn

at my mother's desire, out of respect to her father, Dr. Evan Llewellyn,

the scientist and speculative philosopher, well known to curious

students as the author of various rare works on occult subjects. The

other given names were ancestral also, but when I reached the age of

appreciation, they naturally became distasteful; so it is that in early

youth I dropped the first and third of these cumbersome words, and

retained only the second Christian name. While perhaps the reader of

these lines may regard this cognomen with less favor than either of the

others, still I liked it, as it was the favorite of my mother, who

always used the name in full; the world, however, contracted Llewellyn

to Lew, much to the distress of my dear mother, who felt aggrieved at

the liberty. After her death I decided to move to a western city, and

also determined, out of respect to her memory, to select from and

rearrange the letters of my several names, and construct therefrom three

short, terse words, which would convey to myself only, the resemblance

of my former name. Hence it is that the Cincinnati Directory does not

record my self-selected name, which I have no reason to bring before the

public. To the reader my name is Llewellyn Drury. I might add that my

ancestors were among the early settlers of what is now New York City,

and were direct descendants of the early Welsh kings; but these matters

do not concern the reader, and it is not of them that I now choose to

write. My object in putting down these preliminary paragraphs is simply

to assure the reader of such facts, and such only, as may give him

confidence in my personal sincerity and responsibility, in order that he

may with a right understanding read the remarkable statements that occur

in the succeeding chapters.

The story I am about to relate is very direct, and some parts of it are

very strange, not to say marvelous; but not on account of its

strangeness alone do I ask for the narrative a reading;--that were mere

trifling. What is here set down happened as recorded, but I shall not

attempt to explain things which even to myself are enigmatical. Let the

candid reader read the story as I have told it, and make out of it what

he can, or let him pass the page by unread--I shall not insist on

claiming his further attention. Only, if he does read, I beg him to read

with an open mind, without prejudice and without predilection.

Who or what I am as a participant in this work is of small importance. I

mention my history only for the sake of frankness and fairness. I have

nothing to gain by issuing the volume. Neither do I court praise nor

shun censure. My purpose is to tell the truth.

Early in the fifties I took up my residence in the Queen City, and

though a very young man, found the employment ready that a friend had

obtained for me with a manufacturing firm engaged in a large and

complicated business. My duties were varied and peculiar, of such a

nature as to tax body and mind to the utmost, and for several years I

served in the most exacting of business details. Besides the labor which

my vocation entailed, with its manifold and multiform perplexities, I

voluntarily imposed upon myself other tasks, which I pursued in the

privacy of my own bachelor apartments. An inherited love for books on

abstruse and occult subjects, probably in part the result of my blood

connection with Dr. Evan Llewellyn, caused me to collect a unique

library, largely on mystical subjects, in which I took the keenest

delight. My business and my professional duties by day, and my studies

at night, made my life a busy one.

In the midst of my work and reading I encountered the character whose

strange story forms the essential part of the following narrative. I may

anticipate by saying that the manuscript to follow only incidentally

concerns myself, and that if possible I would relinquish all connection

therewith. It recites the physical, mental, and moral adventures of one

whose life history was abruptly thrust upon my attention, and as

abruptly interrupted. The vicissitudes of his body and soul,

circumstances seemed to compel me to learn and to make public.

ETIDORPHA.

CHAPTER I.

"NEVER LESS ALONE THAN WHEN ALONE."

More than thirty years ago occurred the first of the series of

remarkable events I am about to relate. The exact date I can not recall;

but it was in November, and, to those familiar with November weather in

the Ohio Valley, it is hardly necessary to state that the month is one

of possibilities. That is to say, it is liable to bring every variety of

weather, from the delicious, dreamy Indian summer days that linger late

in the fall, to a combination of rain, hail, snow, sleet,--in short,

atmospheric conditions sufficiently aggravating to develop a suicidal

mania in any one the least susceptible to such influences. While the

general character of the month is much the same the country

over,--showing dull grey tones of sky, abundant rains that penetrate man

as they do the earth; cold, shifting winds, that search the very

marrow,--it is always safe to count more or less upon the probability of

the unexpected throughout the month.

The particular day which ushered in the event about to be chronicled,

was one of these possible heterogeneous days presenting a combination of

sunshine, shower, and snow, with winds that rang all the changes from

balmy to blustery, a morning air of caloric and an evening of numbing

cold. The early morning started fair and sunny; later came light showers

suddenly switched by shifting winds into blinding sleet, until the

middle of the afternoon found the four winds and all the elements

commingled in one wild orgy with clashing and roaring as of a great

organ with all the stops out, and all the storm-fiends dancing over the

key-boards! Nightfall brought some semblance of order to the sounding

chaos, but still kept up the wild music of a typical November day, with

every accompaniment of bleakness, gloom, and desolation.

Thousands of chimneys, exhaling murky clouds of bituminous soot all day,

had covered the city with the proverbial pall which the winds in their

sport had shifted hither and yon, but as, thoroughly tired out, they

subsided into silence, the smoky mesh suddenly settled over the houses

and into the streets, taking possession of the city and contributing to

the melancholy wretchedness of such of the inhabitants as had to be out

of doors. Through this smoke the red sun when visible had dragged his

downward course in manifest discouragement, and the hastening twilight

soon gave place to the blackness of darkness. Night reigned supreme.

Thirty years ago electric lighting was not in vogue, and the system of

street lamps was far less complete than at present, although the gas

burned in them may not have been any worse. The lamps were much fewer

and farther between, and the light which they emitted had a feeble,

sickly aspect, and did not reach any distance into the moist and murky

atmosphere. And so the night was dismal enough, and the few people upon

the street were visible only as they passed directly beneath the lamps,

or in front of lighted windows; seeming at other times like moving

shadows against a black ground.

As I am like to be conspicuous in these pages, it may be proper to say

that I am very susceptible to atmospheric influences. I figure among my

friends as a man of quiet disposition, but I am at times morose,

although I endeavor to conceal this fact from others. My nervous system

is a sensitive weather-glass. Sometimes I fancy that I must have been

born under the planet Saturn, for I find myself unpleasantly influenced

by moods ascribed to that depressing planet, more especially in its

disagreeable phases, for I regret to state that I do not find

corresponding elation, as I should, in its brighter aspects. I have an

especial dislike for wintry weather, a dislike which I find growing with

my years, until it has developed almost into positive antipathy and

dread. On the day I have described, my moods had varied with the

weather. The fitfulness of the winds had found its way into my

feelings, and the somber tone of the clouds into my meditations. I was

restless as the elements, and a deep sense of dissatisfaction with

myself and everything else, possessed me. I could not content myself in

any place or position. Reading was distasteful, writing equally so; but

it occurred to me that a brisk walk, for a few blocks, might afford

relief. Muffling myself up in my overcoat and fur cap, I took the

street, only to find the air gusty and raw, and I gave up in still

greater disgust, and returning home, after drawing the curtains and

locking the doors, planted myself in front of a glowing grate fire,

firmly resolved to rid myself of myself by resorting to the oblivion of

thought, reverie, or dream. To sleep was impossible, and I sat moodily

in an easy chair, noting the quarter and half-hour strokes as they were

chimed out sweetly from the spire of St. Peter's Cathedral, a few blocks

away.

Nine o'clock passed with its silver-voiced song of "Home, Sweet Home";

ten, and then eleven strokes of the ponderous bell which noted the

hours, roused me to a strenuous effort to shake off the feelings of

despondency, unrest, and turbulence, that all combined to produce a

state of mental and physical misery now insufferable. Rising suddenly

from my chair, without a conscious effort I walked mechanically to a

book-case, seized a volume at random, reseated myself before the fire,

and opened the book. It proved to be an odd, neglected volume, "Riley's

Dictionary of Latin Quotations." At the moment there flashed upon me a

conscious duality of existence. Had the old book some mesmeric power? I

seemed to myself two persons, and I quickly said aloud, as if addressing

my double: "If I can not quiet you, turbulent Spirit, I can at least

adapt myself to your condition. I will read this book haphazard from

bottom to top, or backward, if necessary, and if this does not change

the subject often enough, I will try Noah Webster." Opening the book

mechanically at page 297, I glanced at the bottom line and read,

"Nunquam minus solus quam cum solus" (Never less alone than when alone).

These words arrested my thoughts at once, as, by a singular chance, they

seemed to fit my mood; was it or was it not some conscious invisible

intelligence that caused me to select that page, and brought the

apothegm to my notice?

Again, like a flash, came the consciousness of duality, and I began to

argue with my other self. "This is arrant nonsense," I cried aloud;

"even though Cicero did say it, and, it is on a par with many other

delusive maxims that have for so many years embittered the existence of

our modern youth by misleading thought. Do you know, Mr. Cicero, that

this statement is not sound? That it is unworthy the position you occupy

in history as a thinker and philosopher? That it is a contradiction in

itself, for if a man is alone he is alone, and that settles it?"

I mused in this vein a few moments, and then resumed aloud: "It won't

do, it won't do; if one is alone--the word is absolute,--he is single,

isolated, in short, alone; and there can by no manner of possibility be

any one else present. Take myself, for instance: I am the sole occupant

of this apartment; I am alone, and yet you say in so many words that I

was never less alone than at this instant." It was not without some

misgiving that I uttered these words, for the strange consciousness of

my own duality constantly grew stronger, and I could not shake off the

reflection that even now there were two of myself in the room, and that

I was not so much alone as I endeavored to convince myself.

This feeling oppressed me like an incubus; I must throw it off, and,

rising, I tossed the book upon the table, exclaiming: "What folly! I am

alone,--positively there is no other living thing visible or invisible

in the room." I hesitated as I spoke, for the strange, undefined

sensation that I was not alone had become almost a conviction; but the

sound of my voice encouraged me, and I determined to discuss the

subject, and I remarked in a full, strong voice: "I am surely alone; I

know I am! Why, I will wager everything I possess, even to my soul, that

I am alone." I stood facing the smoldering embers of the fire which I

had neglected to replenish, uttering these words to settle the

controversy for good and all with one person of my dual self, but the

other ego seemed to dissent violently, when a soft, clear voice claimed

my ear:

"You have lost your wager; you are not alone."

[Illustration: "AND TO MY AMAZEMENT SAW A WHITE-HAIRED MAN."]

I turned instantly towards the direction of the sound, and, to my

amazement, saw a white-haired man seated on the opposite side of the

room, gazing at me with the utmost composure. I am not a coward, nor a

believer in ghosts or illusions, and yet that sight froze me where I

stood. It had no supernatural appearance--on the contrary, was a plain,

ordinary, flesh-and-blood man; but the weather, the experiences of

the day, the weird, inclement night, had all conspired to strain my

nerves to the highest point of tension, and I trembled from head to

foot. Noting this, the stranger said pleasantly: "Quiet yourself, my

dear sir; you have nothing to fear; be seated." I obeyed, mechanically,

and regaining in a few moments some semblance of composure, took a

mental inventory of my visitor. Who is he? what is he? how did he enter

without my notice, and why? what is his business? were all questions

that flashed into my mind in quick succession, and quickly flashed out

unanswered.

The stranger sat eying me composedly, even pleasantly, as if waiting for

me to reach some conclusion regarding himself. At last I surmised: "He

is a maniac who has found his way here by methods peculiar to the

insane, and my personal safety demands that I use him discreetly."

"Very good," he remarked, as though reading my thoughts; "as well think

that as anything else."

"But why are you here? What is your business?" I asked.

"You have made and lost a wager," he said. "You have committed an act of

folly in making positive statements regarding a matter about which you

know nothing--a very common failing, by the way, on the part of mankind,

and concerning which I wish first to set you straight."

The ironical coolness with which he said this provoked me, and I hastily

rejoined: "You are impertinent; I must ask you to leave my house at

once."

"Very well," he answered; "but if you insist upon this, I shall, on

behalf of Cicero, claim the stake of your voluntary wager, which means

that I must first, by natural though violent means, release your soul

from your body." So saying he arose, drew from an inner pocket a long,

keen knife, the blade of which quiveringly glistened as he laid it upon

the table. Moving his chair so as to be within easy reach of the

gleaming weapon, he sat down, and again regarded me with the same quiet

composure I had noted, and which was fast dispelling my first impression

concerning his sanity.

I was not prepared for his strange action; in truth, I was not prepared

for anything; my mind was confused concerning the whole night's doings,

and I was unable to reason clearly or consecutively, or even to satisfy

myself what I did think, if indeed I thought at all.

The sensation of fear, however, was fast leaving me; there was something

reassuring in my unbidden guest's perfect ease of manner, and the mild,

though searching gaze of his eyes, which were wonderful in their

expression. I began to observe his personal characteristics, which

impressed me favorably, and yet were extraordinary. He was nearly six

feet tall, and perfectly straight; well proportioned, with no tendency

either to leanness or obesity. But his head was an object from which I

could not take my eyes,--such a head surely I had never before seen on

mortal shoulders. The chin, as seen through his silver beard, was

rounded and well developed, the mouth straight, with pleasant lines

about it, the jaws square and, like the mouth, indicating decision, the

eyes deep set and arched with heavy eyebrows, and the whole surmounted

by a forehead so vast, so high, that it was almost a deformity, and yet

it did not impress me unpleasantly; it was the forehead of a scholar, a

profound thinker, a deep student. The nose was inclined to aquiline, and

quite large. The contour of the head and face impressed me as indicating

a man of learning, one who had given a lifetime to experimental as well

as speculative thought. His voice was mellow, clear, and distinct,

always pleasantly modulated and soft, never loud nor unpleasant in the

least degree. One remarkable feature I must not fail to mention--his

hair; this, while thin and scant upon the top of his head, was long, and

reached to his shoulders; his beard was of unusual length, descending

almost to his waist; his hair, eyebrows, and beard were all of singular

whiteness and purity, almost transparent, a silvery whiteness that

seemed an aureolar sheen in the glare of the gaslight. What struck me as

particularly remarkable was that his skin looked as soft and smooth as

that of a child; there was not a blemish in it. His age was a puzzle

none could guess; stripped of his hair, or the color of it changed, he

might be twenty-five,--given a few wrinkles, he might be ninety. Taken

altogether, I had never seen his like, nor anything approaching his

like, and for an instant there was a faint suggestion to my mind that he

was not of this earth, but belonged to some other planet.

I now fancy he must have read my impressions of him as these ideas

shaped themselves in my brain, and that he was quietly waiting for me

to regain a degree of self-possession that would allow him to disclose

the purpose of his visit.

He was first to break the silence: "I see that you are not disposed to

pay your wager any more than I am to collect it, so we will not discuss

that. I admit that my introduction to-night was abrupt, but you can not

deny that you challenged me to appear." I was not clear upon the point,

and said so. "Your memory is at fault," he continued, "if you can not

recall your experiences of the day just past. Did you not attempt to

interest yourself in modern book lore, to fix your mind in turn upon

history, chemistry, botany, poetry, and general literature? And all

these failing, did you not deliberately challenge Cicero to a practical

demonstration of an old apothegm of his that has survived for centuries,

and of your own free will did not you make a wager that, as an admirer

of Cicero's, I am free to accept?" To all this I could but silently

assent. "Very good, then; we will not pursue this subject further, as it

is not relevant to my purpose, which is to acquaint you with a narrative

of unusual interest, upon certain conditions, with which if you comply,

you will not only serve yourself, but me as well."

"Please name the conditions," I said.

"They are simple enough," he answered. "The narrative I speak of is in

manuscript. I will produce it in the near future, and my design is to

read it aloud to you, or to allow you to read it to me, as you may

select. Further, my wish is that during the reading you shall interpose

any objection or question that you deem proper. This reading will occupy

many evenings, and I shall of necessity be with you often. When the

reading is concluded, we will seal the package securely, and I shall

leave you forever. You will then deposit the manuscript in some safe

place, and let it remain for thirty years. When this period has elapsed,

I wish you to publish this history to the world."

"Your conditions seem easy," I said, after a few seconds' pause.

"They are certainly very simple; do you accept?"

I hesitated, for the prospect of giving myself up to a succession of

interviews with this extraordinary and mysterious personage seemed to

require consideration. He evidently divined my thoughts, for, rising

from his chair, he said abruptly: "Let me have your answer now."

I debated the matter no further, but answered: "I accept,

conditionally."

"Name your conditions," the guest replied.

"I will either publish the work, or induce some other man to do so."

[Illustration: "LET ME HAVE YOUR ANSWER NOW."]

"Good," he said; "I will see you again," with a polite bow; and turning

to the door which I had previously locked, he opened it softly, and with

a quiet "Good night" disappeared in the hall-way.

I looked after him with bewildered senses; but a sudden impulse caused

me to glance toward the table, when I saw that he had forgotten his

knife. With the view of returning this, I reached to pick it up, but my

finger tips no sooner touched the handle than a sudden chill shivered

along my nerves. Not as an electric shock, but rather as a sensation of

extreme cold was the current that ran through me in an instant. Rushing

into the hall-way to the landing of the stairs, I called after the

mysterious being, "You have forgotten your knife," but beyond the faint

echo of my voice, I heard no sound. The phantom was gone. A moment later

I was at the foot of the stairs, and had thrown open the door. A street

lamp shed an uncertain light in front of the house. I stepped out and

listened intently for a moment, but not a sound was audible, if indeed I

except the beating of my own heart, which throbbed so wildly that I

fancied I heard it. No footfall echoed from the deserted streets; all

was silent as a churchyard, and I closed and locked the door softly,

tiptoed my way back to my room, and sank collapsed into an easy chair. I

was more than exhausted; I quivered from head to foot, not with cold,

but with a strange nervous chill that found intensest expression in my

spinal column, and seemed to flash up and down my back vibrating like a

feverous pulse. This active pain was succeeded by a feeling of frozen

numbness, and I sat I know not how long, trying to tranquilize myself

and think temperately of the night's occurrence. By degrees I recovered

my normal sensations, and directing my will in the channel of sober

reasoning, I said to myself: "There can be no mistake about his visit,

for his knife is here as a witness to the fact. So much is sure, and I

will secure that testimony at all events." With this reflection I turned

to the table, but to my astonishment I discovered that the knife had

disappeared. It needed but this miracle to start the perspiration in

great cold beads from every pore. My brain was in a whirl, and reeling

into a chair, I covered my face with my hands. How long I sat in this

posture I do not remember. I only know that I began to doubt my own

sanity, and wondered if this were not the way people became deranged.

Had not my peculiar habits of isolation, irregular and intense study,

erratic living, all conspired to unseat reason? Surely here was every

ground to believe so; and yet I was able still to think consistently and

hold steadily to a single line of thought. Insane people can not do

that, I reflected, and gradually the tremor and excitement wore away.

When I had become calmer and more collected, and my sober judgment said,

"Go to bed; sleep just as long as you can; hold your eyelids down, and

when you awake refreshed, as you will, think out the whole subject at

your leisure," I arose, threw open the shutters, and found that day was

breaking. Hastily undressing I went to bed, and closed my eyes, vaguely

conscious of some soothing guardianship. Perhaps because I was

physically exhausted, I soon lost myself in the oblivion of sleep.

[Illustration: "I ESPIED UPON THE TABLE A LONG WHITE HAIR."]

I did not dream,--at least I could not afterwards remember my dream if I

had one, but I recollect thinking that somebody struck ten distinct

blows on my door, which seemed to me to be of metal and very sonorous.

These ten blows in my semi-conscious state I counted. I lay very quiet

for a time collecting my thoughts and noting various objects about the

room, until my eye caught the dial of a French clock upon the mantel.

It was a few minutes past ten, and the blows I had heard were the

strokes of the hammer upon the gong in the clock. The sun was shining

into the room, which was quite cold, for the fire had gone out. I arose,

dressed myself quickly, and after thoroughly laving my face and hands in

ice-cold water, felt considerably refreshed.

Before going out to breakfast, while looking around the room for a few

things which I wanted to take with me, I espied upon the table a long

white hair. This was indeed a surprise, for I had about concluded that

my adventure of the previous night was a species of waking nightmare,

the result of overworked brain and weakened body. But here was tangible

evidence to the contrary, an assurance that my mysterious visitor was

not a fancy or a dream, and his parting words, "I will see you again,"

recurred to me with singular effect. "He will see me again; very well; I

will preserve this evidence of his visit for future use." I wound the

delicate filament into a little coil, folded it carefully in a bit of

paper, and consigned it to a corner in my pocket-book, though not

without some misgiving that it too might disappear as did the knife.

The strange experience of that night had a good effect on me; I became

more regular in all my habits, took abundant sleep and exercise, was

more methodical in my modes of study and reasoning, and in a short time

found myself vastly improved in every way, mentally and physically.

The days went fleeting into weeks, the weeks into months, and while the

form and figure of the white-haired stranger were seldom absent from my

mind, he came no more.

Etidorhpa; or, The End of Earth. The Strange History of a Mysterious Being and the Account of a Remarkable Journey · 第 1 / 52 章