JONES, SIR WILLIAM (1746-1794).--Orientalist and jurist, was _b._ in

London, and _ed._ at Harrow and Oxf. He lost his _f._, an eminent

mathematician, at 3 years of age. He early showed extraordinary aptitude

for acquiring languages, specially those of the East, and learned 28.

Devoting himself to the study of law he became one of the most profound

jurists of his time. He was appointed one of the Judges in the Supreme

Court of Bengal, knighted in 1783, and started for India, whence he never

returned. While there, in addition to his judicial duties, he pursued his

studies in Oriental languages, from which he made various translations.

Among his original works are _The Enchanted Fruit_, and _A Treatise on

the Gods of Greece, Italy, and India_. He founded the Bengal Asiatic

Society. He left various works unfinished which, with his other writings,

were _coll._ and ed. by Lord Teignmouth. He _d._ universally beloved and

honoured at the early age of 48. His chief legal work was _The Institutes

of Hindu Law or the Ordinances of Manu_.

JONSON, BEN or BENJAMIN (1573-1637).--Poet and dramatist, was probably

_b._ in Westminster. His _f._, who _d._ before Ben was four, seems to

have come from Carlisle, and the family to have originally belonged to

Annandale. He was sent to Westminster School, for which he seems to have

been indebted to the kindness of W. Camden (_q.v._), who was one of the

masters. His mother, meanwhile, had _m._ a bricklayer, and he was for a

time put to that trade, but disliking it, he ran away and joined the

army, fighting against the Spaniards in the Low Countries. Returning to

England about 1592 he took to the stage, both as an actor and as a

playwright. In the former capacity he was unsuccessful. In 1598, having

killed a fellow-actor in a duel, he was tried for murder, but escaped by

benefit of clergy. About the same time he joined the Roman Catholic

Church, in which he remained for 12 years. It was in 1598 also that his

first successful play, _Every Man in his Humour_, was produced, with

Shakespeare as one of the players. _Every Man out of his Humour_ (1599),

_Cynthia's Revels_ (1600), and _The Poetaster_ (1601), satirising the

citizens, the courtiers, and the poets respectively, followed. The last

called forth several replies, the most notable of which was the

_Satiromastix_ (Whip for the Satirist) of Dekker (_q.v._), a severe,

though not altogether unfriendly, retort, which J. took in good part,

announcing his intention of leaving off satire and trying tragedy. His

first work in this kind was _Sejanus_ (1603), which was not very

favourably received. It was followed by _Eastward Ho_, in which he

collaborated with Marston and Chapman. Certain reflections on Scotland

gave offence to James I., and the authors were imprisoned, but soon

released. From the beginning of the new reign J. devoted himself largely

to the writing of Court masques, in which he excelled all his

contemporaries, and about the same time entered upon the production of

the three great plays in which his full strength is shown. The first of

these, _Volpone, or the Fox_, appeared in 1605; _Epicæne, or the Silent

Woman_ in 1609, and _The Alchemist_ in 1610. His second and last tragedy,

_Catiline_, was produced in 1611. Two years later he was in France as

companion to the son of Sir W. Raleigh, and on his return he held up

hypocritical Puritanism to scorn in _Bartholomew Fair_, which was

followed in 1616 by a comedy, _The Devil is an Ass_. In the same year he

_coll._ his writings--plays, poems, and epigrams--in a folio entitled his

_Works_. In 1618 he journeyed on foot to Scotland, where he was received

with much honour, and paid his famous visit to Drummond (_q.v._) at

Hawthornden. His last successful play, _The Staple of Newes_, was

produced in 1625, and in the same year he had his first stroke of palsy,

from which he never entirely recovered. His next play, _The New Inn_, was

driven from the stage, for which in its rapid degeneracy he had become

too learned and too moral. A quarrel with Inigo Jones, the architect, who

furnished the machinery for the Court masques, lost him Court favour, and

he was obliged, with failing powers, to turn again to the stage, for

which his last plays, _The Magnetic Lady_ and _The Tale of a Tub_, were

written in 1632 and 1633. Town and Court favour, however, turned again,

and he received a pension of £100; that of the best poets and lovers of

literature he had always kept. The older poets were his friends, the

younger were proud to call themselves, and be called by him, his sons. In

1637, after some years of gradually failing health, he _d._, and was

buried in Westminster Abbey. An admirer caused a mason to cut on the slab

over his grave the well-known inscription, "O Rare Ben Jonson." He left a

fragment, _The Sad Shepherd_. His works include a number of epigrams and

translations, collections of poems (_Underwoods_ and _The Forest_); in

prose a book of short essays and notes on various subjects,

_Discoveries_.

J. was the founder of a new style of English comedy, original, powerful,

and interesting, but lacking in spontaneity and nature. His characters

tend to become mere impersonations of some one quality or "humour," as he

called it. Thus he is the herald, though a magnificent one, of decadence.

He painted in general with a powerful, but heavy hand; in his masques,

however, he often shows a singular gracefulness, especially in the lyrics

which he introduces. His character, as given by Drummond, is not a

particularly attractive one, "a great lover and praiser of himself, a

contemner and scorner of others, given rather to lose a friend than a

jest, jealous of every word and action of those about him, especially

after drink ... a dissembler of ill parts which reign in him, a bragger

of some good that he wanteth ... passionately kind and angry ...

oppressed with fantasy which hath ever mastered his reason." There must,

however, have been far other qualities in a man who could command, as J.

undoubtedly did, the goodwill and admiration of so many of the finest

minds of his time. In person he was tall, swarthy, marked with small-pox,

and in later years burly.

SUMMARY.--_B._ 1573, _ed._ Westminster School, serves in Low Countries,

returns to England 1592, and takes to stage, kills actor in brawl 1598, a

Romanist _c._ 1598-_c._ 1610, _Every Man in his Humour_ 1598, _Every Man

out of his Humour_ 1599, and other plays till 1633, _coll._ works _pub._

1616, visits Drummond 1618, loses and recovers Court favour, _d._ 1637.

Among the ed. of J.'s works may be mentioned those of Gifford (9 vols.,

1816), re-issued (1875), selected plays Mermaid Series (3 vols., 1893-5),

Morley (1884), and Symonds (1886). Lives and studies by Symonds (English

Worthies), and Swinburne (1890).

JORTIN, JOHN (1698-1770).--Ecclesiastical historian, _ed._ at Camb., and

entering the Church held various benefices, becoming in 1764 Archdeacon

of London. He _pub._ _Remarks on Ecclesiastical History_ (1751-54), a

Life of Erasmus, and various miscellaneous pamphlets and tracts; 7 vols.

of sermons appeared after his death. All his works show learning, and are

written in a lively style.

JOWETT, BENJAMIN (1817-1893).--Scholar, was _b._ at Camberwell, and _ed._

at St. Paul's School and Balliol Coll., where he had a distinguished

career, becoming Fellow 1838, Tutor 1840, and Master 1870. He held the

Regius Professorship of Greek 1855-93, though for the first 10 years he

was, owing to the opposition of his theological opponents in the Univ.,

deprived of a large part of the usual emoluments. He was a keen and

formidable controversialist, and was usually found on what was, for the

time, the unpopular side. His contribution (an essay on _The

Interpretation of Scripture_) to the famous _Essays and Reviews_, which

appeared in 1860, brought him into strong collision with powerful

sections of theological opinion, to which he had already given offence by

his commentaries on the _Epistles to the Thessalonians, Galatians, and

Romans_. His views were, indeed, generally considered to be extremely

latitudinarian. Latterly he exercised an extraordinary influence in the

Univ., and was held in reverence by his pupils, many of whom have risen

to eminence. His chief works are translations, with learned

introductions, of _The Dialogues_ of Plato, of Thucydides, and of the

_Politics_ of Aristotle. He also, in conjunction with Prof. Campbell,

brought out an ed. of _The Republic_ of Plato. He held the degree of

LL.D. from the Univ. of Edin. (1884), and Camb. (1890), and Doctor of

Theology of Leyden (1875).

JUDD, SYLVESTER (1813-1853).--Novelist, _b._ at Westhampton, Mass.,

studied for the ministry at Yale, and became a Unitarian pastor. He

_pub._ _Philo_, a religious poem, followed by _Margaret, a Tale of the

Real and the Ideal_ (1845), _Richard Edney, A Rus-Urban Tale_ (1850). He

also produced some theological works. His work is very unequal, but

often, as in _Margaret_, contains fine and true descriptive passages both

of nature and character.

KAMES, HENRY HOME, LORD (1696-1782).--Miscellaneous writer, _s._ of Geo.

H., of Kames, Berwickshire, was admitted an advocate in 1723, and raised

to the Bench in 1752. In 1748 he _pub._ a collection of Decisions of the

Court of Session. It is, however, on his philosophical and historical

writings that his literary fame rests. His writings include _Essays on

the Principles of Morality and Natural Religion_ (1751), _The Elements of

Criticism_ (1762), in which he sought for principles based on the

elements of human nature; _Sketches of the History of Man_ (1774), and

_Loose Hints on Education_, in which many modern views are anticipated.

In all these works, while the style is stiff and crabbed, there is much

original thought. Lord K. was also an eminent authority upon agriculture,

on which he in 1777 _pub._ a work entitled _The Gentleman Farmer_.

KAVANAGH, JULIA (1824-1877).--Novelist, _dau._ of Morgan K., poet, and

philologist, wrote many novels, of which the scene is usually in France,

among which are _Madeleine_ (1848), _Adèle_, and _Daisy Burns_; also

biographical works, _Woman in France in the 18th Century_ (1850), etc.

KAYE, SIR JOHN WILLIAM (1814-1876).--Historian and biographer, _s._ of a

London solicitor, was _ed._ at Eton and Addiscombe. After serving for

some time in the Bengal Artillery, he succeeded J.S. Mill as sec. to the

political and secret department in the East India Office. His first

literary work was a novel _pub._ in 1845, and he then began his valuable

series of histories and biographies illustrative of the British

occupation of India, including _The War in Afghanistan_ (1851), and _The

Sepoy War in India_, which he did not live to finish, and which was

completed by G.B. Malleson as _The History of the Indian Mutiny_ (6

vols., 1890); also histories of the East India Company and of

Christianity in India, and Lives of Sir John Malcolm and other Indian

soldiers and statesmen. All his writings are characterised by painstaking

research, love of truth, and a style suited to the importance of his

subjects. He was made K.C.S.I. in 1871.

KEARY, ANNIE (1825-1879).--Novelist, wrote some good novels, including

_Castle Daly_, _A Doubting Heart_, and _Oldbury_, also books for children

and educational works.

KEATS, JOHN (1795-1821).--Poet, _s._ of the chief servant at an inn in

London, who _m._ his master's _dau._, and _d._ a man of some substance.

He was sent to a school at Enfield, and having meanwhile become an

orphan, was in 1810 apprenticed to a surgeon at Edmonton. In 1815 he went

to London to walk the hospitals. He was not, however, at all enthusiastic

in his profession, and having become acquainted with Leigh Hunt, Hazlitt,

Shelley, and others, he gave himself more and more to literature. His

first work--some sonnets--appeared in Hunt's _Examiner_, and his first

book, _Poems_, came out in 1817. This book, while containing much that

gave little promise of what was to come, was not without touches of

beauty and music, but it fell quite flat, finding few readers beyond his

immediate circle. _Endymion_, begun during a visit to the Isle of Wight,

appeared in 1818, and was savagely attacked in _Blackwood_ and the

_Quarterly Review_. These attacks, though naturally giving pain to the

poet, were not, as was alleged at the time, the cause of his health

breaking down, as he was possessed of considerable confidence in his own

powers, and his claim to immortality as a poet. Symptoms of hereditary

consumption, however, began to show themselves and, in the hope of

restored health, he made a tour in the Lakes and Scotland, from which he

returned to London none the better. The death soon after of his brother

Thomas, whom he had helped to nurse, told upon his spirits, as did also

his unrequited passion for Miss Fanny Brawne. In 1820 he _pub._ _Lamia

and Other Poems_, containing _Isabella_, _Eve of St. Agnes_, _Hyperion_,

and the odes to the _Nightingale_ and _The Grecian Urn_, all of which had

been produced within a period of about 18 months. This book was warmly

praised in the _Edinburgh Review_. His health had by this time completely

given way, and he was likewise harassed by narrow means and hopeless

love. He had, however, the consolation of possessing many warm friends,

by some of whom, the Hunts and the Brawnes, he was tenderly nursed. At

last in 1821 he set out, accompanied by his friend Severn, on that

journey to Italy from which he never returned. After much suffering he

_d._ at Rome, and was buried in the Protestant cemetery there. The

character of K. was much misunderstood until the publication by R.M.

Milnes, afterwards Lord Houghton (_q.v._), of his _Life and Letters_,

which gives an attractive picture of him. This, together with the

accounts of other friends, represent him as "eager, enthusiastic, and

sensitive, but humorous, reasonable, and free from vanity, affectionate,

a good brother and friend, sweet-tempered, and helpful." In his political

views he was liberal, in his religious, indefinite. Though in his

life-time subjected to much harsh and unappreciative criticism, his place

among English poets is now assured. His chief characteristics are

intense, sensuous imagination, and love of beauty, rich and picturesque

descriptive power, and exquisitely melodious versification.

_Life, Letters, etc._, by R.M. Milnes (1848), _Poems and Letters_

(Forman, 5 vols., 1900). Keats (Men of Letters Series, Colvin, 1887),

etc. _Poems_ (1817), _Endymion_ (1818), _Lamia and Other Poems_ (1820).

KEBLE, JOHN (1792-1866).--Poet and divine, _s._ of the Rev. John K.,

Vicar of Coln St. Aldwyn's, Gloucestershire, _b._ at Fairford in the same

county, _ed._ by his _f._ and at Oxf., where he was elected a Fellow of

Oriel Coll., and was for some years tutor and examiner in the Univ. His

ideal life, however, was that of a country clergyman, and having taken

orders in 1815, he became curate to his _f._ Meantime he had been writing

_The Christian Year_, which appeared in 1827, and met with an almost

unparalleled acceptance. Though at first anonymous, its authorship soon

became known, with the result that K. was in 1831 appointed to the Chair

of Poetry at Oxf., which he held until 1841. In 1833 his famous sermon on

"national apostasy" gave the first impulse to the Oxf. movement, of

which, after the secession of Newman to the Church of Rome, he, along

with Pusey, was regarded as the leader, and in connection with which he

contributed several of the more important "tracts" in which were enforced

"deep submission to authority, implicit reverence for Catholic tradition,

firm belief in the divine prerogatives of the priesthood, the real nature

of the sacraments, and the danger of independent speculation." His _f._

having _d._, K. became in 1836 Vicar of Hursley, near Winchester, where

he remained until his death. In 1846 he _pub._ another book of poems,

_Lyra Innocentium_. Other works were a Life of Wilson, Bishop of Sodor

and Man, and an ed. of the Works of Hooker. After his death appeared

_Letters of Spiritual Counsel_, and 12 vols. of _Parish Sermons_. The

literary position of K. must mainly rest upon _The Christian Year_,

_Thoughts in Verse for the Sundays_, and _Holidays throughout the Year_,

the object of which was, as described by the author, to bring the

thoughts and feelings of the reader into unison with those exemplified in

the Prayer Book. The poems, while by no means of equal literary merit,

are generally characterised by delicate and true poetic feeling, and

refined and often extremely felicitous language; and it is a proof of the

fidelity to nature with which its themes are treated that the book has

become a religious classic with readers far removed from the author's

ecclesiastical standpoint and general school of thought. K. was one of

the most saintly and unselfish men who ever adorned the Church of

England, and, though personally shy and retiring, exercised a vast

spiritual influence upon his generation.

_Life_ by J.D. Coleridge (1869), another by Rev. W. Lock (1895).

KEIGHTLEY, THOMAS (1789-1872).--Historian, _ed._ at Trinity Coll.,

Dublin, wrote works on mythology and folklore, and at the request of Dr.

Arnold of Rugby, a series of text-books on English, Greek, and other

histories. His _History of Greece_ was translated into modern Greek.

Among his other books are _Fairy Mythology_ (1850), and _Mythology of

Ancient Greece and Italy_, and a work on Popular Tales and their

transmission from one country to another.

KEITH, ROBERT (1681-1757).--Historian, _b._ in Kincardineshire, belonged

to the family of the Earls Marischal, and was Bishop of Fife in the

Scottish Episcopal Church. He was deeply versed in Scottish antiquities,

and _pub._ _History of the Affairs of Church and State in Scotland_

during the Reformation. He also compiled _A Catalogue of the Bishops of

Scotland_ (1755).

KELLY, HUGH (1739-1777).--Dramatist, _s._ of a Dublin publican, worked in

London as a staymaker, 1760, and after ed. various journals, wrote

_Memoirs of a Magdalen_ (1767). His play, _False Delicacy_ (1768), had an

extraordinary success, and was translated into French, German, and

Portuguese. His other plays had no great success. He left off writing for

the stage in 1774, and endeavoured to practise as a barrister, but

without success. He also wrote political pamphlets, for which he received

a pension from Government.

KEN, THOMAS (1637-1711).--Religious writer, _s._ of an attorney, was _b._

at Little Berkhampstead, _ed._ at Winchester and Oxf., and entering the

Church received the living of Brightstone, Isle of Wight, where he

composed his _Morning, Evening, and Midnight Hymns_, perhaps the most

widely known of English hymns. These he was accustomed to sing daily to

the lute. After holding other benefices he became Bishop of Bath and

Wells, and a Chaplain to Charles II. He was one of the "Seven Bishops"

sent to the Tower by James II. Refusing to take the oaths to William and

Mary, he was deprived, and spent his later years in comparative poverty,

though he found an asylum at Longleat with Lord Weymouth. Izaak Walton

was his brother-in-law. K. wrote a manual of prayers for Winchester

School, and other devotional works.

KENNEDY, JOHN PENDLETON (1795-1870).--Novelist, _b._ in Baltimore, was

distinguished as a lawyer and politician. He wrote three novels, _Swallow

Barn_ (1832), _Horse Shoe Robinson_ (1835), and _Rob of the Bowl_ (1838),

which give a vivid presentation of life in the Southern States.

KENNEDY, WALTER (_fl._ 1500).--_S._ of Lord K., was _ed._ at Glasgow, and

is perhaps best known as Dunbar's antagonist in the _Flyting of Dunbar

and Kennedy_. Other poems are _Praise of Aige_ (Age), _Ane Ballat in

Praise of Our Lady_, and _The Passion of Christ_. Most of his work is

probably lost.

KILLIGREW, THOMAS (1612-1683).--Dramatist, _s._ of Sir Robert K., of

Hanworth, was a witty, dissolute courtier of Charles II., and wrote nine

plays, each in a different city. Of them the best known is _The Parson's

Wedding_.

KING, HENRY (1592-1669).--Poet, _s._ of a Bishop of London, was _ed._ at

Westminster School and Oxf. He entered the Church, and rose in 1642 to be

Bishop of Chichester. The following year he was deprived, but was

reinstated at the Restoration. He wrote many elegies on Royal persons and

on his private friends, who included Donne and Ben Jonson. A selection

from his _Poems and Psalms_ was _pub._ in 1843.

KINGLAKE, ALEXANDER WILLIAM (1809-1891).--_B._ near Taunton, _ed._ at

Eton and Camb., was called to the Bar in 1837, and acquired a

considerable practice, which in 1856 he abandoned in order to devote

himself to literature and public life. His first literary venture had

been _Eothen_, a brilliant and original work of Eastern travel, _pub._ in

1844; but his _magnum opus_ was his _Invasion of the Crimea_, in 8 vols.

(1863-87), which is one of the most effective works of its class. It has,

however, been charged with being too favourable to Lord Raglan, and

unduly hostile to Napoleon III., for whom the author had an extreme

aversion. Its great length is also against it.

KINGSFORD, WILLIAM (1819-1898).--Historian, _b._ in London, served in the

army, and went to Canada, where he was engaged in surveying work. He has

a place in literature for his _History of Canada_ in 10 vols., a work of

careful research, though not distinguished for purely literary merits.

KINGSLEY, CHARLES (1819-1875).--Novelist and historian, _s._ of a

clergyman, was _b._ at Holne Vicarage near Dartmoor, but passed most of

his childhood at Barnack in the Fen country, and Clovelly in Devonshire,

_ed._ at King's Coll., London, and Camb. Intended for the law, he entered

the Church, and became, in 1842, curate, and two years later rector, of

Eversley, Hampshire. In the latter year he _pub._ _The Saints' Tragedy_,

a drama, of which the heroine is St. Elizabeth of Hungary. Two novels

followed, _Yeast_ (1848) and _Alton Locke_ (1850), in which he deals with

social questions as affecting the agricultural labouring class, and the

town worker respectively. He had become deeply interested in such

questions, and threw himself heart and soul, in conjunction with F.D.

Maurice and others, into the schemes of social amelioration, which they

supported under the name of Christian socialism, contributing many tracts

and articles under the signature of "Parson Lot." In 1853 appeared

_Hypatia_, in which the conflict of the early Christians with the Greek

philosophy of Alexandria is depicted; it was followed in 1855 by

_Westward Ho_, perhaps his most popular work; in 1857 by _Two Years Ago_,

and in 1866 by _Hereward the Wake_. _At Last_ (1870), gave his

impressions of a visit to the West Indies. His taste for natural history

found expression in _Glaucus, or the Wonders of the Shore_ (1855), and

other works. _The Water Babies_ is a story for children written to

inspire love and reverence of Nature. K. was in 1860 appointed to the

Professorship of Modern History at Camb., which he held until 1869. The

literary fruit of this was _Roman and Teuton_ (1864). In the same year he

was involved in a controversy with J.H. Newman, which resulted in the

publication by the latter of his _Apologia_. K., who had in 1869 been

made a Canon of Chester, became Canon of Westminster in 1873. Always of a

highly nervous temperament, his over-exertion resulted in repeated

failures of health, and he _d._ in 1875. Though hot-tempered and

combative, he was a man of singularly noble character. His type of

religion, cheerful and robust, was described as "muscular Christianity."

Strenuous, eager, and keen in feeling, he was not either a profoundly

learned, or perhaps very impartial, historian, but all his writings are

marked by a bracing and manly atmosphere, intense sympathy, and great

descriptive power.

KINGSLEY, HENRY (1830-1876).--Novelist, brother of the above, _ed._ at

King's Coll., London, and Oxf., which he left without graduating, and

betook himself to the Australian gold-diggings, being afterwards in the

mounted police. On his return in 1858 he devoted himself industriously to

literature, and wrote a number of novels of much more than average merit,

including _Geoffrey Hamlyn_ (1859), _The Hillyars and the Burtons_

(1865), _Ravenshoe_ (1861), and _Austin Elliot_ (1863). Of these

_Ravenshoe_ is generally regarded as the best. In 1869 he went to

Edinburgh to ed. the _Daily Review_, but he soon gave this up, and became

war correspondent for his paper during the Franco-German War.

KINGSLEY, MARY HENRIETTA (1862-1900).--Traveller, _dau._ of George Henry

K. (himself a traveller, and author of _South Sea Bubbles_, a very

successful book), and niece of Charles K. (_q.v._). She travelled in West

Africa, where she made valuable observations and collections. Her

_Travels in West Africa_ is one of the most original and stimulating

books of its class. Miss K. had a singular power of viewing the religious

rites of savage peoples from their point of view. She was about to

undertake another journey, but stopped to nurse Boer prisoners, and _d._

of fever.

KINGSTON, WILLIAM HENRY GILES (1814-1880).--Writer of tales for boys,

_b._ in London, but spent much of his youth in Oporto, where his _f._ was

a merchant. His first book, _The Circassian Chief_, appeared in 1844. His

first book for boys, _Peter the Whaler_, was _pub._ in 1851, and had such

success that he retired from business and devoted himself entirely to the

production of this kind of literature, in which his popularity was

deservedly great; and during 30 years he wrote upwards of 130 tales,

including _The Three Midshipmen_ (1862), _The Three Lieutenants_ (1874),

_The Three Commanders_ (1875), _The Three Admirals_ (1877), _Digby

Heathcote_, etc. He also conducted various papers, including _The

Colonist_, and _Colonial Magazine and East India Review_. He was also

interested in emigration, volunteering, and various philanthropic

schemes. For services in negotiating a commercial treaty with Portugal he

received a Portuguese knighthood, and for his literary labours a

Government pension.

KIRKLAND, JOSEPH (1830-1894).--Novelist, _b._ in New York State, was a

lawyer in Chicago, then served in the war. He is remembered as the author

of two very vivid and life-like novels of pioneer life in the Far West,

_Illinois Zury_ and _The McVeys_. Other works are _The Captain of Company

K._ and _The Story of Chicago_.

KITTO, JOHN (1804-1854).--Biblical scholar, _s._ of a Cornish stonemason,

was _b._ at Plymouth. At the age of 12 a fall led to his becoming totally

deaf. From poverty and hardship he was rescued by friends, to whom his

mental powers had become known, and the means of education were placed

within his reach. By these he profited so remarkably that he became a

valuable contributor to Biblical scholarship. He travelled much in the

East in the pursuit of his favourite studies. Among his works are

_Scripture Lands_, _Daily Bible Illustrations_, and _The Lost Senses_ in

2 vols., one dealing with Deafness and the other with Blindness. He also

ed. _The Pictorial Bible_, _The Journal of Sacred Literature_, _The

Cyclopædia of Bible Literature_, and contributed to various periodicals.

He received a pension of £100 from Government. In 1844 the Univ. of

Giessen conferred upon him the degree of D.D.

KNIGHT, CHARLES (1791-1873).--Publisher and writer, _b._ at Windsor,

where his _f._. was a bookseller. After serving his apprenticeship with

him he went to London, and in 1823 started business as a publisher, and

co-operated effectively with Brougham and others in connection with The

Society for Diffusing Useful Knowledge. He was publisher for the Society,

and issued _The Penny Magazine_, _Penny Cyclopædia_, _Pictorial History

of England_, etc. He ed. with success _The Pictorial Shakespeare_, and

was the author of a vol. of essays, _Once upon a Time_, an autobiography,

_Passages from a Working Life_ (1863), a _History of the Thirty Years'

Peace_, which was completed by Miss Harriet Martineau, and various other

works.

KNIGHT, HENRY GALLY (1786-1846).--A country gentleman of Yorkshire, _ed._

at Eton and Camb., was the author of several Oriental tales, _Ilderim, a

Syrian Tale_ (1816), _Phrosyne, a Grecian Tale_, and _Alashtar, an

Arabian Tale_ (1817). He was also an authority on architecture, and wrote

various works on the subject, including _The Ecclesiastical Architecture

of Italy_, and _The Normans in Sicily_, which brought him more reputation

than his novels.

KNOLLES, RICHARD (1550?-1610).--Historian, _b._ at Coldashby,

Northamptonshire, and _ed._ at Oxf., _pub._ in 1603 _The History of the

Turks_, which went through many ed. Its principal value now is as a piece

of fine English of its time, for which it is ranked high by Hallam. K.

was master of a school at Sandwich. The History was continued by Sir Paul

Rycaut (1628-1700).

KNOWLES, HERBERT (1798-1817).--Poet, author of the well-known _Stanzas

written in Richmond Churchyard_, which gave promise of future excellence.

But he _d._ a few weeks after he had been enabled, through the help of

Southey to whom he had sent some of his poems, to go to Camb.

KNOWLES, JAMES SHERIDAN (1784-1862).--Dramatist, _s._ of James K.,

schoolmaster and lexicographer, was _b._ at Cork. He was the author of a

ballad, _The Welsh Harper_, which had great popularity, and gained for

him the notice of Hazlitt and others. For some years he studied medicine,

which, however, he abandoned for literature, and produced several plays,

including _Caius Gracchus_ (1815), _Virginius_ (1820), _The Hunchback_

(1832), and _The Love Chase_ (1837), in some of which he acted. He gave

up the stage in 1843, became a preacher in connection with the Baptist

communion, and enjoyed great popularity. He _pub._ two polemical works,

_The Rock of Rome_, and _The Idol demolished by its own Priests_.

KNOX, JOHN (1505?-1572).--Reformer and historian, was _b._ near

Haddington, and _ed._ at the Grammar School there and at Glasgow. He is

believed to have had some connection with the family of K. of Ranfurly in

Renfrewshire. The year of his birth was long believed to be 1505, but of

late some writers have found reason to hold that he was really _b._ some

years later, 1510 or even 1513. At Glasgow he was the pupil of John Major

(_q.v._), and became distinguished as a disputant. He is believed to have

been ordained a priest about 1530, after which he went to St. Andrews and

taught. About this time, however, there is a gap of 12 years or more,

during which almost nothing is known of his life. About 1545 he came

under the influence of George Wishart, who was burned as a heretic at

St. Andrews in the following year, and embraced the Reformation

principles, of which he became a champion on the Continent, in England,

and finally and especially in Scotland. He joined the reforming party in

St. Andrews in 1547, and was, much against his will, elected their

minister. The next year he was made prisoner, sent to France, and

condemned to the galleys, where he remained for nearly two years. For the

next five years he was in England, chiefly at Newcastle and Berwick,

where he was zealously engaged in propagating and defending the reformed

doctrines. On the accession of Mary in 1553 K. escaped to the Continent,

where he remained--at Dieppe, Frankfort on the Maine, and Geneva--until

1559. During this period, in addition to his pastoral and ecclesiastical

activities, he wrote copiously, the best known of his works of that time

being his _First Blast of the Trumpet against the Monstrous Regiment

[government] of Women_. The first, it proved also the last, as he never

produced the other two which he promised or threatened. He finally

returned to Scotland in 1559, and was at once the chief actor and the

chief narrator of the crowded and pregnant events which culminated in the

abdication of Queen Mary and the establishment of Protestantism in

Scotland. As minister of the High Church of Edin. K. was at the centre of

events, which he probably did more to mould than any other man. As

Carlyle says, "He is the one Scotchman to whom, of all others, his

country and the world owe a debt." Here, after his long battle with

principalities and powers, and spiritual wickedness in high places, his

triumphs, and disappointments, after growing weakness and becoming "weary

of the world," he _d._ on November 24, 1572. His place in literature he

has by virtue of his _Historie of the Reformation in Scotland_. It

extends from 1558-67. Its language is much more English than that spoken

and written in Scotland at the time. It is of the highest historical

value, and in style terse, vigorous, with flashes of a quiet, somewhat

saturnine humour, and of vivid description--the writing of a great man of

action dealing with the events in which he had been the leading actor.

His own figure and that of the Queen are those round which the drama

turns. The leading features of his character were courage and intense

earnestness. "Here," said the Regent Morton, "lies a man who never feared

the face of man." And with all his sternness there was in him a vein of

cordial friendliness and humour. He has been accused of intolerance, and

of harshness in his dealings with the Queen. But as Carlyle has said, as

regards the second accusation, "They are not so coarse, these speeches;

they seem to me about as fine as the circumstances would permit. It was

unfortunately not possible to be polite with the Queen of Scotland unless

one proved untrue to the nation."

_Lives_ by M'Crie (1812), and Prof. Hume Brown (1895). _Works_ ed. by D.

Laing.

KNOX, VICESIMUS (1752-1821).--Essayist, etc., _ed._ at Oxf., took orders,

and became Head Master of Tunbridge School. He _pub._ _Essays Moral and

Literary_ (1778), and compiled the formerly well-known _Elegant

Extracts_, often reprinted.

KNOX, WILLIAM (1789-1825).--Poet, _s._ of a farmer in Roxburghshire,

wrote several books of poetry, _The Lonely Hearth_, _Songs of Israel_,

_Harp of Zion_, etc., which gained him the friendship of Scott. He fell

into dissipated habits, was latterly a journalist in Edin., and _d._ at

36.

KYD, THOMAS (1558-1595).--Dramatist, _s._ of a London scrivener, _ed._ at

Merchant Taylor's School, appears to have led the life of hardship so

common with the dramatists of his time, was for a short time imprisoned

for "treasonable and Atheistic views," and made translations from the

French and Italian. His drama, _The Spanish Tragedy_ (1594), had

extraordinary popularity, and was translated into Dutch and German. Some

of the scenes are believed to have been contributed by another hand,

probably by Ben Jonson. He also produced a play on the story of Hamlet,

not now in existence, and he may have written the first draft of _Titus

Andronicus_. Other plays which have been attributed to him are _The First

Part of Jeronimo_ (1605), _Cornelia_ (1594), _The Rare Triumphs of Love

and Fortune_, and _The Tragedye of Solyman and Perseda_ (1599). But,

although one of the best known dramatists in his day, very little is now

certain either as to his personal history or his works.

LAIDLAW, WILLIAM (1780-1845).--Poet, _s._ of a border farmer, became

steward and amanuensis to Sir W. Scott, and was the author of the

beautiful and well-known ballad, _Lucy's Flittin'_.

LAING, DAVID (1793-1878).--Antiquary, _s._ of a bookseller in Edin., with

whom he was in partnership until his appointment, in 1837, as librarian

of the Signet Library. He ed. many of the publications of the Bannatyne

Club, of which he was sec. (1823-61). He was also Honorary Prof. of

Antiquities to the Royal Scottish Academy. Among the more important works

which he ed. were _Baillie's Letters and Journals_ (1841-2), _John Knox's

Works_ (1846-64), and the poems of Sir D. Lyndsay, Dunbar, and Henryson.

LAING, MALCOLM (1762-1818).--Was a country gentleman in Orkney. He

completed Henry's _History of Great Britain_, and wrote a _History of

Scotland from the Union of the Crowns to the Union of the Kingdoms_

(1802). He was an assailant of the authenticity of the Ossianic poems,

and wrote a dissertation on the Participation of Mary Queen of Scots in

the Murder of Darnley. He did much to improve the agriculture of Orkney.

LAMB, LADY CAROLINE (1785-1828).--Novelist, _dau._ of 3rd Earl of

Bessborough, _m._ the Hon. William Lamb, afterwards Lord Melbourne and

Prime Minister. She wrote three novels, which, though of little literary

value, attracted much attention. The first of these, _Glenarvon_ (1816),

contained a caricature portrait of Lord Byron, with whom the authoress

had shortly before been infatuated. It was followed by _Graham Hamilton_

(1822), and _Ada Reis_ (1823). Happening to meet the hearse conveying the

remains of Byron, she became unconscious, and fell into mental

alienation, from which she never recovered.

LAMB, CHARLES (1775-1834).--Essayist and poet, was _b._ in London, his

_f._ being confidential clerk to Samuel Salt, one of the benchers of the

Inner Temple. After being at a school in the neighbourhood, he was sent

by the influence of Mr. Salt to Christ's Hospital, where he remained from

1782-89, and where he formed a lifelong friendship with Coleridge. He was

then for a year or two in the South Sea House, where his elder brother

John was a clerk. Thence he was in 1792 transferred to the India House,

where he remained until 1825, when he retired with a pension of

two-thirds of his salary. Mr. Salt _d._ in 1792, and the family,

consisting of the _f._, mother, Charles, and his sister Mary, ten years

his senior, lived together in somewhat straitened circumstances. John,

comparatively well off, leaving them pretty much to their own resources.

In 1796 the tragedy of L.'s life occurred. His sister Mary, in a sudden

fit of insanity, killed her mother with a table-knife. Thenceforward,

giving up a marriage to which he was looking forward, he devoted himself

to the care of his unfortunate sister, who became, except when separated

from him by periods of aberration, his lifelong and affectionate

companion--the "Cousin Bridget" of his essays. His first literary

appearance was a contribution of four sonnets to Coleridge's _Poems on

Various Subjects_ (1796). Two years later he _pub._, along with his

friend Charles Lloyd, _Blank Verse_, the little vol. including _The Old

Familiar Faces_, and others of his best known poems, and his romance,

_Rosamund Gray_, followed in the same year. He then turned to the drama,

and produced _John Woodvil_, a tragedy, and _Mr. H._, a farce, both

failures, for although the first had some echo of the Elizabethan music,

it had no dramatic force. Meantime the brother and sister were leading a

life clouded by poverty and by the anxieties arising from the condition

of the latter, and they moved about from one lodging to another. L.'s

literary ventures so far had not yielded much either in money or fame,

but in 1807 he was asked by W. Godwin (_q.v._) to assist him in his

"Juvenile Library," and to this he, with the assistance of his sister,

contributed the now famous _Tales from Shakespeare_, Charles doing the

tragedies and Mary the comedies. In 1808 they wrote, again for children,

_The Adventures of Ulysses_, a version of the _Odyssey, Mrs. Leicester's

School_, and _Poetry for Children_ (1809). About the same time he was

commissioned by Longman to ed. selections from the Elizabethan

dramatists. To the selections were added criticisms, which at once

brought him the reputation of being one of the most subtle and

penetrating critics who had ever touched the subject. Three years later

his extraordinary power in this department was farther exhibited in a

series of papers on Hogarth and Shakespeare, which appeared in Hunt's

_Reflector_. In 1818 his scattered contributions in prose and verse were

_coll._ as _The Works of Charles Lamb_, and the favour with which they

were received led to his being asked to contribute to the _London

Magazine_ the essays on which his fame chiefly rests. The name "Elia"

under which they were written was that of a fellow-clerk in the India

House. They appeared from 1820-25. The first series was printed in 1823,

the second, _The Last Essays of Elia_, in 1833. In 1823 the L.'s had left

London and taken a cottage at Islington, and had practically adopted Emma

Isola, a young orphan, whose presence brightened their lives until her

marriage in 1833 to E. Moxon, the publisher. In 1825 L. retired, and

lived at Enfield and Edmonton. But his health was impaired, and his

sister's attacks of mental alienation were ever becoming more frequent

and of longer duration. During one of his walks he fell, slightly hurting

his face. The wound developed into erysipelas, and he _d._ on December

29, 1834. His sister survived until 1847.

The place of L. as an essayist and critic is the very highest. His only

rival in the former department is Addison, but in depth and tenderness of

feeling, and richness of fancy L. is the superior. In the realms of

criticism there can be no comparison between the two. L. is here at once

profound and subtle, and his work led as much as any other influence to

the revival of interest in and appreciation of our older poetry. His own

writings, which are self-revealing in a quite unusual and always charming

way, and the recollections of his friends, have made the personality of

Lamb more familiar to us than any other in our literature, except that of

Johnson. His weaknesses, his oddities, his charm, his humour, his

stutter, are all as familiar to his readers as if they had known him, and

the tragedy and noble self-sacrifice of his life add a feeling of

reverence for a character we already love.

Life and Letters and Final Memorials by Talfourd, also Memoir by B.W.

Proctor and A. Ainger prefixed to ed. of _Works_ (1883-88). Life, Works,

and Letters of Charles and Mary Lamb, in 9 vols., E.V. Lucas, and 12

vols. ed. W. Macdonald.

LANDON, LETITIA ELIZABETH (1802-1838).--Poetess, _dau._ of an army agent,

was _b._ in London. She was a prolific and, in her day, remarkably

popular writer, but she wrote far too easily and far too much for

permanent fame. Many of her poems appeared in the _Literary Gazette_, and

similar publications, but she _pub._ separately _The Fate of Adelaide_

(1821), _The Improvisatrice_ (1824), _The Troubadour_ (1825), _The

Venetian Bracelet_ (1829), etc. She also wrote a few novels, of which

_Ethel Churchill_ was the best, and a tragedy _Castruccio Castracani_

(1837). She _m._ a Mr. Maclean, Governor of one of the West African

Colonies, where, shortly after her arrival, she was found dead from the

effects of an overdose of poison, which it was supposed she had taken as

a relief from spasms to which she was subject. She was best known by her

initials, L.E.L., under which she was accustomed to write.

LANDOR, WALTER SAVAGE (1775-1864).--Poet and miscellaneous author, _s._

of a physician, was _b._ at Ipsley Court, Warwick, the property of his

mother, and _ed._ at Rugby and Oxf., where he earned the nickname of "the

mad Jacobin," and whence he was rusticated. His whole long life

thereafter was a series of quarrels, extravagances, and escapades of

various kinds, the result of his violent prejudices, love of paradox, and

ungovernable temper. He quarrelled with his _f._, his wife, most of his

relations, and nearly all his friends, ran through a large fortune, and

ended his days in Italy supported by a pension granted by his brothers.

Yet he was not devoid of strong affections and generosity. His earliest

publication was _Poems_ (1795); _Gebir_ (1798), an epic, had little

success, but won for him the friendship of Southey. In 1808 he went to

Spain to take part in the war against Napoleon, and saw some service. His

first work to attract attention was his powerful tragedy of _Don Julian_

(1811). About the same time he _m._ Miss Julia Thuillier--mainly, as

would appear, on account of her "wonderful golden hair"--and purchased

the estate of Llantony Abbey, Monmouthshire, whence, after various

quarrels with the local authorities, he went to France. After a residence

of a year there, he went in 1815 to Italy, where he lived until 1818 at

Como, which, having insulted the authorities in a Latin poem, he had to

leave. At Florence, which was his residence for some years, he commenced

his famous _Imaginary Conversations_, of which the first two vols.

appeared 1824, the third 1828, fourth and fifth 1829. Other works were

_The Examination of W. Shakespeare touching Deer-stealing_ (1834),

_Pericles and Aspasia_ (1836), _Pentameron_ (1837), _Hellenics_ (1847),

and _Poemata et Inscriptiones_ (1847). He quarrelled finally with his

wife in 1835, and returned to England, which, however, he had to leave in

1858 on account of an action for libel arising out of a book, _Dry Sticks

Fagoted_. He went to Italy, where he remained, chiefly at Florence, until

his death. L. holds one of the highest places among the writers of

English prose. His thoughts are striking and brilliant, and his style

rich and dignified.

_Works_ ed. C.G. Crump, 10 vols.

LANE, EDWARD WILLIAM (1801-1876).--Arabic scholar, _s._ of a prebendary

of Hereford, where he was _b._, began life as an engraver, but going to

Egypt in search of health, devoted himself to the study of Oriental

languages and manners, and adopted the dress and habits of the Egyptian

man of learning. He _pub._ _Manners and Customs of the Modern Egyptians_

(1836), which remains a standard authority, and a translation of _The

Thousand and One Nights_ (1838-40) (Arabian Nights). What was intended to

be the great work of his life, his _Arabic Lexicon_, was left unfinished

at his death, but was completed by his nephew, Prof. S.L. Poole. L. was

regarded as the chief European Orientalist of his day.

LANGHORNE, JOHN (1735-1779).--Poet, _s._ of a clergyman, was _b._ at

Kirkby Stephen; having taken orders, he was for two years a curate in

London, and from 1776 Rector of Blagdon, Somerset, and Prebendary of

Wells. He is chiefly remembered as being the translator, jointly with his

brother, Rev. William L., of _Plutarch's Lives_, but in his day he had

some reputation as a poet, his chief work in poetry being _Studley Park_

and _Fables of Flora_. In his _Country Justice_ (1774-77) he dimly

foreshadows Crabbe, as in his descriptive poems he dimly foreshadows

Wordsworth. He was twice married, and both of his wives _d._ in giving

birth to a first child.

LANGLAND, WILLIAM (OR WILLIAM of LANGLEY) (1330?-1400?).--Poet. Little

can be gleaned as to his personal history, and of that little part is

contradictory. In a note of the 15th century written on one MS. he is

said to have been _b._ in Oxfordshire, the _s._ of a freeman named Stacy

de Rokayle, while Bale, writing in the 16th century, makes his name

Robert (certainly an error), and says he was _b._ at Cleobury Mortimer

in Shropshire. From his great poem, _Piers the Plowman_, it is to be

gathered that he was bred to the Church, and was at one time an inmate of

the monastery at Great Malvern. He _m._, however, and had a _dau._,

which, of course, precluded him from going on to the priesthood. It has

further been inferred from his poem that his f., with the help of

friends, sent him to school, but that on the death of these friends the

process of education came to an end, and he went to London, living in a

little house in Cornhill and, as he says, not only _in_ but _on_ London,

supporting himself by singing _requiems_ for the dead. "The tools I

labour with ... [are] _Paternoster_, and my primer _Placebo_, and

_Dirige_, and my _Psalter_, and my seven Psalms." References to legal

terms suggest that he may have copied for lawyers. In later life he

appears to have lived in Cornwall with his wife and _dau._ Poor himself,

he was ever a sympathiser with the poor and oppressed. His poem appears

to have been the great interest of his life, and almost to the end he was

altering and adding to, without, however, improving it. The full title of

the poem is _The Vision of Piers Plowman_. Three distinct versions of it

exist, the first _c._ 1362, the second _c._ 1377, and the third 1393 or

1398. It has been described as "a vision of Christ seen through the

clouds of humanity." It is divided into nine dreams, and is in the

unrhymed, alliterative, first English manner. In the allegory appear such

personifications as Meed (worldly success), Falsehood, Repentance, Hope,

etc. Piers Plowman, first introduced as the type of the poor and simple,

becomes gradually transformed into the Christ. Further on appear Do-well,

Do-bet, Do-best. In this poem, and its additions, L. was able to express

all that he had to say of the abuses of the time, and their remedy. He

himself stands out as a sad, earnest, and clear-sighted onlooker in a

time of oppression and unrest. It is thought that he may have been the

author of a poem, _Richard the Redeless_: if so he was, at the time of

writing, living in Bristol, and making a last remonstrance to the

misguided King, news of whose death may have reached him while at the

work, as it stops in the middle of a paragraph. He is not much of an

artist, being intent rather on delivering his message than that it should

be in a perfect dress. Prof. Manley, in the _Cambridge History of English

Literature_, advances the theory that _The Vision_ is not the work of

one, but of several writers, W.L. being therefore a dramatic, not a

personal name. It is supported on such grounds as differences in metre,

diction, sentence structure, and the diversity of view on social and

ecclesiastic matters expressed in different parts of the poem.

LANIER, SIDNEY (1842-1881).--Miscellaneous writer, _s._ of a lawyer of

Huguenot descent, was _b._ at Macon, Georgia. He had a varied career,

having been successively soldier, shopman, teacher, lawyer, musician, and

prof. His first literary venture was a novel, _Tiger Lilies_ (1867).

Thereafter he wrote mainly on literature, his works including _The

Science of English Verse_ (1881), _The English Novel_ (1883), and

_Shakespeare and his Forerunners_ (1902); also some poems which have been

greatly admired, including "Corn," "The Marshes of Glynn," and "The Song

of the Chattahoochee"; ed. of Froissart, and the Welsh _Mabinogion_ for

children. He worked under the shadow of serious lung trouble, which

eventually brought about his death.

LARDNER, DIONYSIUS (1793-1859).--Scientific writer, _s._ of a solicitor

in Dublin, and _b._ there, was intended for the law, but having no taste

for it, he entered Trinity Coll., Dublin, and took orders, but devoted

himself to literary and scientific pursuits, and became a contributor to

the _Edinburgh Review_, and various Encyclopædias. In 1827 he was

appointed Prof. of Natural Philosophy and Astronomy in the Univ. of

London (afterwards Univ. Coll.), and in 1829 began his great work, _The

Cabinet Cyclopædia_, which was finished in 133 vols. 20 years later. In

his literary undertakings, which included various other schemes of

somewhat similar character, he was eminently successful, financially and

otherwise. He lived in Paris from 1845 until his death.

LATIMER, HUGH (1485-1555).--Reformer and divine, _s._ of a Leicestershire

yeoman, went to Camb. in 1500, and became Fellow of Clare Hall. Taking

orders, he was at first a defender of the ancient faith, but convinced by

the arguments of Bilney, embraced the reformed doctrines. He was called

to appear before Wolsey, but dismissed on subscribing certain articles.

His opposition to the Pope, and his support of the King's supremacy,

brought him under the notice of Henry, and he was appointed chaplain to

Anne Boleyn, and in 1535 Bishop of Worcester. For preaching in favour of

the reformed doctrines he was twice imprisoned in the Tower, 1539 and

1546, and on the former occasion resigned his bishopric, which he

declined to resume on the accession of Edward VI. On the accession of

Mary he was with Ridley, Bishop of London, thrown into prison (1554), and

on October 16, 1555, burned at Oxf. His words of encouragement to his

fellow-martyr are well known, "Be of good comfort, Master Ridley, and

play the man; we shall this day light such a candle by God's grace in

England as I trust shall never be put out." He holds his place in English

literature by virtue of his sermons--especially that on _The

Ploughers_--which, like himself, are outspoken, homely, and popular, with

frequent touches of kindly humour.

LAUDER, SIR THOMAS DICK (1784-1848).--Novelist and miscellaneous writer,

_s._ of a Scottish baronet, wrote two novels, _Lochandhu_ (1825), and

_The Wolf of Badenoch_ (1827), but is best known for his _Account of the

Great Floods in Morayshire in 1829_. He also wrote _Legendary Tales of

the Highlands_, and contributed to scientific journals and magazines.

LAW, WILLIAM (1686-1761).--Divine, _s._ of a grocer at Kingscliffe,

Northamptonshire, was _ed._ at Camb., and in 1727 became tutor to the

_f._ of Edward Gibbon, the historian. About 1728 he _pub._ his best known

book, _A Serious Call to a Devout and Holy Life_, a work which has had a

profound influence upon the religious life of England, largely owing to

the impression which it produced upon such minds as those of Dr. Johnson,

the Wesleys, and others. In 1737 he became a student of the works of

Jacob Boehmen, the German mystic, and devoted himself largely to the

exposition of his views. The theological position of L. was a

complicated one, combining High Churchism, mysticism, and Puritanism: his

writings are characterised by vigorous thought, keen logic, and a lucid

and brilliant style, relieved by flashes of bright, and often sarcastic,

humour. His work attacking Mandeville's _Fable of the Bees_ (1723) is

perhaps that in which these qualities are best displayed in combination.

He retired in 1740 to Kingscliffe, where he had founded a school for 14

girls.

LAWRENCE, GEORGE ALFRED (1827-1876).--Novelist, was a barrister. He wrote

several novels, of which one--_Guy Livingstone_ (1857)--had great

popularity. On the outbreak of the American Civil War he went to America

with the intention of joining the Confederate Army, but was taken

prisoner and only released on promising to return to England.

LAYAMON (_fl._ 1200).--Metrical historian, the _s._ of Leovenath. All

that is known of him is gathered from his own writings. He was a priest

at Ernley (now Areley Regis), Worcestershire. In his day the works of

Geoffrey of Monmouth and Wace, in French, were the favourite reading of

the educated, and "it came to him in mind" that he would tell the story

of _Brut_ in English verse. He set out in search of books and, founding

his poem on the earlier writers, he added so much from his own knowledge

of Welsh and West of England tradition that while Wace's poem consists of

15,000 lines, his extends to 32,000. Among the legends he gives are those

of _Locrine_, _Arthur_, and _Lear_. The poem is in the old English

unrhymed, alliterative verse, and "marks the revival of the English mind

and spirit."

LAYARD, SIR AUSTIN HENRY (1817-1894).--Explorer of Nineveh, _b._ at

Paris, _s._ of a Ceylon civilian. After spending some years in the office

of a London solicitor, he set out in search of employment in Ceylon, but

passing through Western Asia, became interested in the work of excavating

the remains of ancient cities. Many of his finds--human-headed bulls,

etc.--were sent to the British Museum. Two books--_Nineveh and its

Remains_ (1848-49), and _The Ruins of Nineveh and Babylon_

(1853)--brought him fame, and on his return home he received many

honours, including the freedom of the City of London, the degree of

D.C.L. from Oxf., and the Lord Rectorship of Aberdeen Univ. He entered

Parliament, where he sat as a Liberal. He held the offices of

Under-Foreign Sec. (1861-66), and Chief Commissioner of Works (1868-69),

and was Ambassador to Spain 1869, and Constantinople 1877; and on his

retirement in 1878 he was made G.C.B. He was a very successful excavator,

and described his work brilliantly, but he was no great linguist, and

most of the deciphering of the inscriptions was done by Sir H. Rawlinson.

His last work was _Early Adventures in Persia, etc._, and he left an

autobiography, _pub._ in 1903. He also wrote on Italian art.

LEAR, EDWARD (1812-1888).--Artist and miscellaneous author, _b._ in

London, and settled in Rome as a landscape painter. He was an

indefatigable traveller, and wrote accounts, finely illustrated, of his

journeys in Italy, Greece, and Corsica. His best known works are,

however, his _Book of Nonsense_ (1840) (full of wit and _good_ sense),

_More Nonsense Rhymes_ (1871), and _Laughable Lyrics_ (1876). L. had also

a remarkable faculty for depicting birds.

LECKY, WILLIAM EDWARD HARTPOLE (1838-1903).--Historian, the _s._ of a

landed gentleman of Carlow, was _b._ near Dublin, and _ed._ at Cheltenham

and Trinity Coll., Dublin. Originally intended for the Church, he devoted

himself to a literary career. His first work of importance was _Leaders

of Public Opinion in Ireland_ (1861) (essays on Swift, Flood, Grattan,

and O'Connell). The study of Buckle's _History of Civilisation_ to some

extent determined the direction of his own writings, and resulted in the

production of two important works, _History of the Rise and Influence of

the Spirit of Rationalism in Europe_ (1865), and _History of European

Morals from Augustus to Charlemagne_ (1869), both remarkable for

learning, clearness, and impartiality. Both, however, gave rise to

considerable controversy and criticism. His principal work is _The

History of England in the Eighteenth Century_ (1878-90). Characterised by

the same sterling qualities as his preceding books, it deals with a

subject more generally interesting, and has had a wide acceptance. His

view of the American war, and the controversies which led to it, is more

favourable to the English position than that of some earlier historians.

Other works are _Democracy and Liberty_ (1896), and _The Map of Life_

(1899). Though of warm Irish sympathies, L. was strongly opposed to Home

Rule. He sat in Parliament for his Univ. from 1895 until his death. He

received many academical distinctions, and was a Corresponding Member of

the Institute of France, and one of the original members of the Order of

Merit.

LEE, NATHANIEL (1653?-1692).--Dramatist, _s._ of a clergyman at Hatfield,

was _ed._ at Westminster School and Camb. After leaving the Univ. he went

to London, and joined the stage both as actor and author. He was taken up

by Rochester and others of the same dissolute set, led a loose life, and

drank himself into Bedlam, where he spent four years. After his recovery

he lived mainly upon charity, and met his death from a fall under the

effects of a carouse. His tragedies, which, with much bombast and

frequent untrained flights of imagination, have occasional fire and

tenderness, are generally based on classical subjects. The principal are

_The Rival Queens_, _Theodosius_, and _Mithridates_. He also wrote a few

comedies, and collaborated with Dryden in an adaptation of _Oedipus_, and

in _The Duke of Guise_.

LEE, SOPHIA (1750-1824), LEE, HARRIET (1757-1851).--Novelists and

dramatists, _dau._ of John L., an actor, were the authors of various

dramatic pieces and novels. By far their most memorable work was _The

Canterbury Tales_, 5 vols. (1797-1805) which, with the exception of two,

_The Young Lady's_ and _The Clergyman's_, were all by Harriet. The most

powerful of them, _Kruitzner_, fell into the hands of Byron in his

boyhood, and made so profound an impression upon him that, in 1821, he

dramatised it under the title of _Werner, or the Inheritance_. The

authoress also adapted it for the stage as _The Three Strangers_. The

tales are in general remarkable for the ingenuity of their plots. Harriet

lived to the age of 94, preserving to the last her vigour of mind and

powers of conversation. Godwin made her an offer of marriage to which,

however, his religious opinions presented an insuperable barrier.

Sophia's chief work was _The Chapter of Accidents_, a comedy, which had a

great run, the profits of which enabled the sisters to start a school at

Bath, which proved very successful, and produced for them a competence on

which they were able to retire in their later years.

LE FANU, JOSEPH SHERIDAN (1814-1873).--Novelist, _s._ of a Dean of the

Episcopal Church of Ireland, and grand-nephew of Richard Brinsley

Sheridan, was _ed._ at Trinity Coll., Dublin, and became a contributor

and ultimately proprietor of the _Dublin University Magazine_, in which

many of his novels made their first appearance. Called to the Bar in

1839, he did not practise, and was first brought into notice by two

ballads, _Phaudrig Croohoore_ and _Shamus O'Brien_, which had

extraordinary popularity. His novels, of which he wrote 12, include _The

Cock and Anchor_ (1845), _Torlough O'Brien_ (1847), _The House by the

Churchyard_ (1863), _Uncle Silas_ (perhaps the most popular) (1864), _The

Tenants of Malory_ (1867), _In a Glass Darkly_ (1872), and _Willing to

Die_ (posthumously). They are generally distinguished by able

construction, ingenuity of plot, and power in the presentation of the

mysterious and supernatural. Among Irish novelists he is generally ranked

next to Lever.

LEIGHTON, ROBERT (1611-1684).--Divine, was the _s._ of Alexander L.,

physician, and writer on theology, who, on account of his anti-prelatic

books, was put in the pillory, fined, and had his nose slit and his ears

cut off. Robert was _ed._ at Edin., after which he resided for some time

at Douay. Returning to Scotland he received Presbyterian ordination, and

was admitted minister of Newbattle, near Edin. In 1653 he was appointed

Principal and Prof. of Divinity in the Univ. of Edin., which offices he

held until 1662 when, having separated himself from Presbyterianism, he

was appointed Bishop of Dunblane, under the new Episcopal establishment.

He repeatedly but unsuccessfully endeavoured to bring about an

ecclesiastical union in Scotland on the basis of combining the best

elements in each system. Discouraged by his lack of success in his

well-meant efforts, he offered in 1665 to resign his see, but was

persuaded by Charles II. to remain in it, and in 1669 was promoted to be

Archbishop of Glasgow, from which position, wearied and disappointed, he

finally retired in 1674, and lived with his widowed sister, Mrs.

Lightmaker, at Broadhurst Manor, Sussex. On a visit to London he was

seized with a fatal illness, and _d._ in the arms of his friend, Bishop

Burnet, who says of him, "he had the greatest elevation of soul, the

largest compass of knowledge, the most mortified and heavenly disposition

that I ever saw in mortal." His sermons and commentaries, all _pub._

posthumously, maintain a high place among English religious classics,

alike for thought and style. They consist of his _Commentary on St.

Peter_, _Sermons_, and _Spiritual Exercises, Letters, etc._ His _Lectures

and Addresses_ in Latin were also _pub._

LELAND, CHARLES GODFREY (1824-1903).--American humorist, _b._ at

Philadelphia, was _ed._ at Princeton, and in Europe. In his travels he

made a study of the gipsies, on whom he wrote more than one book. His

fame rests chiefly on his _Hans Breitmann Ballads_ (1871), written in the

_patois_ known as Pennsylvania Dutch. Other books of his are _Meister

Karl's Sketch-book_ (1855), _Legends of Birds_ (1864), _Algonquin

Legends_ (1884), _Legends of Florence_ (1895), and _Flaxius, or Leaves

from the Life of an Immortal_.

LELAND or LEYLAND, JOHN (1506-1552).--Antiquary, _b._ in London, and

_ed._ at St. Paul's School and at Camb., Oxf., and Paris. He was a good

linguist, and one of the first Englishmen to acquire Greek, and he was

likewise acquainted with French, Italian, Spanish, Welsh, and

Anglo-Saxon. He became chaplain and librarian to Henry VIII., from whom

he received the Rectory of Poppeling, near Calais, and in 1533 the

appointment of King's Antiquary. Soon afterwards he was permitted to do

his work in France by deputy, and was commissioned to go over England in

search of documents and antiquities; and on the strength of this made his

famous tour, which lasted for about six years. He was able to do

something to stem the destruction of manuscripts on the dissolution of

the monasteries, and made vast collections of documents and information

regarding the monuments and general features of the country, which,

however, he was unable fully to digest and set in order. They formed,

nevertheless, an almost inexhaustible quarry in which succeeding workers

in the same field, such as Stow, Camden, and Dugdale, wrought. In his

last years he was insane, and hence none of his collections appeared in

his lifetime. His _Itinerary_ was, however, at length _pub._ by T. Hearne

in 9 vols. (1710-12), and his _Collectanea_ in 6 vols. (1715).

LEMON, MARK (1809-1870).--Journalist and humorist, _b._ in London, wrote

many theatrical pieces, and a few novels, of which the best is _Falkner

Lyle_, others being _Leyton Hall_, and _Loved at Last_. He also wrote

stories for children, lectured and gave public readings, and contributed

to various periodicals. He is best known as one of the founders and, from

1843 until his death, the ed. of _Punch_. His _Jest Book_ appeared in

1864.

LENNOX, CHARLOTTE (RAMSAY) (1720-1804).--Was _b._ in New York, of which

her _f._, Colonel Ramsay, was Governor. She wrote a novel, _The Female

Quixote_ (1752), which had considerable vogue in its day. Her other

writings--novels, translations, and a play--are now forgotten. She was

befriended by Dr. Johnson. Mrs. Thrale (_q.v._) said that "everybody

admired Mrs. L., but nobody liked her."

LESLIE, or LESLEY, JOHN (1527-1596).--Historian, studied at Aberdeen and

Paris, at the former of which he became, in 1562, Prof. of Canon Law. He

was a Privy Councillor 1565, and Bishop of Ross 1566, and was the

confidential friend of Queen Mary, who made him her ambassador to Queen

Elizabeth. He was thrown into the Tower for his share in promoting a

marriage between Mary and the Duke of Norfolk, whence being released on

condition of leaving England, he went first to Paris and then to Rome,

where he busied himself on behalf of his mistress. He became

Vicar-General of the diocese of Rouen in 1579, and _d._ at the monastery

of Guirtenburg near Brussels. While in England he wrote in Scots

vernacular his _History of Scotland_ from the death of James I. (where

Boece left off) to his own time. At Rouen he rewrote and expanded it in

Latin (1575), from which it was re-translated into Scots by James

Dalrymple in 1596.

L'ESTRANGE, SIR ROGER (1616-1704).--Journalist and pamphleteer, youngest

_s._ of a Norfolk baronet, was probably at Camb., and in 1638 took arms

for the King. Six years later he was captured, imprisoned in Newgate, and

condemned to death. He, however, escaped, endeavoured to make a rising in

Kent, and had to flee to Holland, where he was employed in the service of

Charles II. On receiving a pardon from Cromwell he returned to England in

1653. In view of the Restoration he was active in writing on behalf of

monarchy, and in 1663 _pub._ _Considerations and Proposals in order to

Regulating of the Press_, for which he was appointed Surveyor of

Printing-Presses and Licenser of the Press, and received a grant of the

sole privilege of printing public news. His first newspaper, _The

Intelligencer_, appeared in the same year, and was followed by _The News_

and the _City Mercury, or Advertisements concerning Trade_. Thereafter

his life was spent in ed. newspapers and writing political pamphlets in

support of the Court and against the Whigs and Dissenters. In 1685 he was

knighted. His controversies repeatedly got him into trouble, and after

the Revolution he lost his appointments, and was more than once

imprisoned. In addition to his political writings he translated _Æsop's

Fables_, Seneca's _Morals_, and Cicero's _Offices_. His _Æsop_ contains

much from other authors, including himself. In his writings he was lively

and vigorous but coarse and abusive.

LEVER, CHARLES JAMES (1806-1872).--Novelist, _b._ at Dublin, and _ed._ at

Trinity Coll. there. He studied medicine at Göttingen, and practised at

various places in Ireland. In 1837 he contributed to the _Dublin

University Magazine_ his first novel, _Harry Lorrequer_, and the

immediate and wide acceptance which it found decided him to devote

himself to literature. He accordingly followed it with _Charles O'Malley_

(1840), his most popular book. After this scarcely a year passed without

an addition to the list of his light-hearted, breezy, rollicking stories,

among which may be mentioned _Jack Hinton_ (1842), _Tom Burke of Ours_,

_Arthur O'Leary_, and _The Dodd Family Abroad_. _The O'Donoghue_ and _The

Knight of Gwynne_ (1847) are more in the nature of historical romances.

In 1864 he contributed to _Blackwood's Magazine_ a series of

miscellaneous papers, _Cornelius O'Dowd on Men, Women, and Things in

General_. L.'s life was largely spent abroad. After practising his

profession in Brussels 1840-42 he returned to Dublin to ed. the _Dublin

University Magazine_, which he did until 1845, after which he went to

Italy, settled at Florence, and thereafter was British Consul

successively at Spezzia and Trieste, at the latter of which he _d._ He

continued to produce novels up to the end of his life. Among the later

ones are _Sir Brooke Fosbrooke_, _The Bramleighs of Bishop's Folly_, and

_Lord Kilgobbin_ (1872).

LEWES, GEORGE HENRY (1817-1878).--Philosopher and miscellaneous writer,

_b._ in London, and _ed._ at Greenwich, and in Jersey and Brittany. His

early life was varied; he tried law, commerce, and medicine successively,

and was then for two years in Germany, on returning from which he tried

the London stage, and eventually settled down to journalism, writing for

the _Morning Chronicle_, for the _Penny Encyclopædia_, and various

periodicals. Thereafter he ed. the _Leader_ (1851-54), and the

_Fortnightly Review_ (which he founded) (1865-66). His articles deal with

an extraordinary variety of subjects--criticism, the drama, biography,

and science, both physical and mental. His chief works are _The History

of Philosophy from Thales to Comte_, _Comte's Philosophy of the Sciences_

(1853), _The Psychology of Common Life_ (1859), _Studies in Animal Life_

(1862), _Problems of Life and Mind_ (1873-79). L. was an exceptionally

able dramatic critic, and in this department he produced _Actors and the

Art of Acting_ (1875), and a book on the Spanish Drama. By far his

greatest work, however, is his _Life and Works of Goethe_ (1855), which

remains the standard English work on the subject, and which by the end of

the century had, in its German translation, passed into 16 ed. He also

wrote two novels, _Ranthorpe_ (1847), and _Rose, Blanche, and Violet_

(1848), neither of which attained any success. In his writings he is

frequently brilliant and original; but his education and training,

whether in philosophy or biology, were not sufficiently thorough to give

him a place as a master in either. L.'s life was in its latter section

influenced by his irregular connection with Miss Evans ("George Eliot"),

with whom he lived for the last 24 years of it, in close intellectual

sympathy. To his appreciation and encouragement were largely due her

taking up prose fiction.

LEWIS, SIR GEORGE CORNEWALL (1806-1863).--Scholar and statesman, _s._ of

Sir Thomas F.L., a Radnorshire baronet, was _ed._ at Eton and Oxf. He

studied law, was called to the Bar in 1831, and entered Parliament in

1847, where his intellect and character soon gained him great influence.

After serving on various important commissions and holding minor offices,

he became Chancellor of the Exchequer 1855-58, Home Sec. 1859-61, and War

Sec. 1861-63. His official labours did not prevent his entering into

profound and laborious studies, chiefly in regard to Roman history, and

the state of knowledge among the ancients. In his _Inquiry into the

Credibility of Ancient Roman History_ (1855), he combated the methods and

results of Niebuhr. Other works are _On the Use and Abuse of Political

Terms_, _Authority in Matters of Opinion_, _The Astronomy of the

Ancients_, and a _Dialogue on the best Form of Government_. The somewhat

sceptical turn of his mind led him to sift evidence minutely, and the

labour involved in his wide range of severe study and his public duties

no doubt shortened his valuable life.

LEWIS, MATTHEW GREGORY (1775-1818).--Novelist, _s._ of Matthew L., Deputy

Sec. in the War Office, was _ed._ at Westminster and Oxf. Thereafter he

went to Germany. From his childhood tales of witchcraft and the

supernatural had a powerful fascination for him, and in Germany he had

ample opportunities for pursuing his favourite study, with the result

that at the age of 20 he became the author of _The Monk_, a tale in which

the supernatural and the horrible predominate to an unprecedented

extent, and from which he is known as "Monk L." The same characteristic

appears in all his works, among which may be mentioned _Tales of Terror_

(1779), _Tales of Wonder_ (to which Sir W. Scott contributed), and

_Romantic Tales_ (1808). Though affected and extravagant in his manners,

L. was not wanting in kindly and generous feelings, and in fact an

illness contracted on a voyage to the West Indies to inquire into and

remedy some grievances of the slaves on his estates there was the cause

of his death.

LEYDEN, JOHN (1775-1811).--Poet and Orientalist, _b._ at Denholm,

Roxburghshire, gave early evidence of superior ability, and his _f._, who

was a shepherd, destined him for the Church. He accordingly entered the

Univ. of Edin., where he had a brilliant career, showing a special

aptitude for languages and natural history. In 1800 he became a

licentiate of the Church, but continued his scientific and linguistic

studies, and also began to write. In 1799 he had _pub._ a sketch of the

_Discoveries and Settlements of the Europeans in Northern and Western

Africa_, and he contributed to Scott's _Minstrelsy of the Scottish

Border_, and to "Monk" Lewis's _Tales of Wonder_. His enthusiasm for

Oriental learning led to application being made on his behalf to

Government for some situation which would make his acquirements available

for the public service, but the only opening which could be obtained was

that of a ship's surgeon. By extraordinary exertions L. qualified himself

for this in a few months, and set sail for the East, after finishing his

poem, _Scenes of Infancy_. Soon after his arrival at Madras his health

gave way, and after some time passed in Prince of Wales Island he visited

the Malay Peninsula, and some of the East Indian Islands, collecting vast

stores of linguistic and ethnographical information, on which was founded

his great _Dissertation on the Indo-Persian, Indo-Chinese, and Dekkan

Languages_ (1807). Soon after this L. was appointed a prof. in the Bengal

Coll., and a little later a judge in Calcutta. In 1811 he accompanied the

Governor-General, Lord Minto, to Java. His health, however, had been

undermined by his almost super-human exertions, and immediately after

landing he contracted a fever, of which he _d._ in three days at the

early age of 36. Two Oriental works translated by him, _Sejârah Malâyu_

(Malay Annals) and _Commentaries of Baber_ were _pub._ respectively in

1821 and 1826.

LIDDELL, HENRY GEORGE (1811-1898).--Historian, etc. _Ed._ at Charterhouse

and Christ Church, Oxf., of which in 1855 he became Dean. He wrote a

_History of Ancient Rome_ (1855), and, along with R. Scott, _pub._ a

_Greek-English Lexicon_ (1843).

LIDDON, HENRY PARRY (1829-1890).--Divine, _s._ of a captain in the navy,

was _b._ at North Stoneham, Hants, and _ed._ at King's Coll. School,

London, and Oxf. He took orders 1853, was Vice-Principal of Cuddesdon

Theological Coll. 1854-59, Prebendary of Salisbury 1864, and Canon of St.

Paul's 1870. He was also Ireland Prof. of Exegesis at Oxf. 1870-82. In

1866 he delivered his Bampton Lectures on _The Divinity of Our Lord_, and

came to be recognised as one of the ablest and most eloquent

representatives of the High Church party. His sermons in St. Paul's were

among the leading features of the religious life of London. L. was an

ardent protagonist in the various controversies of his time bearing upon

ecclesiastical and moral questions.

LIGHTFOOT, JOSEPH BARBER (1828-1889).--Theologian and scholar, _b._ at

Liverpool, and _ed._ at King Edward's School, Birmingham, and Camb.,

entered the Church, and was successively Hulsean Prof. of Divinity 1861,

Chaplain to Queen Victoria 1862, member of the New Testament Company of

Revisers 1870-80, Margaret Prof. of Divinity, Camb., 1875, and Bishop of

Durham 1879. He was probably the greatest scholar of his day in England,

especially as a grammarian and textual critic. Among his works are

_Commentaries_ on several of the minor Pauline epistles, a fragmentary

work on the Apostolic Fathers, _Leaders in the Northern Church_ (1890),

and _The Apostolic Age_ (1892).

LILLO, GEORGE (1693-1739).--Dramatist, of Dutch descent, was _b._ in

London, succeeded his _f._ in business as a jeweller, in which he had

good speed, and devoted his leisure to the composition of plays in the

line of what was known as the "domestic drama." He wrote in all seven of

these, among which are _The London Merchant, or the History of George

Barnewell_, acted 1731, _The Christian Hero_ (1735), and _Fatal

Curiosity_ (1736). He was a friend of Fielding, who said of him that "he

had the spirit of an old Roman joined to the innocence of a primitive

Christian."

LINDSAY, or LYNDSAY, SIR DAVID (1490-1555).--Scottish poet and satirist,

_s._ of David L. of Garmylton, near Haddington, was _b._ either there or

at The Mount in Fife, and _ed._ at St. Andrews. Early in life he was at

the Court of James IV., and on the King's death was appointed to attend

on the infant James V., whose friend and counsellor he remained, though

his advice was, unhappily for his country, not always given heed to. In

1529 he was knighted and made Lyon King at Arms. He was employed on

various missions to the Emperor Charles V., and to Denmark, France, and

England. He was always in sympathy with the people as against the nobles

and the clergy, and was their poet, with his words in their mouths. He

favoured the Reformers, and was one of those who urged Knox to become a

preacher. He did not, however, adhere to the reformed congregation, and

_d._ at least nominally in the Roman Church. Yet he lashed the vices of

the clergy as they had never been lashed before, and only escaped their

vengeance by the protection of the King, who also condoned the severities

directed against himself. His latter days were spent at The Mount, where

he _d._ His chief writings are _The Dreme_, written 1528, _The Complaynt

to the King_ (1529), _The Testament and Complaynt of our Soverane Lord's

Papyngo_ (Parrot) (1530), _Ane Pleasant Satyre of the Three Estaitis_, _A

Dialogue betwixt Experience and a Courtier_ (1552), _The Monarchy_

(1554), and _The History of Squyer Meldrum_. L. was a true poet, gifted

with fancy, humour, and a powerful satiric touch and a love of truth and

justice. He had a strong influence in turning the minds of the common

people in favour of the Reformation.

_Works_ ed. by Chalmers (3 vols., 1806), and D. Laing (3 vols., 1879).

LINDSAY, or LINDESAY, ROBERT (1500?-1565?).--Historian, Laird or tenant

of Pitscottie, Fife, wrote a history entitled _The Chronicles of

Scotland_, intended as a continuation of that of Boece. It deals with the

period 1436-1515, and though often inaccurate in detail, is often vivid

and quaint.

LINGARD, JOHN (1771-1851).--Historian, _b._ at Winchester of humble Roman

Catholic parentage, was in 1782 sent to the English Coll. at Douay,

whence he escaped from the revolutionaries in 1793, and returning to

England, went to Crookhall Coll., near Durham, and afterwards to Ushaw.

Ordained a priest in 1795, he became Vice-Pres. and Prof. of Philosophy

at the latter coll. In 1806 he _pub._ _The Antiquities of the Anglo-Saxon

Church_, and while a missioner at Hornby, Lancashire, began his _History

of England to the Accession of William and Mary_ (8 vols., 1819-30). In

the preparation of this work L. had access to material hitherto _unpub._,

and not available for Protestant historians, such as documents in the

Vatican and other Roman Catholic sources, and was consequently able to

throw new light on various parts of his subject. The work was attacked by

various writers from the Protestant standpoint. L. replied to his critics

with the result that it is now generally admitted that the history, while

in parts coloured by the theological and political point of view of the

author, is generally an impartial and valuable work, and it remains a

leading authority on the Reformation period viewed from the side of the

enlightened Roman Catholic priesthood. This opinion is supported by the

fact that the Ultramontane party among the Roman Catholics regarded the

book as a dangerous one in respect of the interests of their Church.

LINTON, MRS. ELIZA LYNN (1822-1898).--Novelist and miscellaneous writer,

_dau._ of a clergyman, settled in London in 1845, and next year produced

her first novel, _Azeth, the Egyptian; Amymone_ (1848), and _Realities_

(1851), followed. None of these had any great success, and she then

joined the staff of the _Morning Chronicle_, and _All the Year Round_. In

1858 she _m._ W.J. Linton, an eminent wood-engraver, who was also a poet

of some note, a writer upon his craft, and a Republican. In 1867 they

separated in a friendly way, the husband going to America, and the wife

devoting herself to novel-writing, in which she attained wide popularity.

Her most successful works were _The True History of Joshua Davidson_

(1872), _Patricia Kemball_ (1874), and _Christopher Kirkland_. She was a

severe critic of the "new woman."

LISTER, THOMAS HENRY (1800-1842).--Novelist, _ed._ at Westminster and

Camb., was latterly the first Registrar-General for England and Wales. He

wrote several novels, among which are _Granby_ (1826), _Herbert Lacy_

(1828), _Arlington_ (1832). He was also the author of a Life of

Clarendon.

LITHGOW, WILLIAM (1582-1645).--Traveller, _b._ at Lanark, claimed at the

end of his various peregrinations to have tramped 36,000 miles on foot.

Previous to 1610 he had visited Shetland, Switzerland, and Bohemia. In

that year he set out for Palestine and Egypt. His next journey, 1614-16,

was in Tunis and Fez; but his last, 1619-21, to Spain, ended

unfortunately in his apprehension at Malaga and torture as a spy. He

gave an account of his travels in _Rare Adventures and Paineful

Peregrinations_, and wrote _The Siege of Breda_, _The Siege of

Newcastle_, and _Poems_.

LIVINGSTONE, DAVID (1813-1873).--Missionary explorer, _b._ at Blantyre,

Lanarkshire, spent the years between 10 and 24 as an operative in a

cotton mill there. Becoming interested in foreign missions he qualified

himself, and entering the service of the London Missionary Society, set

out in 1846 to South Africa. He subsequently made journeys into the

interior, which ultimately developed into his great pioneering and

exploration expeditions, in which he discovered Lake Ngami 1849, and the

river Zambesi 1851. In 1856 he visited England, _pub._ his _Missionary

Travels_ (1857), and retired from the service of the London Missionary

Society. He was Consul at Quilimane 1858-64, and in 1858 commanded an

expedition for exploring Eastern and Central Africa, in the course of

which he discovered Lakes Shirwa and Nyassa 1859. Again visiting England

he _pub._ his second book, _The Zambesi and its Tributaries_ (1865).

Returning to Africa he organised an expedition to the Nile basin,

discovered Lake Bangweolo, explored the cannibal country, enduring

terrible sufferings and dangers, from which he was rescued just in time

by H.M. Stanley. His last journey was to discover the sources of the

Nile, but it proved fatal, as he _d._ at a village in Ilala. His remains

were brought home and buried in Westminster Abbey. L. was a man of

indomitable courage, and of a simple nobility of character. His writings

are plain, unadorned statements of his work and experiences. He ranks

among the greatest explorers and philanthropists. The diary which he kept

was _pub._ as _Last Journals of David Livingstone in Central Africa_

(1874). His view of his duty in the circumstances in which he found

himself was to be a pioneer opening up new ground, and leaving native

agents to work it up.

LLOYD, ROBERT (1733-1764).--Poet, _ed._ at Westminster and Camb., _pub._

_The Actor_ (1760), a poem which had considerable popularity, some

miscellaneous verses, and a comic opera, _The Conscious Lovers_ (1764).

He was a friend of Churchill, who showed him much kindness in his

frequent misfortunes; and on hearing of C.'s death he took to bed, and

soon _d._, apparently of a broken heart.

LOCKE, DAVID Ross (PETROLEUM V. NASBY) (1833-1888).--Humorist, _b._ in

New York State. His political satires really influenced opinion during

the war. He was a printer and then a journalist, and his writings include

_Swingin' round the Cirkle_, _Struggles of P.V. Nasby_, _Nasby in Exile_,

and two novels, _A Paper City_ and _The Demagogue_.

LOCKE, JOHN (1632-1704).--Philosopher, _s._ of a landsteward, was _b._ at

Wrington, near Bristol, and _ed._ at Westminster School and Oxf. In 1660

he became lecturer on Greek, in 1662 on Rhetoric, and in 1664 he went as

sec. to an Embassy to Brandenburg. While a student he had turned from the

subtleties of Aristotle and the schoolmen, had studied Descartes and

Bacon, and becoming attracted to experimental science, studied medicine,

and practised a little in Oxf. At the same time his mind had been much

exercised by questions of morals and government, and in 1667 he wrote

his _Essay on Toleration_. In the same year he became known to Lord

Ashley (afterwards 1st Earl of Shaftesbury), in whose house he went to

reside. Here he made the acquaintance of Buckingham, Halifax, and other

leading men of the time, and was entrusted by Ashley with the education

of his _s._, and afterwards of his grandson, the famous 3rd Earl of

Shaftesbury (_q.v._). He was also employed by him to draw up a

constitution for the new colony of Carolina, the provisions of which in

regard to religion were regarded as too liberal and were, at the instance

of the Established Church, departed from. In 1672 when Ashley became

Chancellor he bestowed upon L. the office of Sec. of Presentations, and

afterwards a post at the Board of Trade. In 1675 L. graduated M.B., and

in the same year went for the benefit of his health, which had always

been delicate, to Montpelier, where there was then a celebrated medical

school, and subsequently to Paris, where he became acquainted with most

of the eminent Frenchmen of the day. Recalled by Shaftesbury in 1679 he

returned to England but, his patron having in 1682 been obliged to take

refuge in Holland from a prosecution for high treason, he followed him

there. In consequence of this he became obnoxious to the Government, and

was in 1684 deprived of his studentship at Christ Church. Shaftesbury

having _d._ in Holland, L. remained there until the Revolution, when he

returned to England in the fleet which carried the Princess of Orange. He

was now in favour with Government, and had the offer of diplomatic

employment which, on account of his health, he declined, but was

appointed a Commissioner of Appeals. In 1698 he was an adviser of the

Government on the question of the coinage, and was made a member of the

newly instituted Council on Trade, which position he resigned in 1700.

During his last years he lived with Sir Francis and Lady Masham at Gates

in Essex, where Lady M., who was a _dau._ of Ralph Cudworth (_q.v._), and

an old friend, assiduously tended his last years. The services of L. to

his country in civil and religious matters were various and great; but it

is upon his philosophical writings, and chiefly on his _Essay on the

Human Understanding_ (1690) that his fame rests. It is divided into four

books, of which the first treats of innate ideas (the existence of which

he denies), the second traces the origin of ideas, the third deals with

language, and the fourth lays down the limits of the understanding. Other

works of his are _Thoughts concerning Education_ (1693), _On the Conduct

of the Understanding_ (_pub._ posthumously), _The Reasonableness of

Christianity_ (1695), _Treatise on Government_, and _Letters on

Toleration_. If not a very profound or original philosopher L. was a

calm, sensible, and reasonable writer, and his books were very

influential on the English thought of his day, as well as on the French

philosophy of the next century. His style is plain and clear, but lacking

in brightness and variety.

_Lives_ by Lord King (1829), and Bourne (1876). _Works_ ed. by Prof. A.C.

Fraser (1894). _See_ also T.H. Green's Introduction to Hume (1874).

LOCKER-LAMPSON, FREDERICK (1821-1895).--Poet, _s._ of the sec. of

Greenwich Hospital, held appointments in Somerset House and the

Admiralty. He wrote a number of clever _vers de societé_, which were

_coll._ as _London Lyrics_ (1857). He also compiled _Lyra Elegantiarum_,

an anthology of similar verse by former authors, and _Patchwork_, a book

of extracts, and wrote an autobiography, _My Confidences_ (1896).

LOCKHART, JOHN GIBSON (1794-1854).--Novelist and biographer, _s._ of a

minister of the Church of Scotland of good family, was _b._ at

Cambusnethan, Lanarkshire, and _ed._ at Glasgow and Oxf. He studied law

at Edin., and was called to the Scottish Bar in 1816, but had little

taste for the profession. Having, however, already tried literature (he

had translated Schlegel's _Lectures on the History of Literature_), he

devoted himself more and more to a literary life. He joined John Wilson,

and became one of the leading contributors to _Blackwood's Magazine_.

After bringing out _Peter's Letters to his Kinsfolk_ (1819), sketches

mainly of Edinburgh society, he produced four novels, _Valerius_ (1821),

_Adam Blair_ (1822), _Reginald Dalton_ (1824), and _Matthew Wald_ (1824).

His _Life of Burns_ appeared in 1828. He was ed. of the _Quarterly

Review_ 1824-53. In 1820 he had _m._ Sophia, _dau._ of Sir Walter Scott,

which led to a close friendship with the latter, and to his writing his

famous _Life of Scott_, undoubtedly one of the greatest biographies in

the language. His later years were overshadowed with deep depression

caused by the death of his wife and children. A singularly reserved and

cold manner led to his being regarded with dislike by many, but his

intimate friends were warmly attached to him.

LODGE, THOMAS (1558?-1625).--Poet and dramatist, _s._ of Sir Thomas L.,

Lord Mayor of London, was _ed._ at Merchant Taylor's School and Oxf. He

was a student of Lincoln's Inn, but abandoned law for literature,

ultimately studied medicine, and took M.D. at Oxf. 1603; having become a

Roman Catholic, he had a large practice, chiefly among his

co-religionists. In 1580 he _pub._ _A Defence of Plays_ in reply to

Gosson's _School of Abuse_; and he wrote poems, dramas, and romances. His

principal dramatic works are _The Wounds of Civil War_, and (in

conjunction with Greene, _q.v._) _A Looking-glass for London and England_.

Among his romances may be mentioned _Euphues' Shadow_, _Forbonius

and Prisceria_ (1584), and _Rosalynde, Euphues' Golden Legacie_ (1590).

His poems include _Glaucus and Scilia_ (1589), _Phillis honoured with

Pastoral Sonnets, Elegies, and Amorous Delights_ (1593). _Rosalynde_, his

best known work, and the source from which Shakespeare is said to have

drawn _As you like It_, was written to beguile the tedium of a voyage to

the Canaries. _Robin the Divell_ and _William Longbeard_ are historical

romances. L. was also a voluminous translator. He was one of the founders

of the regular English drama, but his own plays are heavy and tedious.

His romances, popular in their day, are sentimental and over-refined in

language, but are enlivened by lyrical pieces in which he is far more

successful than in his dramatic work.

LOGAN, JOHN (1748-1788).--Poet, _s._ of a small farmer at Soutra,

Midlothian, was destined for the ministry of a small Dissenting sect to

which his _f._ belonged, but attached himself to the Church of Scotland,

and became minister of South Leith in 1773. He read lectures on the

philosophy of history in Edin., and was the author of a vol. of poems.

He also ed. those of his friend, Michael Bruce (_q.v._), in such a way,

however, as to lead to a controversy, still unsettled, as to the

authorship of certain of the pieces inserted. L., in fact, suppressed

some of Bruce's poems and introduced others of his own. Unfortunately for

the reputation of both poets the disputed authorship extends to the gem

of the collection, the exquisite _Ode to the Cuckoo_, beginning "Hail,

beauteous stranger of the grove," which Burke considered the most

beautiful lyric in the language. L. fell into dissipated habits, resigned

his ministerial charge, and went to London, where he took an active part

in the controversy regarding the impeachment of Warren Hastings.

LONG, GEORGE (1800-1879).--Classical scholar, _ed._ at Camb. He was Prof.

of Ancient Languages in the Univ. of Virginia, Charlottesville, 1824-28,

of Greek at University Coll., London, 1828-31, and of Latin there,

1842-46. He did much for the diffusion of education, was one of the

founders and sec. of the Royal Geographical Society, and ed. of the

_Penny Cyclopædia_. He translated Marcus Aurelius (1862), and _The

Discourses of Epictetus_ (1877), and wrote _Two Discourses on Roman Law_

(1847), a subject on which he was the greatest English authority.

LONGFELLOW, HENRY WADSWORTH (1807-1882).--Poet, was _b._ at Portland,

Maine, the _s._ of Stephen L., a lawyer. From childhood he cared little

for games, but was always devoted to reading. In 1822 he was sent to

Bowdoin Coll., of which his _f._ was a Trustee, and after graduating was

appointed to a new Chair of Modern Languages, which the coll. had decided

to establish, and with the view of more completely qualifying him for his

duties, he was sent to Europe for a three years' course of study. He

accordingly went to France, Spain, and Italy. Returning in 1829 he

commenced his professional duties, writing also in the _North American

Review_. In 1831 he entered into his first marriage, and in 1833 he

_pub._ his first books, a translation from the Spanish, followed by the

first part of _Outre Mer_, an account of his travels. At the end of the

year L. was invited to become Prof. of Modern Languages at Harvard, an

offer which he gladly accepted. He paid a second visit to Europe

accompanied by his wife, who, however, _d._ at Amsterdam. He returned to

his duties in 1836, and in 1838 appeared _Voices of the Night_,

containing the "Psalm of Life" and "Excelsior," which had extraordinary

popularity, and gave him a place in the affections of his countrymen

which he held until his death. The same year saw the publication of

_Hyperion_. His next work was _Ballads and other Poems_, containing "The

Wreck of the Hesperus" and "The Village Blacksmith." In 1843 he _m._ his

second wife, and in the same year appeared _The Spanish Student_, a

drama. The _Belfry of Bruges_ and _Evangeline_ (1847), generally

considered his masterpiece, followed. In 1849 he _pub._ _Kavanagh_, a

novel which added nothing to his reputation, and in 1851 _Seaside and

Fireside_, and _The Golden Legend_. Having now a sufficient and secure

income from his writings, he resigned his professorship, and devoted

himself entirely to literature. _Hiawatha_ appeared in 1855, and _The

Courtship of Miles Standish_ in 1858. In 1861 he lost his wife under

tragic circumstances, a blow which told heavily upon him. His latest

works were a translation of Dante's _Divina Commedia_, _Tales of a

Wayside Inn_, _The New England Tragedies_, and _The Divine Tragedy_, the

last two of which he combined with _The Golden Legend_ into a trilogy,

which he named _Christus_. In 1868 he paid a last visit to England, where

he was received with the highest honour. Later works were _Three Books of

Song_, _Aftermath_, and _Ultima Thule_. He _d._ on March 14, 1882. L.

lacked the intensity of feeling and power of imagination to make him a

great poet; but few poets have appealed to a wider circle of readers. If

he never soars to the heights or sounds the deeps of feeling he touches

the heart by appealing to universal and deep-seated affections. He was a

man of noble and chivalrous character.

_Lives_ by S. Longfellow in Riverside ed. of works (11 vols. 1886-90),

Robertson (Great Writers Series), and Higginson (American Men of

Letters).

LOVELACE, RICHARD (1618-1658).--Poet, _b._ at Woolwich, _s._ of Sir

William L., was _ed._ at Oxf., where he is described by Anthony Wood as

"the most amiable and beautiful person that eye ever beheld." He was an

enthusiastic Royalist, and spent his whole fortune in support of that

cause. For presenting "the Kentish petition" in favour of the King, he

was imprisoned in 1642, when he wrote his famous song, _When Love with

unconfinéd wings_. After his release he served in the French army, and

was wounded at Dunkirk. Returning, he was again imprisoned, 1648, and

produced his _Lucasta: Epodes, Odes_, etc. He lives in literature by a

few of his lyrics which, though often careless, are graceful and tender.

He _d._ in poverty.

LOVER, SAMUEL (1797-1868).--Song-writer and novelist, was a painter of

portraits, chiefly miniatures. He produced a number of Irish songs, of

which several--including _The Angel's Whisper_, _Molly Bawn_, and _The

Four-leaved Shamrock_--attained great popularity. He also wrote some

novels, of which _Rory O'More_ (in its first form a ballad), and _Handy

Andy_ are the best known, and short Irish sketches, which, with his

songs, he combined into a popular entertainment called _Irish Nights_. He

joined with Dickens in founding _Bentley's Magazine_.

LOWELL, JAMES RUSSELL (1819-1891).--Poet and essayist, _b._ at Camb.,

Massachusetts, _s._ of a Unitarian minister, was _ed._ at Harvard. He

began active life as a lawyer, but soon abandoned business, and devoted

himself mainly to literature. In 1841 he _pub._ a vol. of poems, _A

Year's Life_, and in 1843 a second book of verses appeared. He also wrote

at this time political articles in the _Atlantic_ and _North American

Review_. In 1848 he _pub._ a third vol. of _Poems_, _A Fable for

Critics_, _The Biglow Papers_, and _The Vision of Sir Launfal_; and he

was in 1855 appointed Professor of Modern Languages at Harvard in

succession to Longfellow. _Among my Books_ appeared in 2 series, in 1870

and 1876. His later poems included various _Odes_ in celebration of

national events, some of which were _coll._ in _Under the Willows_, _The

Cathedral_, and _Heartsease and Rue_. In 1877 he was appointed United

States minister to Spain, and he held a similar appointment in England

1880-85. He _d._ at Elmwood, the house in which he was _b._ L. was a man

of singularly varied gifts, wit, humour, scholarship, and considerable

poetic power, and he is the greatest critic America has yet produced. He

was a strong advocate of the abolition of slavery.

LOWTH, ROBERT (1710-1787).--Theologian and scholar, _s._ of William L.,

Prebendary of Winchester, and author of a _Commentary on the Prophets_,

was _b._ at Winchester, and _ed._ there and at Oxf. Entering the Church

he became Bishop successively of St. David's, Oxf., and London. In 1753

he _pub._ _De Sacra Poesi Hebræorum_. He also wrote a _Life of William of

Wykeham_, the founder of Winchester Coll., and made a new translation of

Isaiah.

LYDGATE, JOHN (1370?-1451?).--Poet, _b._ in Suffolk, was ordained a

priest in 1397. After studying at Oxf., Paris, and Padua, he taught

literature in his monastery at Bury St. Edmunds. He appears to have been

a bright, clear-minded, earnest man, with a love of the beautiful, and a

faculty of pleasant, flowing verse. He wrote copiously and with tiresome

prolixity whatever was required of him, moral tales, legends of the

saints, and histories, and his total output is enormous, reaching 130,000

lines. His chief works are _Troy Book_ (1412-20), written at the request

of Henry V. when Prince of Wales, _The Falls of Princes_ (1430-38), and

_The Story of Thebes_ (_c._ 1420). These books were first _printed_ in

1513, 1494, and _c._ 1500 respectively. L. also wrote many miscellaneous

poems. He was for a time Court poet, and was patronised by Humphrey, Duke

of Gloucester; but the greater part of his life was spent in the

monastery at Bury St. Edmunds. He was an avowed admirer of Chaucer,

though he largely follows the French romancists previous to him.

LYELL, SIR CHARLES (1797-1875).--Geologist and writer, _s._ of Charles

L., of Kinnordy, Forfarshire (a distinguished botanist and student of

Dante), was brought up near the New Forest. After going to school at

various places in England, he was sent to Oxf., where under Buckland he

imbibed a taste for science. He studied law, and was called to the Bar,

but soon devoted himself to geology, and made various scientific tours on

the Continent, the results of his investigations being _pub._ chiefly in

the Transactions of the Geological Society, of which he was afterwards

repeatedly Pres. His two chief works are _The Principles of Geology_

(1830-33), and _The Elements of Geology_ (1838). In these books he

combated the necessity of stupendous convulsions, and maintained that the

greatest geologic changes might be produced by remote causes still in

operation. He also _pub._, among other works, _Geological Evidence of the

Antiquity of Man_ (1863). He was Prof. of Geology in King's Coll.,

London, 1831-33, Pres. of the British Association 1864, knighted in 1848,

and _cr._ a Baronet in 1864. He was buried in Westminster Abbey. In his

later years he was generally recognised as the greatest of living

geologists.

LYLY, JOHN (1554?-1606).--Dramatist and miscellaneous writer, was _b._ in

the Weald of Kent, and _ed._ at both Oxf. and Camb. He wrote several

dramas, most of which are on classical and mythological subjects,

including _Campaspe_ and _Sapho and Phao_ (1584), _Endymion_ (1591), and

_Midas_ (1592). His chief fame, however, rests on his two didactic

romances, _Euphues, the Anatomy of Wit_ (1579), and _Euphues and his

England_ (1580). These works, which were largely inspired by Ascham's

_Toxophilus_, and had the same objects in view, viz., the reform of

education and manners, exercised a powerful, though temporary, influence

on the language, both written and spoken, commemorated in our words

"euphuism" and "euphuistic." The characteristics of the style have been

set forth as "pedantic and far-fetched allusion, elaborate indirectness,

a cloying smoothness and drowsy monotony of diction, alliteration,

punning, and such-like puerilities, which do not, however, exclude a good

deal of wit, fancy, and prettiness." Many contemporary authors, including

Shakespeare, made game of it, while others, _e.g._ Greene, admired and

practised it. L. also wrote light dramatic pieces for the children of the

Chapel Royal, and contributed a pamphlet, _Pappe with an Hatchet_ (1589)

to the Mar-prelate controversy in which he supported the Bishops. He sat

in Parliament for some years.

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