We may note that in Il. i. 156:--

ἦ μάλα πολλὰ μεταξὺ,

οὔρεά τε σκιόεντα θάλασσά τε ἠχήεσσα,[17]

the mountains and the sea are both alike mentioned as barriers between

people and people, although it may be questioned whether the idea is

more definite than that of distance, to which the epithet σκιόεντα is

more appropriate. In this case the mountains are introduced merely to

give a concrete horizon to the idea of remoteness conveyed by μάλα

πολλά and σκιόεντα.

The sea was commonly regarded by the Greeks as a tie between land

and land, the mountains as a barrier. So they damned the mountains

with faint praise of their timber, their hunting grounds, and, most

unkindest cut, the wider view of the sea from their cliffs. There was

no one to tell the primitive Greeks that from the hated mountains,

by streams and melting snows, came the very meadows in which they

delighted, that the richness of their ideal pasture-lands of Thessaly

was produced, not in spite of, but actually by the mountains round. So

they continued to regard them as heaps of waste, and it was this view

which was primarily responsible for the reticence about the mountains

with which we meet in Greek literature. In all the Odyssey there are

hardly twenty lines descriptive of the mountains. In one of the most

beautiful lines of Homer:--

εἴσατο δ’ ὡς ὅτε ῥινὸν ἐν ἠεροειδέϊ πόντῳ.[18]

_Od._ v. 281.

the picture is of the island, not of its mountains; they are mentioned,

but merely because a low-lying island is not visible in ‘misty’

distance.

The first use of the mountains in simile is to represent big, ugly

people: of the Cyclops,

καὶ γὰρ θαῦμ’ ἐτέτυκτο πελώριον, οὐδὲ ἐῴκει

ἀνδρί γε σιτοφάγῳ, ἀλλὰ ῥίῳ ὑλήεντι

ὑψηλῶν ὀρέων, ὅ τε φαίνεται οἶον ἀπ’ ἄλλων.[19]

_Od._ ix. 190.

and of the queen of the Læstrygones,

τὴν δὲ γυναῖκα

εὗρον ὅσην τ’ ὄρεος κορυφήν, κατὰ δ’ ἔστυγον αὐτήν.[20]

_Od._ x. 112.

For the most part, the mountains are treated with contemptuous

indifference. It is evident that, as a place of outlook over low-lying

scenery or the sea, a height of some sort is necessary, and where such

an outlook is mentioned by Homer he does not grudge it an epithet; but

in such a passage as the following the hill is nothing, the view from

it all-important:--

εἶδον γὰρ σκοπιὴν ἐς παιπαλόεσσαν ἀνελθὼν

νῆσον, τὴν πέρι πόντος ἀπείριτος ἐστεφάνωται·

αὐτὴ δὲ χθαμαλὴ κεῖται· καπνὸν δ’ ἐνὶ μέσσῃ

ἔδρακον ὀφθαλμοῖσι διὰ δρυμὰ πυκνὰ καὶ ὕλην.[21]

_Od._ x. 194.

There is only one passage in Homer in which one mountain is seen from

another. Poseidon is watching the battle before Troy from the highest

crest of wooded Samothrace:--

ἔνθεν γὰρ ἐφαίνετο πᾶσα μὲν Ἴδη,

φαίνετο δὲ Πριάμοιο πόλις καὶ νῆες Ἀχαιῶν.[22]

_Il._ xiii. 13.

If we analyse our own pleasure in the ascent of a mountain, giving due

importance to the view of other peaks from it, we shall realise how

significant it is that this reference is unique in Homer.

Of rock-climbers Homer had a very poor opinion: he would be a very

bold man now who would say of any rock peak in the world:--

οὐδέ κεν ἀμβαίη βροτὸς ἀνὴρ οὐδ’ ἐπιβαίη,

οὐδ’ εἴ οἱ χεῖρές τε ἐείκοσι καὶ πόδες εἶεν·

πέτρη γὰρ λίς ἐστι, περιξεστῇ εἰκυῖα.[23]

_Od._ xii. 77.

Baedeker himself could not more vehemently warn of a novice from a

dangerous face; but there was little chance that the climb in question

would ever become ‘an easy day for a lady,’ as it led past the cave of

Scylla, whose six heads would have required a toll likely to leave an

appreciable gap in the largest party.

Oxford Mountaineering Essays · 第 14 / 54 题