CHAPTER I

_Books by_

_HUGH WALPOLE_

* * * * *

_Novels_

THE WOODEN HORSE

MR. PERRIN AND MR. TRAILL

THE DARK FOREST

THE SECRET CITY

THE CATHEDRAL

_The London Novels_

FORTITUDE

THE DUCHESS OF WREXE

THE GREEN MIRROR

THE CAPTIVES

THE YOUNG ENCHANTED

_Fantasies_

MARADICK AT FORTY

THE PRELUDE TO ADVENTURE

PORTRAIT OF MAN WITH RED HAIR (_In Preparation_)

_Books About Children_

THE GOLDEN SCARE CROW

JEREMY

JEREMY AND HAMLET

_Belles-Lettres_

JOSEPH CONRAD: A CRITICAL STUDY

Jeremy and Hamlet

A Chronicle of

Certain Incidents

In the Lives

Of a Boy,

A Dog, and a

Country Town

By

HUGH WALPOLE

CASSELL AND COMPANY, LIMITED

London, New York, Toronto and Melbourne

First published 1923

_Printed in Great Britain._

To

MY FATHER AND MOTHER

FROM

THEIR DEVOTED FRIEND

THEIR SON

It is not growing like a tree

In bulk, doth make man better be;

Or standing long an oak, three hundred year,

To fall a log at last, dry, bald and sear;

A lily of a day

Is fairer far in May

Although it fall and die that night——

It was the plant and flower of light.

In small proportions we just beauties see,

And in short measures life may perfect be.

—BEN JONSON.

CONTENTS

1. COME OUT OF THE KITCHEN

2. CONSCIENCE MONEY

3. THE DANCE

4. SALADIN AND THE BLACK BISHOP

5. POODLE

6. THE NIGHT RAIDERS

7. YOUNG BALTIMORE

8. THE RUFFIANS

9. THE PICTURE-BOOK

10. UNCLE PERCY

11. THE RUNAWAYS

12. A FINE DAY

Jeremy and Hamlet

CHAPTER I

COME OUT OF THE KITCHEN . . .

I

There was a certain window between the kitchen and the pantry that was

Hamlet’s favourite. Thirty years ago—these chronicles are of the year

1894—the basements of houses in provincial English towns, even of large

houses owned by rich people, were dark, chill, odourful caverns hissing

with ill-burning gas and smelling of ill-cooked cabbage. The basement of

the Coles’ house in Polchester was as bad as any other, but this little

window between the kitchen and the pantry was higher in the wall than

the other basement windows, almost on a level with the iron railings

beyond it, and offering a view down over Orange Street and, obliquely,

sharp to the right and past the Polchester High School, a glimpse of the

Cathedral Towers themselves.

Inside the window was a shelf, and on this shelf Hamlet would sit for

hours, his peaked beard interrogatively a-tilt, his leg sticking out

from his square body as though it were a joint-leg and worked like the

limb of a wooden toy, his eyes, sad and mysterious, staring into

Life. . . .

It was not, of course, of Life that he was thinking; only very high-bred

and in-bred dogs are conscious philosophers.

His ears were stretched for a sound of the movements of Mrs. Hounslow

the cook, his nostrils distended for a whiff of the food that she was

manipulating, but his eyes were fixed upon the passing show, the

pageantry, the rough-and-tumble of the world, and every once and again

the twitch of his Christmas-tree tail would show that something was

occurring in this life beyond the window that could supervene, for a

moment at any rate, over the lust of the stomach and the lure of the

clattering pan.

He was an older dog than he had been on that snowy occasion of his first

meeting with the Cole family—two years older in fact. Older and fatter.

He had now a round belly. His hair hung as wildly as ever it had done

around his eyes, but beneath the peaked and aristocratic beard there was

a sad suspicion of a double chin.

_He had sold his soul to the cook._

When we sell our souls we are ourselves, of course, in the main

responsible. But others have often had more to do with our catastrophe

than the world in general can know. Had Jeremy, his master, not gone to

school, Hamlet’s soul would yet have been his own; Jeremy gone, Hamlet’s

spiritual life was nobody’s concern. He fell down, deep down, into the

very heart of the basement, and nobody minded.

He himself did not mind; he was very glad. He loved the basement.

It had happened that during the last holidays Jeremy had gone into the

country to stay with the parents of a school friend—Hamlet had had

therefore nearly nine months’ freedom from his master’s influence. Mr.

and Mrs. Cole did not care for him very deeply. Helen hated him. Mary

loved him but was so jealous of Jeremy’s affection for him that she was

not sorry to see him banished, and Barbara, only two and a half, had as

yet very tenuous ideas on this subject.

Mrs. Hounslow, a very fat, sentimental woman, liked to have something or

someone at her side to give her rich but transient emotions—emotions

evoked by a passing band, the reading of an accident in the newspaper,

or some account of an event in the Royal family. The kitchen-maid, a

girl of no home and very tender years, longed for affection from

somebody, but Mrs. Hounslow disliked all kitchen-maids on

principle—therefore Hamlet received what the kitchen-maid needed, and

that is the way of the world.

Did there run through Hamlet’s brain earlier stories of an emotion purer

than the lust for bones, of a devotion higher and more ardent than the

attachment to a dripping saucepan?

Did he sometimes, as he sat reflectively beside the kitchen fire, see

pictures of his master’s small nose, of woods when, at his master’s

side, he sniffed for rabbits, of days when he raced along shining sands

after a stone that he had no real intention of finding? Did he still

feel his master’s hand upon his head and that sudden twitch as that hand

caught a tuft of hair and twisted it? . . .

No one can tell of what he was thinking as he sat on the shelf staring

out of his window at old Miss Mulready, burdened with parcels, climbing

Orange Street, at the lamplighter hurrying with his flame from post to

post, of old Grinder’s war-worn cab stumbling across the cobbles past

the High School, the old horse faltering at every step, at the green

evening sky slipping into dusk, the silver-pointed stars, the crooked

roofs blackening into shadow, the lights of the town below the hill

jumping like gold jack-in-the-boxes into the shadowy air.

No one could tell of what he was thinking.

II

He was aware that in the upper regions something was preparing. He was

aware of this in general by a certain stir that there was, of agitated

voices and hurrying footsteps and urgent cries; but he was aware more

immediately because of the attentions of Mary, Jeremy’s younger sister.

He had always hated Mary. Are dogs, in their preferences and avoidances,

guided at all by physical beauty or ugliness? Was Helen of Troy adored

by the dogs of that town and did Sappho command the worship of the

hounds of Greece? We are told nothing of it and, on the other hand, we

know that Lancelot Gobbo had a devoted dog and that Charon, who cannot

have been a handsome fellow, was most faithfully dog-attended. I do not

think that Hamlet minded poor Mary’s plainness, her large spectacles,

her sallow complexion, colourless hair and bony body. His dislike arose

more probably from the certainty that she would always stroke him the

wrong way, would poke her fingers into his defenceless eyes, would try

to drag him on to her sharp, razor-edged knees and would talk to him in

that meaningless sing-song especially invented by the sentimental of

heart and slow of brain for the enchantment of babies and animals.

She was talking to him in just that fashion now. He had slipped

upstairs, attracted by a smell in the dining-room. Watching for the

moment when he would be undetected, he had crept round the dining-room

door and had stood, his nose in air, surrounded by a sea of worn green

carpet, sniffing. Suddenly he felt a hand on his collar and there

followed that voice that of all others he most detested. “Why, here’s

Hamlet! Helen, here’s Hamlet! . . . We can get him ready now, Helen;

there’s only two hours left anyway, and Jeremy will care much more about

that than anything. I’d like to leave him downstairs, but Jeremy will be

sure to ask where he is. Which colour shall I use for the ribbon, Helen?

I’ve got blue and red and orange.”

A pause. Then again:

“Which shall I use? Do say.”

Then from a great distance:

“Oh, don’t bother, Mary. Can’t you see I’m busy?”

A heavy sigh. “Oh, well, you might. Never mind. I think the blue’s

best.” All this time Hamlet was desperately wriggling, but the hand,

with knuckles that pressed into the flesh and hurt, had firm hold.

“Oh, do keep still, Hamlet. Can’t you see that your master’s coming home

and you’ve got to be made nice? Oh, bother! I’ve gone and cut the piece

too short. . . . Helen, have you got another piece of blue?”

A pause. Then again: “Oh, Helen, you might say. I’ve cut the piece too

short. Haven’t you got another bit of blue?”

Then again from a long distance:

“Don’t _bother_, Mary. Can’t you _see_ that I’m so busy?”

“Oh, very well, then.” A terribly deep sigh that made Hamlet shiver with

discomfort. “Come here, Hamlet. On to my lap, where I can tie it better.

There, that’s right. Oh, _do_ keep your head still—and how fat you are

now!”

Insult upon insult heaped. He raised his eyes to heaven, partly in

indignation, partly because the entrancing smell could be caught more

securely now from the elevation of Mary’s lap! But the discomfort of

that lap, the hard boniness, the sudden precipitate valley, the

shortness of its surface so that one was for ever slipping two legs

over, the moist warmth of the surrounding hand, the iron hardness of the

fingers at the neck! He played his best game of wriggle, slipping,

sliding, lying suddenly inert, jerking first with his paws, then with

his hind legs, digging his head beneath his captor’s arm as the flamingo

did in “Alice.”

Mary, as so often occurred, lost her patience. “Oh, do keep still,

Hamlet! How tiresome you are, when I’ve got such a little time too!

Don’t you like to have a ribbon? And you’ll have to be brushed too.

Helen, where’s the brush that we used to have for Hamlet?”

No answer.

“Oh, do keep still, you naughty dog!” She dug her knuckles into his

eyes. “Oh, Helen, do say! Don’t you know where it is?”

Then from a great distance: “Oh, don’t bother, Mary. No, I don’t know

where it is. How stupid you are! Can’t you see I’m busy?”

He wriggled, Mary slapped him. He turned and bit her. She dropped him.

“Oh, Helen, he’s bit me!”

“It’s bitten, not bit.

“No, it isn’t; it’s bit. . . . Perhaps he’s mad or something, and I’ll

suddenly bark like a dog. I know they do. I read about it in ‘Hopes and

Fears.’ You’re a horrid dog and I don’t care whether Jeremy sees you or

not. Oh, Helen, you might help. It’s four o’clock and Jeremy will be

nearly here.”

Hamlet was free, free of Mary, but not of the room. The door behind him

was closed. He sat there thinking, the piece of blue ribbon hanging

loosely round his neck. Something was stirring within him—something

that was not an appetite nor a desire nor a rebellion. A memory. He

shook his head to escape from his ribbon. The memory came closer. From

that too he would like to escape. He gazed at the door. Had he never

smelt that alluring smell? . . .

He slipped beneath the dining-room table, and, lying flat, resting his

head on his paws, stared resentfully in front of him. The memory came

closer.

III

Two hours later he was sitting in a ridiculous position two steps from

the bottom of the hall stairs—ridiculous because the stair was not

broad enough for his figure, because the blue ribbon was now firmly tied

and ended in a large blue bow, because Mary’s hand was upon him,

restraining him from his quite natural intention of disappearing.

They were grouped about the stair, Helen and Mary, Barbara and the

nurse, Mr. and Mrs. Cole and Aunt Amy in the hall below. Helen, Mary and

Barbara were wearing cocked hats made of coloured paper and carried

silver tissue wands in their hands. Barbara was eating her tissue paper

with great eagerness and a vivid, absorbed attention. Helen looked

pretty and bored; Mary was in a state of the utmost nervousness,

clutching Hamlet with one hand while in the other she held a toy trumpet

and a crumpled piece of paper.

Everyone waited, staring at the door. Mr. Cole said:

“Five minutes late. I must go back to my sermon in a moment.”

Aunt Amy said: “I hope nothing can have happened.”

Mrs. Cole said tranquilly: “We should have heard if it had.”

The front door bell rang; a maid appeared from nowhere and opened the

door. From the dusk there emerged a small, heavily coated figure. Mr.

and Mrs. Cole moved forward. There were embraces. Mr. Cole said: “Well,

my boy.” A husky voice was heard: “Oh, I say, mother, that old squeak of

a cabman——”

The short, thick-set figure turned towards the staircase.

Instantly Mary blew on her trumpet. Barbara, suddenly disliking the

tissue paper, began to cry. Hamlet barked.

Through the din the quavering voice of Mary could be heard reading the

poem of welcome:

“Thee, returning to your home,

Back from school and football too,

Coming to us all alone,

Mary, Helen and Barbara welcome you.

Hail to thee, then, Jeremy dear,

Over you we shed a tear

Just because you are so dear.

Welcome to your home.”

There should then have followed a blast on the trumpet and three rousing

cheers. Alas! the welcome was a complete and devastating failure.

Jeremy could be heard to say:

“Thanks awfully.... By Jove, I _am_ hungry. How soon’s tea, mother?”

Barbara’s howls were now so terrible as to demand immediate attention

from everyone. Hamlet had slipped from control and was barking at Aunt

Amy, whom he delighted to annoy. Mrs. Cole said: “Now that’s enough,

children dear. I’m sure Jeremy’s tired now.” No one had heard Mary’s

verses; no one noticed the cocked hats; no one applauded the silver

wands. The work of weeks was disregarded. No one thought of Mary at all.

She crept away to her room at the top of the house, flung herself upon

her bed and howled, biting the counterpane between her teeth.

But are not these home-comings always most disappointing affairs? For

weeks Jeremy had been looking to this moment. On the frayed wallpaper

just above his bed in the school dormitory he had made thick black marks

with a pencil, every mark standing for a day. Hard and cynical during

his school-day, a barbarian at war with barbarians, at nights, when the

lights were out, when the dormitory story-teller’s (unhappy Phipps

minor) voice had died off into slumber, in those last few minutes before

he too slept, he was sentimental, full of home-sick longings, painting

to himself that very springing from the cab, his mother’s kiss, Hamlet’s

bark, yes, and even the embraces of his sisters. On the morning of

departure, after the excitement of farewells, the strange, almost

romantic thrill of the empty schoolrooms, the race in the wagonette

(_his_ wagonette against the one with Cox major and Bates and Simpson)

to the station, the cheeking of the station-master, the crowding into

the railway carriage and leaning (five on top of you) out of the

carriage window, the screams of “Bags I the corner,” the ensuing fights

with Cox major, after all this gradual approach to known country, the

gathering-in as though with an eager hand of remembered places and

stations and roads, the half-hour stop at Drymouth (leaving now almost

all your companions behind you—only young Marlowe and Sniffs major

remaining), the crossing over into Glebeshire, then the beat of the

heart, the tightening of the throat, as Polchester gradually

approached—all this, yes and more, much more, than this, to end in that

disappointment! Everyone looking the same as before, the hall the same,

the pictures the same, father and mother and Aunt Amy the same, Mary and

Helen the same only stupider! What did they dress up and make fools of

themselves like that for? Mary always did the wrong thing, and now most

certainly she would be crying in her bedroom because he had not said

enough to her. . . .

In one way there had been too much of a reception, in another not

enough. It was silly of them to make that noise, but on the other hand

there should have been more questions. How had he done in football? He

had played half-back twice for the school. He had told them that in

three different letters, and yet they had asked no questions. And there

was Bates who had stolen jam out of a fellow’s tuck box. One of his

letters had been full of that exciting incident, and yet they had asked

no questions. It was true that they had had but little time for

questions, nevertheless his father, at once after kissing him, had

murmured something about his sermon—as though an old sermon mattered!

Of course he did not think all this out. He only sat on his bed kicking

his legs, looking at the well-remembered furniture of his room, vaguely

discontented and unhappy. What fun it had been that morning, ragging

Miss Taylor, laughing at the guard of the train, saying good-bye to old

Mumpsey Thompson who recently spoke to him as though he were a man,

asking him whether his parents had decided upon the public school to

which, in two years’ time, he would be going—Eton, Harrow, Winchester,

Craxton, Rugby, Crale and so on. Time to decide, time to decide!

One’s public! The world widening and widening, growing ever more

terribly exciting—and here Mary, sobbing in her room, and father with

his sermons and the long evenings. At least no work—only a silly

holiday task, a book called “The Talisman,” or some rot. No work. His

spirits revived a little. No work and lots of food, and Hamlet. . . .

Hamlet! He jumped off his bed. Why, he had never noticed the dog! He had

forgotten. He rushed from the room.

When he was half-way down the stairs he caught the echo of a voice:

“Tea, Jeremy. All ready in the schoolroom.” But he did not pause. In the

hall he saw the housemaid. “I say, where’s Hamlet?” he cried.

“In the kitchen, I expect, Master Jeremy,” she answered.

In the kitchen, she expected! Why should she expect it? Hamlet never

used to be in the kitchen. His heart began to beat angrily. The kitchen?

That was not the place for a dog like Hamlet. He stumbled down the dark

stairs into the basement. Mrs. Hounslow was standing beside the kitchen

table, her sleeves rolled up above her elbows; she was pounding and

pounding. Jeremy cried, at once challenging:

“I say, where’s my dog?”

_His_ dog? Mrs. Hounslow, already too scarlet for further colour,

nevertheless crimsoned internally. His dog! She hated little boys. Her

sister, the one that married the postman, had had one. Two indeed. She

loved Hamlet, who had become now, by the rights both of psychology and

environment, hers.

“’E’s lying there right in front of the fire, Master Jeremy—the poor

little worm,” she added.

“The poor little worm” was indeed stretched out gnawing at a bone.

“He oughtn’t to be in front of the fire,” said Jeremy. “It’s bad for

dogs. It gives them rheumatism.”

She stopped her pounding. They had not met before, but it was one of

those old hostilities born in the air, fostered by the crystal moon,

roughened by the golden sun.

Jeremy stood, his legs apart, looking down upon his dog. He saw how fat

he was, how deeply engrossed in his bone, how dribbling at the jaws.

“Hamlet!” he said. He repeated the name three times. At the third call

the dog looked up, then went back to his bone. Mrs. Hounslow sniffed.

Meanwhile in Hamlet’s soul something was stirring—memories, affections,

sentiments. . . . He licked the bone again. It no longer tasted so sweet

as before. He looked up at Mrs. Hounslow imploringly.

She declared herself. “He do love the kitchen. If there’s one place

where he loves to be, it’s the kitchen. Only last night I was saying to

my sister, ‘Anne,’ I said, ‘it’s a most curious thing how that dog do

love the kitchen.’ A little kindness goes a long way with animals, poor

things. As I said to my sister——”

“But he oughtn’t to love the kitchen!” Jeremy burst out indignantly. “He

isn’t a kitchen dog!”

Mrs. Hounslow had received the Last Insult. Her face darkened _sub

rosa_. She to be reproached, she who had been the only one to show

affection to the poor deserted lamb, she who had protected him and fed

him and given him warm places in which to sleep. A kitchen dog! And her

kitchen the cleanest, shiniest, most bescoured kitchen in Polchester!

She had, however, her dignity.

“That’s as may be, Master Jeremy,” she said. “But it’s natural, both in

dogs and humans, that they should go to them as cares for them best and

takes trouble over them.”

She went on with her pounding, breathing deeply.

Jeremy looked at her. He had hurt her feelings. He was sorry for that.

After all, she had been kind to the dog—in her own way. She naturally

could not understand the point of view that he must take.

“Thank you very much,” he said huskily, “for having been so kind to

Hamlet all this time. . . . He’s going to live upstairs now—but it was

very good of you to take so much trouble.”

Hamlet was deep in his bone once more. When Jeremy put his hand on his

collar he growled. That roused Jeremy’s temper. He dragged the dog

across the floor; Hamlet pushed out his legs, and behind his hair his

eyes glared. The door closed on them both.

IV

Upstairs in his own room he squatted on the floor and drew Hamlet in

between his legs. Hamlet would not look at his master. He sulked as only

dogs and beautiful women can.

“Hamlet, you _must_ remember. You can’t have forgotten _everything_ so

quickly. You _can’t_ have forgotten the fun we had last year, out at the

farm, and when I rescued you after Mary shut you up, and biting Aunt Amy

and everything.

“I know I’ve been away, and you must have thought I was never coming

back, but I couldn’t help that. I had to go to school, and I couldn’t

take you with me. And now I’m going to be home for weeks and weeks, and

it will be awfully slow if you aren’t with me. Nobody seems really

excited about my coming back, and Uncle Samuel’s away, and everything’s

rotten—so you must stay with me and go out with me for walks and

everything.”

Hamlet was staring down at the floor through his hair. His master was

scratching his head in exactly the way that he used to do, in the way

that no one else had ever done. Three, four, five scratches in the

middle, then slowly towards the right ear, then slowly towards the left,

then both ears pulled close together, then a piece of hair twisted into

a peak, then all smoothed down again and softly stroked into

tranquillity. Delicious! His soul quivered with sensuous ecstasy. Then

his master’s hands smelt as they had always done, hard and rough, with

the skin suddenly soft between the fingers. Very good to lick! His

tongue was half out. In another moment he would have rolled over on to

his back, his legs stuck stiffly out, his eyes closed, waiting for his

belly to be tickled. In another moment! But there was a knock on the

door, and Mary appeared.

Mary’s eyes were red behind her spectacles. She had the sad, resigned

indignation of a Cassandra misunderstood.

“Jeremy, aren’t you coming down to tea? We’re half finished.”

He rose to his feet. He knew that he must say something.

“I say, Mary,” he stammered, “it was most awfully decent of you to make

that poetry up. I did like it.”

“Did you really?” she asked, gulping.

“Yes, I did.”

“Would you like a copy of it?”

“Most awfully.”

“I did make a copy of it. But I thought nobody cared—or wanted to

hear. . . .” Fearful lest she should begin to cry again, he said

hurriedly:

“Here’s Hamlet. He’s always been in the kitchen. He’s not going to be

any longer.”

Hamlet followed him downstairs, but still with reluctant dignity. The

moment of his surrender had been covered, and he did not know that he

would now surrender after all. He would see. Meanwhile he smelt food,

and where food was he must be.

Tea was in the schoolroom. Miss Jones, the governess, was away on her

holiday, and Jeremy saw at once that the worst thing possible had

occurred: his Aunt Amy, whom he did not love, was in charge of the

tea-table. He had fantastic thoughts when he saw his aunt, thinking of

her never as a human being, but as an animal, a bird, perhaps. A crow. A

vulture. Something hooked and clawed. But to-day she was determined that

she would be friendly.

“Sit down, Jeremy dear. You’re very late, but on the first day we’ll say

nothing about it.”

His mother should have been here. Where was his mother?

“Have you washed your hands? Mother has callers. . . . There is

blackberry jam and also strawberry. Your welcome home, Jeremy.”

He would have neither. He loved blackberry. Still more he loved

strawberry. But he would have neither. Because Aunt Amy had asked him.

His eye was on Hamlet, who was sulking by the door.

“I do hope, dear, that you’re not going to have that dog with you

everywhere again. All the time you were away he was in the kitchen. Very

happy there, I believe.”

Jeremy said nothing.

Aunt Amy, who was, I think, to be applauded for her efforts with a sulky

boy, bravely persevered.

“Do tell us, dear, about this last time at school. We are all so eager

to know. Was it cricket or football, dear, and how did your work go?”

He mumbled something, blushing to the eyes as he caught his sister

Helen’s ironical supercilious glance.

“I hope your master was pleased with you, dear.”

He burst out: “I was whacked twice.”

Aunt Amy sighed. “The less about that, dear, the better. We want to know

what you did well!”

How strange that in the train he had eagerly desired this moment—and

now he had nothing to say.

“I don’t know,” he murmured. “There was a chap called Bates got bunked

for stealing.”

Aunt Amy sighed again. “Yes, Helen dear, you can go if you’ve really

finished. Wipe your mouth, Mary.”

Hamlet was watching his master. More than ever now were recollections

stealing upon him. His master was unhappy, just as he used to be

unhappy. He was hating that dark, strange-smelling animal (smelling of

soap, the smell that Hamlet most avoided) whom Hamlet also hated.

Yes, everything was returning. . . .

V

Later on they were down in the drawing-room. Mrs. Cole was reading “The

Dove in the Eagle’s Nest,” the children grouped about her feet. Jeremy,

his rough bullet head against his mother’s dress, was almost asleep. He

had had a long, exhausting day; he was happy at last, seeing the colours

fold and unfold before his eyes. That other world that was sometimes so

strangely close to him mingled with the world of facts—now he was

racing in the wagonette, leaning over and shouting triumphantly against

those left behind; now the path changed to a pool of gold, and out of it

a bronze tower rose solemn to heaven, straight and tall against the blue

sky, and the windows of the tower opened and music sounded, and his

mother’s voice came back to him like the sudden rushing of the train,

and he saw Mary’s spectacles and the flickering fire and Helen’s

gleaming shoes.

For the moment he had forgotten Hamlet. The dog lay near the door. It

opened, and Aunt Amy came in.

At once the dog was through the door, down the stairs, and into the

kitchen. This was habit. Something had acted in him before he could stop

to think. It was natural for him to be in the kitchen at this hour, when

it was brilliantly lit, and the cook and the housemaid and the

kitchenmaid were having their last drop of tea. . . . Always things for

him at this moment, sweet things, fat things, meaty things. He sat

there, and they dropped bits into his mouth, murmuring “Poor worm,”

“Little lamb,” “Sweet pet.”

Mrs. Hounslow was to-night quite especially affectionate, delighted with

his return to her. She patted him, pulled him into her ample lap, folded

his head against her yet ampler bosom, confided to the maids what that

limb of a boy had dared to say to her—“kitchen dog!” indeed. As though

it weren’t the finest kitchen in Glebeshire, and who’d looked after the

poor animal if she hadn’t—and then—and why—but of course.

The maids agreed, sipping the tea from their saucers.

But Hamlet was not happy. He did not care to-night for Mrs. Hounslow’s

embraces. He was not happy. He struggled from her lap on to the floor,

and sat there scratching himself.

When ten struck he was taken to his warm corner near the oven. She

curled him up, she bent down and kissed him. The lights were turned out,

and he was alone. He could not sleep. The loud ticking of the kitchen

clock, for so many months a pleasant sleepy sound, to-night disturbed

him.

He was not happy. He got up and wandered about the kitchen, sniffing. He

went to the door. It was ajar. He pushed it with his nose. Something was

leading him. He remembered now—how well he remembered! Up these dark

stairs, under that hissing clock, up these stairs again, along that

passage, the moon grinning at him through the window (but, of course, he

did not know that it was the moon). Up more stairs, along this wall,

then this door! He pushed with his nose; it moved; he squeezed himself

through.

He hesitated, sniffing. Then—how familiar this was—a spring, and he

was on the bed; a step or two, and he was licking his master’s cheek.

A cry: “Hamlet! Oh, Hamlet!” He snuggled under his master’s arm, licking

the cheek furiously, planting his paw, but with the nails carefully

drawn in, on his master’s neck. Once more that hand was about his head,

the scratch first to the left, then to the right, then the pulling of

the ears. . . .

With a sigh of satisfaction he sank into the hollow of his master’s

body, and in another second was asleep.

Jeremy and Hamlet A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country Town · 第 1 / 12 章