Co-ordination is intrinsic to the life of an environment, acted upon

by every predator. There will be no fight between the sunfish and the

horned pout, but the sunfish has affirmed its ancient rights to the

territory that comprises its nest. It is bold in defense of its home,

up to the point, presumably, that it goes beyond a boundary which its

feelings establish for it. I am reminded of those birds, like the

herring gulls and their “threat postures” (described by N. K. Tinbergen

in _The Herring Gull’s World_, 1954) assumed when two birds defend

their respective positions on either side of a boundary invisible to

us but strongly felt by them. In these cases a fight may never result,

because the two alternate drives of defense and aggression cancel each

other out. What the trained observer sees as an indication of what is

going on are “behavior patterns,” types of physical action that show

him what this gull communication might mean. In any case, up and down

the scale of life is force and counterforce, action and reaction, in a

balance that is understood in as many ways as there are species.

The lusty month of June is made up of all its encounters, many of them

savage in isolation; but we may look for Roman circuses in vain. Wait

all day and no life seems to devour another. Wait all year and you

may never see the fight you are looking for. Now and then to be sure,

as with an abundance of fish and their marauding predators, you can

see savagery and greed confined, but even so the lesson is the same.

It is not killing, eating, and aggression which seem paramount but an

over-all rhythm and balance in which they are only elements. Later on,

between July and December, the young alewives hatched out this spring

in pond waters will start returning to the sea. I have often seen

them as they go down the fish ladders by which their spawning parents

came up. Perhaps through some attraction to the water’s force where it

spills down hard over the concrete rims of each pool in the ladder,

the fingerlings mass and circle before dropping back downstream. It

is here that a number of eels, some of them of large size, coil and

slither through the water, and eat large quantities of fish. Eels are

largely nocturnal in habit, but they do go through periods of feeding

by day. Sometimes they act like eating machines, methodically grabbing

one little fish after another; but the alewives continually swim over

them, unregarding. Where the fish idle in the stream below, in less

turbulent, clearer water, perfectly capable of seeing any eels lying

in wait for them, they are in no way affected, so far as I can see.

The eels themselves, lying on the stream bottom for long periods after

eating, pay no attention while the little alewives swim over them. Here

is a strange relation between enemies.

It is perfectly true that a young alewife may not know an eel from a

stick unless it is directly attacked, being in some respects oblivious

to much of anything except the need to migrate to salt water. And

yet the point is not that they are “stupid,” but that their crowd

lives demand a cohesive rhythm, sensitive enough in action, which

is paramount to all risks they encounter. It is in fact their main

protection. They school and eat. They school and escape. They school

and perpetuate themselves. The solitary alewife is lost. These fish

move and intercommunicate in a frame of continuity to which they are

forever held. But can we call it a restriction? Its terms may be quite

invisible to us.

_The Binding Rain_

So this is, or was, Cape Cod, as June booms with fruition. The nights

throb; and on a clear one how the long frames of the stars line up

overhead! There is no end of internment, no end of use and opening out.

It is not the place I came to, out of the city, though its shape,

like a giant curved arm, or fish hook lying out in the Atlantic, is

the same. Its oak trees have grown, even in the comparatively few

years I have lived here. The old, gray-shingled houses are still in

evidence, but there are many more new ones, seemingly temporary as this

age goes. The shores are crowded, beginning toward the end of June.

We are scrambling to take advantage of our summer economy while it

lasts, although the buzz saw sounds the year through, as well as the

chickadees, building motels, summer cottages, gas stations, houses for

the retired. Cape Cod still has a certain itinerant quality, which may

ally it to its more seagoing past.

In my own terms the Cape is not the same. I have outlived my dependence

on its past. I go by the seventeenth- and eighteenth-century gravestones

with less interest. The “old characters” are not around to talk to any

more. I am not quite so fascinated by grown-over wagon tracks as I used

to be. Something pleasant is lost--even a blessed continuity. Still, I

have learned to look for another, which has no particular choice as to

place, joining them all.

This is not just “natural history” I have found, unless you are also

willing to call it “natural mystery.” This is life, or death-in-life,

as well as “nature.” In any case it is bountiful, or niggardly,

relentless, terrible, but always at hand. Only walk out and see. Cape

Cod is rife with unknown lives (and what I know about its ocean waters

is not worth mentioning). Where do we begin? With a first question

perhaps. To make it is to recover from being afraid of getting or

giving the wrong answer, a step toward knowledge.

I have not learned much about cell structure, or the delicate

co-ordination of organisms in their environment, or some of those

remarkable mechanisms that trigger action in certain plants or animals

of land and sea; but I have made that first step.

I stand by some pond, wondering how deep it is. Everything around me

says, in comparative silence: “As deep as you make it,” and I have no

need to think my questions will delay the source that leads them on.

The rolling energies of nature remind us of our own potentialities.

In a small country field is all existence and its hazards. Ponderous

storms, killing balances of cold and heat, great rains or droughts,

hang over the needs of its competitive inhabitants. A natural,

unimpeachable violence wipes out untold numbers, or holds them to its

order. And yet the plants and animals themselves that endure, survive,

and die prove an essential vigor in the process. It is not only a

matter of “food gathering” and “competition” for them. They fight the

winds, in rhythmic unity. They are made to face the universe, with

the universe inside them. Their motions, their changing adaptation

to circumstance, are also their great self-expenditure. Live and be

finished off, but above all live!

This Cape Cod, this special piece of America, has its unexampled

strength and a “progress” which will not take second place to our

own. Sun and rain, the capacities of earth, the mindless ways of the

flower, the strange and short sensitivities of the insects in their

other world, the brooding sea in its ominous tidal balance held by moon

and turning globe, all this matrix of energy has its standards and its

abiding needs.

It rains steadily as the tourists begin to drive down the Cape in ever

increasing numbers, thus abashing their spirits. Rain is a nuisance.

It keeps us in and deprives us of perpetual warmth and light. If there

were no rain? Drought is only on the surface. Water comes from pipes,

the way milk comes from refrigerator cars.

But the rain will not be stopped. Clean, cool, straight falling,

pattering on multitudinous leaves, it insists on its own power and

propriety. There is no wind. The calm gray sky is gently, loosely

moving, but held dead center with its riches of rain. The fall is

steady and fast above the treetops, with single drops ticking off from

each waxen leaf, sliding down the pine needles to end at their tips in

brilliant crystal eyes. With a thin long seething it spits and spats

and trickles on, pausing occasionally, then putting forth again. The

water lands on the dead leaf floor under the trees, or thick beds of

needles, sliding and soaking through, making gradual displacements

between litter and soil, stirring gently, providing the life of earth

its refreshment and guaranteeing its sustenance.

Between pond lilies and reeds the rain spatters the fresh water. It

changes the lakes and ponds as it changes the earth. The water level

moves up and down from year to year depending on the rainfall. In

a pond it will move up the rim and cover the roots of overhanging

shrubs--blueberries, alders, or swamp azaleas--then, after a year or

two, it will recede again, revealing a narrow beach. During the years

there will be continual, subtle alterations in the nature of plants

around the pond, and in the habits of the animals dependent on them.

The rain falls through woodland bogs, and open swamps. It trickles

down bare slopes and thicket-studded valleys. It runs over incessantly

moving brooks and streams that bear it toward the sea. Its drops bounce

with silvery emphasis across the waters of the slow, gray tidal inlets.

They sound like a breath along the sands, and while arrowlike terns are

excitedly diving for fish, they pock the silver-streaked levels of the

bay, and then are lost to sight, pattering out over massive waters.

Even and sweet the descent, calm and clean its provision. The rain

thrusts in and guarantees immediate growth. It binds the birds to

the insects to the plants, to sun and air, breaking down elements in

the soil, loosening it for billions of its travelers, making sure of

sustenance in that release. Rain sound in June, which at other seasons

may cut like a knife, is one of beatitude. I listen. I accept. It

carries me on. Out of the hollow mind of the universe what conceptions

may come in the millions and millions of years ahead? How many, in the

next spit of timelessness, will fall prey to disaster? Both calm and

calamity are in the cards. This is acceptable enough to life in nature.

And who am I to claim some vain detachment?

Transcriber’s Notes

New original cover art included with this eBook is granted to the

public domain.

Perceived typographical errors have been silently corrected.

Illustrations have been moved nearer to the text to which they refer.

Nature's year · 第 11 / 11 段