CHAPTER XIII. A SWEETER WOMAN NE’ER DREW BREATH

Thenceforward Eric Marshall was a constant visitor at the Gordon

homestead. He soon became a favourite with Thomas and Janet, especially

the latter. He liked them both, discovering under all their outward

peculiarities sterling worth and fitness of character. Thomas Gordon was

surprisingly well read and could floor Eric any time in argument, once

he became sufficiently warmed up to attain fluency of words. Eric hardly

recognized him the first time he saw him thus animated. His bent form

straightened, his sunken eyes flashed, his face flushed, his voice

rang like a trumpet, and he poured out a flood of eloquence which swept

Eric’s smart, up-to-date arguments away like straws in the rush of a

mountain torrent. Eric enjoyed his own defeat enormously, but Thomas

Gordon was ashamed of being thus drawn out of himself, and for a week

afterwards confined his remarks to “Yes” and “No,” or, at the outside,

to a brief statement that a change in the weather was brewing.

Janet never talked on matters of church and state; such she plainly

considered to be far beyond a woman’s province. But she listened with

lurking interest in her eyes while Thomas and Eric pelted on each other

with facts and statistics and opinions, and on the rare occasions when

Eric scored a point she permitted herself a sly little smile at her

brother’s expense.

Of Neil, Eric saw but little. The Italian boy avoided him, or if they

chanced to meet passed him by with sullen, downcast eyes. Eric did not

trouble himself greatly about Neil; but Thomas Gordon, understanding the

motive which had led Neil to betray his discovery of the orchard trysts,

bluntly told Kilmeny that she must not make such an equal of Neil as she

had done.

“You have been too kind to the lad, lassie, and he’s got presumptuous.

He must be taught his place. I mistrust we have all made more of him

than we should.”

But most of the idyllic hours of Eric’s wooing were spent in the old

orchard; the garden end of it was now a wilderness of roses--roses red

as the heart of a sunset, roses pink as the early flush of dawn, roses

white as the snows on mountain peaks, roses full blown, and roses in

buds that were sweeter than anything on earth except Kilmeny’s face.

Their petals fell in silken heaps along the old paths or clung to the

lush grasses among which Eric lay and dreamed, while Kilmeny played to

him on her violin.

Eric promised himself that when she was his wife her wonderful gift

for music should be cultivated to the utmost. Her powers of expression

seemed to deepen and develop every day, growing as her soul grew, taking

on new colour and richness from her ripening heart.

To Eric, the days were all pages in an inspired idyl. He had never

dreamed that love could be so mighty or the world so beautiful. He

wondered if the universe were big enough to hold his joy or eternity

long enough to live it out. His whole existence was, for the time

being, bounded by that orchard where he wooed his sweetheart. All other

ambitions and plans and hopes were set aside in the pursuit of this one

aim, the attainment of which would enhance all others a thousand-fold,

the loss of which would rob all others of their reason for existence.

His own world seemed very far away and the things of that world

forgotten.

His father, on hearing that he had taken the Lindsay school for a year,

had written him a testy, amazed letter, asking him if he were demented.

“Or is there a girl in the case?” he wrote. “There must be, to tie you

down to a place like Lindsay for a year. Take care, master Eric; you’ve

been too sensible all your life. A man is bound to make a fool of

himself at least once, and when you didn’t get through with that in your

teens it may be attacking you now.”

David also wrote, expostulating more gravely; but he did not express the

suspicions Eric knew he must entertain.

“Good old David! He is quaking with fear that I am up to something he

can’t approve of, but he won’t say a word by way of attempting to force

my confidence.”

It could not long remain a secret in Lindsay that “the Master” was going

to the Gordon place on courting thoughts intent. Mrs. Williamson kept

her own and Eric’s counsel; the Gordons said nothing; but the secret

leaked out and great was the surprise and gossip and wonder. One or

two incautious people ventured to express their opinion of the Master’s

wisdom to the Master himself; but they never repeated the experiment.

Curiosity was rife. A hundred stories were circulated about Kilmeny, all

greatly exaggerated in the circulation. Wise heads were shaken and the

majority opined that it was a great pity. The Master was a likely young

fellow; he could have his pick of almost anybody, you might think; it

was too bad that he should go and take up with that queer, dumb niece of

the Gordons who had been brought up in such a heathenish way. But then

you never could guess what way a man’s fancy would jump when he set out

to pick him a wife. They guessed Neil Gordon didn’t like it much. He

seemed to have got dreadful moody and sulky of late and wouldn’t sing in

the choir any more. Thus the buzz of comment and gossip ran.

To those two in the old orchard it mattered not a whit. Kilmeny knew

nothing of gossip. To her, Lindsay was as much of an unknown world as

the city of Eric’s home. Her thoughts strayed far and wide in the realm

of her fancy, but they never wandered out to the little realities that

hedged her strange life around. In that life she had blossomed out, a

fair, unique thing. There were times when Eric almost regretted that one

day he must take her out of her white solitude to a world that, in the

last analysis, was only Lindsay on a larger scale, with just the same

pettiness of thought and feeling and opinion at the bottom of it. He

wished he might keep her to himself for ever, in that old, spruce-hidden

orchard where the roses fell.

One day he indulged himself in the fulfillment of the whim he had formed

when Kilmeny had told him she thought herself ugly. He went to Janet and

asked her permission to bring a mirror to the house that he might

have the privilege of being the first to reveal Kilmeny to herself

exteriorly. Janet was somewhat dubious at first.

“There hasn’t been such a thing in the house for sixteen years, Master.

There never was but three--one in the spare room, and a little one in

the kitchen, and Margaret’s own. She broke them all the day it first

struck her that Kilmeny was going to be bonny. I might have got one

after she died maybe. But I didn’t think of it; and there’s no need of

lasses to be always prinking at their looking glasses.”

But Eric pleaded and argued skilfully, and finally Janet said,

“Well, well, have your own way. You’d have it anyway I think, lad. You

are one of those men who always get their own way. But that is different

from the men who TAKE their own way--and that’s a mercy,” she added

under her breath.

Eric went to town the next Saturday and picked out a mirror that pleased

him. He had it shipped to Radnor and Thomas Gordon brought it home, not

knowing what it was, for Janet had thought it just as well he should not

know.

“It’s a present the Master is making Kilmeny,” she told him.

She sent Kilmeny off to the orchard after tea, and Eric slipped around

to the house by way of the main road and lane. He and Janet together

unpacked the mirror and hung it on the parlour wall.

“I never saw such a big one, Master,” said Janet rather doubtfully,

as if, after all, she distrusted its gleaming, pearly depth and richly

ornamented frame. “I hope it won’t make her vain. She is very bonny, but

it may not do her any good to know it.”

“It won’t harm her,” said Eric confidently. “When a belief in her

ugliness hasn’t spoiled a girl a belief in her beauty won’t.”

But Janet did not understand epigrams. She carefully removed a little

dust from the polished surface, and frowned meditatively at the by no

means beautiful reflection she saw therein.

“I cannot think what made Kilmeny suppose she was ugly, Master.”

“Her mother told her she was,” said Eric, rather bitterly.

“Ah!” Janet shot a quick glance at the picture of her sister. “Was that

it? Margaret was a strange woman, Master. I suppose she thought her own

beauty had been a snare to her. She WAS bonny. That picture doesn’t do

her justice. I never liked it. It was taken before she was--before she

met Ronald Fraser. We none of us thought it very like her at the time.

But, Master, three years later it was like her--oh, it was like her

then! That very look came in her face.”

“Kilmeny doesn’t resemble her mother,” remarked Eric, glancing at the

picture with the same feeling of mingled fascination and distaste with

which he always regarded it. “Does she look like her father?”

“No, not a great deal, though some of her ways are very like his. She

looks like her grandmother--Margaret’s mother, Master. Her name was

Kilmeny too, and she was a handsome, sweet woman. I was very fond of my

stepmother, Master. When she died she gave her baby to me, and asked me

to be a mother to it. Ah well, I tried; but I couldn’t fence the sorrow

out of Margaret’s life, and it sometimes comes to my mind that maybe

I’ll not be able to fence it out of Kilmeny’s either.”

“That will be my task,” said Eric.

“You’ll do your best, I do not doubt. But maybe it will be through you

that sorrow will come to her after all.”

“Not through any fault of mine, Aunt Janet.”

“No, no, I’m not saying it will be your fault. But my heart misgives me

at times. Oh, I dare say I am only a foolish old woman, Master. Go your

ways and bring your lass here to look at your plaything when you like.

I’ll not make or meddle with it.”

Janet betook herself to the kitchen and Eric went to look for Kilmeny.

She was not in the orchard and it was not until he had searched for some

time that he found her. She was standing under a beech tree in a field

beyond the orchard, leaning on the longer fence, with her hands clasped

against her cheek. In them she held a white Mary-lily from the orchard.

She did not run to meet him while he was crossing the pasture, as she

would once have done. She waited motionless until he was close to her.

Eric began, half laughingly, half tenderly, to quote some lines from her

namesake ballad:

“‘Kilmeny, Kilmeny, where have you been?

Long hae we sought baith holt and den,--

By linn, by ford, and greenwood tree!

Yet you are halesome and fair to see.

Where got you that joup o’ the lily sheen?

That bonny snood o’ the birk sae green,

And those roses, the fairest that ever was seen?

Kilmeny, Kilmeny, where have you been?’

“Only it’s a lily and not a rose you are carrying. I might go on and

quote the next couplet too--

“‘Kilmeny looked up with a lovely grace,

But there was nae smile on Kilmeny’s face.’

“Why are you looking so sober?”

Kilmeny did not have her slate with her and could not answer; but Eric

guessed from something in her eyes that she was bitterly contrasting the

beauty of the ballad’s heroine with her own supposed ugliness.

“Come down to the house, Kilmeny. I have something there to show

you--something lovelier than you have ever seen before,” he said, with

boyish pleasure shining in his eyes. “I want you to go and put on that

muslin dress you wore last Sunday evening, and pin up your hair the same

way you did then. Run along--don’t wait for me. But you are not to go

into the parlour until I come. I want to pick some of those Mary-lilies

up in the orchard.”

When Eric returned to the house with an armful of the long stemmed,

white Madonna lilies that bloomed in the orchard Kilmeny was just coming

down the steep, narrow staircase with its striped carpeting of homespun

drugget. Her marvelous loveliness was brought out into brilliant relief

by the dark wood work and shadows of the dim old hall.

She wore a trailing, clinging dress of some creamy tinted fabric that

had been her mother’s. It had not been altered in any respect, for

fashion held no sway at the Gordon homestead, and Kilmeny thought

that the dress left nothing to be desired. Its quaint style suited

her admirably; the neck was slightly cut away to show the round white

throat, and the sleeves were long, full “bishops,” out of which her

beautiful, slender hands slipped like flowers from their sheaths. She

had crossed her long braids at the back and pinned them about her head

like a coronet; a late white rose was fastened low down on the left

side.

“‘A man had given all other bliss

And all his worldly wealth for this--

To waste his whole heart in one kiss

Upon her perfect lips,’”

quoted Eric in a whisper as he watched her descend. Aloud he said,

“Take these lilies on your arm, letting their bloom fall against your

shoulder--so. Now, give me your hand and shut your eyes. Don’t open them

until I say you may.”

He led her into the parlour and up to the mirror.

“Look,” he cried, gaily.

Kilmeny opened her eyes and looked straight into the mirror where, like

a lovely picture in a golden frame, she saw herself reflected. For a

moment she was bewildered. Then she realized what it meant. The lilies

fell from her arm to the floor and she turned pale. With a little low,

involuntary cry she put her hands over her face.

Eric pulled them boyishly away.

“Kilmeny, do you think you are ugly now? This is a truer mirror than

Aunt Janet’s silver sugar bowl! Look--look--look! Did you ever imagine

anything fairer than yourself, dainty Kilmeny?”

She was blushing now, and stealing shy radiant glances at the mirror.

With a smile she took her slate and wrote naively,

“I think I am pleasant to look upon. I cannot tell you how glad I am.

It is so dreadful to believe one is ugly. You can get used to everything

else, but you never get used to that. It hurts just the same every time

you remember it. But why did mother tell me I was ugly? Could she really

have thought so? Perhaps I have become better looking since I grew up.”

“I think perhaps your mother had found that beauty is not always

a blessing, Kilmeny, and thought it wiser not to let you know you

possessed it. Come, let us go back to the orchard now. We mustn’t waste

this rare evening in the house. There is going to be a sunset that we

shall remember all our lives. The mirror will hang here. It is yours.

Don’t look into it too often, though, or Aunt Janet will disapprove. She

is afraid it will make you vain.”

Kilmeny gave one of her rare, musical laughs, which Eric never heard

without a recurrence of the old wonder that she could laugh so when she

could not speak. She blew an airy little kiss at her mirrored face and

turned from it, smiling happily.

On their way to the orchard they met Neil. He went by them with an

averted face, but Kilmeny shivered and involuntarily drew nearer to

Eric.

“I don’t understand Neil at all now,” she wrote nervously. “He is not

nice, as he used to be, and sometimes he will not answer when I speak

to him. And he looks so strangely at me, too. Besides, he is surly and

impertinent to Uncle and Aunt.”

“Don’t mind Neil,” said Eric lightly. “He is probably sulky because of

some things I said to him when I found he had spied on us.”

That night before she went up stairs Kilmeny stole into the parlour for

another glimpse of herself in that wonderful mirror by the light of a

dim little candle she carried. She was still lingering there dreamily

when Aunt Janet’s grim face appeared in the shadows of the doorway.

“Are you thinking about your own good looks, lassie? Ay, but

remember that handsome is as handsome does,” she said, with grudging

admiration--for the girl with her flushed cheeks and shining eyes was

something that even dour Janet Gordon could not look upon unmoved.

Kilmeny smiled softly.

“I’ll try to remember,” she wrote, “but oh, Aunt Janet, I am so glad I

am not ugly. It is not wrong to be glad of that, is it?”

The older woman’s face softened.

“No, I don’t suppose it is, lassie,” she conceded. “A comely face is

something to be thankful for--as none know better than those who have

never possessed it. I remember well when I was a girl--but that is

neither here nor there. The Master thinks you are wonderful bonny,

Kilmeny,” she added, looking keenly at the girl.

Kilmeny started and a scarlet blush scorched her face. That, and the

expression that flashed into her eyes, told Janet Gordon all she wished

to know. With a stifled sigh she bade her niece good night and went

away.

Kilmeny ran fleetly up the stairs to her dim little room, that looked

out into the spruces, and flung herself on her bed, burying her burning

face in the pillow. Her aunt’s words had revealed to her the hidden

secret of her heart. She knew that she loved Eric Marshall--and the

knowledge brought with it a strange anguish. For was she not dumb? All

night she lay staring wide-eyed through the darkness till the dawn.

Kilmeny of the Orchard · 第 13 / 19 章