“I serve the demands of my appointed kingdom, child. I serve the needs

of no other truth and the needs of no pawing women who would keep me out

of that kingdom.”

“My father, your kingdom is a doubtful dream, but the flesh of my mother

is real.”

“My dream is lovelier than any woman. Oh, and a doubtfulness also is

more lovely than the body of a woman, for I know the shaping of that

body over-well.”

“My father, you refuse the pleasures which will not ever be returning.”

“I am a god. I serve the needs of my own will.”

“The gods also pass, my father, they also pass without any returning,

upon the road which you now tread.”

“Let us pass, then, unhindered! But no woman permits it.”

“That is because these women, O my father, have a very rational wisdom.”

“Such is, perhaps, the case. But a god has his irrational dream. And

that is better.”

“It is well enough, my father, for that dream to end contentedly in the

arms of some woman.”

“It is well enough. It is customary. But I am Fair-haired Hoo, the

Helper and the Preserver. I go to my appointed kingdom: and I am Lord of

a Third Truth, whose mightiness I must help and preserve.”

Then Gerald hewed on: and as the tree fell, the child vanished.

Now Gerald set fire to the tree: and when a tidy blaze was crackling, he

spoke the needed words, and into the heart of this fire he tossed the

strange white gem. Straightway you heard a loud screeching. Out of the

tomb of Peter the Builder came a vixen fox, screaming and shuddering

quite horribly, but not ever ceasing to approach the fire. She entered

the flames. Silence followed, and the dawn of a superb May morning which

was marred only by an unpleasant odor of singed hair and burning flesh.

Gerald after that went back into the tomb from which the omniscient

Fox-Spirit had been dispossessed. He looked rather sentimentally upon

the empty disordered bed: then he passed beyond the brazier, in which

the ruins of fig-leaves yet smouldered, toward the Mirror of the Two

Truths.

The fact no longer mattered, perhaps, that any man who looked into this

mirror straightway found himself transformed into two stones: but it

very greatly mattered what effect this mirror would have upon a sun god

and a Savior and a culture hero. So he removed the flesh-colored veil.

19.

Beyond the Veil

BUT he was not turned into two stones. Nor was there confronting him

any mirror. Beyond the flesh-colored veil he found only an ancient

painting very carefully done, but upon an unhuman scale which made this

painting monstrous. The subject of the picture, however, is not known,

because Gerald never told anybody.

But it is known that Gerald shook his head at this painting.

“Laborious daub of prevaricating pigment!” he remarked. “O futile

painting, which so many foolish believers in Lytreia think to be the

Mirror of the Two Truths! I question your arithmetic. For I myself am

the Lord of a Third Truth, for all that I have just at present no

precise idea as to its nature. In consequence, I know the two objects

which you magnify are not all which exists. And I deny that their

never-ending search of each other is the one gesture of life. No: I at

least, I feel assured, am destined to take part in some quite other

gesture, of a more graceful and more cleanly and more dignified

nature,—a gesture of, it well may be, eternal importance....”

Yet Gerald glanced about him a little forlornly. This place was now

rather lonesome and ambiguous looking. In the crypt immediately beneath

him, Gerald knew, lay all that remained of King Peter and the most of

his numerous family; dozens upon dozens of peculiarly ugly objects were

there, all that remained of a great conqueror and of the queens who had

delighted him, all that attestedly remained now anywhere of a strong

hero’s pride and famous warfaring and of his many women’s loveliness....

“Oh, yes, it may be,” Gerald conceded, half frettedly, because he did

not like to be troubled with such reflections, “it may be that I am

wrong in this belief. And that seems to me yet another reason for

adhering to this belief. I, standing here alone upon the remnants of so

many utter strangers, admit indeed to some depression of spirits. It

seems to me, at this exact instant, that just conceivably I may be

neither a Savior nor a sun god nor a culture hero, but merely another

bull-headed Musgrave, for whom death waits, and after death, perhaps,

oblivion. Nevertheless, I find it a more beautiful and a much more

entertaining idea to believe in than to deny the immortality even of a

mere Musgrave. There is to my mind nothing at all interesting in the

idea of my own extinction. And it appears that my belief in this matter,

with no assured knowledge anywhere to go on, must be simply a question

of personal taste. Modesty even suggests that my belief is an affair of

irrelevance.”

And Gerald said also: “Therefore it furthermore appears to me, O

peculiarly unimaginative painting, a sheer waste of opportunity to

assume that anything is ever going to end even for a mere Musgrave all

conscious experience. I had far rather play with a beautiful idea than

with one utterly lacking in seductiveness. I very much prefer to believe

that I at least am, in one way or another, reserved to take part in some

enduring and rather superb performance,—somewhere, by and by,—in a

performance concerned with some third truth, more august and

æsthetically more pleasing than are the only ever-enduring truths

apparent to us here. We copulate and die, and that is all?—Well,

perhaps! But, then again, perhaps not! One must, you see, be

broad-minded about the matter.”

He for a moment kept silence. That regrettably candid painting and all

the other adjuncts of this place were certainly very depressing, now

that the learned diableries of the Fox-Spirit no longer enlivened this

tomb. Nevertheless, Gerald kept his long chin well up.

“Yes, every man ought to be broad-minded about this matter, and ought to

cherish always, if only as a diverting and inexpensive plaything, this

pungent notion of being immortal. It is really inexpensive, because,

should your notion prove ungrounded, you run no risk, no tiniest risk,

of being twitted, by and by, for credulity, or even of ever discovering

your error. Meanwhile this faith in your own durability and potential

importance is in some sense a cordial; and is in sundry ways a fine toy.

It renders life, and dying too, endurable: and it offers against all

vacant half-hours a variety of diverting speculations... as to that

possible third truth.”

Again Gerald paused. For it seemed to him, as he unwittingly repeated

the age-old self-persuasions of so many of his ancestors, that he had

found now another facet in this jewel of an idea that he was playing

with; and this fact considerably cheered Gerald.

“Then, too,” said he, “then, too, that rather wide-spread expectation of

an oncoming triumph—somewhere, in some hazed roseate arena, beyond the

discomforts of death and the incredible impudence of the mortician’s

titivating,—that triumph which is to be a perpetual triumphing of

justice and of rationality and of kindliness and of all the other

canonical virtues, this rumored triumph yet cows many persons, not

infrequently, into one or another thrifty-minded practice of these

generally beneficent virtues.”

Gerald said then: “It thus makes for, at any rate, terrestrial ease and

stability and repose: it gives people, as the phrase runs, something to

go by, in that it supports the most of every nation’s social and legal

rules of thumb. And it tends appreciably to limit men’s common greed and

viciousness, and all the harsher lusts of human beings, to exercises

through which there seems some quite tangible gain within tolerably safe

reach.”

And Gerald said also: “Yes: it is much better for men to believe in some

third truth which will be revealed to them after the death of their

bodies; and a general faith in the immortality even of mere Musgraves

appears to me, thus, very plainly, because of its happy blending of the

functions of a narcotic and of a policeman, a generally desirable

assumption. It remains in all ways a desirable faith, no matter whether

or not there be any grounds for it. And if this careful painting

presents the entire truth, that fact is but another excellent reason for

paying no attention to it.”

Gerald now felt quite comfortable through having listened so

respectfully to his own relentless logic.

“For these reasons, O foolish painting of the Two Truths, I deny your

fleshly significance. Whether I happen to be a sun god or a Savior or a

culture hero or just another bull-headed Musgrave, I deny that you

present to me any truth whatever. I snap my fingers at your materialism;

I turn up my nose at your indecorous anatomical studies; and I send the

divine foot of the Lord of the Third Truth smashing through your ancient

canvas. These things I do to proclaim the majesty of the Third Truth.

And I depart from this Peter and this Peter’s Tomb, to seek my appointed

kingdom.”

It was in this way that Gerald yet again put an affront upon Koleos

Koleros and upon the Holy Nose of Lytreia.

PART SIX

THE BOOK OF TUROINE

“Weathercocks Turn more Easily

when Placed very High.”

20.

Thaumaturgists in Labor

GERALD passed on, still riding upon the silver stallion, which Evaine

the Fox-Spirit had not, after all, demanded of him that morning as her

promised honorarium. And the next place he came to, and where he got his

breakfast, was Turoine. This was a small free city given to sorceries of

two colors.

To every side of him the inhabitants of Turoine were about their arts:

and Gerald, as a former student of magic, quite naturally observed their

various activities with interest.

Now the first sorcerer that he encountered was making a figure out of

pink wax with which was mixed baptismal oil and the ashes of a

consecrated wafer. The next sorcerer was murmuring charms over a very

fat toad which was imprisoned in a net rudely woven out of the golden

hairs from the head of some luckless, unresponsive woman, who was now

about to meet a not wholly desirable doom after that toad had been

buried at her threshold. And the third sorcerer huddled over a small

fire wherein burned cypress branches and broken crucifixes and portions

of a gibbet. In his hand was a skull filled with dark wine which had

been seasoned with hemp and with the fat of a girl child and with poppy

seed: and his familiar, in the shape of a large dun-colored cat, was

lapping up that bitter drink.

No sorcerer anywhere in Turoine was idle upon this fine May morning. And

in this small, ever-busy city—where all the buildings were quaintly

marked with stars and pentagrams and the signs of the zodiac and the two

kinds of triangles, and were cozily overgrown with honeysuckle and arum

lilies and black poppies and deadly nightshade,—these sorcerers were

about a bewildering variety of studies.

“I,” one of them told Gerald, “am learning the secrets which proceed

from Saturn, that ashy lord of the greater infortune. I have especial

power over all husbandmen and beggars, over grandfathers and monks of

every order and ministers of the gospel, over all potters, and miners,

and gardeners, and cow-tenders. I have learned how to make men envious,

covetous, slow of thought, suspicious, and stubborn. And I am also able

to afflict whatsoever person I elect with toothache and dropsy and black

jaundice and leprosy and hemorrhoids, either severally or in unison.”

Another said: “I study to divine and to make smooth the approach of

every evil fortune,—with smoke and arrows and wax, with an egg, with

mice, and with the simulacra of dead persons;—but, above all, as you

may perceive, I have been most successful with the head of an ass in a

brazier of live coals. And my guide is not any bow-legged, swarthy

eunuch, but Leonard, the Grand Master of the Sabbat.”

“I,” said a third, “have found in Turoine the Great Juggle Bag, for my

guide is Baalberith. So have I mastered all kinds of unheard-of, secret,

merry feats and mysteries and inventions—”

“But what,” asked Gerald, “what purpose does your knowledge serve?”

“By means of it, sir, those who are favored by my lord Baalberith, the

Master of Alliances, may make real the sin performed in a dream; may

open the locked door of any jail or bedchamber or counting house; may

smite a husband with embarrassing weakness; may inspire strange maids

and married women with flaming desires; may increase his natural height

here by seven ells and here by three inches; may make himself invisible

or invulnerable; may change his form into that of a cat or a hare or a

wolf; may control thunder and lightning; may collect and talk with

snakes; and”—here the sorcerer coughed,—“and may perform five other

advantageous, extravagant and authentic devices.”

But Gerald shrugged. “These sciences are well enough for a sorcerer; and

I perceive that the industrious may pick up much useful information in

Turoine. But I am a god who travels toward his appointed kingdom, and

toward the mastery of secrets rather more vital than any of these. For

your arts are of that black magic which hurts but cannot help; your

guides are devils; and you deal only in misfortune and destructiveness.”

“Then perhaps, sir, you may be better pleased by the enchanters who live

at the other end of this city. For these enchanters have no guides save

restlessness and foiled desires and impotence; they get no direct aid

from hell, but from somewhat less ancient intellectual centres; and they

work all their magic, such as it is, with words.”

“And what does the magic of these same enchanters create?”

“It creates, sir, a comfortable sense of equality with your betters

wherever there is least reason for it.”

“I find that saying obscure. Nevertheless, I will visit these

enchanters,” said Gerald.

And he rode on.

21.

They That Wore Blankets

THUS Gerald came to the enchanters who were used to perform all their

magic with words. And they greeted his coming with a very cordial

enthusiasm for creatures so gray and vague and bedraggled looking as

they sat huddled there, each one of them clothed in a blanket, and

thoroughly drenched as though with sour smelling rain.

Now the first enchanter to speak wore a violet blanket. He arose; and

dripping bilge-water everywhere about him in the while that he smiled

with wholly friendly condescension, he observed:

“Here is another rider on the silver stallion. Here is yet another

figure of papier mâché which Horvendile has despatched upon a profitless

journeying.”

“But I—” said Gerald.

Without at all heeding Gerald, a second enchanter, in a well soaked

green blanket, laid down his scissors; and he addressed the first

enchanter with some fervor, saying:

“Let us not speak harshly of our good Horvendile’s magic, for everybody

ought to respect the impotence of the aging. We must concede, of course,

that his magic is no longer fresh. It is not possible to deny that a

woefully infirm magic has set this papier mâché figure on a hackneyed

journeying. Candor compels us to grant that this journeying crosses once

sparkling rivers which have long ago run dry. We, as intelligent

enchanters, must admit that a wearying fog lowers thickly about this

journeying, that above it the sun of romance shines very pale and cold,

and that this journeying is sterile and empty of gusto. Nevertheless,

this journeying, as we ought not to ignore, is no doubt an afterthought,

it is the belated invention of a tired mind, and a desperate and

ill-advised proceeding. For these reasons, howsoever sorrowfully we, as

Horvendile’s fellow artists and well-wishers, must always deplore among

ourselves the kindergarten notions of this poor Horvendile, and his

ponderous playfulness, and the limitations of his few and unenterprising

ideas, still we must be careful not to apply to his magic one single

harsh word.”

“Yet—” Gerald stated.

Nodding in profound and entire approbation, with which Gerald was not in

any way connected, an enchanter in a sopping yellow blanket now

remarked:

“I, too, am always ready to defend the magic of our fellow practitioner.

My conscience forces me to grant that his magic is not faultless. In

mere honesty I have to confess that his magic is stupid and stilted and

silly; that it is sniggering and sly and nasty; that it wallows in a

morass of self-satisfaction; and that it is steeped and soaked in

ever-fretful egoism, in spite of our friendly candor in all dealings

with him from the very first. Nor can I dispute that our confrère

behaves too much like a decadent small boy who is proud of having been

haled into the police court for chalking dirty words on a wall. Apart,

though, from his stinking filth and his vileness and his tinsel

cynicisms, and aside from his bestiality and his vulgar frippery and his

dabblings in cesspools and his vapid sophistries, I stand always ready

to defend the magic of Horvendile, because it is not, after all, as if

he were a mage of any real importance, and one ought always to be

indulgent to persons of third and fourth rate ability.”

“Even so—” Gerald pointed out.

But now an enchanter in a thoroughly drenched scarlet blanket was

saying, as he meditatively unclosed his pastepot:

“I quite agree with you. Nobody admires the merits of our esteemed

confrère more whole-heartedly than I do. It would be merely silly to

deny that he has weakened his always rather wishy-washy magic potions by

too frequent blendings. It is impossible to ignore that his magic has

become a cloying weariness and a mincing indecency. We are forced to

acknowledge that Horvendile is insincere, that he very irritatingly

poses as a superior person, that he is labored beyond endurance, that he

smells of the lamp, that his art is dull and tarnished and trivial and

intolerable, but, even so, we ought also to admit that he does as well

as could be expected of anybody who combines a lack of any actual talent

with ignorance of actual life.”

“However—” Gerald explained.

The fifth enchanter to interrupt Gerald wore a black blanket; and he,

too, appeared to drip with wisdom and bilge-water and judicious

amiability in the while that he said:

“It is, in fact, alike our duty and our privilege to be most lenient

with this laborious bungler who, after all, is probably doing the best

he can. So I, for one, I never dwell even fleetingly upon the awkward

fact that the banality of his magic is no excuse for the way he botches

its execution. Indeed, I do not know but that a person of very lively

imagination might conceive of our confrère’s turning out worse work than

he does. Nor do I think I am being over-charitable. For, upon my

word,—while I can see that his magic is morbid, that it is sophomoric,

that it is malignant, that it is plagiarized, that it is intolerably

insipid, that it is sacrilegious, that it is naïve, that it is pseudo

whatever or other may happen to sound best, that it is over brutal in

cynicism, that it is incurably sentimental, and that it bores me beyond

description,—yet otherwise I can, at just this moment, think of no

especial other fault to find with his magic.”

So it was that these dripping and affable enchanters went on defending

Horvendile with such generous volubility that Gerald could get in no

word.

Then each took off the single garment which he wore, and so vanished,

because without their wet blankets these enchanters were in no way

noticeable. And Gerald rode away from that place contentedly, because it

was a natural comfort to know that he traveled with a guide and a patron

who was so well thought of by the best judges.

22.

The Paragraph of the Sphinx

NOW upon the outskirts of Turoine, after Gerald had ridden through

this city, Gerald paused to talk with the Sphinx who lay there writing

with a black pen in a large black-covered book like a ledger. The

monster had so long couched in this place as to be half-imbedded in the

red earth.

“This partially buried condition, ma’am,” Gerald began,—“or perhaps one

ought to say ‘sir’—”

“Either form of address,” replied the Sphinx, “may be applicable,

according to which half of me you are considering.”

“—This semi-interment, then, madam and sir, is untidy looking, and

cannot be especially comfortable.”

“Yet I may not move,” replied the Sphinx, “in part because I have my

writing to complete, in part because I know all movement and all action

of every kind to be equally fruitless. So do I retain eternal bodily as

well as mental poise.”

“Such acumen borders upon paralysis,” Gerald said: “and paralysis is

ugly.”

“Do you not despise ugliness!” the Sphinx exhorted, “who have traveled

thus far upon the road of gods and myths. For what things have you found

stable upon this road save only Koleos Koleros and the Holy Nose of

Lytreia? and what is there more ugly than these two?”

Gerald replied: “That nose I found it my Christian duty to describe as a

tongue; and the lady whom they call Koleos Koleros I have not yet seen.

But, in any case, you, ma’am—for, after all, it is not quite nice for

me to have your loins upon my mind—No, really, it does seem more

becoming for me to treat you as a lady—”

“So, and do you find me ugly?”

“You mistake my meaning. I was about to observe that you, ma’am, also

appear tolerably stable. And the Mirror of Caer Omn, that likewise

remains in worship.”

“Dreams pass eternally varying through that golden mirror. Thoughts pass

eternally varying through my wise head. But all these dreams and

thoughts stay barren, as barren as they are irresolute. For we create

nothing. We control no material thing. And we aspire toward no goal.

That is why we are permitted to endure powerlessly in realms wherein two

powers alone are never barren; wherein they control all; and wherein

neither may ever be uncertain of its goal so long as the other

survives.”

Gerald found this wholly incomprehensible and of no striking interest.

So he only shrugged.

“Nevertheless, in my worlds,” Gerald said, “there shall not be any

ugliness.”

“Do you, then, possess many worlds?”

“Not as yet, ma’am. I allude to the worlds I shall create by and by,

when I have come into my kingdom yonder, in the place beyond good and

evil, and have regained my proper station as the Lord of the Third Truth

in the Dirghic mythology.”

Now the Sphinx frowned. “I perceive you are only another downfallen god

upon your journey to the Master Philologist. I might have guessed it,

for Thor and Typhon and Rudra and the Maruts and all the other storm

gods who have gone blustering downward into Antan, all had red hair.”

Gerald slapped his thigh.

“Upon my word, ma’am, but that is a real clue! The storm gods did, in

every mythology known to me, have red hair. I incline to believe that

the wisdom of the Sphinx has solved the mystery of my being. I am no

doubt a storm god also; I am rapidly becoming a complete pantheon upon

two legs; and at this rate my waistcoat will end by embracing pure

monotheism. Meanwhile I really do wonder, ma’am, at your offhand way of

speaking about the gods, and I wonder, too, what grudge you can have

against us gods?”

“For one thing, it is said that the gods created those men who interrupt

me in my writing to plague me with just such silly questions.”

“Men naturally seek wisdom from you, ma’am, to whom the whole story of

human life is familiar.”

“But the story of human life is not one story. There are three stories

of human life.”

“Ah, ah! And what are they?”

“Why, there was once a traveling man who came one night to an inn—”

“I believe I have heard of his indecorous adventures there. So do you

spare my blushes, ma’am, and tell me the second story!”

“It seems, then, there were once two Irishmen—”

“That anecdote also, in all conceivable variants, I am quite certain I

have heard. So what is the third story?”

“There was once a young married couple. And it seems that on the first

night—”

“Yet that story, in a great number of versions, is equally familiar to

me. And really, ma’am, I question if these intolerably hackneyed tales

sum up all human wisdom.”

Something about Eve: A comedy of fig-leaves · 第 7 / 17 段