IX

Some nights, even in Davos, are spent, even by an invalid, in bed.

A leaflet, therefore, of 'Sleep-chasings' may not inappropriately

be flung, as envoy to so many wanderings on foot and sledge upon the

winter snows.

The first is a confused medley of things familiar and things strange.

I have been dreaming of far-away old German towns, with gabled houses

deep in snow; dreaming of châlets in forgotten Alpine glens, where

wood-cutters come plunging into sleepy light from gloom, and sinking

down beside the stove to shake the drift from their rough shoulders;

dreaming of vast veils of icicles upon the gaunt black rocks in places

where no foot of man will pass, and where the snow is weaving eyebrows

over the ledges of grey whirlwind-beaten precipices; dreaming

of Venice, forlorn beneath the windy drip of rain, the gas lamps

flickering on the swimming piazzetta, the barche idle, the gondolier

wrapped in his thread-bare cloak, alone; dreaming of Apennines, with

world-old cities, brown, above the brown sea of dead chestnut boughs;

dreaming of stormy tides, and watchers aloft in lighthouses when day

is finished; dreaming of dead men and women and dead children in the

earth, far down beneath the snow-drifts, six feet deep. And then

I lift my face, awaking, from my pillow; the pallid moon is on the

valley, and the room is filled with spectral light.

I sleep, and change my dreaming. This is a hospice in an unfrequented

pass, between sad peaks, beside a little black lake, overdrifted with

soft snow. I pass into the house-room, gliding silently. An old man

and an old woman are nodding, bowed in deepest slumber, by the stove.

A young man plays the zither on a table. He lifts his head, still

modulating with his fingers on the strings. He looks right through me

with wide anxious eyes. He does not see me, but sees Italy, I know,

and some one wandering on a sandy shore.

I sleep, and change my dreaming. This is S. Stephen's Church in Wien.

Inside, the lamps are burning dimly in the choir. There is fog in the

aisles; but through the sleepy air and over the red candles flies a

wild soprano's voice, a boy's soul in its singing sent to heaven.

I sleep, and change my dreaming. From the mufflers in which his

father, the mountebank, has wrapped the child, to carry him across

the heath, a little tumbling-boy emerges in soiled tights. He is half

asleep. His father scrapes the fiddle. The boy shortens his red belt,

kisses his fingers to us, and ties himself into a knot among the

glasses on the table.

I sleep, and change my dreaming. I am on the parapet of a huge

circular tower, hollow like a well, and pierced with windows at

irregular intervals. The parapet is broad, and slabbed with red

Verona marble. Around me are athletic men, all naked, in the strangest

attitudes of studied rest, down-gazing, as I do, into the depths

below. There comes a confused murmur of voices, and the tower is

threaded and rethreaded with great cables. Up these there climb to us

a crowd of young men, clinging to the ropes and flinging their bodies

sideways on aërial trapezes. My heart trembles with keen joy and

terror. For nowhere else could plastic forms be seen more beautiful,

and nowhere else is peril more apparent. Leaning my chin upon the

utmost verge, I wait. I watch one youth, who smiles and soars to me;

and when his face is almost touching mine, he speaks, but what he says

I know not.

I sleep, and change my dreaming. The whole world rocks to its

foundations. The mountain summits that I know are shaken. They bow

their bristling crests. They are falling, falling on us, and the earth

is riven. I wake in terror, shouting: INSOLITIS TREMUERUNT MOTIBUS

ALPES! An earthquake, slight but real, has stirred the ever-wakeful

Vesta of the brain to this Virgilian quotation.

I sleep, and change my dreaming. Once more at night I sledge alone

upon the Klosters road. It is the point where the woods close over it

and moonlight may not pierce the boughs. There come shrill cries of

many voices from behind, and rushings that pass by and vanish. Then

on their sledges I behold the phantoms of the dead who died in Davos,

longing for their homes; and each flies past me, shrieking in the

still cold air; and phosphorescent like long meteors, the pageant

turns the windings of the road below and disappears.

I sleep, and change my dreaming. This is the top of some high

mountain, where the crags are cruelly tortured and cast in enormous

splinters on the ledges of cliffs grey with old-world ice. A ravine,

opening at my feet, plunges down immeasurably to a dim and distant

sea. Above me soars a precipice embossed with a gigantic ice-bound

shape. As I gaze thereon, I find the lineaments and limbs of a Titanic

man chained and nailed to the rock. His beard has grown for centuries,

and flowed this way and that, adown his breast and over to the stone

on either side; and the whole of him is covered with a greenish ice,

ancient beyond the memory of man. 'This is Prometheus,' I whisper to

myself, 'and I am alone on Caucasus.'

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Sketches and Studies in Italy and Greece, First Series · 第 34 / 79 题