SUMMARY.
First interview between Margaret Tudor and James IV.--She is
alarmed by a conflagration--Her grief for the loss of her
palfrey--She is removed from Dalkeith to Newbattle--King’s
visit to her--Her ball and concert--Her delight at the
King’s vocal and musical skill--He kneels while she sings
and plays--Their courtship at Newbattle--Queen Margaret’s
state entrance into Edinburgh--Riding on a pillion behind her
husband--He conducts her to her apartments in Holyrood--Presents
her household to her--Her marriage in Holyrood Chapel--Her
dress and ceremonials--Her Epithalamium--Queen Margaret’s
largesse--Redeems her wedding-gown next day--She goes in state
to the High Church, Edinburgh--Tourneys in her honor--Sits
in full dress at her bay-window, Holyrood--Sees a play--Her
complaining letter to her father--Her farewell festival to her
English escort--Her attendants, court, and minstrels--Birth
of her first child--Dangerous illness--First causes of
jealousy--Her pilgrimage to St. Ninian’s--Death of her son,
&c.--Birth and loss of her eldest daughter--Queen is involved
in disputes with her father and husband--Death of her father,
Henry VII., and of her grandmother--Birth of her son Arthur--She
claims the legacy of her deceased brother, Arthur, Prince
of Wales--Death of her infant son--Her pilgrimage to St.
Duthois--Birth of her son (James V.), April 11, 1512--Naval war
between Henry VIII. and her husband--Her disputes about her
legacy--Interview with her brother’s envoy, Dr. West--Shows
him her beautiful boy--Sir David Lindsay has charge of her
son--Her angry letter to Henry VIII.--Grief for the war with
England--Disturbs her husband with her dreams--Her jealousy of
the Queen of France--Supernatural impositions, &c. &c.--King
James confides his treasure to her keeping--Leaves her the
regency in his will--Queen retires to Linlithgow--Death of her
husband at Flodden.
James IV. came in thus unexpectedly to relieve his young bride from
the anxiety of a formal introduction to him in the midst of tedious
state ceremonies, with the eyes of a multitude fixed upon them. He
wished to make acquaintance with her before such ordeal commenced; and
if his bride had a heart worth the winning, it was evident the King of
Scotland thought it most likely to be won when they were disencumbered
of the stiff stateliness ever surrounding royalty on public days.
He entered the presence of Margaret Tudor with his hawking-lure flung
over his shoulder, dressed simply in a velvet jacket; his hair and
beard curling naturally, were rather long,[68] his complexion glowing
from the manly exercise he had just been engaged in. He was the
handsomest sovereign in Europe, the black eyes and hair of his elegant
father, James III., being softened in his resemblance to the blonde
beauty of his Danish mother. Sir Walter Scott has drawn James IV.’s
portrait _con amore_, and has not exaggerated the likeness--
“For hazel was his eagle eye,
And auburn of the darkest dye
His short curled beard and hair.
Light was his footstep in the dance,
And firm his stirrup in the lists;
And oh, he had that merry glance
Which seldom lady’s heart resists.”
The young Queen met her royal lord at the doorway of her great chamber.
The King of Scotland uncovered his head and made a deep obeisance to
her, while she made a lowly reverence to him. He then took her hand and
kissed her, and saluted all her ladies by kissing them. It was noticed
that he welcomed the chivalric Earl of Surrey with especial cordiality.
“Then the King of Scotland took the Queen on one side, and they
communed together for a long space. She _held good manner_ (was
unembarrassed); and the King remained bare-headed during the time
they conversed, and many courtesies passed between them. Incontinent
(_immediately_) the board was set and served. The King and Queen
washed their hands with humble reverence, and after that set them down
at table together.
“After supper they washed again, _with the reverences_,” which
we opine to have been an elaborate series of bows and genuflexions
performed with due solemnity. “The minstrels began to blow, then Queen
Margaret danced, accompanied by my Lady Surrey. This done, King James
took leave of her, for it was late; and he went to his bed at Edinburgh
very well content at so pleasant a meeting, and that he had found the
fair company so well together.”[69]
Such happy order of affairs did not, however, last through that night.
The young Queen was roused from her first sleep with the terrific glare
of flames; a conflagration was raging within the walls of Dalkeith, and
no little alarm existed for some time, lest fatal injury to all its
inhabitants should ensue. At length the fire was subdued, which had
broken out in the stables: these were utterly consumed, and every thing
in them. The Queen’s two white palfreys were burnt; and as one of them
was much beloved by her, she spent the next morning in tears for its
loss.
When King James heard of this misfortune he sent a consoling message to
the Queen, and entreated her, as Dalkeith had proved thus unfortunate,
that she would remove to Newbattle Castle, at a short distance from
it, where every thing had been prepared for her entertainment for four
days.[70] Thither Queen Margaret removed with her train the afternoon
of August 4; but she still remained inconsolable for the loss of her
favorite animals. The King sent word that he would pay her a visit at
Newbattle that afternoon for the purpose of comforting her; “upon which
the Earl of Surrey, the Archbishop of York, and several other English
lords, rode forth intending to meet the King of Scotts.”
But James had taken a different road to Newbattle Castle, and entered
it privately. He came to the Queen’s drawing-room with a few persons,
“and found her playing at cards.” At his entry, “the Queen, rising,
advanced to receive him very gladly, of her good-will kissing him.[71]
After that the King of Scotland gave salute to all her ladies. He was
dressed in a black velvet jacket, bordered with crimson velvet and
edged with white fur.”
While Margaret and James were communing together, the lords who had
been to meet him returned from their fruitless ride. “The King did
reverence, with his bonnet in his hand, to the Archbishop of York and
the Bishop of Durham, right pleasantly welcoming them. After some words
rehearsed, the minstrels began to play a _basse_ dance, which was
danced by Queen Margaret and the Countess of Surrey. The minstrels then
played a round, the which was danced by the Queen, led by the Lord
Gray; and they were followed by many lords, ladies, and gentlewomen.
Wine and bread were then served to the King, who took the bread, and
with it served his Queen. Likewise he took the cup, and served her
first of all with wine.
“The King of Scotland then began to play on the clavichords before his
Queen; after that he played on the lute, which pleased her very much,
and she had great pleasure to hear him. Sir Edward Stanley then sat
down to the clavichords and played a ballad, which he sang withal. The
King commended it much, and called one of his gentlemen who could sing
very well, and made him sing with Sir Edward Stanley, and their voices
accorded very well. Afterward Sir Edward Stanley sang some ballads with
two of his servants, and the King of Scotland gave him good thanks.
“Then King James took leave of his bride by kissing her, and also
of her noble company. He went out to take horse.” The Queen and her
ladies took the opportunity of seeing him mount, which was indeed a
very noble feat of horsemanship, from which Shakspeare must have taken
his celebrated description of the mounting of Harry, Prince of Wales.
“James of Scotland did leap on his horse,” says our Somerset Herald,
“without putting his foot in stirrup; and the said steed was a right
fair courser; and forward the King spurred, let follow who might.”
“The Earl of Surrey, and several other lords, mounted and went after
him; of which when King James was aware, he turned shortly about, and,
uncovering and bowing courteously, rode toward the Earl, and they went
side by side together conversing for a little time; then the Earl took
leave of his Grace, and returned to the young Queen.
“At supper-time the next day, James IV. came again to the Castle. The
Queen being aware of his approach, made haste to meet him with very
humble courtesies; and after their usual salutations, they went apart
for private discourse. The Queen, in her turn, showed her musical skill
by playing on the lute and clavichord; but ever, while she played
on these instruments, King James knelt beside her, with his head
uncovered.”[72]
At the supper, which was served after the Queen had done playing, the
King sat in the chair of state at the head of the table--the Queen on
his right hand; but the stool on which she sat not being easy, the
King rose from the chair of state, and very gallantly placed her in
it. He likewise courteously desired the Earl and Countess of Surrey
to sit at the royal table. When supper was done, the King and Queen
conversed privately together, while the minstrels were performing a
long piece of music James bade farewell to the Queen for the night, by
affectionately saluting her, as usual. “The King had dressed himself on
that occasion in a tan-colored velvet doublet, richly lined with the
costly black fur called in the middle ages by the inexplicable name of
_budge_, which has been supposed to be the fur of the black otter.
He wore a fine shirt worked with gold--his hair and beard were somewhat
long. In the presence of his bride he always uncovered his head.”[73]
That evening, when he mounted his steed, the Earl of Surrey presented
him with the noble courser sent him by his father-in-law, Henry VII.
“It was well appointed with damask housings of the Tudor colors, green
and white, which hung to the ground with great buttons of silk; these,
and the bridle of velvet, were of the same colors. King James ordered
the English steed to be ridden before him to Edinburgh.”
The following day was Sunday, August 6th, and the young Queen went to
the chapel of the Castle of Newbattle “in fair order, accompanied by
her own English household, and the Lady of Newbattle. The Queen was
dressed in a gown of cloth of gold, edged with lattices (_a chequered
pattern border_) and ermine; and her gentlewomen were dressed after
the fashion of Scotland. The sermon was preached by one of the Friars
Observant.
“After mass, Queen Margaret was conveyed to her chamber; and beneath
her table, at the lowest place, sat the Lady of Newbattle, and the
Countess of Surrey with her. The other table was full of ladies; and
during the dinner, trumpets and sackbuts blew.”
“The minstrels of the Queen’s chamber began to play after dinner; and
then danced the Queen, the Countess of Surrey, the Lady Lisle, and the
daughter of the Lady of Castle Newbattle. The dance over, they passed
the Sunday afternoon in games and in conversing.” The King, as usual,
came to supper: the minstrels played, and the Queen danced before him.
The King was dressed in “a gown” of black velvet, furred with martin:
the rest of his attire was wholly black.[74]
“The next day was appointed for the Queen’s solemn entry into
Edinburgh. In the morning, being the 7th of August, the King sent the
Queen her new palfreys, which were to replace those which had been
burnt at Dalkeith; and they were all dressed in new harness. The Queen
was then very richly adorned. She came out in order of state, and was
placed in her litter. She wore a gown of cloth of gold, with a purfle
of black velvet, and a rich necklace of pearls and precious
stones.”[75]
A mile from the castle of Dalkeith, the King sent to the Queen, by a
gentleman, a great tame hart, that she might have a course. The Earl of
Surrey declined it--not because it was a shame to hunt the poor tame
creature, but because King James was in sight, and he thought the King
and Queen could hunt together afterward.
Half-way to Edinburgh, James IV. was seen advancing with his company.
He was this time attired in grand costume. “His steed was trapped with
gold, and round its neck was a deep gold fringe; the saddle and harness
were of gold, but the bridle and head-gear of burnished silver. The
King wore a jacket of cloth of gold, lined and bordered with violet
velvet and fine black _bouge_ or _budge_ fur; his waistcoat
was of violet satin, his _hoses_ of scarlet, his shirt confined
with bands of pearls and rich stones; his spurs were long and gilt.
He rode toward the Queen in full course, at the pace at which the
hare is hunted. On seeing her, he made very humble obeisance, and,
leaping down from his horse, he came and kissed her in her litter. Then
mounting in his usual gallant fashion, without touching stirrup, a
gentleman-usher unsheathed the sword of state, and bore it before his
King in regal fashion. The Scottish sword was inclosed in a scabbard
of purple velvet, whereon was written, in letters of pearl, _God
my defende_. The like words are on the pommel, the cross, and the
_chap_ also. The Earl of Bothwell bore this sword when the royal
party reached Edinburgh town.”
The King placed himself by the Queen’s litter, and passed all the time
conversing with her and entertaining her, as he rode by her side.
“Before they entered Edinburgh, one of the King’s gentlemen brought
out a fair courser, trapped in cloth of gold, with crimson velvet,
interlaced with white and red; the King went to the horse, mounted him
without touching the stirrup in the presence of the whole company,
then tried his paces--choosing to judge himself whether it were safe
for his bride to ride on a pillion behind him, which was the mode in
which he intended to enter the city.”[76] Likewise he caused one of his
gentlemen to mount behind him, as a lady would ride, to see whether the
proud courser would submit to bear double or not.
When he had concluded all his experiments, he decided that it was not
proper to trust the safety of his bride to his favorite charger; “so
King James dismounted from him, and condescended to ride on the Queen’s
gentle palfrey. He mounted, and the Queen was placed on a pillion
behind him.”[77]
This arrangement, however, took place about a mile from the gates of
the Scottish capital. There were notable pageants and diversions to
take place before the royal party entered therein.
When the procession was properly settled, the King, leading the way
with his bride behind him, came to a green meadow half-a-mile from
Edinburgh, where a rich pavilion had been erected for the performance
of an interlude in which was mixed up both drama, joust, and tourney;
and all the royal cortege drew up to behold the pageant.
“Out of the meadow-pavilion came a knight on horseback and his
lady-paramour, who bare his horn; then another knight rode into the
meadow, and robbed him of his lady, and blew the horn. On which the
pavilion-knight exclaimed, ‘Wherefore hast thou done this? I say that I
will prove upon thee that thou hast done outrage to me!’ The invading
knight demanded ‘if he was armed?’ ‘Yea,’ said the first. ‘Well, then,’
replied the other, ‘prove thee a man, by doing thy devoir.’ They then
took their spears and jousted, but without striking each other; they
then took to their swords, and made a fair tourney. And the challenger
struck the sword from the hand of the defender, but gave it to him
again; and they began again the tourney with still more spirit; and
they did their devoir so well that, expecting that they were about to
proceed in good earnest, the King rode up to part them with the Queen
behind him, and both the King and Queen cried out, ‘Peace!’ and ordered
them to be parted.
“When the combatants had ceased their sword strife, the King called
them before him to declare the cause of contest, ‘Sire,’ said the
challenger, ‘he hath taken from me my lady-paramour, whereof I was
insured by her faith.’ The defender answered, ‘Sire, I shall defend me
against him upon this case.’”
“King James replied, ‘Bring your friends, and a day shall be appointed
for you;’ wherefore they thanked him, and everybody drew off toward
the town; and the name of the challenger was Sir Patrick Hamilton,
brother of the Lord Hamilton, the king’s cousin, who rode next him in
his procession; and the defender was Patrick Sinclair, Esq.” Great
multitudes had issued out of Edinburgh to see this performance; and so
seriously has the Somerset Herald described the scene, that it is not
easy to decide whether they were fighting in earnest or in sport.
“The next pastime that befell on the progress to Edinburgh was the
hunting of the tame deer, which was led in the royal procession, and
waited during the combat. King James ordered the creature to be loosed,
and a greyhound was sent after him. A fair course ensued;” but we
are right glad to relate that the poor beast succeeded in making the
best of his way to his old quarters at Edinburgh, and, gaining the
town, went to his place of resort in the grounds of Holyrood, where he
remained in safety.
“Vast numbers of the honest folk of Edinburgh, and of the country round
about, were assembled to see the Queen’s entry; and in fair order came
the royal procession to the gate, the Queen still riding behind the
King. When entering the city, the Grayfriars came in procession, with
the cross and some relics, which were presented by their warden for the
King to kiss. But he would not, until the Queen had kissed them; and
his Grace would still ride with his head uncovered, out of respect to
her.”
The Queen’s southern minstrel, Johannes, and his company, and her
trumpets, did their devoir at her entry, but they noted to the Herald
Somerset “that the Scotch minstrels and trumpets had not new banners.”
“Right across the entry of Edinburgh was a gate, with two tourelles,
and a window in the midst. In the tourelles were at their windows
vested angels, singing joyously for the coming of so noble a lady; and
at the middle window was another angel, who flew down and presented the
keys of the town to Queen Margaret.[78] Then came in procession the
college of the parish of St. Giles, richly vested, and they brought
the relic of the arm of their saint, which was presented to their King
to kiss.” But he courteously refused to take precedence, in this
ceremony, of his royal partner, sitting on the pillion behind him; and
Queen Margaret had the privilege of kissing the arm of St. Giles before
her lord. The King then began to sing “_Te Deum Laudamus_;” and it
may be supposed the whole of the ecclesiastics kept up the strain.
“In the midst of Edinburgh was a cross, and hard by a fountain
casting forth wine; and each one drank that would. Nigh to the cross
a scaffold, where was represented Paris and the three goddesses, with
Mercury, who gave Paris the apple of gold. But, upon the same scaffold
with these pagans, were represented the ‘Salutation of Gabriel to
the Virgin;’ the ‘Marriage of the Virgin to Joseph,’ and a pageant
with the ‘Four Virtues;’ likewise were stationed war-tabrets, which
played merrily. There were devices of a _licorne_ (unicorn),
and a greyhound, being the Stuart and the Tudor beasts.” Wreaths of
the flowers of each royal family--being _cardoons_ or thistles,
and red roses interlaced--formed the borders to these _tableaux
vivans_.
“Then the noble company all passed out of the town, and approached
to the church of the Holy Cross (Holyrood), out of which came the
Archbishop of St. Andrews, brother to the King, with his cross borne
before him, accompanied by the reverend fathers in God, the Bishop of
Aberdeen (who was Lord Privy Seal of Scotland), the Bishops of Orkney,
Caithness, Ross, Dunblane and Dunkeld, and many Abbots, all in their
pontificals, preceded by their crosses. The Archbishop of St. Andrews
gave the King a relic to kiss; but he, as before, gave precedence to
his bride.[79]
“Each one of the attendants leaped off his horse, and in fair order
followed the ecclesiastical procession into the church. The King and
Queen alighted the last, at the entrance of the church; and after the
King had aided the Queen, by taking her round the waist and lifting
her from her pillion, he led her to the high-altar, making humble
reverence. There was a place prepared for their Graces to kneel upon,
being two cushions of cloth of gold. The Lord Chamberlain of the Queen
exercised his office in her service; but the King would never kneel
down first, but both knelt together.
“In the church were the Earl of Huntly, the Earl of Errol, Lord
Constable of Scotland, the Earl of Argyle, Steward of the Household,
the Earl of Lennox, Chamberlain (in absence of the Earl of Caithness),
and the Earl of Morton, and many nobles, knights, and gentlemen, well
arrayed, who all made reverence to the royal bride, and she to them.
“When all reverences were done at the church, and the procession formed
in due order, the King proceeded to his palace of Holyrood. He went
through the cloisters, holding the Queen always round the waist, and
walking with his head uncovered, out of regard to her presence.
“Thus the King took his way through the cloisters to the great chamber
of Holyrood, where were assembled many Scottish ladies of great name,
_wiffs_ to divers of the above-mentioned lords, with numbers of
gentlemen and gentlewomen, arrayed very nobly after their country
guise. Nor did the King, on entering the great chamber, let go the
Queen till she had received the ladies who were presented to her by the
Bishop of Murray (who had been her guide from England), naming to her
the names of all of them.”[80]
“And when the Queen had saluted all the ladies presented to her, the
King kissed her for her labor, and so took her by the waist again,
with lowly courtesy, his bonnet in his hand, and brought her to her
second or inner chamber, and there saluted her once more, taking his
leave right humbly, with reverend obeisance to her, and went to his
own lodging. The King supped in his chamber, and the Queen within her
own; but the King, after supper, went to see her, and they danced some
_basse_ dances. This done, the King took his leave, and bade her
good night joyously.
“The town of Edinburgh was all that day hung with tapestry; the houses
and windows were full of lords, ladies, and gentlemen; and in the
streets so great a multitude of people, that it was a fair thing to
see. The people were very glad of the coming of their Queen, therefore
all the bells of Edinburgh town rang for mirth.
“The next day being the 8th of August, all was prepared for that right
noble marriage. The Earl of Surrey was arrayed in a long gown of cloth
of gold, and wore his rich collar of the Order of the Garter; and the
Lords Gray, Latimer, Dacres, and Scrope were right honorably arrayed.
The King of Scotland stood in his great chamber as the said lords
entered. He made reverence to everyone, his bonnet in his hand. The
King caused the English lords to sit on a form before him, and desired
them to cover their heads; he seated himself in a chair of crimson
velvet, the panels being gilt. It was set under a cloth of state, or
canopy of blue velvet figured with gold.”
After Dr. Moreshead and Dr. Rawlins, the one on the part of England,
and the other on the part of Scotland, had read and answered a
preposition, the Bishop of Aberdeen escorted the English lords to the
Queen’s chamber, where she was ready to be led by them to the church.
The royal bride was arrayed in a rich robe of white and gold damask,
bordered with crimson velvet, and lined with white sarcenet. She wore a
magnificent crown, a collar of pearls and precious stones, and a rich
coif; her hair was hanging down the whole length of her body. She was
led on the right hand by the Archbishop of York, and on the left by
the Earl of Surrey. “The Queen was nobly accompanied by her ladies,
very richly arrayed--the two Ladies Nevill, the Lady Lisle, the Lady
Stanley, and the Lady Guildford,[81] and her train was borne by the
Countess of Surrey. It was arranged by the Earl of Surrey that two of
the greatest ladies of England should be accompanied, in the Queen’s
procession, by two of the greatest ladies in Scotland, all four going
together in a row, where they had room so to do; and thus they did
during the whole of the marriage festivities.”
“Thus the Queen was conveyed from her chamber to the church of
Holyrood, and placed near the font; Mistress Denton, her governess,
being always near her, and all her noble company standing on the left
side of the church.
“Then the King was brought by a very fair company, consisting of his
brother the Archbishop of St. Andrews, the Lord Hamilton his cousin,
who bore the sword of state before him. His officers of arms (heralds)
were all in their array, and all his nobles stood in order on the
right side of the church. When the King passed near the Queen he made
reverence to her, and she again to him, very humbly and lowly. He wore
a robe of white damask figured with gold, a jacket with slashes of
crimson satin, and the border of black velvet, a waistcoat of cloth of
gold, and a pair of scarlet hose. His shirt was broidered with gold
thread, his bonnet black velvet, looped up with a rich balass-ruby, and
his sword was girt about him.
“That noble marriage was performed by the Archbishop of Glasgow and
the Archbishop of York, in presence of all; and they read the bulls
of their Holy Father, the Pope,[82] consenting thereto. The trumpets
then blew up for joy; and the King, bare-headed, holding his Queen by
the right hand, passed through the said company to the high altar.
There was prepared a place with cushions of cloth of gold for them to
kneel upon; but the King would never kneel first, paying the Queen the
greatest reverence that possibly might be.
“During the Litany, which was sung and said by the Archbishops, the
King withdrew to his traverse, and the Queen to hers. At the Gospel
they made their offerings, and before the holy canon the Queen was
anointed, after which the King gave into her hand the scepter.
“At this part of the ceremony the choir bust into the _Te Deum
laudamus_; two prelates held the cloth of state over the royal
pair, during the rest of the mass;[83] and when all ceremonies were
accomplished, the lords of the household brought bread and wine in rich
pots and cups. After the collation, the King led back the Queen to her
chamber, and retired to his own.
“At dinner the King caused the Queen to be served before him, with all
the honor that might be done. At the first course she was served with
a wild boar’s head, then with a fair piece of brawn, and in the third
place with a _gambon_ (ham), which was followed by divers other
dishes, to the number of twelve, all in fair and rich vessels.
“The King was served in gilt vessels as the Queen was. His pannetiers
were the son of the Earl of Bothwell’s brother, and Lord Gray’s son;
and his cupbearer his cousin, the Lord of Hamilton. The Archbishops of
St. Andrews and York dined with him. The state-chamber was hanged with
red and blue, and in it was a _ceil_-of-state of cloth-of-gold;
but the King was not under it that same day. There was also in the
same chamber a rich state-bed, and a rich dresser,[84] set out after
the manner of the country. The Lord Gray of Scotland served the
King with water to wash, and the Earl of Huntly held the towel. The
officers-of-arms presented themselves to cry largesse, when the King
commanded Marchmont the herald thus--
“‘Go ye and cry toward the Queen _first--Largesse to the high and
mighty Princess Margaret, by the grace of God Queen of Scotland, and
first daughter of the very high and mighty Prince, Henry VII., by the
self-same grace King of England._’
“The same was cried three times in the King’s chamber, in the great
chamber close by it, and in the great hall of the King and Queen. James
would not have his largesse cried, nor instituted, saying--
“‘It sufficeth to cry hers.’
“The hangings of the chamber represented the history of Troy town, and
the painted glass in the windows were the arms of England and Scotland
biparted, to which a thistle and a rose, interleaved through a crown,
were added. After dinner the minstrels played.”
The song they performed as an epithalamium in honor of Margaret Tudor’s
nuptials has been preserved, words and music;[85] both are great
curiosities, as testimonials of the state of literature and the arts at
the era of 1503--
“O fair, fairest of every fair,
Princess most pleasant and preclare,
The loveliest that _on-live_ there been,
Welcome in Scotland to be Queen!
Young tender plant of pulchritude,
Descended of imperial blood,
Fresh fragrant flower of fairhood sheen,
Welcome in Scotland to be Queen!
Sweet lovely imp of beauty clear,
Most mighty monarch’s daughter dear,
Born of a Princess most serene,
Welcome in Scotland to be Queen!
Welcome the rose both red and white,
Welcome the flower of our delight,
Our sprite rejoicing from the spleen,
Welcome in Scotland to be Queen!”
A hall was cleared for the dance when the minstrels had concluded
their stanzas. The King and Queen danced, and many ladies, lords,
and gentlemen, “and some good bodies,” continues our quaint Somerset
Herald, “made games of _passe-passe_, which did very well.”[86]
But games of amusement which are out of fashion are the most
inscrutable of all antiquarian enigmas, and this game of “passe-passe”
remains to us a mystery.
At the hour of even-song, the King, accompanied by his nobles and
those pertaining to the Queen, but without her, went to church,
where the Abbot of Holyrood did the service. On the King’s return,
before he sat down, he sent his marriage robe to the heralds and
officers-of-arms of England, and put on another of black velvet, furred
with martens. Somerset Herald (the chronicler of these incidents), and
his companions, bore the King’s marriage-dress the next day in solemn
procession, through the court, and returned thanks to his Grace for it.
“After supper the night approached, therefore every one withdrew
himself to his lodging to take his rest; and the King led the Queen
apart. They went away together--God, by his grace, hold them in long
prosperity!”[87]
The marriage of Margaret was celebrated by the poem of “The Thistle and
the Rose,” written by William, or, as some call him, George Dunbar, a
native of Salton in East Lothian. Every one has heard of this poem,
yet very few but antiquaries know aught concerning it. To our taste it
has been excessively overpraised; the wild border-ballads preserved
from the antique minstrelsy of Scotland, such as the “Chevy Chace,” or
“Otterbourne,” and the plaintive tenderness of the “Maid of Lochryan,”
all within a few years cotemporary or precedent, are infinitely
preferable. “The Thistle and the Rose” is, however, a successful
imitation of the then fashionable style of Lydgate and Occleve,
imitators of Chaucer. Dunbar’s poem had been commenced at the time of
the marriage-treaty with Margaret and James IV., and was finished about
three months before the arrival of the bride. It is an allegory; and of
course, according to the nature of such sophisticated compositions, it
treats of all things rather than its ostensible subject, the marriage
of James the King and Margaret the Queen.
Dunbar takes for his theme the armorial bearings of James IV. He writes
many verses, indeed, respecting the Scottish lion on the shield, and
the unicorns its supporters. He has many mystical sayings on the
thistle and the rose, which are painted round about the blazonry.
By the thistle he is supposed to mean James IV., and by the rose it
is guessed that he denotes Margaret. He gives the royal Thistle an
exhortation in her behalf, which in truth he exceedingly needed,
recommending conjugal fidelity to the beautiful Rose, whose lineage, he
observes, was far above that of the Lily (Valois). There are many other
verses of far more poetical beauty than the following, but it is the
only one wherein Margaret is clearly indicated--
“Nor hold no other flower in life so dainty
Like the fresh Rose, of color red and white,
For if thou dost, hurt is thine honesty,
Considering that no flower is so perfite,
So full of virtue, pleasance, or delight,
So full of blissful angel-like beauty,
Imperial with honor and dignity.”
The royal bride was grateful for this good advice to her gay lord, and
honored Dunbar ever after with her patronage.[88]
“Every lord, lady, and gentlewoman in Edinburgh came next day to the
palace. The King went at ten o’clock that morning to mass in the great
church, accompanied by his lords and nobles. King James was arrayed in
a rich robe of cloth of gold, furred, of fine black _bouge_, his
doublet of crimson satin, his hose black velvet, his bonnet ornamented
with a St. George of gold, with a ruby dragon. A pair of gold beads
were hanging to his girdle. During the mass the Earl of Surrey came
to him, for which kindness the King took his arm till he came to his
chamber.”
“His dinner was brought in silver vessels by the officers who served
him the day before. After dinner a young man, an Italian, danced on
a cord very well for the King’s recreation. The ladies were at the
windows of the Queen’s quarters (apartments), and when the rope-dancing
was done they began to dance. Of the Queen I say nothing,” adds the
Somerset Herald, falling into personal narrative, “for that same day I
saw her not, but I understood she was in good health and merry.”[92]
“As for supper, though it was fast-day, banquets of many meats were not
forgotten. That evening the Queen sent her wedding-gown to the heralds
and officers-of-arms of Scotland. The next day Marchmont Herald barred
the court in _escharpe_, he and his companions thanking the Queen
therefor; but on the morrow she sent him a largess of fifteen nobles,
and the Scotch heralds brought again the said robe, and put it in
the wardrobe of the Queen, as she had desired when she gave them the
recompense.”[93]
The explanation of this little mysterious passage seems to be, that
the royal bride, according to ancient custom, sent her wedding-gown
as the fee of her husband’s heralds; in like manner, as it has been
previously shown, that James IV. sent his robe to the English heralds.
But Queen Margaret, like most ladies, had a certain degree of affection
for her wedding-gown. She therefore redeemed it, or purchased it back,
for fifty marks; and it was duly restored to her royal wardrobe by the
Herald Marchmont. But what our minute chronicler, the Somerset Herald,
means by Marchmont “barring the court in _escharpe_,” remains an
heraldic mystery.
“The Queen went in state to the High Church on the 10th of August, the
festival of St. Lawrence’s day, being accompanied by her noble train,
and by many great ladies of Scotland, very _honestly_ appointed.
Queen Margaret was very well arrayed in a rich robe of cloth-of-gold,
with a rich collar (necklace). Before her seat was prepared an altar,
adorned with costly images; and the curtains of her closet, within
which she was put, were figured in gorgeous hues of red, blue, and
green. As she thus sat in splendor, her appearance must have greatly
resembled that of her royal mother, Elizabeth of York, as represented
in the magnificent painted glass window at St. Margaret’s Church,
Westminster.”
The King followed Queen Margaret; he was nobly attired, and all was
in fair order. The Lord Huntly that day bore the sword of state.
“The King was dressed in a gown of crimson figured velvet, furred of
_genets_, a doublet of black satin, hose of scarlet, and bonnet of
the day before, with the St. George; and,” adds our herald journalist,
“his beard was _kyted_ of shears,”[94]--an alteration in his
personal arrangements evidently suggested by his young bride, as the
fact that his beard and hair were somewhat too long had been mentioned
rather disapprovingly. _Kyted of shears_, when interpreted, may
perhaps mean “clipped with scissors.”
“When King James arrived within the curtain of his royal closet at
the High Church, he made humble reverence to his Queen; and she did
in like manner to him. At the offering, both the King and Queen
offered together. The King, when the mass was done, for the love of
the Queen made forty-one knights. After the oath taken, Earl Bothwell
_chaussed_ them with the gilt spurs. The King gave them the
stroke, or accolade, with the sword which had been borne before him.
“When all was done, King James turned to Queen Margaret and her chief
lady, and said to her Grace--‘These are your knights!’ Then taking her
by the hand, he led her to the door of her chamber, and entered with
her, and they were well and _honestly_[95] served with plenty of
ypocras, and likewise all the Queen’s attendants.”
Jousts were held, when the royal party rose from dinner, at the
_basse_ court, before the windows of the dining-hall at Holyrood.
This court, it is explained, was not provided with barriers, and had
only the tilt. The windows were well appointed, and hung with rich
draperies. “The King appeared at one of the windows, accompanied by
the Archbishops of York and St. Andrews, and the Bishop of Durham. The
Queen appeared at the bay-window of her great chamber, accompanied by
her ladies and others of the realm of Scotland, and with my lord, her
Great Chamberlain. The said windows were arrayed for her still more
richly than those of the King. Opposite the King and Queen’s window
was a scaffold erected, on which stood my Lord of Surrey and the Earl
of Bothwell only, as judges of the tilting and sword-play or tourney.
Lord Morley, the Constable, the officers-of-arms, and many other
officers and trumpeters, stood in the court. My Lord of Hamilton, the
King’s cousin, dressed in red satin, Lord Roos, Sir Davy Hume, William
Cockburn, Patrick Sinclair, and Henry Bruce, each one ran a course
with spear and sword, the points broken or blunted. Some broke spears,
others did not.”
“When the courses and the tourney were concluded, the King and Queen
of Scotland went to supper; then they danced, and retired to their
chamber. In the course of that day, the Archbishop of York and the
Bishop of Durham took leave of their royal Graces, that they might
commence their homeward journey betimes next morning.
“The Queen did not attend mass the next day, but kept her chamber.
After dinner she danced with her husband, and they seemed to pass their
time in marvelous mirth and gladness.[96] There were jousts that day,
and many spears were broken. The Queen again appeared in great state,
enthroned in the great bay-window off her presence-chamber at Holyrood,
which was richly adorned as the day before; and she was surrounded by
Scottish ladies in the garb of their country. Her Grace entertained
the King that evening in her great chamber. There was supper, and John
English and his companions played.” The performance of John English and
his company was of the dramatic kind.
Sir Davy Owen, Sir Richard Poulle, John Huse, and Sir Edward Stanley,
and many others of the Queen’s English train and escort, that evening
took their _congé_ of Queen Margaret and the King, and went their
way.[97] They carried with them a private letter from the young bride
of Scotland to her father, Henry VII.[98] Part of it was written at
her dictation by one of her ladies. The postscript is in her own hand,
if hand her extraordinary marks can be called. The epistle is strongly
characteristic of Margaret’s discontented disposition. From its tenor
it is evident that the tender and considerate conduct of the King of
Scotland had failed to awaken the slightest movement of affection, or
even gratitude, in her heart. Her detracting remarks “on this King”
appear in unpleasant contrast with his attentive and winning conduct,
to which the English herald, John Young, has borne impartial witness in
the foregoing narrative.
“My most dear Lord and Father,--In the most humble wise that I
can think, I recommend me unto your Grace, beseeching you of
your daily blessing, and that it will please you to give hearty
thanks to all your servants, the which, by your commandment,
have given right good attendance on me at this time, and
specially to all the ladies and _jantilwomen_ which hath
accompanied me hither, and to give credence to this good lady,
the bearer hereof; for I have showed her more of my mind than I
will write at this time.
“Sir, I beseech your Grace to be good and gracious lord to
Thomas, which was footman to the Queen my _moder, whose sowle
God assoyle_” (it has been shown previously that her mother,
Elizabeth of York, died just before Margaret departed for
Scotland,) “for he hath been one of my footmen hither, with as
great diligence and labour to his great charge of his own good
and true mind. I am not able to recompense him except by the
favor of your Grace.
“Sir, as for news, I have none to send, but that my Lord of
Surrey is in great favor with _this King here_, that he can
not forbear the company of him at no time of the day. He and the
Bishop of Murray ordereth every thing as nigh as they can to the
King’s pleasure; I pray God it may be for my poor heart’s ease
in time to come. They call not my Chamberlain to them, who, I
am sure, would speak better for my part than any of them that be
of _that_ council. But if he speak any thing for my cause,
my Lord of Surrey hath such words unto him that he dare speak
no further. God send me comfort to his pleasure, and that I and
mine, that be left here with me, may be well entreated.”
So far the child-Queen has communicated her grievances through the pen
of one of her attendants; but she thinks proper to finish the letter
in her own hand. It does not seem that Princesses of fourteen years
old, in those days, held the pens of ready writers: the orthography
and characters are equally barbarous; altogether, Margaret’s first
autograph is nearly illegible; and one would think that it was
tribulation of heart alone that could force the effort of concluding
the complaining epistle. She proceeds--
“For God’s sake, Sir, hold me excused that I write not myself to
your Grace, for I have no leisure at this time; but with a wish
I would I were with your Grace now, and many times more. And for
this that I have written to your Grace, it is very true; but I
pray God I may find it well for my welfare hereafter. No more to
your Grace at this time; but our Lord have you in his keeping.
Written with the hand of your humble _daughter_.
“MARGARET.”
The next day there was another grand presentation of the Scottish
ladies to the Queen, a public dinner and playing with blunted swords
and spears in the Court of Holyrood, the Queen again sitting in royal
state in the bay-window of her presence-chamber during the tourney,
when many spears were broken in her presence.
A day of solemn festival was held on the succeeding Sunday, August
13; it seems to have been the farewell feast to such of the English
party as were yet remaining. The Queen was led to church accompanied
by the Earl of Surrey--a nobleman who occupied, as our readers have
just ascertained by her letter, a very low place in her good graces.
“She was arrayed in a gown of purple-figured velvet, bordered with gold
thread, and furred with ermines; it was made with great _rebras_.”
The rebras were large trumpet-shaped sleeves. The portraits of Anne of
Bretagne, Queen of Louis XII., and Anne Boleyn are in this costume: the
fashion lasted almost through the reign of Henry VIII.
Queen Margaret likewise wore a rich girdle and a splendid collar or
necklace of _pierrerie_, or colored gems; Lady Surrey bore her
train, assisted by Sir John Hume. The King followed her, attended by
his great officers. He was royally robed in cloth of gold furred with
marten; his doublet was crimson satin lined with cloth of gold. To
his bonnet hung “a rich bag,” and his shirt was embroidered with fine
pierrerie and pearls. When he arrived at his curtained closet, he made
a humble reverence to his Queen, as she did also to him.
“At the offering were assembled three noble Scottish lords, who were
that day to be made earls in the Queen’s presence. When mass was
now over, they were presented to the King by Marchmont Herald. They
promised to hold their oaths, and then the King of Scotland girdled
them with their swords _above their shoulders_. Then the King took
the Queen’s hand and led her to the company; but because it rained,
her Grace passed through the King’s chamber to enter her own. The Earl
of Surrey dined with the King, and other lords dined with him; after
dinner a morality was played by John English and his company before the
King and Queen, and then dances were danced.”
“At the accustomed hour. King James went to even-song;” but the Queen,
who seems to have declined such constant church-going, was not there;
“therefore the making of some knights who were to have been made for
love of her, was put off until next day.”[99]
Without being entirely guided by the English memorialist of this
remarkable royal marriage, we may add that the northern historians,
with Bishop Lesley at their head, declare “that all was conducted
honorably, after the Scottish fashion. Scotchmen were, at this time,
not behind, but far above the Englishmen, both in apparel, rich
jewels, and massy chains--many ladies having their habiliments set
with goldsmith’s work, garnished with pearl and precious stones, being
withal mounted on gallant and well-trapped horses, which were comely to
see.”
Lesley says, moreover, “When all things were done and finished,
the Earl of Surrey, with all the English lords, returned to their
country, giving great praise, not only to the valor and manhood
of the Scottishmen, but also to their good manners, and the hearty
entertainment which they received of them; and divers English ladies
and young gentlewomen remained with the Queen, who were after married
to noblemen of the realm in Scotland, whose posterity lives yet in
honor to our days.”[100]
The return of the English party with Lord Surrey, left the royal
new married pair at leisure to commence their plans for matrimonial
felicity. But small hopes of that needful ingredient in the cup of
life were there for them. Margaret’s letter to her father shows her
as an ill-educated girl of fourteen, not the most reasonable period
of human life in any station, and particularly trying in hers. The
series of flatteries and adorations she had experienced in her bridal
tour, had only puffed up the vanity and presumption to which the female
character, at that age, is peculiarly liable. The sedulous attentions,
and little fond indulgences, with which her accomplished lord had
humanely endeavored to soothe and console her for her removal from
her country and parent, were all utterly thrown away on a thankless
and murmuring spirit. Margaret was as little grateful to the Earl
of Surrey, for his successful escort to the throne matrimonial of
Scotland. All the return she makes is an incendiary endeavor to sow
strife between him and the King her father;[101] strife which, in due
time, might have brought forth murderous fruits.
It was not very probable that a sullen, spoiled child, in her
thirteenth summer, could prove an attractive companion to a monarch of
James IV.’s character, who, in 1503, had entered his thirty-first year.
Had Margaret Tudor reached one half the age of her spouse, she might
have had more success in disputing his heart with the matured beauties
of her court; as the case was, it could only be expected that she would
grow up to womanhood, with the passions of anger and jealousy in a
perpetual state of exercise.
In one taste alone did this dissimilar pair agree, which was in their
love for music. The Tudor race had retained their Celtic predilection
for that science, and all practically excelled in it. The royal Stuarts
possessed much instrumental skill, together with the inspiration of
true poetry. Thus, whatsoever discrepancies there might have been
between James Stuart and Margaret Tudor in age, temper, and talents,
they were united in their musical predilections.
The King’s bounty was overflowing to Margaret’s musicians, for their
performances at the marriage, as his privy-purse expenses bear witness.
On his wedding-day, he presented to her eight English minstrels the
large sum of forty French crowns; to the trumpets of England, £28; to
Queen Margaret’s four minstrels who remained with her, £7; but her
five _loud_ minstrels had £28. The King had £3 10_s._ given
out to him, to play at cards, on the evening of August 21. It seems
that he did not decrease the contents of his card-purse, but with
right princely spirit he gave all his winnings to Queen Margaret’s
English harpers. A few days afterward, the King presented to Bountas,
a cornet-player, who played in Queen Margaret’s chamber, twenty-eight
shillings. The following month, her “loud minstrels,” and her
cornet-player, got double fees; and Bountas was presented, by the King,
with “new quhisellis” or whistles.[102]
These last benefactions were on account of the festivities at his
Queen’s coronation; for soon after he convened his Parliament of the
three estates of his kingdom, Margaret was solemnly crowned in the
Parliament Hall.
James IV. then commenced a progress through the southern provinces of
his kingdom, to show his subjects his English bride. Bishop Lesley, the
Scottish historian, takes care to note how nobly they were entertained
at abbeys, and what rich purses of gold were always devoted by the
Church of Scotland to their royal visitors--one to the Queen as well as
to the King.
Margaret was still a child, therefore notations of pleasure and
amusements constitute the sole records of her married life for a
year or two. The anniversary of her marriage in 1504, was spent at
the fortress of Dunottar, of which the head of the noble family of
Keith was then castellan. Here, in August, James IV. kept court with
princely cheer, and gave, in the course of the month, many donations
to Margaret’s musical band. “Two English songstresses, who sang in
the pavilion to the Queen at Dunottar Castle, had a donation of
27_s._: the King likewise ordered a benefaction of 18_s._ to
the _chield_ that played on the monochord.”[103] Queen Margaret’s
luter had fees amounting to 56_s._, likewise Pate Harper, who
played the _clarcha_; the English boy Cuddy, and Souter the
luter, got a share in a largess of £3 10_s._, given by the royal
Stuart. The Queen’s luter was given a donation to get his lute out
of pawn; four Italian minstrels had fees to clear them of the town;
and Hog the tale-teller, or _diseur_, was given a benefaction of
13_s._[104]
Dunottar Castle, in the county of Kincardine, the scene of the royal
festivities where all these musicians found employment in August,
1504, was a mighty fortress, situated on a perpendicular rock, with a
table-land of several acres in extent on the summit. The site projects
into the sea, and is almost insular. It is, at present, one of the most
majestic ruins in Scotland.[105]
As Dunottar was in that day impregnable, James IV. had probably removed
his Queen thither for security, during the disturbances among the clans
and the Lords of the Isles, which almost raised a civil war that summer
in Scotland.[106]
The young Queen brought Scotland an heir, February 10, 1505–6; but she
hung between life and death for many days afterward. Her sad condition
could not, however, restrain her husband’s excessive joy for the
birth of a living heir-apparent to Scotland; he presented the lady
who brought him the glad tidings with a cup of silver, heaped with a
hundred gold pieces. The child was born at Holyrood, and baptized with
suitable triumph.[107]
The young mother being in a desperate state of health, her royal
spouse testified the greatest anxiety for her amendment--not, however,
by remaining at home for the purpose of watching over her, but by
performing a pilgrimage on foot to the shrine of St. Ninian, on the
coast of Galloway; this, he persuaded his suffering partner, would
greatly conduce to her recovery.
King James was attended by his four Italian minstrels, who, when
they arrived at the shrine, were completely exhausted by their long
pedestrian expedition, and were forced to be carried back to Holyrood
on horses hired for the occasion. The King, who was as hardy and manly
as any of his countrymen, persevered in all he had vowed, and withal in
some other journeyings more than he made public. However, his loving
lieges were exceedingly edified by his tender attentions in making this
pedestrian pilgrimage for the benefit of Margaret’s health, especially
when it was found that her recovery was perfectly coincident with the
moment at which her King offered, in her behalf, at the shrine of St.
Ninians.[108] Margaret had, nevertheless, subsequently reason to know
that James would have shown more true love to her by staying at home;
for it was on this pilgrimage that he renewed his acquaintance with the
handsome Jane Kennedy, mother of his son James Stuart, then under the
tuition of Erasmus at Rotterdam. James IV. afterward imposed this boy
on the Church of Scotland as Primate.
Besides the usual share of trouble and crime incurred by such
connections, the King of Scotland entered into a life-long enmity with
Archibald, Earl of Angus, Old Bell-the-Cat, who was wooing Jane Kennedy
for honorable matrimony. Notwithstanding all the scandals regarding the
King and Jane, the old Earl carried her off, and actually married her,
although, in the course of the contention, James IV. imprisoned him.
When the young Queen wholly recovered, she likewise made a pilgrimage
of thanksgiving, on a most magnificent scale, to St. Ninians. Margaret
traveled in a litter to the Galloway coast. Her baggage took seventeen
pack-horses to carry it; her chapel plate and furniture, called the
Queen’s “chapel-graith,” were borne in two coffers. James’s wardrobe
required three horses to bear it. He, as well as the Queen, was
attended by his chaplains and “chapel-gear.” The royal pilgrimage
lasted twenty days.[109]
“The Queen was sore vexed with sickness that year;”[110] nor was her
health amended by the loss of her first-born, who died at Stirling
Castle when he was little more than a twelvemonth old, February 17,
1506–7. His preceptor, the Bishop of Galloway, expired exactly at the
same time. The poor young Queen passed the first years of her marriage
in a state of invalidism: moreover she had the vexation of seeing her
husband’s heart disputed by a crowd of rivals.
The Christmas of 1507 was kept merrily at old Holyrood. Among other
expenses for the festive proceedings of the court, thirty dozen of
little bells were provided and delivered to Thomas Boswell, for the
dancers at the royal revels on the last night of the old year, 1507.
One of the canons of Holyrood was paid 7_d._ for his pains in
mending the organ there.
The Valentine-tide was kept joyously with music, minstrels, and
mummers. If Queen Margaret were ill it was for no lack of gayety.
King James himself went and “fetched a female minstrel whose name
(or character-name) was Wantonness, and gart her sing in the Queen’s
chamber;”[111] and Wantonness received for her pains 13_s._ of the
royal bounty. Again, on the following “March 6, Wantonness and her twa
marrows (associates) wha sang with her, had a gratuity of 13_s._”
Among the numerous minstrels entertained and paid at the court of
James and Margaret may be reckoned O’Donnel, an Irish harper, to whom
was given the handsome fee of seven pounds. “Ane bard-wife, called
Agnes Cargill,” had 13_s._; the harper on the Erse clarcha had
9_s._; Gray Steil, the luter, had 5_s._[112]--his name of
Gray Steil was probably derived from a national ballad so called, as
King James gave two of his fiddlers 9_s._ for singing the song of
Gray Steil to his satisfaction.
James IV. was at the height of his prosperity and good fortune in
the summer of 1508. He saw his alliance sedulously courted by the
King of France, Louis XII., who sent a solemn embassy to him in May,
when Edinburgh was the scene of splendid fêtes, to welcome the French
nobles. An unknown knight, called “the Wild Knight,” who was surrounded
by attendants like “salvage men in their attire,” won great renown at
the jousting held in honor of the embassy from Louis XII., June, 1508.
All the French knights were reversed, one after the other, before the
powerful and skillful arm of the Wild Knight, to the great satisfaction
of the Queen and all Englishmen and Scotchmen present. At the giving of
the prizes, the gallant King of Scotland claimed a prize as his due,
“because he was the conquering Wild Knight.” The somewhat inhospitable
course of cuffs, bruises, and downfalls, with which the royal James had
entertained his French guests, was succeeded by their invitation to a
grand festival, called a Round Table of King Arthur.
The King of Scotland remembering all the parade that his wise
father-in-law, Henry VII., had made regarding the restoration of the
blood of King Arthur to the throne of England, resolved to give the
child, whom his Queen, Margaret, was daily expected to bring, the truly
British name of Arthur. But the infant proved a girl, and Margaret
languished long, in great peril of her life. Her daughter died as soon
as christened.[113]
The Queen appears to have passed the autumn at Lochmaben Castle, the
noble structure on the Lochmaben Lake, in Annandale, where Robert Bruce
is said to have been born. It is possible that the King of Scotland
took her there in hopes that their expected offspring might draw its
first breath in the natal place of his renowned ancestor. The only
memento of the royal sojourn at Lochmaben is a quaint entry in the
King’s Compotus,[114] recording “a gratification of 14_s._ to the
crooked Vicar of Dumfries, who sung to the King and Queen at Lochmaben,
September 17, 1508.”
James IV. had left his Queen to keep court at Holyrood by herself,
while he went in the beginning of April 1508 to perform his devotions
at his favorite haunt the shrine of St. Ninians at Whitehorn,
where report again whispered that the fair lady Jane Kennedy was
the real attraction. During his absence Dr. West, an envoy from
his father-in-law Henry VII., tired of waiting at Berwick for a
safe-conduct, came to Edinburgh, where he had several interviews
with the young Queen. His business was to explain why Henry VII.
had arrested James’s kinsman, the Earl of Arran, and his brother
Sir Patrick Hamilton--it was because they had taken the liberty of
traveling through England for embarkation to France, without a passport
or safe-conduct.
Queen Margaret labored in vain, when her husband returned, to procure
an interview for Dr. West. James was seriously displeased with the
capture of his kinsmen. He sent word to Dr. West “that he was too
busy with superintending the making gunpowder, and with” the very
incomprehensible occupation of “scotting hewmyss,[115] to spare time to
speak to him.”
The Queen took the part of her sire with more warmth than discretion.
Sir Patrick Hamilton, meantime, appeared at the Scottish court--whether
he had escaped or came on his parole is not explained; but he raised
doleful complaints to the King, of the ill-treatment that his brother
Arran received in his place of detention in England. The Queen
contradicted those who repeated this saying, affirming “that Sir
Patrick had assured her that her father had entertained the Earl of
Arran very well.” An inquiry took place in presence of the King, the
Queen, Sir Patrick Hamilton, and Dr. West. The result was, that Sir
Patrick had really told the Queen “that his brother had been very ill
entreated by her royal father.”[116]
The news of the decease of Henry VII. soon afterward arrived from
England. The loss of her affectionate father was the heaviest grief
with which Margaret’s young life had been visited. This was soon after
followed by that of her grandmother, the Countess of Richmond, who, for
a few weeks, had exercised the office of regent for Henry VIII.
The marriage of Henry VIII. and Katharine of Arragon, the widow of
Arthur, Prince of Wales, had taken place peacefully and prosperously.
Henry VIII., Margaret, and their young sister Mary Tudor, their aunt
Katharine Plantagenet, and her son, were all that remained of the once
numerous descendants of Edward IV. The English and Scottish thrones, as
Margaret’s children had hitherto died in their infancy, were singularly
destitute of heirs-male.
In the autumn of 1509, Queen Margaret again brought forth a living son.
He was born at Holyrood, October 20.[117] The young mother insisted
that the heir-apparent of Scotland and heir-presumptive of England
should bear the national name of Arthur, in remembrance of her favorite
brother--a measure which, however, savored more of family affection
and gratitude than of policy. The boy was christened Arthur, and
proclaimed, with great state, Prince of Scotland and Lord of the Isles.
The legacy bequeathed by Arthur, Prince of Wales, to his sister
Margaret, may be remembered. Whether Henry VII. conceived that the
young Prince had no right to bequeath his personals and valuables,
or whether he chose to retain them in his grasp, is not easy to
define; but it is certain that Queen Margaret was in a great state of
excitement concerning them. Very soon after her father’s death, she
agitated the matter with her brother Henry VIII., who answered her
civilly; but the goods and chattels were nevertheless not forthcoming.
The Queen lost her infant son, Arthur, in July, 1511. He died at
Edinburgh Castle. Margaret and James were deeply afflicted at this
loss, and left Holyrood suddenly in consequence. The unfortunate young
mother was again “sore vexit with sickness.”
When the royal pair returned to the capital, among the amusements
devised to divert Queen Margaret’s grief, a play was performed in her
presence at Holyrood, October 12, 1511. The day is remarkable, because
the illustrious poet, David Lindsay of the Mount, is first mentioned
then, as one of the royal household. He acted in the play, and received
from the royal stores a dress of blue and yellow taffety to attire
himself for the part he performed.[118]
That year and ensuing spring were remarkably unhealthy. A comet had
been seen casting beams like a sun, which glared for twenty-one nights:
it frightened the King and Queen into fits of ultra devotion. Although
Margaret had been thrice the mother of living children, she, like her
sister-in-law, Katharine of Arragon, was still childless. By the King’s
advice, she took a pilgrimage to St. Duthois of Ross, and returned to
Edinburgh about July 10, to assist at the reception of her brother’s
ambassadors, Lord Dacre and Sir Robert Drury. The ensuing April 11,
1512,[119] Queen Margaret was delivered at her palace of Linlithgow of
“ane fair Prince,” who was shortly after baptized James, and proclaimed
Prince of Scotland and the Isles. He lived to be James V.
Meantime a fierce naval contest occurred between the fleets of England
and Scotland. The ground of dispute was alleged piracy; the brave
Scottish Admiral Barton fell, and his ships were captured by Sir
Edward Howard--terrible losses to James IV.
Lord Dacre and Dr. West came when Margaret’s infant son was about
a month old, May 4,[120] to hear the statement the Queen made of
her claims on the disputed legacy from her own lips. The following
interview is extracted from the dispatches of Dr. West to his King,
Henry VIII. She had removed from Linlithgow with her boy, to her
husband’s royal seat of Stirling Castle. The conversation took place
after dinner.[121] Directly Dr. West was introduced, Queen Margaret
asked, writes he--
“If your Grace had sent her legacy?”
West answered, “Yea, which I was to deliver to her, so that the King of
Scots would promise to keep the treaty of peace.”
“And not else?” asked Queen Margaret.
“No,” replied Dr. West. “And if the King of Scots, your husband,
persists in war, the King of England, my master, will not only keep the
legacy, but take from him the best towns he has in Scotland.”
What Queen Margaret would have answered to this uncivil rejoinder Dr.
West declares he knew not, for King James entered her withdrawing-room,
and the conversation ceased.
The war mentioned by Dr. West was on the eve of exploding between Henry
VIII., and Louis XII. James of Scotland meant to rank himself among
the allies of France. Henry, being young and pugnacious, had demanded
of Louis XII. the payment of “the pension” for which Edward IV. had
compounded his claims on the French provinces, the inheritance of his
ancestress, Eleanor of Aquitaine. It amounted to about 50,000 louis;
and, as if for a lesson to the destructive ambition of princes, it
had cost several lives for every coin received: for it has never been
paid but to three very prosperous sovereigns of England, to keep them
quiet--viz. Edward IV., Henry VIII., and Charles II., and very few
installments of this blood-bought annuity did either receive. Lindsay
of Pitscottie, however, notices that Henry VIII. claimed his pension,
and got it, from Louis XII.
As King James was resolved to adhere to the ancient alliance of France,
Dr. West demanded leave to depart. The King requested him[122] “first
to go and see the Queen and the young Prince at Linlithgow;” adding,
“that Queen Margaret had tokens for the King her brother and Queen
Katharine.”
“Item,” adds the reverend envoy,[123] “on Sunday afternoon I rode to
Linlithgow, and came thither by four o’clock. As soon as I alighted,
her Grace, Queen Margaret, sent Sir John Sinclair for me. Howbeit, ‘she
told me she had done the best that was in her power, and would continue
so to do.’ And without further communication about her legacy, or any
other matter, she delivered me the tokens for your Grace, the Queen,
and the Princess (her sister Mary). Queen Margaret then commanded that
I should be taken to see the Prince, and so I was. Verily, he is a
right fair child, and a large one for his age.”[124]
The beautiful babe that Queen Margaret displayed with pride to the
English envoy was afterward James V. Even at that tender age, he
had been given in charge to Sir David Lindsay of the Mount, who was
appointed by James IV. to be gentleman-usher to the royal infant. He is
called both “the Prince’s usher” and “the keeper of the King’s grace.”
He entered on his office the day the heir of Scotland was born. Never
did an infant prince receive more tender service from any nurse than
the son of Queen Margaret from this noble and learned gentleman. It was
doubtless owing to his judicious treatment that the infant Prince did
not follow his brethren and sister to the grave.
There are few prettier passages in historical biography than the lines
wherein Sir David Lindsay describes the manner in which he amused,
and, at the same time, awoke the dawning intellect of the young
royal Stuart, whom he bore on his arm until he could run alone. From
the testimony of Sir David himself, it appears that Queen Margaret
had provided her infant Prince both with nurse and governess; but
their occupations must have been complete sinecures, since Sir David
of the Mount did nothing but play with him by day, and watch him
at night. These employments of a royal baby’s vice-chamberlain are
fully confirmed by comparison with the Bruges Journal of Lewis
Gruthuse,[125] who saw Sir Richard Vaughan (afterward beheaded at
Pontefract by Richard III.) taking similar care of Edward V. in his
infancy; like the stout Earl of Warwick, also, who did not disdain to
dandle the infant Henry VI., and thought it no shame to be depicted
with his King of six months old on his warlike arm.[126]
“I take the Queen’s grace, thy mother, to witness,” says Sir David
Lindsay, “likewise my Lord Chancellor, your nurse, and your old
governess, how, when you slept, it was nightly close to my cheek; how
often, in the day, I bore your grace on my back, even as a packman. But
sometimes you bestrode my neck, dancing and jumping, with many a nod
and smile. Nay, the very first syllables you lisped were meant as my
name, being Pa Da Lyné; and this you said that I might play on my lute
to divert you.” However, it is doing great wrong to the faithful Sir
David to translate into plain prose, for the benefit of those who love
not the sight of metre, his naïve and pleasant lines, which, after all,
give the same information, only many degrees better, as follows:--
“I entered to thy majesty
The day of thy nativity;
I pray thy grace for to consider,
Thou hast made many lords and lairds,
And given them many rich rewards,
To them which were full far to seek,
When I lay nightly by thy cheek,
I take the Queen, her grace, thy mother,
My Lord the Chancellor, and other,
Thy nurse, and thy old mistress,[127]
I take them all to bear witness.
Old Willy Dale,[128] were he alive,
My life full well he could describe,
How, as a packman bears his pack,
I bore your Grace upon my back.
Sometime you strode upon my neck,
Dancing with many a bend and beck.
The first _syllabs_ that thou didst mute,
”Were ‘Pa Da Lyné on the lute.’”
These “syllabs,” as Sir David terms the first accents of the infant
Prince, were supposed to mean, “Play, Davy Lindsay, on the lute.” The
affectionate David describes how thereupon he snatched up the lute,
and played “twenty springs,” or tunes. But the musical faculties of
his charge, when once excited, never let David have repose from the
instrument:--
“From play thou’st never let me rest;
But Ginkerton[129] thou likest the best.”
The King and Queen of Scotland remained malcontent with England the
whole winter. James could not forgive the loss of his favorite seaman,
Barton; while Margaret led every one a weary life concerning the
detention of her legacy. She was ill in health, and expected sympathy
and consolation from her brother. Dr. West was sent again to confer
with her on the subject of dispute. He arrived in Edinburgh, March
16, 1513.[130] He brought letters of condolence to the Queen, on her
illness, from Henry VIII., and many promises respecting the legacy;
but he certainly came empty-handed, and unprovided with any means
of payment. Henry persisted in declaring that he would only deliver
the goods to his sister in case Scotland remained at peace with him;
and King James, determining to maintain his alliance with France, to
appease Margaret promised “to give her as many jewels, and better and
richer abuilzements,” than those her brother unjustly kept from her.
She wrote the following letter[131] to Henry VIII. by Dr. West--
“Right excellent, right high and mighty Prince, our dearest and
best beloved Brother.
“We commend us unto you in our most hartlie wise. Your
ambassador, Doctor West, delivered us your loving letters, in
which ye show us that, when ye heard of our sickness, ye took
great heaviness.
“Dearest brother, we are greatly rejoiced that we see ye have
respect to our disease; we give ye our hearty thanks, and your
writing is to us good comfort.
“We can not believe that of your mind, or by your command,
we are so unfriendly dealt with in our _Fader’s_[132]
legacy, whereof we would not have spoken nor written, had
not the Doctor spoken to us of the same in his credence. Our
husband knows it is withholden for his sake, and will recompense
us so far as the Doctor shows him.[133] _We are ashamed
therewith_, and would God never word had been thereof. It
is not worth such estimation as in your divers letters of the
same. _And we lack nothing: our husband is ever the longer
the better to us_, as knows God; who, right high and mighty
Prince, our dearest and best beloved brother, have you in
governance.
“Given under our signet, at our Palace of Linlithgow, the 9th
day of April.
“Your loving Sister,
“MARGARET.”
James IV., although resolved to support Louis XII. against his
brother-in-law, was anxious for the preservation of the peace of
Europe, likely to be disturbed by the perpetual requisitions of the
pension Henry VIII. insisted on receiving from France, and of the
legacy his queen demanded with equal pertinacity. The war between Henry
and Louis had commenced with a naval action in Conquet Bay, in which
the victory was dubious; but the death of the brave naval commander,
Sir Edward Howard, made it disastrous to the English. James IV. regrets
this loss, although Howard had slain his Admiral Barton the preceding
year; and he mentions his Queen as sharing in these feelings. “Surely,
dear brother,”[134] writes the crowned chevalier, when urging his
earnest desire for peace in Europe, “we think there is more loss to you
of your late admiral who deceased, to his great honor and laud, than
the advantage that might have been to you of winning all the French
galleys and their equipage. The loss is great to Christendom of that
said umquhile valiant knight, and other noblemen that on both sides
apparently perished. Pray you, dearest brother, to take our writings in
gude part, as our own is; for verily we are sorry, and also our dearest
_fallow_ (consort) for this loss, through acquaintance of his
_fader_, that noble knight, the Earl of Surrey, who convoyed our
dearest _fallow_ the Queen to us. Right excellent, right high and
mighty Prince, our dear brother and cousin, the blessed Trinity have
you in tuition. Given under our signet, at our Palace of Edinburgh, the
xxiii. of May.”
Soon after the return of Dr. West to England, a decisive demand of
Margaret’s legacy was made, the alternative being a declaration of war
from the King of Scotland. If Lindsay of Pitscottie may be credited,
a very singular dispatch, full of flattering promises, was the
answer:--[135]
“My lord ambassador desires to have of me silver-work, golden work,
rings, chains, precious stones, and other the abuilzements pertaining
to a prince, left in legacy by my eldest brother Arthur to my eldest
sister, Margaret, Queen of Scotland. I grant thereto she shall be well
answered of the same, and the double thereof. And if,” concludes Henry
VIII., “the King of Scotland will promise faithfully to keep his word
by me, I shall incontinent, _with the consent of my nobles_,
make him Duke of York and governor of England to my home-coming--for
heirs of England must come either of him or me, and I have none as
yet lawfully; but I hear say that Margaret my sister hath a pretty
boy, likely to grow a man of estimation. I pray God to bless him, and
keep him from his enemies, and give me grace to see him in honor when
he cometh of age, that I may entertain him according to my honor and
duty.”[136]
Subsequently, this curious passage in the history of the royal family
of Scotland and England is confirmed by the pertinacity with which
Queen Margaret required that her brother, when destitute of male heirs,
should create her son James, Duke of York. Again, the remarkable
circumstance that the legacy is always mentioned as that of Arthur,
Prince of Wales, by the Scotch historians, deserves notice; while the
English historians, and even the letters of their envoys, allude to it
as the legacy of Margaret’s father. But the Scotch are certainly right,
since Henry VII. left no such legacy.[137]
King James, finding that his brother-in-law had actually sailed to
invade Louis XII. (June 1st, 1513), dispatched to the aid of his ally
his two great ships, which always sailed in consort--the Margaret,
which he had named after his Queen, and the James; likewise the great
St. Michael, and a fleet of smaller vessels, under the command of his
kinsmen, the Earls of Huntly and Arran. Like all marine expeditions
under the command of soldiers, it was an abortive one; and the Earl of
Arran incurred his King’s displeasure by his strange manœuvers, and
excited suspicion, that if he had had sufficient seamanship, he would
have run away with the fleet.
Meantime James IV. sent his Lord Lion to declare war on Henry VIII.,
then besieging Terouenne; and the Lord Lion, in his herald’s dress,
being introduced by Garter, in his garb of solemnity, to the presence
of Henry VIII., then in his camp, declared war in a set and serious
oration.[138] Among the other wrongs which had induced the King of
Scots to declare war, are enumerated the following:--“Because King
Henry had taken various Scotchmen out of our realm, and chained them
in prison by the craigs (necks); likewise withholding our wiff’s
legacy (promised in divers letters) in despite of us; and slaughter of
Andrew Barton, by your awn command, quha had not offended you or your
lieges--breaking peace and amity by that deed.”[139]
Here was cause enough for war. The naval conflict in time of profound
peace; the death, in consequence, of James’s gallant seaman, Andrew
Barton--to say nothing of the cruelty of catching Scotchmen and
“chaining them by the craigs”--were outrages bad enough, without the
further aggravation of depriving Margaret of the legacy, regarding
which she had made such ceaseless requisitions.
Nevertheless, as soon as war was actually declared against her
brother, Queen Margaret began to be excessively full of lamentations
for the measure she had urged on. Her jealousy was excited by the
correspondence Anne of Brittany, Queen of France, commenced with James
IV., urging him to do his devoir, as chevalier-errant, by invading
England, and marching three days, with banners displayed, over the
Borders. In token that she had chosen him as her knight, Queen Anne
sent him a ring of immense value, taken off her finger.
James was eager to make a diversion in favor of his ally by invading
England, but soon found that his wedded partner meant to let him have
little quiet in consequence, either by day or by night; the cause
of grievance being, that the Queen of France had written him “ane
love-letter.”
Common sense might have represented to her that the Queen of France was
a woman dying of decline. She was, withal, old enough to be her mother.
King James, however gallantly disposed to the French Queen, had never
beheld her; neither was he likely so to do. The ideas of the disputed
jewels, and the message of the Queen of France, working together in
Margaret’s irritable brain, either produced uneasy visions, or led her
to feign some. The tragical events that soon after occurred, caused
her to give them forth as prophetic--in which representation she was
supported by certain grave chroniclers.[140] The dreams themselves
are good for nothing as events in political history; but, as symptoms
of the state of a person’s mind and thoughts, have a certain value in
historical biography. Just as James IV. was completing his musters of
feudal militia, for the purpose of invading England, Queen Margaret one
night awoke him with sobs, tears, and even cries. On being awakened by
her husband, she assured him that she had been frightened and perplexed
by terrifying dreams. One time she thought she saw him hurled down
a great precipice, and crushed and mangled at the bottom; while she
lost one of her eyes. Then the scene changed; and she thought that,
while she was looking at her jewels, chains, and sparkling coronets
of diamonds, they suddenly turned to pearls before her face--pearls
which are the emblems of widowhood and tears. James told her these were
wild visions, merely produced by the vagaries of sleep, and not to be
regarded. Upon which Queen Margaret commenced a curtain-lecture, by
asking him “Why he preferred pleasing the Queen of France to her, his
wife and the mother of his children?” She likewise insisted on going
with him to the south. “If you will,” she said, “suffer me to accompany
you; it may be that my countrymen will yield to a peace. I hear the
Queen, my sister (Katharine of Arragon), will be there, in the army,
in her husband’s absence. If we meet, who knows what God, by our means,
may bring to pass?”[141]
James was incensed at her proceeding to abuse Anne of Bretagne, the
Queen of France, as a woman “twice married, by means of divorces.”
The royal pair had a great quarrel; and Margaret, finding that if she
dreamed never so much to the purpose, she failed of having her own way,
took other measures.
Indeed, the alledged supernatural occurrences which preceded the
invasion of England--the principal scene of which took place at her
own private dwelling of the palace of Linlithgow--when joined to
her own proceedings in breaking James’s rest by dreaming alarming
dreams, may very well lead to the inference that Margaret had entered
surreptitiously into a series of schemes[142] for working on the
prominent weakness of her husband’s mind--which was an imagination
easily excited by the marvelous. Notwithstanding her aptitude to dream
dreams, it is the opinion of her biographer that she was herself not
only totally free from any superstitious credulity, but by no means
over given to belief in the supernatural, even in the sacred truths of
religion. An immense mass of her correspondence is before us. Never
did any person write so many letters concerning herself with so little
allusion to belief in any future state, or with such utter carelessness
in regard to any world but the present. They are, at the same time,
totally free from superstition: not a dream, an omen, a prediction,
or even an observance of a lucky or an unlucky day, is to be found in
several hundreds of very egotistical epistles now under examination.
The inference is therefore plain, that Margaret’s dreams were dreamed
for the nonce, as preludes to the following incident, which was
probably contrived (or at least connived at) by her.
James IV. had passed a few days at the Queen’s palace at Linlithgow,
before he called together his feudal muster. At the council held in the
morning, it was observed that he was out of spirits. In the evening he
attended vespers at the stately abbey-church of St. Michael, adjoining
to the Queen’s palace, for the purpose of praying for the success of
the expedition.[143] While praying in St. Katharine’s chapel, near
the porch,[144] “there came ane man, clad in a blue gown or blouse,
belted about him with a roll of white linen: he had brodikins or
buskins on his feet. His head was bare, bald on the top, with yellow
locks hanging on each side: his age about fifty. He came fast forwards
among the lords, crying and speering specially for the King, saying
‘that he wanted to speak with him.’” It seems that petitions were
often presented by the people when the King was at his devotions.
“At last the man reached the desk where King James was at prayers.
He made no due reverence to him, or salutations; but leaned him
_gruffling_[145] upon the desk, (bent down to the desk), and spoke
thus--‘Sir King, my mother has sent me to thee, charging thee not to go
where thou art purposed; which, if thou do, thou shalt not fare well,
nor none that is with thee. Further--she forbade thee not to mell nor
follow the counsel of women; which if thou do, thou wilt be confounded
and brought to shame.’”
By the time these words were spoken, even-song was nearly done. The
King paused, studying to give him an answer. Meantime, before the
King’s eyes, and in presence of all the lords about him, “like the
blink of the sunbeam or the whiff of the whirlwind, the man evanished
away, and could no more be seen.” “I heard,” continues Lindsay of
Pitscottie, “Sir David Lindsay and John Inglish, the marshal (who were
at that time both of them young men, and special servants to the King’s
grace), thought to have taken this man, that they might have speered
further tidings at him; but they could not touch him.”[146]
The traditions of Linlithgow declare that another attempt being made to
catch the masquerader, who seems to have assumed the character of St.
John, he eluded the grasp by slipping behind a curtain which concealed
a private stair leading toward the upper part of the church, and that,
on leaving this place of refuge, he was seen crossing the court, and
entering Linlithgow Palace by a small door under the chapel window.
He was said to have been a servant of Queen Margaret.[147] Hence the
report prevalent throughout all history that he was suborned by her.
The distraction of the times, and his own incessant occupations,
evidently prevented the King from inquiring into this clumsy
imposition, which, if cleverly sifted, might have brought down his
stern displeasure on his wedded partner. Like most intrigues of the
same species, it had no effect in changing the current of events;
for James went immediately to Edinburgh to hasten his invasion of
England.[148]
All the marvels meant to deter King James from his expedition were
not yet exhausted: his artillerymen at Edinburgh worked night as well
as day at bringing down military stores from the Castle. They were
employed one night heaving down the cannon called the Seven Sisters,
which the King had had lately cast by his master-gunner, Borthwick,
when, about midnight, a strange scene took place at the Mercat Cross.
A summons was shouted forth, called by the proclaimer “the summons of
Platcock,”[149] which, it was implied, was the name of some fiend,
“requiring certain earls, lords, barons, and gentlemen, and sundry
burgesses, designating each individual by name, to appear before his
master in forty days, wheresoever he might be.” But it does not appear
that the person who played this audacious prank dared mention the
King.[150]
The ghostly summons was evidently a parody on the recent requisition
of King James to his feudal militia, which he had called out to do
him their bounden service against his adversary of England for their
usual forty days, bringing their arms and provision. Not only the
warlike yeomanry, but those burgesses of Edinburgh who owed military
service, were called upon to do their duty by the King. One of them,
Mr. Richard Lawson, who either had been, or was afterward, Provost
of Edinburgh,[151] being very ill at ease, probably not remarkably
relishing his liege lord’s call to the battle-field, had stepped out
for air on the balcony of his house, when the fiend at the Mercat
Cross, just opposite, was vociferating the list of those who were to
fall. Richard Lawson, to his horror, heard his own name as a summoned
one; “whereupon, hearing the voice, he marveled what it should be; so
he cried out to his servant to bring him his purse, and took out of
it one crown, which he cast over his balcony, saying--‘I for my part
appeal from your summons and judgment, and betake me to the mercy of
God.’”
“Verily,” continues our author,[152] “he who caused me chronicle this
was ane sufficient landed gentleman, who was in the town of Edinburgh
at the time; and he swore, after the field, there was not one man
whose name was called on in Platcock or Pluto’s summons that came home
alive, excepting only Richard Lawson, who appealed against it.” But it
is most probable that Richard Lawson was the very person who contrived
the incident: as he was one of the civic authorities, he had particular
opportunities of arranging aught that was done or acted at the Market
Cross; he was the only witness of the matter; and he was evidently of
the peace or Queen’s party.
James IV. was peculiarly liable to superstitious impressions, it is
true, but only when his conscience was offended or sore on any subject.
He treated the farce played at the Mercat Cross with the contempt
it deserved, when it was duly related to him in the morning. “Nor,”
continues our chronicler,[153] “would he give credence to sign or
token that made against his purpose, but refused all advice which was
for the weal of his crown and country. Neither would he listen to the
counsel of his wise and prudent wife, Margaret, Queen of Scotland, for
no prayer or supplication she could make him, showing ‘That he had
but one son, which was o’er weak a warrant to the realm of Scotland;
that it was therefore o’er soon for him to pass to battle, leaving
so few successors behind him. Therefore she desired him to stay till
God should send him more successors, for she could assure him that if
he entered England at that time he would get battle.’ Yet this wise
and loving counsel was not taken in good part by him, because she was
sister to the King of England. Albeit, this noble woman, laboring as
mickle (much) as she might for the weal of her husband, and as well
as for the love she bore her brother the King of England, she desired
that no discord should occur between the two realms in her time.
But nothing could stay the King from going to the Boroughmoor (near
Edinburgh), where all his earls, lords, barons, and burgesses were
assembled, and all manner of their men between sixty and sixteen,
spiritual and temporal, burgh and land, islesmen and others, which
amount to the number of a hundred thousand, not reckoning carriage-men
and artillerymen, who had the charge of fifty shot of cannons.”[154]
He was not at this time on very good terms with the Queen.[155] As
the supernatural plots which beset him all the time he was preparing
for the field began with the nightly disquietude he had experienced
on account of her prophetic dreams, he probably guessed that she was
the instigator of the celestial messenger at Linlithgow, and of the
more clumsy and audacious farce performed opposite to citizen Lawson’s
balcony at the Mercat Cross, Edinburgh--the scene, in truth, of many an
odd political freak before and since. Margaret had, moreover, excited
her husband’s displeasure by connecting herself with the Douglas party,
ever inimical to the Scottish crown.
The old Earl of Angus, surnamed Bell-the-Cat, had incensed James by
joining in the remonstrances his Queen made against his war with
England.[156] Thus Queen Margaret’s name--and the fact ought to be
noted--was identified with the Douglas faction even before the death of
her first husband. It is true the infidelities of the King made Angus
and the Queen make common cause together. The old earl was jealous
of his gay countess, Jane Kennedy, who was likewise a cause of sore
displeasure to Margaret.
Nevertheless, James IV. made up all enmities with his Queen the evening
before he marched for the Border, when, according to her own words, he
confided to her the place of his treasure; “in case,” as he said, “that
aught happened other than good to him.” Likewise, he wrote an order,
and gave her to receive in trust for his infant son the last subsidy
Louis XII. had paid to him, being eighteen thousand golden sols, or
crowns of the sun.[157] Besides this mass of treasure, he then gave his
Queen many other valuables, as she herself acknowledges in one of her
subsequent letters.[158] This trust, which has never before taken its
place in history, had a remarkable effect on her future life.
The King likewise made his testament, and solemnly delivered that
and his young son to the keeping of William Elphinstone, Bishop of
Aberdeen, an ecclesiastic greatly venerated in Scotland.[159] In case
of his own death, James constituted Margaret his Queen “tutrix” to his
heir, but only as long as she remained a widow.
Having thus given all due confidence to Margaret as Queen and mother
of his son, James IV. marched southward with his unwieldy feudal
militia. He made no scruple of very soon wounding the feelings of
Margaret as a wife, although he had paid every regard to her as his
Queen. His sudden passion for the Lady Heron of Ford speedily became
matter of public scandal. This lady was taken when James IV. stormed
Henry VIII.’s frontier castle of Ford. The castellan, her husband, had
been for some time prisoner of war at Edinburgh. The influence of the
King’s beautiful captive was noticed by all his nobles; and the young
Archbishop of St. Andrews (the illegitimate son whom James had forced
into the primacy of the Scottish church) was supposed to have been
equally charmed with her lovely young daughter.
Twenty days had elapsed since James IV. had marched for the Border,
when a sudden pause occurred in the brilliant successes with which he
had opened the campaign. The enchantress who had paralyzed his warlike
ardor, was considered in the Scottish camp as a spy of the English
general.[160]
The Earl of Surrey, the same nobleman who had escorted Queen Margaret
to Edinburgh, now commanded the English army against James IV., to
whose former friendship and intimacy with him on that occasion may be
attributed many of the impolitic but knightly courtesies he now showed
him. On the contrary, Surrey, as the general of an implacable monarch,
and the defender of an invaded country, naturally took every advantage
that presented itself, and more, perhaps, than an honorable man ought
to have done in the case of Lady Heron’s noxious influence over her
captor.
The chiefs of the King’s feudal muster openly murmured against their
royal master for his neglect of his military duties; they, however,
took the opportunity, headed by the Queen’s friend, Angus, of urging
him to retreat back into Scotland with the credit of the mischief he
had already done to the English enemy, which more than redeemed the
romantic pledge he had given to the Queen of France. James, however,
was intoxicated with his first successes, or else loth to restore the
Lady Heron to her rightful owner. He declared “he would fight the
English if they were a hundred thousand more in numbers; and as for old
Bell-the-Cat, he might go back if he were afraid. For himself, when he
had fought the English he would retire, and not till then.”[161]
Surrey had dispatched a herald to King James requesting “that he would
appoint a day for battle,” a request with which the Scottish King, in
the spirit of knight-errantry (disdaining all thoughts of advantage to
be gained by military strategy), very naïvely complied, following the
laws of the tournament rather than the rules of warlike science.
The battle of Flodden was lost before it was begun, by the unseasonable
courtesy of King James, who prevented his able gunner, Borthwick,
from demolishing the English army, as it defiled within range of his
“seven sister cannon, Thraw-mouthed Meg,” and other instruments of
destruction. Surrey must have calculated to a nicety on the punctilios
of the crowned chevalier, before he put his army in such remarkable
jeopardy. Indeed, without some previous knowledge of the personal
intimacy between James and the astute English veteran on the occasion
of Margaret’s marriage, many passages are unaccountable in the conduct
of the latter on the memorable morning of September 9th, 1513. But he
knew his man; he had probably received some chivalric pledge from James
during their former intimacy, of which he now took advantage, with
cunning reliance on the inviolability of his knightly word. King James
followed up his first imprudence by leaving his impregnable situation
on Flodden heights, and descending into the lower ground, that he might
engage Lord Surrey in a fair field.
The disastrous result is universally known. No one can improve on the
battle-scene in _Marmion_, which adds the faithfulness of history
to its peculiar charm of true poetry. The recital of battles from a
woman’s pen is almost as impertinent and out of place as disquisitions
on theology; both have been sedulously avoided in these regal
biographies.[162]
James IV. must therefore be left to his doubtful fate, while the
narrative returns to his Queen, The following stanzas were written by a
cotemporary English poet.[163] The lines he has supposed to be spoken
by the brave and unfortunate King of Scotland.
“Farewell, my Queen, sweet Lady Margaret!
Farewell, my Prince! with whom I used to play:
I wot not where we shall together meet.
Farewell, my Lords and Commons! eke for aye:
Adieu! ye shall no ransom for me pay.
Yet I beseech you, of your charity,
To the high Lord merciful that ye pray,
Miserere mei Deus et salva me.”