CHAPTER III

THE GREENGROCER'S--FETTER LANE

Two or three years ago, there was a certain greengrocer's shop in Fetter

Lane. The front window had been removed, the better to expose the

display of fruits and vegetables which were arranged on gradually

ascending tiers, completely obstructing your vision into the shop

itself. Oranges, bananas, potatoes, apples, dates--all pressed together

in the condition in which they had arrived at the London docks, ballast

for the good ship that brought them--carrots and cauliflowers, all in

separate little compartments, were huddled together on the ascending

rows of shelves like colours that a painter leaves negligently upon his

palette.

At night, a double gas jet blew in the wind just outside, deepening the

contrasts, the oranges with the dull earth brown of the potatoes, the

bright yellow bananas with the sheen of blue on the green cabbages! Oh,

that sheen of blue on the green cabbages! It was all the more beautiful

for being an effect rather than a real colour. How an artist would have

loved it!

These greengrocers' shops and stalls are really most picturesque, so

much more savoury, too, than any other shop--except a chemist's. Of

course, there is nothing to equal that wholesome smell of brown Windsor

soap which pervades even the most cash of all cash chemist's! An

up-to-date fruiterer's in Piccadilly may have as fine an odour, perhaps;

but then an up-to-date fruiterer is not a greengrocer. He does not dream

of calling himself such. They are greengrocers in Fetter

Lane--greengrocers in the Edgware Road--greengrocers in old Drury, but

fruiterers in Piccadilly.

Compared, then, with the ham and beef shop, the fish-monger's, and the

inevitable oil shop, where, in such neighbourhoods as these, you buy

everything, this greengrocer's was a welcome oasis in a desert of

unsavoury smells and gloomy surroundings. The colours it displayed, the

brilliant flame of that pyramid of oranges, those rosy cheeks of the

apples, that glaring yellow cluster of bananas hanging from a hook in

the ceiling, and the soft green background of cabbages, cauliflowers and

every other green vegetable which chanced to be in season, with one last

touch of all, some beetroot, cut and bleeding, colour that an emperor

might wear, combined to make that little greengrocer's shop in Fetter

Lane the one saving clause in an otherwise dreary scheme. It cheered you

as you passed it by. You felt thankful for it. Those oranges looked

clean and wholesome. They shone in the light of that double gas jet.

They had every reason to shine. Mrs. Meakin rubbed them with her apron

every morning when she built up that perilous pyramid. She rubbed the

apples, too, until their faces glowed, glowed like children ready to

start for school. When you looked at them you thought of the country,

the orchards where they had been gathered, and Fetter Lane, with all its

hawkers' cries and screaming children, vanished from your senses. You

do not get that sort of an impression when you look in the window of a

ham and beef shop. A plate of sliced ham, on which two or three flies

crawl lazily, a pan of sausages, sizzling in their own fat, bear no

relation to anything higher than the unfastidious appetite of a hungry

man.

That sort of shop, you pass by quickly; but, even if you had not wished

to buy anything, you might have hesitated, then stopped before Mrs.

Meakin's little greengrocer's stall in Fetter Lane.

Mrs. Meakin was very fat. She had a face like an apple--not an apple

just picked, but one that has been lying on the straw in a loft through

the winter, well-preserved, losing none of its flavour, but the skin of

which is wrinkled and shrivelled with age. On a wooden chair without

any back to it, she sat in the shop all day long, inhaling that healthy,

cleanly smell of good mother earth which clung about the sacks of

potatoes. Here it was she waited for the advent of customers. Whenever

they appeared at the door, she paused for a moment, judging from their

attitude the likelihood of their custom, then, slapping both hands on

her knees, she would rise slowly to her feet.

She was a good woman of business, was Mrs. Meakin, with a capable way of

explaining how poor the season was for whatever fruit or vegetable her

customers wished to purchase. It must not be supposed that under this

pretence she demanded higher prices than were being asked elsewhere.

Oh--not at all! Honesty was written in her face. It was only that she

succeeded in persuading her customers that under the circumstances they

got their vegetables at a reasonable price and, going away quite

contented, they were willing to return again.

But what in the name, even of everything that is unreasonable have the

greengrocery business and the premises of Mrs. Meakin to do with the

City of Beautiful Nonsense? Is it part of the Nonsense to jump from a

trade in candles before the altar of St. Joseph to a trade in oranges in

Fetter Lane? Yet there is no nonsense in it. In this fairy story, the

two are intimately related.

This is how it happens. The house, in which Mrs. Meakin's shop was on

the ground floor, was three stories high and, on the first floor above

the shop itself, lived John Grey, the journalist, the writer, the driver

of the pen, the at-present unexplained figure in this story who offered

his gift of generosity to St. Joseph, in order that the other

as-yet-unexplained figure of the lady in the heavy fur coat should

gratify her desire to light the last candle and place it in the

sconce--a seal upon the deed of her supplication.

So then it is we have dealings with Mrs. Meakin and her greengrocery

business in Fetter Lane. This little shop, with such generous show of

brilliant colours in the midst of its drab grey surroundings, is part of

the atmosphere, all part of this fairy-tale romance which began on the

eighteenth of March--oh, how many years ago? Before Kingsway was built,

before Holywell Street bit the dust in which it had grovelled for so

long.

And so, I venture, that it is well you should see this small shop of

Mrs. Meakin's, with its splashes of orange and red, its daubs of crimson

and yellow--see it in your mind's eye--see it when the shadows of the

houses fall on it in the morning, when the sun touches it at

mid-day--when the double gas jet illuminates it at night, for you will

never see it in real life now. Mrs. Meakin gave up the business a year

or so ago. She went to live in the country, and there she has a kitchen

garden of her own; there she grows her own cabbages, her own potatoes

and her own beetroot. And her face is still like an apple--an older

apple to be sure--an apple that has lain in the straw in a large roomy

loft, lain there all through the winter and--been forgotten, left

behind.

The city of beautiful nonsense · 第 3 / 22 章