The following day, immediately after the morning meal, hugging her

precious manuscript, she was driven to the station in the company of the

four young Traverses, all of whom warmly insisted upon seeing her off.

The frame of mind into which these four friends had been thrown, owing

to her unwonted demeanour and most mysterious silence concerning this

expedition, may be easily imagined. Doris and Phyllis were openly and

frankly curious, with that feminine curiosity that knows no concealment;

nor did they cease in their endeavours to worm Hazel's secret from her,

resorting at length to stratagem, in the hope that the girl, if caught

for a moment off her guard, might yet be led into revealing the cause of

her mission.

"Teddie will meet this train," was all she would say, "and perhaps you

will be kind enough to meet the one arriving here at 3.50," and she

turned to the taciturn Digby.

Digby Travers was much more to be pitied than either his sisters or

Francis: the latter being genuinely amused, and inclined to chaff Hazel,

nor was he troubled one whit with the restless curiosity that beset the

girls, or the sense of grievance that lurked in the bosom of his

brother. For Digby felt himself to be deeply injured. It is true that

he had not, like the others, deliberately asked Hazel to tell him her

reason for running up to town: he would not urge her to confide in him,

but he was hurt that she did not volunteer the explanation of her

movements, at all events to him, even if she wished the matter to remain

secret from the others. Hazel was partially aware of the state of his

feelings, and looked to see him brighten at her proposal, but the gloom

did not lift from Digby's countenance.

"As you like," he made answer, with would-be nonchalance. "Either I or

Francis--or the man, if we are prevented."

And then Hazel's eyes were opened, figuratively and actually, and she

gazed upon him for some moments in mute wonder and some little distress.

While he spoke and acted like the Digby she had known so long, her

suspicions were not aroused, her mind being fully occupied with managing

him--smoothing the little difficulties that his importunities caused

her, keeping him at arm's length instinctively, all unconscious that she

was doing so, or that there was any need to do so. But now the

situation began to dawn upon her. While he remained attentive to all her

little needs and wishes, displaying an odd admixture of slavish devotion

and proprietary authority, such as had characterised his attitude

towards her so long as she could remember--for even the rough schoolboy

had lorded it over the very small maiden--she had taken it all as a

matter of course--as Digby's "way." For tenderness, shame-faced at

first, had crept in so imperceptibly, so gradually supplanting the old

rough-and-ready affection; and the old boyish, somewhat overbearing and

dictatorial manner had by such gentle degrees given place to another

sort of proprietariness, that these things seemed to have grown with his

growth; and the girl, beyond an occasional sense of annoyance at such

times, when Digby appeared rather trying and more difficult to manage

than of yore, had never given the matter a second thought. But now,

with this abrupt change of front, this veering round, so to say, from

eager and solicitous attention to a poorly assumed indifference,

manifestly born of a certain recklessness and of deeply felt resentment

against herself, a horrible suggestion presented itself to the girl's

mind, and she looked at Digby Travers in wide-eyed dismay.

"I believe he is beginning to be a sort of lover," she said to herself,

and her heart beat a little faster.

She reflected upon this new problem at her ease, after she had been

safely bestowed in a first-class compartment with ladies, of whom Digby

had inquired their destination, committing Hazel to their charge.

Many little incidents recurred to her mind, that had puzzled her at the

time, but now seemed to explain themselves with unmistakable conviction.

"He must not be allowed to propose," for, strange and bewildering as it

seemed to the girl, yet, assuming him to be a lover, that was the young

man's end and aim--"to propose: it would be too terrible." Besides, he

had no right to do so; Hazel must save him from himself--he was

deceiving himself: he was not a proper lover, a real lover. It was too

absurd. She almost laughed aloud at the absurdity of it. Intuitively

her thoughts turned to Paul for help. The next moment the girl had

shrunk within herself--her face aflame. The only place in the whole

world that presented itself to her imagination was her mother's

shoulder; but she was all unconscious that it was from Paul she desired

to hide her face.

Presently she grew more collected, and took herself to task. She told

herself that all her good sense and wisest judgment must be brought to

bear upon the subject. She did not think she should trouble her mother:

she might conceivably confide in Teddie, if she found it expedient to do

so, but certainly, oh certainly, in no one else. And perhaps, after

all, she could manage unaided; perhaps some coldly proffered hints would

bring Digby to his senses. Even now she believed she must be

mistaken--it was so preposterous, this new idea.

In the meantime she must set herself resolutely to put the thing out of

her mind. Only so could she attend properly to the business in hand.

She unfolded the manuscript, re-read it, and found that she was still

satisfied with it, although the details of the story began to pall a

little, as was natural.

As she finished reviewing the precious document the train drew up in

Paddington Station, and there upon the platform, trying hard not to look

interested, stood Teddie.

Hazel's eyes lighted on him instantly. Eagerly, almost tremulously, she

once more unfolded the manuscript, and, springing from the carriage, ran

to his side.

"It is called 'The Victoria Cross, and How it was Won,'" she announced

breathlessly to her astonished brother, and forthwith began to read.

"What is?" Teddie asked, bluntly interrupting her.

"Why, the story," she answered, for the moment confounded by her

auditor's lack of sympathy and appreciation. "Didn't you know? I have

written a story," and she was about to proceed with the narrative, when

he again interposed.

"I know nothing," he said with an injured air, "but that you wanted me

to meet this train, and did not give me time to say I could not; it was

dashed inconvenient, I can tell you."

For a moment the girl's ardour was damped.

"Oh, Teddie, I am so sorry," she exclaimed, "but I wanted to take it at

once to an editor. I had to be quick, while I was at the Traverses, as

I could not take it from home without confiding in mother, and it is a

surprise for her."

Her bright face clouded, and she regarded her brother wistfully. "Is it

very inconvenient?" she asked.

Teddie's generous young heart was touched. "Oh, it is all right," he

answered gruffly. "Let us hear it."

Hazel, nothing loth, began once more as the two strolled down the

platform, hardly pausing, in her absorbed interest, as she handed her

ticket to the amused collector.

Teddie, though gradually becoming fired with something of her

enthusiasm, was hardly yet so engrossed but that he had sufficient sense

left of his surroundings to be aware of the unsuitability of the place

for either reading aloud or listening. He therefore guided the

unconscious girl, without again interrupting her, to a waiting-room,

which he noted with satisfaction was empty. Here the two ensconced

themselves, and Hazel read on to the finish, Teddie hearkening with all

his ears; nor did he once remove his eyes from her face, where a bright

spot of colour, born of excitement, was glowing on either cheek.

"That is the end," she announced triumphantly. "What do you think of

it?"

"Jolly good," Teddie declared with gratifying warmth. "Come on," he

added, springing to his feet; "let us get a cab."

"A cab? Oh, Teddie, ought we to?" she asked timorously. "What made you

think of it?"

For all answer Teddie led the way from the station, hailed a passing

hansom, and helped her into it.

"Don't you see?" he explained presently, after directing the man through

the trap. "Don't you see that the story will pay you again and again

for a cab?"

And as they bowled along in silent enjoyment, Hazel could not but marvel

upon the rapidity of the change that prosperity, through authorship, had

wrought upon her life.

"Who are we taking it to?" she asked presently.

"A fellow I know of," Teddie replied. "Or rather, two fellows, Langham

and Fielding. A friend of mine got a story taken by them not half so

good as this."

"I am glad I asked you to help me," Hazel returned gratefully. "I only

hope it won't matter very much taking you from your work, you know."

"Say no more about that," Teddie responded complacently. "It was a bit

awkward, but how was I to know that it was all for such a good purpose?

Here we are," he added, as the cab drew up before a building, and Hazel,

timidly lifting her eyes, read in gold letters upon the window-pane,

"Messrs. Langham & Fielding, Publishers."

They entered the building, and found themselves in a large, bare place

that looked to their inexperienced eyes to be a combination of

book-warehouse, office, and shop, for new books were stacked upon

shelves all round the apartment; parcels of all sizes were piled upon

the floor, among which, in an adjacent corner, a man in a leather apron

was busy sorting. Some clerkly looking young men sat or stood at high

desks, whilst a long counter ran down the room, rather to one side,

which an office-lad seemed to be engaged in polishing.

A fellow-feeling for the clerks, a wish not to disturb them in their

arduous tasks, made Teddie Le Mesurier turn to the boy.

"This lady," he said, intimating Hazel, who trembled slightly, "wishes

to see one of your principals--the editor of the ---- Magazine, if

possible."

"Who is it from?" inquired the office-boy mechanically, as, without a

vestige of expression, his gaze seemed to fix itself on Teddie's left

ear.

Hazel looked blank. "Who is it from?" she reiterated, at a loss.

"Now look here," said Teddie angrily, "none of your office gibberish.

Just take up my card and say----"

At this juncture a pleasant-faced clerk stepped forward. "Get back to

your work, Tommie," he said briskly, and he turned to the pair. "What

can I do for you?" he asked, looking from one to the other.

Teddie repeated his formula and handed the young man his card. "We are

on the lady's errand," he explained, "but she has no card," and Hazel

felt mortified, she scarcely knew why; but it seemed so terribly young

not to possess cards, although she had never before felt the lack.

"Is it an appointment?" asked the clerk. "Will your business be known?"

"No," Teddie returned stoutly, "but there must be a beginning, you know.

We wish to submit a manuscript."

The young man left them, to reappear in a few moments.

"The editor will see you at once," he informed them. "Please step this

way."

He led them up a flight of stairs, and, showing them into a room, closed

the door behind them. It was large and comfortably furnished, with more

of the private library than office about it. The only occupant, a tall,

good-looking man, of some fifty years of age, rose to receive them,

tendering Hazel a chair near his own desk, the while Teddie seated

himself somewhat in the background.

"I wish to submit a manuscript which I think you will find very suitable

for the ---- Magazine," Hazel began, with an easy confidence and

graciousness of manner that generally proved very pleasing from the

little lady. "Are you Mr. Langham or Mr. Fielding?"

"My name is Charles Langham," he answered, bowing, a slight smile

relaxing his somewhat grave features. "It is a short story, I presume?"

"Yes," Hazel returned. "My brother Edward," intimating Teddie, who

looked very much at home, sitting well forward in his chair, his stick

between his knees, his chin resting upon its knob, "has known you to

take a story, not nearly so good, he says."

"Not half, by Jove!" put in Teddie.

"You would not like to read it now?" suggested Hazel. "It would not

take you long."

"I think not," Mr. Langham replied. "You see, that is not our usual

way; but if you will leave it with me, I will place it in the hands of

our reader, who will give me his report."

"Yes, I see," Hazel said, a trifle disappointed.

"You don't think you could make a concession for once?" asked Teddie.

"I think not," Mr. Langham repeated, pulling at his moustache. "It

would be very irregular."

"Of course," responded Teddie politely. "You see, Hazel, that is what

readers are for: to save the editors the trouble and loss of time

incurred in reading a lot of unacceptable rubbish."

"And Mr. Langham cannot know that mine is not rubbish," Hazel rejoined,

wishing to be reasonable. "It is called 'The Victoria Cross, and How it

was Won,'" she continued, turning to the editor. "The hero goes to the

front, and there is a tremendous battle, which I think I have succeeded

in making very realistic."

"Stunning," put in Teddie.

"And then," she resumed, waxing eloquent in her theme, "afterwards, upon

the battlefield, when he is lying wounded in the moonlight, a fearful

vision rises before his eyes."

"Blood-curdling," remarked Teddie, _sotto voce_.

"But it is only his delirium that distorts things and makes them

fearful. In reality it is his mother."

Mr. Langham did his utmost to appear properly interested, and

endeavoured to keep his countenance, wherein he was only partially

successful. It was a delightful pair, he thought: this handsome young

fellow and lovely, dainty girl. And, busy as he was, he made no move to

hurry Hazel. The girl's spontaneity was refreshing, her ardour and

evident good faith in her attempt at authorship were touching to a man

of his sympathetic and benevolent nature. He was quite anxious not to

precipitate their departure by word or sign.

"I know I must not keep you," Hazel concluded, rising from her seat;

"but you will be glad to hear that it all ends peacefully and happily,

and his great bravery is fully recognised."

"That is very satisfactory," Mr. Langham returned, rising also.

"Stories should always end happily, I think."

"I think so, too," Hazel returned. "Good-bye," she added, giving him

her hand. "I hope we have not kept you too long."

Mr. Langham released the hand with something of reluctance, and preceded

his visitors to the door. He shook hands with Teddie, and was somewhat

astonished at the warmth of the young man's grasp.

"Yes," Teddie agreed, "I hope we have not kept you too long." And the

pair passed out.

"Do you know"--and Hazel's head reappeared as Mr. Langham was about to

close the door--"do you know, before I saw you," she said laughing, "I

had quite made up my mind not to speak at all--except, of course, to

answer any questions you might put to me. I thought it would be the

business-like, correct way; and, besides, I had a sort of notion that

editors were rather terrible--as a class," she added hastily, fearful of

wounding the sensibility of the editor in question. "Even now I cannot

help thinking you are an exception. Good-bye." And she was gone.

Charles Langham, this exception to his kind, stood listening to the

sound of their dying footsteps, then turned to his interrupted work with

a smile and a sigh.

"And now," said Teddie, looking at his watch, "I must take you back to

the station and get on to the office."

Hazel had intended to spend the whole morning with her brother, and

probably lunch with him, before she returned to the Traverses: hence her

injunctions to Digby to meet her, or cause her to be met, by the 3.50

train. She was, therefore, disappointed; but of this she would let

nothing appear. Teddie had already given enough, and too much, of his

time at so short a notice.

"Very well," she said cheerfully. "And Teddie--I know it is all

right--I shall get the money for my story in time--but, as we have not

got it yet, had not it perhaps better be an omnibus?"

To this economical arrangement Teddie--himself less glowingly optimistic

than he had been a short while since--agreed. At the station they

found, somewhat to their dismay, that there was no train for a couple of

hours or so--it was now but little past eleven.

Teddie considered the situation. "Well," he said, "you won't get home

till past two o'clock. I had better get you some buns and leave you in

the waiting-room. I am awfully sorry, but it cannot be helped. Do you

think you will be all right?"

"Perfectly," Hazel returned brightly.

Teddie left her, to return a few minutes later armed with a magazine,

and a paper bag containing twelve halfpenny buns.

Left to herself, Hazel began to read; but her mind being preoccupied,

she found the stories and jokes uninteresting, and presently fell

a-thinking. Was it not near here that her mother's uncle, Percival

Desborough, lived? Why should she not utilise the time that must

perforce elapse before she could embark upon her return journey by

visiting him? Something within her urged her to go, though the prospect

was somewhat terrifying. She had heard so much of this uncle's hardness

of heart and violence of temper. Poor, lonely old man! how many a time

had she wished to see him and judge for herself if he were so hopelessly

unamiable and unapproachable as all who knew him averred--all but her

mother, who had never lost the belief that there was a soft spot

somewhere in the poor, selfish old man's heart.

She had plenty of time, for it would be just as well to take the train

by which the Traverses would expect her to arrive--the one after that

which Teddie had supposed she would take.

Setting indecision aside, Hazel seized the bag of buns and left the

station. Following the direction of a policeman, and later of a

friendly inclined milkman, she found the house easily, and, though her

hand trembled a little, she beat a brave tattoo upon the door. Her

knock was answered by an imposing footman, who appeared to do his utmost

not to show surprise at sight of Hazel.

"Is my uncle, Mr. Percival Desborough, at home?" she inquired, in as

steady a voice as she could command.

The servant answered in the affirmative, and Hazel walked in. A few

moments later she heard herself announced, slowly, distinctly, and most

unmistakably: "Miss Le Mesurier!"

*CHAPTER X*

Hazel entered her great-uncle's library with beating heart indeed, but

with no outward show of fear or trepidation. It was a large room,

furnished in good, if somewhat ponderous taste. Books lined the

oak-panelled walls from ceiling to floor; the window curtains and other

hangings were for the most part of a heavy, sombrous, red colour,

harmonising well with the rich, though subdued tints of the deep-piled

carpet and oak furniture, nearly black with age. The many windows, in

all sorts of unexpected recesses, though they admitted light none too

freely, being either of stained glass or otherwise darkened with

drapery, saved the room from positive gloom, more especially when the

eye had become accustomed to the dusky conditions, as doubtless was the

eye of Percival Desborough. He turned in his chair with a groan and

scrutinised the girlish form that stood motionless by the door, waiting

till her sight should serve her; for, after the glare of the white

pavement without, she was at first well-nigh blinded.

"What do you want?" he asked, ungraciously enough. It was the same

question he had asked of the girl's mother some years since, and

practically the last words he had spoken to her or her family.

Hazel turned her head in the direction whence the voice proceeded. "I

want to see you," she answered, "only it is so very dark."

"And why do you want to see me?" he returned brusquely. "Have you come

to ask for money?"

"Oh no," Hazel replied, advancing swiftly now, and holding out her hand.

"And please don't begin by being disagreeable," she added

pleadingly--"at all events, not before we have even shaken hands; I

don't want to feel I cannot shake hands with you--as you have made many

of us feel, particularly as I had made up my mind to start fair."

The old man took the proffered hand almost before he knew what he was

about. He was slightly taken aback.

"To start fair!" he repeated, somewhat vacantly.

"You see," Hazel continued, drawing up a low chair, and seating herself

in friendly proximity to her august relative, "I have heard of you all

my life as being so unapproachable and--and even rude, sometimes, if you

don't mind my telling you so. But mother says you were not always like

that. She says that when she was a girl you were fond of her and very

kind to her. So for years I have felt convinced that your--your manners

were chiefly owing to--to loneliness and gout." For the first time

Hazel allowed her glance to rest pitifully upon the poor, bandaged foot,

that she was careful not to touch. "Which must be a very terrible

combination," she added sympathetically.

"If you have come here to pity me, the sooner you leave the better," he

answered irascibly, a very paroxysm of twinges rendering civil speech

for the moment an impossibility.

Hazel saw him wince, and understood.

"Oh, I have not," she returned gently. "At least, I can keep it to

myself. I know how annoying pity can be in certain moods. But I hoped

I might amuse and interest you," she added wistfully, "almost before you

knew that such a thing was possible, by calling upon you and giving you

all the family news."

Mr. Desborough moved uneasily in his chair. "I don't want to hear

anything about them--not a word, do you hear?"

"Don't you?" said Hazel, and she sighed. "Are you sure?"

"Quite sure," he answered savagely. "I have done with my niece, with

the whole family, and their begging letters----"

He stopped short, for Hazel, flushing scarlet, then turning very pale,

rose proudly from her seat and stood confronting him.

"Uncle Percival," she said, her voice vibrating with anger, "say

anything you like of me, and if I cannot stand it I can go away; but you

shall not say a word against my mother or the boys--you had better not

even mention them in my hearing. My mother is--well, never mind, I

would rather not discuss her with you; and my brothers are dear, good

fellows, every one of them, and--and courteous gentlemen, who would

never speak of an absent lady as you have done. I want to be tolerant,"

she added, "but unless you take it back, unless you retract what you

said, I shall feel obliged to leave you at once."

"Sit down," her uncle rejoined surlily. "Don't make such a fuss."

"You take it back; that about--about the letters?" she demanded eagerly.

"Yes--yes," he answered testily. "Sit down."

Hazel sat down. Percival Desborough was surprised and interested in the

novel sensations awakened within him by the presence of his visitor,

this young relative. He had experienced a feeling of alarm, positive

alarm, at her threat to leave him, though he did not acknowledge this to

himself, or for a moment give it credence.

"So you wish to be tolerant, do you?" he asked, after a pause. His

voice was gruff, but Hazel could detect some kindlier note beneath the

gruffness.

"Yes," she made answer. "I think you might grant that I am," she added,

smiling up at him from her low seat. "Now, Teddie would not have stood

you for two minutes--you have not a very nice way of greeting people,

you know. Your first words, if you had spoken them to Teddie, would

have driven him out of the room without his answering. Now, don't you

want to hear why I am up in town? You would never guess."

"Well?" grunted Uncle Percival, as she paused.

"I have taken a story I have written to a publisher--an editor, I should

say. I very much want to earn some money, and I find I can write," she

added modestly. "Teddie met me in town and went with me--I am glad he

did. He always impresses people so favourably. And when we got back to

the station we found that I had two hours to wait for a train."

"So he brought you here?" Mr. Desborough inquired.

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