A TRIUMPHAL MARCH

In 1845 Shevchenko was graduated from the Imperial Academy of Arts at

Petersburg. Shortly after he travelled to the Ukraine, purposing to

devote his life to the service of his own people.

His progress was a triumphal march, a succession of banquets and

popular welcomes and entertainments at the homes of the wealthy.

At Kiev people still remember that the earliest Russian civilization

had its beginnings in the Ukraine. There Christianity first took root,

and there were the first Russian Princes.

Before Shevchenko’s arrival there was organized at Kiev the Society of

Cyril and Methodius, called after the great apostles of Russia, and the

leading spirits of the Society were professors in the University of

Kiev.

Into this brilliant company Shevchenko was welcomed. Its leaders became

his devoted friends. A chair of painting in the University was to be

established for him.

Most remarkable were the relations between Shevchenko and Professor

Kulisch. Kulisch was to be married to a great lady, a daughter of one

of the nobles of the country. The poet was invited to the wedding and

the bride, in her enthusiasm, actually kissed his hand. This was an

astonishing act of condescension towards one who had been a serf, but

this lady, herself afterwards a famous authoress, cherished the memory

to her dying day.

Shevchenko’s saddest experience in the Ukraine was when he visited his

native village and found his brothers and sisters in serfdom. His dream

was to earn enough money to purchase their freedom, and afterwards to

devote his life to the liberation of the peasantry. The poem—“The

Bondwoman’s Dream”—commemorates the poet’s meeting with his favorite

sister, Katherine, working as a slave.

His friends thought he should go to Italy to perfect himself in

painting. Madame Kulisch purposed to sell her family jewels to raise

sufficient money to send Shevchenko to that country. Her husband who

was in the plot told Shevchenko that some wealthy person had

contributed the money but he must not ask for the donor’s name.

But on returning to Kiev from the Kulisch home a policeman put his hand

on the shoulder of the poet painter.

The bright dream was ended.

The Kobzar of the Ukraine Being select poems of Taras Shevchenko done into English verse with biographical fragments by Alexander Jardine Hunter · 第 49 / 70 题