OUR BOOKING-OFFICE.

[Illustration]

"I dearly love reading a ghost-story," quoth the Baron, "when, as the

song says, 'The lights are low, And the flickering shadows, Softly

come and go.' And I did hope that _Cecilia de Noël_ was going to be

just the very sort of book for a winter's fireside. Disappointed.

There is a ghost in it, and there's _Cecilia de Noël_ (good

Christmassy name, isn't it?) who instructs the ghost in his neglected

Catechism; for the ghost is as much an Atheist as the unbelieving

Sadducee in this same story, who, after all, is not converted. 'Alas!

Poor Ghost!' Very poor ghost! Bring me another ghost!" cries the

Baron. No other ghost is forthcoming to the invocation, but a book is

placed in his hands entitled _Fourteen to One_. The Baron was about

to dismiss it as a betting book--judging by its title--when his eye

caught the name of ELIZABETH STUART PHELPS as authoress. So he read

many of the short stories therein. She has in many places the touch of

DICKENS. All are good; but for pathos, keen observation, and dramatic

surprise, "give me," says the Baron, emphatically, "the short story of

_The Madonna of the Tubs_." Admirable! Those who take and act upon the

Baron's tip, will do well to ask for _Fourteen to One_, and see that

they get it.

What are the Baron's sentiments as to Christmas things? He refused

to have anything to say to games and cards. Cards--well, we all know

whose books some puritanical party said _they_ were. But these comic

and artistic Christmas Cards of RAPHAEL TUCK do not come into that

category; and same is to be said of Messrs. HILDESHEIMER's, so there's

an end on't. Henceforth, says the Baron, "No Cards."

"Come to me, O ye children," as some one sings--ARTHUR CECIL for

choice--and it might be adapted for the occasion by the Publishers

of _Chatterbox_, in which box there's a prize. Messrs. ROUTLEDGE go

in for the old, old tales. They've kindly given _Mother Hubbard_ a

new dress; and as for their Panorama of the "Beasteses," it is like

a picture-walk in the Zoo. _Some Historic Women_, well selected by

DAVENPORT ADAMS, who should have styled it _Christmas Eves by Adams_.

With Mrs. MOLESWORTH's _Bewitched Lamp_ the Baron's Assistant is much

pleased. Pictures ought to have been in oil, and there should have

been a Wickéd Fairy in it,--but there isn't.

My "Co." reports that Mrs. GRIMWOOD's long-expected book, _My Three

Years in Manipur_ (BENTLEY), is worthy of the theme, and adds a fresh

laurel to the chaplet worn by the lady on whose breast the QUEEN

pinned the Red Cross. The moving story is told with a simplicity that

looks like the development of the highest art. But the heroine of

Manipur is unmistakably artless. She is content to jot down, as if

she were writing a letter home, her impressions of what she sees,

and her account of what passes before her eyes. She has the gift of

reproducing with a few strokes of the pen, portraiture of anything

that has struck her. The only thing missed is detailed report of her

own brave bearing through the fearful night when the Residency was

attacked, and during the dreadful days that followed on the flight

towards Cachar. No one reading Mrs. GRIMWOOD's narrative would guess

what splendid part she played in that tragedy. Fortunately that has

been told elsewhere, and the omission is an added charm to a book that

has many others--including a portrait of the author.

Punch, or the London Charivari, Volume 101, November 28, 1891 · 第 15 / 37 题