XVI

Mr. Pardon, as Olive observed, was a little out of this combination; but

he was not a person to allow himself to droop. He came and seated

himself by Miss Chancellor and broached a literary subject; he asked her

if she were following any of the current "serials" in the magazines. On

her telling him that she never followed anything of that sort, he

undertook a defence of the serial system, which she presently reminded

him that she had not attacked. He was not discouraged by this retort,

but glided gracefully off to the question of Mount Desert; conversation

on some subject or other being evidently a necessity of his nature. He

talked very quickly and softly, with words, and even sentences,

imperfectly formed; there was a certain amiable flatness in his tone,

and he abounded in exclamations--"Goodness gracious!" and "Mercy on

us!"--not much in use among the sex whose profanity is apt to be coarse.

He had small, fair features, remarkably neat, and pretty eyes, and a

moustache that he caressed, and an air of juvenility much at variance

with his grizzled locks, and the free familiar reference in which he was

apt to indulge to his career as a journalist. His friends knew that in

spite of his delicacy and his prattle he was what they called a live

man; his appearance was perfectly reconcilable with a large degree of

literary enterprise. It should be explained that for the most part they

attached to this idea the same meaning as Selah Tarrant--a state of

intimacy with the newspapers, the cultivation of the great arts of

publicity. For this ingenuous son of his age all distinction between the

person and the artist had ceased to exist; the writer was personal, the

person food for newsboys, and everything and every one were every one's

business. All things, with him, referred themselves to print, and print

meant simply infinite reporting, a promptitude of announcement, abusive

when necessary, or even when not, about his fellow-citizens. He poured

contumely on their private life, on their personal appearance, with the

best conscience in the world. His faith, again, was the faith of Selah

Tarrant--that being in the newspapers is a condition of bliss, and that

it would be fastidious to question the terms of the privilege. He was an

_enfant de la balle_, as the French say; he had begun his career, at the

age of fourteen, by going the rounds of the hotels, to cull flowers from

the big, greasy registers which lie on the marble counters; and he might

flatter himself that he had contributed in his measure, and on behalf of

a vigilant public opinion, the pride of a democratic State, to the great

end of preventing the American citizen from attempting clandestine

journeys. Since then he had ascended other steps of the same ladder; he

was the most brilliant young interviewer on the Boston press. He was

particularly successful in drawing out the ladies; he had condensed into

shorthand many of the most celebrated women of his time--some of these

daughters of fame were very voluminous--and he was supposed to have a

remarkably insinuating way of waiting upon _prime donne_ and actresses

the morning after their arrival, or sometimes the very evening, while

their luggage was being brought up. He was only twenty-eight years old,

and, with his hoary head, was a thoroughly modern young man; he had no

idea of not taking advantage of all the modern conveniences. He regarded

the mission of mankind upon earth as a perpetual evolution of telegrams;

everything to him was very much the same, he had no sense of proportion

or quality; but the newest thing was what came nearest exciting in his

mind the sentiment of respect. He was an object of extreme admiration to

Selah Tarrant, who believed that he had mastered all the secrets of

success, and who, when Mrs. Tarrant remarked (as she had done more than

once) that it looked as if Mr. Pardon was really coming after Verena,

declared that if he was, he was one of the few young men he should want

to see in that connexion, one of the few he should be willing to allow

to handle her. It was Tarrant's conviction that if Matthias Pardon

should seek Verena in marriage, it would be with a view to producing her

in public; and the advantage for the girl of having a husband who was at

the same time reporter, interviewer, manager, agent, who had the command

of the principal "dailies," would write her up and work her, as it were,

scientifically--the attraction of all this was too obvious to be

insisted on. Matthias had a mean opinion of Tarrant, thought him quite

second-rate, a votary of played-out causes. It was his impression that

he himself was in love with Verena, but his passion was not a jealous

one, and included a remarkable disposition to share the object of his

affection with the American people.

He talked some time to Olive about Mount Desert, told her that in his

letters he had described the company at the different hotels. He

remarked, however, that a correspondent suffered a good deal to-day from

the competition of the "lady-writers"; the sort of article they produced

was sometimes more acceptable to the papers. He supposed she would be

glad to hear that--he knew she was so interested in woman's having a

free field. They certainly made lovely correspondents; they picked up

something bright before you could turn round; there wasn't much you

could keep away from them; you had to be lively if you wanted to get

there first. Of course, they were naturally more chatty, and that was

the style of literature that seemed to take most to-day; only they

didn't write much but what ladies would want to read. Of course, he knew

there were millions of lady-readers, but he intimated that _he_ didn't

address himself exclusively to the gynecæum; he tried to put in

something that would interest all parties. If you read a lady's letter

you knew pretty well in advance what you would find. Now, what he tried

for was that you shouldn't have the least idea; he always tried to have

something that would make you jump. Mr. Pardon was not conceited more,

at least, than is proper when youth and success go hand in hand, and it

was natural he should not know in what spirit Miss Chancellor listened

to him. Being aware that she was a woman of culture his desire was

simply to supply her with the pabulum that she would expect. She thought

him very inferior; she had heard he was intensely bright, but there was

probably some mistake; there couldn't be any danger for Verena from a

mind that took merely a gossip's view of great tendencies. Besides, he

wasn't half educated, and it was her belief, or at least her hope, that

an educative process was now going on for Verena (under her own

direction) which would enable her to make such a discovery for herself.

Olive had a standing quarrel with the levity, the good-nature, of the

judgements of the day; many of them seemed to her weak to imbecility,

losing sight of all measures and standards, lavishing superlatives,

delighted to be fooled. The age seemed to her relaxed and demoralised,

and I believe she looked to the influx of the great feminine element to

make it feel and speak more sharply.

"Well, it's a privilege to hear you two talk together," Mrs. Tarrant

said to her; "it's what I call real conversation. It isn't often we have

anything so fresh; it makes me feel as if I wanted to join in. I

scarcely know whom to listen to most; Verena seems to be having such a

time with those gentlemen. First I catch one thing and then another; it

seems as if I couldn't take it all in. Perhaps I ought to pay more

attention to Mr. Burrage; I don't want him to think we are not so

cordial as they are in New York."

She decided to draw nearer to the trio on the other side of the room,

for she had perceived (as she devoutly hoped Miss Chancellor had not)

that Verena was endeavouring to persuade either of her companions to go

and talk to her dear friend, and that these unscrupulous young men,

after a glance over their shoulder, appeared to plead for remission, to

intimate that this was not what they had come round for. Selah wandered

out of the room again with his collection of cakes, and Mr. Pardon began

to talk to Olive about Verena, to say that he felt as if he couldn't say

all he did feel with regard to the interest she had shown in her. Olive

could not imagine why he was called upon to say or to feel anything, and

she gave him short answers; while the poor young man, unconscious of his

doom, remarked that he hoped she wasn't going to exercise any influence

that would prevent Miss Tarrant from taking the rank that belonged to

her. He thought there was too much hanging back; he wanted to see her in

a front seat; he wanted to see her name in the biggest kind of bills and

her portrait in the windows of the stores. She had genius, there was no

doubt of that, and she would take a new line altogether. She had charm,

and there was a great demand for that nowadays in connexion with new

ideas. There were so many that seemed to have fallen dead for want of

it. She ought to be carried straight ahead; she ought to walk right up

to the top. There was a want of bold action; he didn't see what they

were waiting for. He didn't suppose they were waiting till she was fifty

years old; there were old ones enough in the field. He knew that Miss

Chancellor appreciated the advantage of her girlhood, because Miss

Verena had told him so. Her father was dreadfully slack, and the winter

was ebbing away. Mr. Pardon went so far as to say that if Dr. Tarrant

didn't see his way to do something, he should feel as if he should want

to take hold himself. He expressed a hope at the same time that Olive

had not any views that would lead her to bring her influence to bear to

make Miss Verena hold back; also that she wouldn't consider that he

pressed in too much. He knew that was a charge that people brought

against newspaper-men--that they were rather apt to cross the line. He

only worried because he thought those who were no doubt nearer to Miss

Verena than he could hope to be were not sufficiently alive. He knew

that she had appeared in two or three parlours since that evening at

Miss Birdseye's, and he had heard of the delightful occasion at Miss

Chancellor's own house, where so many of the first families had been

invited to meet her. (This was an allusion to a small luncheon-party

that Olive had given, when Verena discoursed to a dozen matrons and

spinsters, selected by her hostess with infinite consideration and many

spiritual scruples; a report of the affair, presumably from the hand of

the young Matthias, who naturally had not been present, appeared with

extraordinary promptness in an evening-paper.) That was very well so far

as it went, but he wanted something on another scale, something so big

that people would have to go round if they wanted to get past. Then

lowering his voice a little, he mentioned what it was: a lecture in the

Music Hall, at fifty cents a ticket, without her father, right there on

her own basis. He lowered his voice still more and revealed to Miss

Chancellor his innermost thought, having first assured himself that

Selah was still absent and that Mrs. Tarrant was inquiring of Mr.

Burrage whether he visited much on the new land. The truth was, Miss

Verena wanted to "shed" her father altogether; she didn't want him

pawing round her that way before she began; it didn't add in the least

to the attraction. Mr. Pardon expressed the conviction that Miss

Chancellor agreed with him in this, and it required a great effort of

mind on Olive's part, so small was her desire to act in concert with Mr.

Pardon, to admit to herself that she did. She asked him, with a certain

lofty coldness--he didn't make her shy, now, a bit--whether he took a

great interest in the improvement of the position of women. The question

appeared to strike the young man as abrupt and irrelevant, to come down

on him from a height with which he was not accustomed to hold

intercourse. He was used to quick operations, however, and he had only a

moment of bright blankness before replying:

"Oh, there is nothing I wouldn't do for the ladies; just give me a

chance and you'll see."

Olive was silent a moment. "What I mean is--is your sympathy a sympathy

with our sex, or a particular interest in Miss Tarrant?"

"Well, sympathy is just sympathy--that's all I can say. It takes in Miss

Verena and it takes in all others--except the lady-correspondents," the

young man added, with a jocosity which, as he perceived even at the

moment, was lost on Verena's friend. He was not more successful when he

went on: "It takes in even you, Miss Chancellor!"

Olive rose to her feet, hesitating; she wanted to go away, and yet she

couldn't bear to leave Verena to be exploited, as she felt that she

would be after her departure, that indeed she had already been, by those

offensive young men. She had a strange sense, too, that her friend had

neglected her for the last half-hour, had not been occupied with her,

had placed a barrier between them--a barrier of broad male backs, of

laughter that verged upon coarseness, of glancing smiles directed across

the room, directed to Olive, which seemed rather to disconnect her with

what was going forward on that side than to invite her to take part in

it. If Verena recognised that Miss Chancellor was not in report, as her

father said, when jocose young men ruled the scene, the discovery

implied no great penetration; but the poor girl might have reflected

further that to see it taken for granted that she was unadapted for such

company could scarcely be more agreeable to Olive than to be dragged

into it. This young lady's worst apprehensions were now justified by

Mrs. Tarrant's crying to her that she must not go, as Mr. Burrage and

Mr. Gracie were trying to persuade Verena to give them a little specimen

of inspirational speaking, and she was sure her daughter would comply in

a moment if Miss Chancellor would just tell her to compose herself. They

had got to own up to it, Miss Chancellor could do more with her than any

one else; but Mr. Gracie and Mr. Burrage had excited her so that she was

afraid it would be rather an unsuccessful effort. The whole group had

got up, and Verena came to Olive with her hands outstretched and no

signs of a bad conscience in her bright face.

"I know you like me to speak so much--I'll try to say something if you

want me to. But I'm afraid there are not enough people; I can't do much

with a small audience."

"I wish we had brought some of our friends--they would have been

delighted to come if we had given them a chance," said Mr. Burrage.

"There is an immense desire throughout the University to hear you, and

there is no such sympathetic audience as an audience of Harvard men.

Gracie and I are only two, but Gracie is a host in himself, and I am

sure he will say as much of me." The young man spoke these words freely

and lightly, smiling at Verena, and even a little at Olive, with the air

of one to whom a mastery of clever "chaff" was commonly attributed.

"Mr. Burrage listens even better than he talks," his companion declared.

"We have the habit of attention at lectures, you know. To be lectured by

you would be an advantage indeed. We are sunk in ignorance and

prejudice."

"Ah, my prejudices," Burrage went on; "if you could see them--I assure

you they are something monstrous!"

"Give them a regular ducking and make them gasp," Matthias Pardon cried.

"If you want an opportunity to act on Harvard College, now's your

chance. These gentlemen will carry the news; it will be the narrow end

of the wedge."

"I can't tell what you like," Verena said, still looking into Olive's

eyes.

"I'm sure Miss Chancellor likes everything here," Mrs. Tarrant remarked,

with a noble confidence.

Selah had reappeared by this time; his lofty, contemplative person was

framed by the doorway. "Want to try a little inspiration?" he inquired,

looking round on the circle with an encouraging inflexion.

"I'll do it alone, if you prefer," Verena said soothingly to her friend.

"It might be a good chance to try without father."

"You don't mean to say you ain't going to be supported?" Mrs. Tarrant

exclaimed, with dismay.

"Ah, I beseech you, give us the whole programme--don't omit any leading

feature!" Mr. Burrage was heard to plead.

"My only interest is to draw her out," said Selah, defending his

integrity. "I will drop right out if I don't seem to vitalise. I have no

desire to draw attention to my own poor gifts." This declaration

appeared to be addressed to Miss Chancellor.

"Well, there will be more inspiration if you don't touch her," Matthias

Pardon said to him. "It will seem to come right down from--well,

wherever it does come from."

"Yes, we don't pretend to say that," Mrs. Tarrant murmured.

This little discussion had brought the blood to Olive's face; she felt

that every one present was looking at her--Verena most of all--and that

here was a chance to take a more complete possession of the girl. Such

chances were agitating; moreover, she didn't like, on any occasion, to

be so prominent. But everything that had been said was benighted and

vulgar; the place seemed thick with the very atmosphere out of which she

wished to lift Verena. They were treating her as a show, as a social

resource, and the two young men from the College were laughing at her

shamelessly. She was not meant for that, and Olive would save her.

Verena was so simple, she couldn't see herself; she was the only pure

spirit in the odious group.

"I want you to address audiences that are worth addressing--to convince

people who are serious and sincere." Olive herself, as she spoke, heard

the great shake in her voice. "Your mission is not to exhibit yourself

as a pastime for individuals, but to touch the heart of communities, of

nations."

"Dear madam, I'm sure Miss Tarrant will touch my heart!" Mr. Burrage

objected, gallantly.

"Well, I don't know but she judges you young men fairly," said Mrs.

Tarrant, with a sigh.

Verena, diverted a moment from her communion with her friend, considered

Mr. Burrage with a smile. "I don't believe you have got any heart, and I

shouldn't care much if you had!"

"You have no idea how much the way you say that increases my desire to

hear you speak."

"Do as you please, my dear," said Olive, almost inaudibly. "My carriage

must be there--I must leave you, in any case."

"I can see you don't want it," said Verena, wondering. "You would stay

if you liked it, wouldn't you?"

"I don't know what I should do. Come out with me!" Olive spoke almost

with fierceness.

"Well, you'll send them away no better than they came," said Matthias

Pardon.

"I guess you had better come round some other night," Selah suggested

pacifically, but with a significance which fell upon Olive's ear.

Mr. Gracie seemed inclined to make the sturdiest protest. "Look here,

Miss Tarrant; do you want to save Harvard College, or do you not?" he

demanded, with a humorous frown.

"I didn't know _you_ were Harvard College!" Verena returned as

humorously.

"I am afraid you are rather disappointed in your evening if you expected

to obtain some insight into our ideas," said Mrs. Tarrant, with an air

of impotent sympathy, to Mr. Gracie.

"Well, good-night, Miss Chancellor," she went on; "I hope you've got a

warm wrap. I suppose you'll think we go a good deal by what you say in

this house. Well, most people don't object to that. There's a little

hole right there in the porch; it seems as if Doctor Tarrant couldn't

remember to go for the man to fix it. I am afraid you'll think we're too

much taken up with all these new hopes. Well, we _have_ enjoyed seeing

you in our home; it quite raises my appetite for social intercourse. Did

you come out on wheels? I can't stand a sleigh myself; it makes me

sick."

This was her hostess's response to Miss Chancellor's very summary

farewell, uttered as the three ladies proceeded together to the door of

the house. Olive had got herself out of the little parlour with a sort

of blind, defiant dash; she had taken no perceptible leave of the rest

of the company. When she was calm she had very good manners, but when

she was agitated she was guilty of lapses, every one of which came back

to her, magnified, in the watches of the night. Sometimes they excited

remorse, and sometimes triumph; in the latter case she felt that she

could not have been so justly vindictive in cold blood. Tarrant wished

to guide her down the steps, out of the little yard, to her carriage; he

reminded her that they had had ashes sprinkled on the planks on purpose.

But she begged him to let her alone, she almost pushed him back; she

drew Verena out into the dark freshness, closing the door of the house

behind her. There was a splendid sky, all blue-black and silver--a

sparkling wintry vault, where the stars were like a myriad points of

ice. The air was silent and sharp, and the vague snow looked cruel.

Olive knew now very definitely what the promise was that she wanted

Verena to make; but it was too cold, she could keep her there bareheaded

but an instant. Mrs. Tarrant, meanwhile, in the parlour, remarked that

it seemed as if she couldn't trust Verena with her own parents; and

Selah intimated that, with a proper invitation, his daughter would be

very happy to address Harvard College at large. Mr. Burrage and Mr.

Gracie said they would invite her on the spot, in the name of the

University; and Matthias Pardon reflected (and asserted) with glee that

this would be the newest thing yet. But he added that they would have a

high time with Miss Chancellor first, and this was evidently the

conviction of the company.

"I can see you are angry at something," Verena said to Olive, as the two

stood there in the starlight. "I hope it isn't me. What have I done?"

"I am not angry--I am anxious. I am so afraid I shall lose you. Verena,

don't fail me--don't fail me!" Olive spoke low, with a kind of passion.

"Fail you? How can I fail?"

"You can't, of course you can't. Your star is above you. But don't

listen to _them_."

"To whom do you mean, Olive? To my parents?"

"Oh no, not your parents," Miss Chancellor replied, with some sharpness.

She paused a moment, and then she said: "I don't care for your parents.

I have told you that before; but now that I have seen them--as they

wished, as you wished, and I didn't--I don't care for them; I must

repeat it, Verena. I should be dishonest if I let you think I did."

"Why, Olive Chancellor!" Verena murmured, as if she were trying, in

spite of the sadness produced by this declaration, to do justice to her

friend's impartiality.

"Yes, I am hard; perhaps I am cruel; but we must be hard if we wish to

triumph. Don't listen to young men when they try to mock and muddle you.

They don't care for you; they don't care for _us_. They care only for

their pleasure, for what they believe to be the right of the stronger.

The stronger? I am not so sure!"

"Some of them care so much--are supposed to care too much--for us,"

Verena said, with a smile that looked dim in the darkness.

"Yes, if we will give up everything. I have asked you before--are you

prepared to give up?"

"Do you mean, to give _you_ up?"

"No, all our wretched sisters--all our hopes and purposes--all that we

think Sacred and worth living for!"

"Oh, they don't want that, Olive." Verena's smile became more distinct,

and she added: "They don't want so much as that!"

"Well, then, go in and speak for them--and sing for them--and dance for

them!"

"Olive, you are cruel!"

"Yes, I am. But promise me one thing, and I shall be--oh, so tender!"

"What a strange place for promises," said Verena, with a shiver, looking

about her into the night.

"Yes, I am dreadful; I know it. But promise." And Olive drew the girl

nearer to her, flinging over her with one hand the fold of a cloak that

hung ample upon her own meagre person, and holding her there with the

other, while she looked at her, suppliant but half hesitating.

"Promise!" she repeated.

"Is it something terrible?"

"Never to listen to one of them, never to be bribed----"

At this moment the house-door was opened again, and the light of the

hall projected itself across the little piazza. Matthias Pardon stood in

the aperture, and Tarrant and his wife, with the two other visitors,

appeared to have come forward as well, to see what detained Verena.

"You seem to have started a kind of lecture out here," Mr. Pardon said.

"You ladies had better look out, or you'll freeze together!"

Verena was reminded by her mother that she would catch her death, but

she had already heard sharply, low as they were spoken, five last words

from Olive, who now abruptly released her and passed swiftly over the

path from the porch to her waiting carriage. Tarrant creaked along, in

pursuit, to assist Miss Chancellor; the others drew Verena into the

house. "Promise me not to marry!"--that was what echoed in her startled

mind, and repeated itself there when Mr. Burrage returned to the charge,

asking her if she wouldn't at least appoint some evening when they might

listen to her. She knew that Olive's injunction ought not to have

surprised her; she had already felt it in the air; she would have said

at any time, if she had been asked, that she didn't suppose Miss

Chancellor would want her to marry. But the idea, uttered as her friend

had uttered it, had a new solemnity, and the effect of that quick,

violent colloquy was to make her nervous and impatient, as if she had

had a sudden glimpse of futurity. That was rather awful, even if it

represented the fate one would like.

When the two young men from the College pressed their petition, she

asked, with a laugh that surprised them, whether they wished to "mock

and muddle" her. They went away, assenting to Mrs. Tarrant's last

remark: "I am afraid you'll feel that you don't quite understand us

yet." Matthias Pardon remained; her father and mother, expressing their

perfect confidence that he would excuse them, went to bed and left him

sitting there. He stayed a good while longer, nearly an hour, and said

things that made Verena think that _he_, perhaps, would like to marry

her. But while she listened to him, more abstractedly than her custom

was, she remarked to herself that there could be no difficulty in

promising Olive so far as he was concerned. He was very pleasant, and he

knew an immense deal about everything, or, rather, about every one, and

he would take her right into the midst of life. But she didn't wish to

marry him, all the same, and after he had gone she reflected that, once

she came to think of it, she didn't want to marry any one. So it would

be easy, after all, to make Olive that promise, and it would give her so

much pleasure!

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