TOGETHER

Je vais où le vent me mène

Sans me plaindre où m'effrayer.

Je vais où va toute chose,

Où va la feuille de rose

Et la feuille de laurier!

A DAY or two later he moved his few belongings from Jimmy's rooms to

Ann's. It was her wish. There was no point in concealment. The mews

knew; the mews had expected it; the mews did not mind. Mr. Martin was

delighted:

"It's what every young woman wants, to throw in her lot with some nice

young feller. If they can't be married, they can't, and that's all

there is to it. Take mares now-- Well, you know what I mean." He

caught the boy with his head in at the door listening, picked up a

ledger, and threw it at him. A bad shot, it broke a pane in the glass

wall.

René had told him all the circumstances, because he knew that the mews

was full of gossip, and he was attached enough to the old fellow to

wish him to be in possession of the facts.

"What I mean to say," continued Mr. Martin, when the boy had fled, "is

this: If women must come kerboosting into a man's life, it's better

for them to come while he's young and fool enough to enjoy it. There's

a time for everything, as the Bible says, but don't let her put on

you. The best of women will put on a man if he lets her, and that's

bad for both."

That was the advice with which René Fourmy's second venture in

cohabitation was blessed. As usually happens with advice, he was too

deeply engrossed in present interests to apply what wisdom it

contained to his own case. He drifted down the stream of bliss they

had tapped, and, as generously as she, brought into their common stock

as much kindness, consideration, and warmth, excitement and curiosity

as they needed to take them from moment to moment. Only he brought no

laughter, of which she supplied abundance. Both were out early and all

day long, and both returned in the evening tired but eager for the new

wonder of each other's company. Indeed it was wonderful, the easy

sympathy they had for each other. They could be frank. She had no

preconception of what love should be, and took all its delights simply

as they came, and her simplicity fed and encouraged his. It was a

novelty for him to live from day to day satisfied; a kind of Paradise,

if Paradise is a place where the appetites are a little overfed, so

that body and mind are brought to indolence.

Kilner had disappeared for a time, having made enough to be able to

retire to his painting, and René had no other society than the

chauffeurs in the shelters during the day and the familiars of Mitcham

Mews in the evening. He became sluggishly content to drift. He was

making good money, increased by Ann's earnings. If he ever thought of

the old life in the North at all, it was with lazy contempt and

indifference. His first attitude toward London was reversed. He had

begun with all the northerner's contempt for the easy ways of the

metropolis. He never read anything but the newspaper, and every

evening would read aloud the "fooltong" in the _Star_. Ann took it for

the betting. She put aside two shillings a week for "the horses," and

he joined her in that pursuit. He did not so much enjoy her pleasures

as her zest for them, and it became his object to keep that alive.

Without that he was at moments aware of a sickening sensation that was

truly horrible, making him gird at his surroundings, at certain tricks

that Ann had, at habits, gestures, tones in her voice that were like

his sister-in-law Elsie's. He saw the resemblance first on receiving a

letter from his brother George:

"DEAR R,--A pal of mine who has been on the spree saw you in London

the other day, says you drove him from the Troc to Bernard Street. I

thought you'd have been off that long ago, but there's no accounting

for tastes. I meant to write some time since to say the old man has

hopped it again, and the mother has taken up her quarters with us. It

seems some money came in--I can't make out where from--and he grabbed

it and offed. It seems to have finished her; she's shut up tight, sits

and knits, toddles off to church whenever there's a service, never

mentions him or you. Elsie can't get anything out of her, though they

talk enough together. It makes the house seem full of women. I've

never set eyes on you know who since you cleared. I'm doing well

enough, and hope to get something of my own in a few years, though

small business don't stand much chance in these days against the big

combines. You'd be amazed at the huge joint warehouses they're putting

up now. Thrigsby's changing, and things are queer all round. People

shift a bit now, what with the Colonies and all that. They don't stay

in offices like they used to do, only it doesn't seem to make things

any better for those who stay. Elsie sends her love; she always was a

bit soft on you and didn't mind a bit when you cleared. I only meant

to tell you about the mother, thinking you ought to know. If ever I

get to London I'll look you up.--Thine, G.--Oh! Kurt Brock has gone in

for the aviation and is making quite a name for himself up here."

The letter took René back pleasantly in memory, when he was suddenly

startled to find himself meeting George on his own ground, with

complacent acceptance of "having a good time," as the one desirable

object which could redeem the ever-present evil. And then he was

compelled, from that footing, to see his own revolt as an

unaccountable aberration, an eccentricity, an escapade unfortunately

disastrous in its consequences. He did not like that, nor did he

relish being coupled in George's mind with his father, who was first

indolent, then a vagabond, then irresponsible. His confidence was

shaken, and he was made conscious of discrepancy and narrowly aware of

having missed something of that which he set out to seek. Experience

had taught him that it was no use taking any unhappiness to Ann. She

would merely assume that he was unwell and probably dose him with

physic from the herbalist's round the corner. Again, he saw that

George, like Ann, had a gusto in his way of living which he himself

lacked, and now only enjoyed vicariously. That could no longer fret

his nerves as in the old days it had done; he was fortified by the

memory of his act of revolt and the months of entire independence he

had enjoyed since his coming to London. He looked up at Ann from his

letter.

"Bad news?" she said.

"I don't know whether it's good or bad. My father has cleared out

again."

"It's made you sorry. You always look like that when you think of your

home. Sometimes I fancy you really wish you had never come away."

"That's not true. I'm perfectly content. I'm learning not to blame

anybody. That isn't easy."

"If you're not sorry, I don't see why you want to think about it."

"You can't forget people so completely as all that."

"Your dad seems to be able to."

"I'm not my father."

"No. But sometimes I wish you'd take a leaf out of his book. From what

you tell me he does seem able to enjoy himself."

"Don't I?"

"Oh, you're better than you used to be, but you do frighten me

sometimes."

"When?"

"Oh, when you look at me and don't see me, and when I go on talking

and you don't hear a word I'm saying. Sometimes I think it's only

because you had that queer time when you first came to London, and

then I think you can't be any different. The world does seem upside

down, and it seems to me it might be better if we went right away and

made a new start somewheres."

It comforted René to find that she, too, had her qualms, and that

there was some stir behind her constant and equable good humor. He

said:

"Oh, no. I think we shall be all right. Only we mustn't make the

mistake of thinking that love makes life easier."

"Not much fear of that," she replied, with an odd little wry smile.

"Mr. Martin said to me, he said, 'This here education makes a man

queer to live with. If it isn't idees,' he said, 'it's niceness; and

if it isn't niceness it's bloody obstinacy,' he said. . . . And I do

try, Renny, I do reelly, though of course if I hadn't the work during

the day I should feel it more."

"What would you feel?"

"Well, I don't know. Oh, you know, when you look at things a long

time, and when you like to sit and smoke and look inside yourself."

"I didn't know I did that. I don't see much if I do."

"Well, you do. And I asked Mr. Martin about it and he said it was

education, and he said his brother-in-law was like that before he went

off his head with religion. And often when I look at you and you are

like that I want to put my arms round you and hold you until you stop

doing it, and begin to think of me a little."

"But I do think of you all the time."

Then she put her arms round him and held him close until he forgot all

but her in the dark pleasure that is called love.

And again he drifted and supposed himself content, until one day when

a young man hailed him and told him to drive to Islington where there

was an exhibition of modern engineering. Halfway there, the young man

stopped the car, leaped out excitedly, gripped René by the arm, and

cried:

"Good Lord, if it isn't old René!"

It was Kurt Brock.

"I say!" he said. "What a find!"

"The taxi's mounting up," said René.

"I say, you take me out to Hendon and we'll have a yarn. They told me

you were still at it, and I was meaning to come and see you, but I'm

up to my eyes in work. Let me drive."

He took the wheel and sent the car whizzing through the traffic at a

speed that made René cry out in protest that he'd have him run in and

his license forfeited. Kurt slowed down a little.

"Cars crawl so," he said, "once you've tried a flier."

"I've seen your name in the papers."

"Yes. I won my first race, Glasgow to Edinburgh round the coast of

Scotland. Bit stiff, some of it, with mist and rain. I say, I _am_

glad to see you. You're looking fit. Better life than mugging away

with books, what? Though I don't know that I'd care about being out in

the streets in all weathers, what?"

"Oh, you get used to that. I hate it when the engine goes wrong and I

have to stay at home."

They reached Hendon and Kurt took his old friend to see his new

monoplane.

"Like to go up in her? She's a snorter. Takes the air like a bird; you

can feel her planes stretching to the air, and the engine's like a

cat."

Before he could think twice about it, René found himself sitting up

behind Kurt with the machine rushing over the ground and the engine

roaring. He could not tell at what point they left the earth, but

trees, sheds, houses seemed to fall away as though the earth were

tilted up, and then the air rushed in his ears, caught at his throat,

pressed hard against his body. He looked down. They were ascending in

circles. Roads looked like ribbons, trees like haycocks, trams like

toys, men and women were little dots mysteriously and absurdly moving.

They hovered for a moment as they turned out of the final circle and

made straight for a low gray cloud. Soon they passed through it, and

up again. Presently they turned, dipped, and Kurt shut off the engine

and they came gliding down; the earth tilted up alarmingly to meet

them; houses, trees, sheds slid back into their places. René was

startled to find the earth almost immediately flattened out again

without the threatened impact, and back they darted to the hangar.

"Glorious?" asked Kurt.

"I--I don't know yet," replied René.

"How like you!"

"How do you mean--like me?"

"I mean, to admit that you don't know. Half the people I take up

pretend they like it, though they hate it really. A few, like you,

don't know, but they don't say so. I wish I'd been the first man to do

it."

René had to walk to get warm again, and he left Kurt in his hangar for

a moment to instruct one of his mechanics. He came quickly, caught

René by the arm, and laughed, telling him how comic it was to see him

in his chauffeur's clothes, disguised, the truant brother-in-law

hiding behind a uniform. René said:

"I've got used to it now."

"Do you ever open a book?"

"Sometimes. I had a few sent to me."

"Economic books?" asked Kurt.

"No. But I go on thinking about all that. Habit, I suppose, or perhaps

trying to discover what it really is all about, and I don't know. They

used to call it a science, but it can't be scientific----"

"That's what I say. You do know where you are with an engine. You can

eat up distance. But I thought clever people would never understand

that. You used not to. Perhaps you're not clever any more. That's what

I said to Linda. Oh, I'm sorry."

"You needn't be." René gulped that out, for indeed he was embarrassed.

The days of his torment were brought back suddenly, came savagely

breaking through his simple pleasure in the rediscovery of this

enlarged Kurt, grown from boy to man without loss of youth and

frankness. He extricated himself from his confusion by asking:

"How is she?" And at once he was shocked to find out how little he

really cared to know.

"Linda? Well, she's a much better sort than she used to be. I don't

know much about women, though I like them well enough. Linda? Oh, she

seems happy. She has a house and a piano and a lot of people, goes

abroad, little parties of four or five, mixed; musicians and

professors, cream of Thrigsby, you know. She wrote a play for the

Thrigsby Repertory Theater, all about you and marriage and sex. Rather

disgusting, I thought it, but all Thrigsby flocked to see it. All the

same, yes, she is nicer. Not so inquisitive; doesn't romance so

wildly. The only objection I have to her now is that she will get me

into a corner when I'm at home and talk about you. I think she ought

to ignore your existence, as it is no longer her affair. She seems

unable to do that, and she fancies I know something about you that she

doesn't, though I've told her over and over again that I don't pretend

to understand you or anybody else. I did tell her that you made me

feel that what I wanted to do wasn't necessarily a thing to be ashamed

of."

"I did that?"

"Well, it was only after you came that I was able to tell the mater

that I didn't want to do as she wished and couldn't. . . . Where are

you living?"

René described Ann's two rooms.

"Do you like it? I mean, aren't they rather grubby and piggy?"

René thought it over with a clear picture in his mind of Ann's room

and Jimmy's and Kilner's, and the women standing at the doors and

leaning out of the windows, and the children playing in the muck. For

him it was all colored emotionally. Moments of distaste he could

remember, but nothing like the offended fastidiousness expressed in

Kurt's tone.

"Well, yes. Untidy and careless. One day's work slops over into the

next day. But, you know, my home was not so very unlike that. I used

to hate it at home when I got back at night to find my bed unmade.

That used to happen."

"Can I come and see you? I'm here for a fortnight. My business is up

north. Got a factory now. You must come and see it if ever you

are----"

"I don't think I'm likely to go north again. I feel that's finished. I

don't know why. It isn't that I have any hatred for it, or any

bitterness about what happened. Only I feel on firmer ground here, as

though I had taken root."

"I'll come along then. Any night?"

"Almost any night."

"I'll take my chance."

They shook hands, Kurt with a grip that squeezed René's knuckles

together until the pain was horrible.

"'Member our smash?" asked Kurt.

René grinned at the recollection. He was very pleased and comfortable.

To have established a connection with the past through Kurt was to

have it made without shock of shame or injury to vanity. Through

Kurt's frank mind it was cleaned and shaped for him, presented to him

so that he must make the necessary effort to strike out of himself the

light which should reveal it, the light of humor. It was a very faint

gleam that came out of him, but it was enough to serve and to imprint

the picture on his mind, give him possession of it, and deliver him

from the anguish which attended all his dark contemplations.

"Oh, yes," he said, "and I remember how I lectured you. And now the

positions are reversed."

"I don't see that."

An elegant young man in a gray suit came up, with a beautiful woman of

a loveliness and charm that took René's breath away.

"How do, Kurt?" said the young man, stepping in front of him. "Lady

Clewer wishes to be----"

Kurt shook hands with the beautiful lady and with her and her

companion walked away toward the knot of brilliant persons gathered

round a biplane that had just come to earth.

Flushed and tingling at the hurt, René rushed away, savagely wound up

his engine, and glided back into the city, to the narrow place where

he had till now lived in comfort and the pleasures of simplicity.

Small and confined he saw it now, mean and untidy. But it had been and

was still his refuge. He had been happy, and the world had ignored his

happiness and snatched it away from him. He was actively angry and

jealous.

He frightened Ann by the hungry affection with which he greeted her

when she came home, after working overtime to keep pace with a rush of

work at her factory. She liked it too. It was exciting. Yet she could

not conceal her fear. She was more than his match in exuberance, but

here was a demand upon her that she could not recognize and very soon

she was in tears; not her happy tears that had so often reconciled him

and made him gleeful and proud. He was humbled and acutely conscious

of separation from her, though they clung together. For a few moments

the whole weight of their relationship was thrown upon their loyalty,

and it did not yield. She slept at last, her hand in his, but he lay

awake staring back into the past, fascinated as the light growing in

him showed it up in continually sharpening relief--his parting from

his father; him he could see very clearly; but his mother was in

shadow, sitting, head down, hands busy, never stirring, in acceptance.

And Linda? He could see her at that absurd tea-party when his father

had shown her his picture. She walked into his life then. They sat by

the tulips and she was gone. He could remember his own desire and

after, only its horrible, inexplicable disappearance.

Young Earnest: The Romance of a Bad Start in Life · 第 45 / 81 题