CHAPTER I

[Illustration: _Madame Etsu Inagaki Sugimoto_]

A DAUGHTER OF

THE SAMURAI

BY

ETSU INAGAKI SUGIMOTO

INSTRUCTOR IN JAPANESE LANGUAGE AND

HISTORY, COLUMBIA UNIVERSITY

_How a daughter of feudal Japan, living

hundreds of years in one generation,

became a modern American_

FRONTISPIECE

BY

ICHIRO HORI

_SPECIAL EDITION_

PUBLISHED BY

DOUBLEDAY, PAGE _&_ COMPANY

FOR

JAPAN SOCIETY

36 WEST 44TH STREET

NEW YORK CITY

ACKNOWLEDGMENT

Much of the material of this book originally appeared in _Asia_ but has

been thoroughly revised for book publication.

COPYRIGHT, 1925, BY DOUBLEDAY, PAGE

& COMPANY. ALL RIGHTS RESERVED.

PRINTED IN THE UNITED STATES AT THE

COUNTRY LIFE PRESS, GARDEN CITY, N. Y.

WITH RESPECT AND LOVE AND DEEPEST GRATITUDE

I DEDICATE THESE SACRED MEMORIES

TO

MY TWO MOTHERS

WHOSE LIVES AND ENVIRONMENTS WERE FAR APART,

YET WHOSE HEARTS MET IN MINE

ACKNOWLEDGMENT

TO

NANCY VIRGINIA AUSTEN

Whose pleasant friendship, energetic spirit, and practical knowledge

encouraged me to believe that a little Etsu-bo, with a heart full of

love for old Japan, could gather the falling fragments of samurai

spirit and weave them into a fragrant chain for the readers of to-day.

CONTENTS

CHAPTER PAGE

I. Winters in Echigo 1

II. Curly Hair 11

III. Days of Kan 17

IV. The Old and the New 25

V. Falling Leaves 33

VI. A Sunny New Year 42

VII. The Wedding That Never Was 53

VIII. Two Ventures 61

IX. The Story of a Marionette 73

X. The Day of the Bird 87

XI. My First Journey 98

XII. Travel Education 107

XIII. Foreigners 118

XIV. Lessons 127

XV. How I Became a Christian 137

XVI. Sailing Unknown Seas 148

XVII. First Impressions 160

XVIII. Strange Customs 175

XIX. Thinking 187

XX. Neighbours 196

XXI. New Experiences 206

XXII. Flower in a Strange Land 221

XXIII. Chiyo 230

XXIV. In Japan Again 242

XXV. Our Tokyo Home 246

XXVI. Tragic Trifles 254

XXVII. Honourable Grandmother 262

XXVIII. Sister's Visit 273

XXIX. A Lady of Old Japan 280

XXX. The White Cow 289

XXXI. Worthless Treasures 301

XXXII. The Black Ships 311

ILLUSTRATIONS

Madame Etsu Inagaki Sugimoto _Frontispiece_

FACING PAGE

My greatest pleasure was going to the temple with

Mother 42

INTRODUCTION

There are many happy adventures for those who work in the strange

world of printers' ink; and in some lucky moment of inspiration,

several years ago, I asked Mrs. Sugimoto to write, for my column in a

Philadelphia newspaper, some little memories of her girlhood in Japan.

The story of the dog Shiro, whose prosperity in a future life she

endangered by giving him her own cushion; her childish sadness about

her curly hair; her pensive trouble when she discovered that American

women were not really more modest than Japanese--these and a few other

charming episodes first found their way into print in that newspaper,

and gradually led to this beautiful and thrilling book. It is an honour

to be asked by Mrs. Sugimoto to say a word of introduction here. I

only wish that I knew how to make it ceremonious enough. For the inner

suggestion of her book is surely that life in its highest moments is

a kind of ceremony in honour of the unknown gods. "The eyelids of a

Samurai," Mrs. Sugimoto tells us, "know not moisture." But the "red

barbarians," who have not learned the old stoic art, may be forgiven

if they feel occasionally, among her tender paragraphs, that dangerous

prickling that great truth conveys.

What a lovely book it is, and how much it has to teach us. I have a

secret notion that it will go on for years and years, making friends

for itself and for the brave woman who wrote it, and also--this would

please her most--friends for Japan. Is it not a perfect book for

children to read? I don't know any collection of fairy tales more

entrancing. And for parents too: is it not the subtlest kind of

treatise on education? For the pure art and humour and simplicity of

the narrative: where is there a more charming short story than that

of Mr. Toda? A great American writer, who was in many things as far

as possible from the old Samurai codes (Walt Whitman), said, "As soon

as histories are properly told there is no more need of romances."

This book is a history properly told. Some of us may think that Mrs.

Sugimoto has been even a little too generous toward the America she

adopted. But she came among us as Conrad came among the English; and if

the little Etsu-bo, the well-loved tomboy of snowy winters in Echigo,

finds beauty in our strange and violent ways, we can only be grateful.

Among her delicate and significant anecdotes, each a gem of artistic

thought and feeling, she tells of the Japanese fiancée whose

betrothed had a plum-blossom as his family crest, and therefore the

young woman must pay particular honour to that flower, and could not

even eat plum jelly, which would be disrespectful to the emblem of her

future husband. In the same way I feel obscurely that I must not write

too much about Mrs. Sugimoto: because I honour her greatly, to write

fulsomely here would be disrespectful to her beautiful book. I can only

say that this story of a Japanese girlhood and of the brave child who

found a seed of liberty stirring in her heart seems to me one of those

rare triumphs where two diverse worlds speak openly to one another and

both are profited.

One of my pleasantest memories is of a time when Mrs. Sugimoto, in her

Japanese costume, accompanied as a great lady should be by her daughter

and a loved companion, came far downtown in hot weather to visit me in

a New York newspaper office. She felt, though surely too generously,

that I had tried to be courteous; and this required, on her part, a

gesture of appreciation. I have never forgotten it: her gay little

figure, charming as a bird or flower in her vivid robe, brightening

for a few minutes that busy, noisy place. What the expedition may have

cost her, in weariness or alarm or secret distresses, I hesitate to

conjecture. Only a brave and great-minded person would have ventured

it. That she is brave and great-minded and a true daughter of the

Samurai no reader will ever doubt. How startled, I suppose, some of her

knightly ancestors would be to find her putting her private thoughts on

paper for all the world to see. Then indeed the shrines would be pasted

up and there would be horrified silence. But it was that old, hard and

feudal code that gave her strength to break through paper formalities

when she felt it needful. She has given us here a unique picture of

the exquisite complexity and beauty of all human life. She is a great

teacher, and I would not willingly even tread on her shadow.

Christopher Morley.

A DAUGHTER OF THE SAMURAI

CHAPTER I

WINTERS IN ECHIGO

Japan is often called by foreign people a land of sunshine and cherry

blossoms. This is because tourists generally visit only the eastern and

southern parts of the country, where the climate is mild all the year

round. On the northwest coast the winters are long, snow often covering

the ground from December to March or April.

In the province of Echigo, where was my home, winter usually began with

a heavy snow which came down fast and steady until only the thick,

round ridge-poles of our thatched roofs could be seen. Then groups

of coolies, with straw mats over their shoulders and big woven hats

that looked like umbrellas, came and with broad wooden shovels cut

tunnels through from one side of the street to the other. The snow

was not removed from the middle of the street all winter. It lay in a

long pile, towering far above the house-tops. The coolies cut steps,

for they were carrying snow at intervals all winter, and we children

used to climb up and run along the top. We played many games there,

sometimes pretending we were knights rescuing a snow-bound village, or

fierce brigands stealing upon it for an attack.

But a still more exciting time for us was before the snow came, when

the entire town was making preparations for winter. This always took

several weeks, and each day as we went to and from school we would

stop to watch the coolies busily wrapping the statues and small shrines

along the streets in their winter clothing of straw. The stone lanterns

and all the trees and bushes of our gardens were enclosed in straw,

and even the outside walls of the temples were protected by sheets of

matting fastened on with strips of bamboo, or immense nettings made of

straw rope. Every day the streets presented a new appearance, and by

the time the big carved lions at the temple steps were covered, we were

a city of grotesque straw tents of every shape and size, waiting for

the snow that would bury us in for three or four months.

Most large houses had thatched roofs with wide eaves, but the shops

on the streets had shingled roofs weighted with stones to prevent

avalanches when the snow began to melt in the spring. Above all

the sidewalks extended a permanent roof, and during the winter the

sidewalks were enclosed by walls of upright boards with an occasional

panel of oiled paper, which turned them into long halls, where we could

walk all over town in the stormiest weather, entirely protected from

wind and snow. These halls were dim, but not dark, for light shines

through snow pretty well, and even at the street corners, where we

crossed through the snow tunnels, it was light enough for us to read

good-sized characters. Many a time, coming home from school, I have

read my lessons in the tunnel, pretending that I was one of the ancient

sages who studied by snow-light.

Echigo, which means "Behind the Mountains," is so shut off from the

rest of Japan by the long Kiso range that during the early feudal days

it was considered by the Government only a frozen outpost suitable as a

place of exile for offenders too strong in position or influence to be

treated as criminals. To this class belonged reformers. In those days

Japan had little tolerance for reforms either in politics or religion,

and an especially progressive thinker at court or a broad-minded monk

was branded as equally obnoxious and sent to some desolate spot where

his ambitions would be permanently crushed. Most political offenders

that were sent to Echigo either filled the graves of the little

cemetery beyond the execution ground or lost themselves in some simple

home among the peasants. Our literature holds many a pathetic tale

of some rich and titled youth, who, disguised as a pilgrim, wanders

through the villages of Echigo, searching for his lost father.

The religious reformers fared better; for they generally spent their

lives in working quietly and inoffensively among the people. Some

founders of new Buddhist sects exiled for a lifetime, were men of great

ability, and gradually their belief spread so widely that Echigo became

known all over Japan as the stronghold of reformed Buddhism. From

earliest childhood I was familiar with priest tales and was accustomed

to seeing pictures of images cut on the rocks or carved figures

standing in caves on the mountain-sides--the work of the tireless hands

of those ancient monks.

My home was in the old castle town of Nagaoka. Our household consisted

of my father and mother, my honoured grandmother, my brother, my

sister, and myself. Then there was Jiya, my father's head servant, and

my nurse, Ishi, besides Kin and Toshi. Several other old servants came

and went on occasions. I had married sisters, all in distant homes

except the eldest, who lived about half a day's jinrikisha ride from

Nagaoka. She came occasionally to visit us, and sometimes I went home

with her to spend several days in her big thatched farmhouse, which

had been, in ancient days, the fortress of three mountains. Samurai

families often married into the farmer class, which was next in rank

to the military, and much respected, for "one who owns rice villages

holds the life of the nation in his hand."

We lived just on the edge of the town in a huge, rambling house that

had been added to from time to time ever since I could remember. As

a result, the heavy thatched roof sagged at the gable joinings, the

plaster walls had numerous jogs and patches, and the many rooms of

various sizes were connected by narrow, crooked halls that twisted

about in a most unexpected manner. Surrounding the house, but some

distance away, was a high wall of broken boulders, topped with a low,

solid fence of wood. The roof of the gateway had tipped-up corners,

and patches of moss on the brown thatch. It was supported by immense

posts between which swung wooden gates with ornamental iron hinges that

reached halfway across the heavy boards. On each side there extended,

for a short distance, a plaster wall pierced by a long, narrow window

with wooden bars. The gates were always open during the day, but if at

night there came knocking and the call "_Tano-mo-o! Tano-mo-o!_" (I ask

to enter!) even in the well-known voice of a neighbour, Jiya was so

loyal to old-time habit that he invariably ran to peep through one of

these windows before opening the gate to the guest.

From the gateway to the house was a walk of large, uneven stones,

in the wide cracks of which grew the first foreign flowers that

I ever saw--short-stemmed, round-headed little things that Jiya

called "giant's buttons." Someone had given him the seed; and as he

considered no foreign flower worthy of the dignity of a place in our

garden, he cunningly planted them where they would be trod upon by our

disrespectful feet. But they were hardy plants and grew as luxuriantly

as moss.

That our home was such a makeshift was the result of one of the

tragedies of the Restoration. Echigo Province was one of those that had

believed in the dual government. To our people, the Mikado was too

sacred to be in touch with war, or even annoying civil matters, and so

they fought to uphold the shogun power to which, for generations, their

ancestors had been loyal. At that time my father was _karo_, or first

counsellor of the daimiate of Nagaoka, a position which he had held

since the age of seven, when the sudden death of my grandfather had

left it vacant. Because of certain unusual circumstances, my father was

the only executive in power, and thus it was that during the wars of

the Restoration he had the responsibility and the duties of the office

of daimio.

At the bitterest moment that Nagaoka ever knew, Echigo found herself

on the defeated side. When my mother learned that her husband's cause

was lost and he taken prisoner, she sent her household to a place of

safety, and then, to prevent the mansion from falling into the hands

of the enemy, she with her own hands set fire to it and from the

mountain-side watched it burn to the ground.

After the stormy days of war were past and Father finally was free from

the governorship which he had been directed to retain until the central

government became stabilized, he gathered together the remains of his

family estate, and after sharing with his now "fish-on-land" retainers,

he built this temporary home on the site of his former mansion. Then

he planted a mulberry grove on a few acres of land near by and prided

himself on having levelled his rank to the class of farmer. Men of

samurai rank knew nothing about business. It had always been considered

a disgrace for them to handle money; so the management of all business

affairs was left to faithful but wholly inexperienced Jiya, while

Father devoted his life to reading, to memories, and to introducing

unwelcome ideas of progressive reform to his less advanced neighbours.

My father, however, held on to one extravagance. The formal

once-in-two-years journey to the capital, which, before the

Restoration, the law required of men of his position, was now changed

to an informal annual trip which he laughingly called the "window

toward growing days." The name was most appropriate; for this yearly

visit of my father gave his whole family a distant view of progressing

Japan. Besides the wonderful word pictures, he also brought us gifts

of strange, unknown things--trinkets for the servants, toys for the

children, useful house articles for Mother, and often rare imported

things for the much-honoured grandmother.

Jiya always accompanied Father on these trips, and, in his position as

business manager, came in contact with tradesmen and heard many tales

of the methods of foreigners in dealing with Japanese. The cleverness

of the foreign business system was acknowledged by everyone, and

although frequently disastrous to the Japanese, it aroused admiration

and a desire to imitate. A more honest soul than Jiya never lived, but

in his desire to be loyal to the interests of his much-loved master he

once got our family name into a tangle of disgrace that took months of

time and much money to straighten out. Indeed, I doubt if the matter

was ever clearly understood by any of the parties. I know it was a sore

puzzle to Jiya as long as he lived. It happened in this way.

Jiya became acquainted with a Japanese man, who, as agent for a

foreigner, was buying up cards of silkworm eggs from all the villages

around. Such cards were prepared by having painted on them, with a

special ink, the name or crest of the owner. Then the cards were placed

beneath the butterflies, which lay on them their small, seed-like eggs

by the thousands. The cards were finally classified and sold to dealers.

This agent, who was a very wealthy man, told Jiya that if mustard seeds

were substituted for the eggs, the cards would sell at a profit that

would make his master rich. This, the agent explained, was a foreign

business method being adopted now by the merchants of Yokohama. It

was known as "the new way of making Japan strong, so the high-nosed

barbarian could no longer beat the children of Japan in trade."

As my father's mulberry grove furnished food for many of the silkworms

in near-by villages, his name was a good one for the agent to use,

and poor Jiya, delighted to be doing business in the clever new way,

was of course a willing tool. The man prepared the cards to the value

of hundreds of yen--all marked with my father's crest. Probably he

pocketed all the money; anyway, the first we knew of the affair

was when a very tall, red-faced foreign man, in strange, pipe-like

garments, called to see my father. How well I remember that important

day! Sister and I, with moistened finger-tips, melted tiny holes in the

paper doors, to peep at the wonderful stranger. We knew it was rude and

low class, but it was the opportunity of a lifetime.

I have no reason to think that foreign man was in any way to blame; and

possibly--possibly--the agent also thought that he was only competing

in cleverness with the foreigner. So many things were misunderstood

in those strange days. Of course, my father, who had known absolutely

nothing of the transaction, paid the price and made good his name, but

I doubt if he ever understood what it all meant. This was one of the

many pathetic attempts made in those days by simple-minded vassals,

whose loyal, blundering hearts were filled with more love than wisdom.

In the long winter evenings I was very fond of slipping away to the

servants' hall to watch the work going on there and to hear stories.

One evening, when I was about seven years old, I was hurrying along the

zig-zag porch leading to that part of the house when I heard voices

mingling with the thuds of soft snow being thrown from the roof. It

was unusual to have the roof cleared after dark, but Jiya was up there

arguing with the head coolie and insisting that the work must be done

that night.

"At the rate the snow is falling," I heard him say, "it will crush the

roof before morning."

One of the coolies muttered something about its being time for temple

service, and I noticed the dull tolling of the temple bell. However,

Jiya had his way, and the men went on with the work. I was astonished

at the daring of the coolie who had ventured to question Jiya's

command. To my childish mind, Jiya was a remarkable person who was

always right and whose word was law. But with all my respect for his

wisdom, I loved him with all my heart; and with reason, for he was

never too busy to twist up a straw doll for me, or to tell me a story

as I sat on a garden stone watching him work.

The servants' hall was a very large room. One half of the board floor

had straw mats scattered here and there. This was the part where the

spinning, rice-grinding, and the various occupations of the kitchen

went on. The other half, where rough or untidy work was done, was

of hard clay. In the middle of the room was the fireplace--a big,

clay-lined box sunk in the floor, with a basket of firewood beside it.

From a beam high above hung a chain from which swung various implements

used in cooking. The smoke passed out through an opening in the centre

of the roof, above which was a small extra roof to keep out the rain.

As I entered the big room, the air was filled with the buzz of work

mingled with chatter and laughter. In one corner was a maid grinding

rice for to-morrow's dumplings; another was making padded scrub-cloths

out of an old kimono; two others were tossing from one to the other

the shallow basket that shook the dark beans from the white, and a

little apart from the others sat Ishi whirling her spinning wheel with

a little tapping stick.

There was a rustle of welcome for me, for the servants all liked a

visit from "Etsu-bo Sama," as they called me. One hurried to bring me

a cushion and another tossed a handful of dried chestnut hulls on the

glowing fire. I loved the changing tints of chestnut hull embers, and

stopped a moment to watch them.

"Come here, Etsu-bo Sama!" called a soft voice.

It was Ishi. She had moved over on to the mat, leaving her cushion

for me. She knew I loved to turn the spinning wheel, so she pushed

the cotton ball into my hand, holding her own safely over it. I can

yet feel the soft pull of the thread slipping through my fingers as I

whirled the big wheel. I am afraid that I spun a very uneven thread,

and it was probably fortunate for her work that my attention was soon

attracted by Jiya's entrance. He pulled a mat over to the clay side

of the room and in a moment was seated with his foot stretched out,

holding between his toes one end of the rope he was twisting out of

rice-straw.

"Jiya San," called Ishi, "we have an honoured guest."

Jiya looked up quickly, and with a funny, bobby bow above his stretched

rope, he smilingly held up a pair of straw shoes dangling from a cord.

"Ah!" I cried, jumping up quickly and running across the clay floor to

him, "are they my snow-shoes? Have you finished them?"

"Yes, Etsu-bo Sama," he answered, putting in my hands a pair of small

straw boots, "and I have finished them just in time. This is going

to be the deepest snow we have had this year. When you go to school

to-morrow you can take a short cut, straight over the brooks and

fields, for there will be no roads anywhere."

As usual Jiya's prediction was right. Without our snow-boots we girls

could not have gone to school at all. Moreover, his persistence with

the coolies had saved our roof; for before morning five feet more of

snow filled the deep-cut paths and piled on top of the long white

mountain in the street.

A daughter of the Samurai · 第 1 / 32 章