SKETCH FROM THE NOTE-BOOK OF AN OLD GENTLEMAN

Never shall I forget the dignity and sense of importance which

swelled my mind when I was first pronounced old enough to go to

meeting. That eventful Sunday I was up long before day, and even

took my Sabbath suit to the window to ascertain by the first light

that it actually was there, just as it looked the night before. With

what complacency did I view myself completely dressed! How did I

count over the rows of yellow gilt buttons on my coat! how my good

mother, grandmother, and aunts fussed, and twitched, and pulled, to

make everything set up and set down, just in the proper place! how

my clean, starched white collar was turned over and smoothed again

and again, and my golden curls twisted and arranged to make the most

of me! and, last of all, how I was cautioned not to be thinking of

my clothes. In truth, I was in those days a very handsome youngster,

and it really is no more than justice to let the fact be known,

as there is nothing in my present appearance from which it could

ever be inferred. Everybody in the house successively asked me if

I should be a good boy, and sit still, and not talk, nor laugh;

and my mother informed me, _in terrorem_, that there was a tithing

man, who carried off naughty children, and shut them up in a dark

place behind the pulpit; and that this tithing man, Mr. Zephaniah

Scranton, sat just where he could see me. This fact impressed

my mind with more solemnity than all the exhortations which had

preceded it--a proof of the efficacy of facts above reason. Under

shadow and power of this weighty truth, I demurely took hold of my

mother's forefinger to walk to meeting.

The traveler in New England, as he stands on some eminence, and

looks down on its rich landscape of golden grain and waving

cornfield, sees no feature more beautiful than its simple churches,

whose white taper fingers point upward, amid the greenness and bloom

of the distant prospects, as if to remind one of the overshadowing

providence whence all this luxuriant beauty flows; and year by

year, as new ones are added to the number, or succeed in the place

of old ones, there is discernible an evident improvement in their

taste and architecture. Those modest Doric little buildings, with

their white pillars, green blinds, and neat inclosures, are very

different affairs from those great, uncouth mountains of windows

and doors that stood in the same place years before. To my childish

eye, however, our old meeting-house was an awe-inspiring thing.

To me it seemed fashioned very nearly on the model of Noah's ark

and Solomon's temple, as set forth in the pictures in my Scripture

Catechism--pictures which I did not doubt were authentic copies; and

what more respectable and venerable architectural precedent could

any one desire? Its double rows of windows, of which I knew the

number by heart, its doors with great wooden quirls over them, its

belfry projecting out at the east end, its steeple and bell, all

inspired as much sense of the sublime in me as Strasbourg Cathedral

itself; and the inside was not a whit less imposing.

How magnificent, to my eye, seemed the turnip-like canopy that

hung over the minister's head, hooked by a long iron rod to the

wall above! and how apprehensively did I consider the question,

what would become of him if it should fall! How did I wonder

at the panels on either side of the pulpit, in each of which

was carved and painted a flaming red tulip, bolt upright, with

its leaves projecting out at right angles! and then at the

grapevine, bas-relieved on the front, with its exactly triangular

bunches of grapes, alternating at exact intervals with exactly

triangular leaves. To me it was an indisputable representation of

how grapevines ought to look, if they would only be straight and

regular, instead of curling and scrambling, and twisting themselves

into all sorts of slovenly shapes. The area of the house was divided

into large square pews, boxed up with stout boards, and surmounted

with a kind of baluster work, which I supposed to be provided for

the special accommodation of us youngsters, being the "loopholes

of retreat" through which we gazed on the "remarkabilia" of the

scene. It was especially interesting to me to notice the coming in

to meeting of the congregation. The doors were so contrived that on

entering you stepped down instead of up--a construction that has

more than once led to unlucky results in the case of strangers. I

remember once when an unlucky Frenchman, entirely unsuspicious of

the danger that awaited him, made entrance by pitching devoutly

upon his nose in the middle of the broad aisle; that it took three

bunches of my grandmother's fennel to bring my risibles into

anything like composure. Such exhibitions, fortunately for me,

were very rare; but still I found great amusement in watching the

distinctive and marked outlines of the various people that filled

up the seats around me. A Yankee village presents a picture of the

curiosities of every generation: there from year to year, they live

on, preserved by hard labor and regular habits, exhibiting every

peculiarity of manner and appearance, as distinctly marked as when

they first came from the mint of nature. And as everybody goes

punctually to meeting, the meeting-house becomes a sort of museum of

antiquities--a general muster ground for past and present.

I remember still with what wondering admiration I used to look

around on the people that surrounded our pew. On one side there

was an old Captain McLean, and Major McDill, a couple whom the

mischievous wits of the village designated as Captain McLean and

Captain McFat; and, in truth, they were a perfect antithesis,

a living exemplification of flesh and spirit. Captain McLean

was a mournful, lengthy, considerate-looking old gentleman,

with a long face, digressing into a long, thin, horny nose,

which, when he applied his pocket-handkerchief, gave forth a

melancholy, minor-keyed sound, such as a ghost might make, using a

pocket-handkerchief in the long gallery of some old castle.

Close at his side was the doughty, puffing Captain McDill, whose

full-orbed, jolly visage was illuminated by a most valiant red nose,

shaped something like an overgrown doughnut, and looking as if it

had been thrown at his face, and happened to hit in the middle.

Then there was old Israel Peters, with a wooden leg, which tramped

into meeting, with undeviating regularity, ten minutes before

meeting time; and there was Jedediah Stebbins, a thin, wistful,

moonshiny-looking old gentleman, whose mouth appeared as if it had

been gathered up with a needle and thread, and whose eyes seemed

as if they had been bound with red tape; and there was old Benaiah

Stephens, who used regularly to get up and stand when the minister

was about half through his sermon, exhibiting his tall figure, long,

single-breasted coat, with buttons nearly as large as a tea plate;

his large, black, horn spectacles stretched down on the extreme end

of a very long nose, and vigorously chewing, meanwhile, on the bunch

of caraway which he always carried in one hand. Then there was Aunt

Sally Stimpson, and old Widow Smith, and a whole bevy of little,

dried old ladies, with small, straight, black bonnets, tight sleeves

to the elbow, long silk gloves, and great fans, big enough for a

windmill; and of a hot day it was a great amusement to me to watch

the bobbing of the little black bonnets, which showed that sleep

had got the better of their owners' attention, and the sputter and

rustling of the fans, when a more profound nod than common would

suddenly waken them, and set them to fanning and listening with

redoubled devotion. There was Deacon Dundas, a great wagon load

of an old gentleman, whose ample pockets looked as if they might

have held half the congregation, who used to establish himself just

on one side of me, and seemed to feel such entire confidence in

the soundness and capacity of his pastor that he could sleep very

comfortably from one end of the sermon to the other. Occasionally,

to be sure, one of your officious blue flies, who, as everybody

knows, are amazingly particular about such matters, would buzz into

his mouth, or flirt into his ears a passing admonition as to the

impropriety of sleeping in meeting, when the good old gentleman

would start, open his eyes very wide, and look about with a resolute

air, as much as to say, "I wasn't asleep, I can tell you;" and then

setting himself in an edifying posture of attention, you might

perceive his head gradually settling back, his mouth slowly opening

wider and wider, till the good man would go off again soundly

asleep, as if nothing had happened.

It was a good orthodox custom of old times to take every part of

the domestic establishment to meeting, even down to the faithful

dog, who, as he had supervised the labors of the week, also came

with due particularity to supervise the worship of Sunday. I think

I can see now the fitting out on a Sunday morning--the one wagon,

or two, as the case might be, tackled up with an "old gray" or an

"old bay," with a buffalo skin over the seat by way of cushion, and

all the family, in their Sunday best, packed in for meeting; while

Master Bose, Watch, or Towser stood prepared to be an outguard, and

went meekly trotting up hill and down dale in the rear. Arrived at

meeting, the canine part of the establishment generally conducted

themselves with great decorum, lying down and going to sleep as

decently as anybody present, except when some of the business-loving

bluebottles aforesaid would make a sortie upon them, when you might

hear the snap of their jaws as they vainly sought to lay hold of the

offender. Now and then, between some of the sixthlies, seventhlies,

and eighthlies, you might hear some old patriarch giving himself a

rousing shake, and pitpatting soberly up the aisles, as if to see

that everything was going on properly, after which he would lie

down and compose himself to sleep again; and certainly this was as

improving a way of spending Sunday as a good Christian dog could

desire.

But the glory of our meeting-house was its singers' seat--that

empyrean of those who rejoiced in the divine, mysterious art of

fa-sol-la-ing, who, by a distinguishing grace and privilege, could

"raise and fall" the cabalistical eighth notes, and move serene

through the enchanted region of flats, sharps, thirds, fifths, and

octaves.

There they sat in the gallery that lined three sides of the house,

treble, counter, tenor, and bass, each with its appropriate

leaders and supporters; there were generally seated the bloom

of our young people; sparkling, modest, and blushing girls on

one side, with their ribbons and finery, making the place where

they sat as blooming and lively as a flower garden, and fiery,

forward, confident young men on the other. In spite of its being

a meeting-house, we could not swear that glances were never given

and returned, and that there was not often as much of an approach

to flirtation as the distance and the sobriety of the place would

admit. Certain it was, that there was no place where our village

coquettes attracted half so many eyes or led astray half so many

hearts.

But I have been talking of singers all this time, and neglected

to mention the Magnus Apollo of the whole concern, the redoubtable

chorister, who occupied the seat of honor in the midst of the middle

gallery, and exactly opposite to the minister. Certain it is that

the good man, if he were alive, would never believe it; for no

person ever more magnified his office, or had a more thorough belief

in his own greatness and supremacy, than Zedekiah Morse. Methinks I

can see him now as he appeared to my eyes on that first Sunday, when

he shot up from behind the gallery, as if he had been sent up by a

spring. He was a little man, whose fiery red hair, brushed straight

upon the top of his head, had an appearance as vigorous and lively

as real flame; and this, added to the ardor and determination of all

his motions, had obtained for him the surname of the "Burning Bush."

He seemed possessed with the very soul of song; and from the moment

he began to sing, looked alive all over, till it seemed to me that

his whole body would follow his hair upwards, fairly rapt away by

the power of harmony. With what an air did he sound the important

fa-sol-la in the ears of the waiting gallery, who stood with open

mouths ready to seize their pitch, preparatory to their general _set

to_! How did his ascending and descending arm astonish the zephyrs

when once he laid himself out to the important work of beating

time! How did his little head whisk from side to side, as now he

beat and roared towards the ladies on his right, and now towards

the gentlemen on his left! It used to seem to my astonished vision

as if his form grew taller, his arm longer, his hair redder, and

his little green eyes brighter, with every stave; and particularly

when he perceived any falling off of time or discrepancy in pitch;

with what redoubled vigor would he thump the gallery and roar at the

delinquent quarter, till every mother's son and daughter of them

skipped and scrambled into the right place again!

Oh, it was a fine thing to see the vigor and discipline with which

he managed the business; so that if, on a hot, drowsy Sunday, any

part of the choir hung back or sung sleepily on the first part of a

verse, they were obliged to bestir themselves in good earnest, and

sing three times as fast, in order to get through with the others.

'Kiah Morse was no advocate for your dozy, drawling singing, that

one may do at leisure, between sleeping and waking, I assure you;

indeed, he got entirely out of the graces of Deacon Dundas and one

or two other portly, leisurely old gentlemen below, who had been

used to throw back their heads, shut up their eyes, and take the

comfort of the psalm, by prolonging indefinitely all the notes. The

first Sunday after 'Kiah took the music in hand, the old deacon

really rubbed his eyes and looked about him, for the psalm was sung

off before he was ready to get his mouth opened, and he really

looked upon it as a most irreverent piece of business.

But the glory of 'Kiah's art consisted in the execution of those

good old billowy compositions called fuguing tunes, where the four

parts that compose the choir take up the song, and go racing around

one after another, each singing a different set of words, till, at

length, by some inexplicable magic, they all come together again,

and sail smoothly out into a rolling sea of song. I remember the

wonder with which I used to look from side to side when treble,

tenor, counter, and bass were thus roaring and foaming,--and it

verily seemed to me as if the psalm was going to pieces among the

breakers,--and the delighted astonishment with which I found that

each particular verse did emerge whole and uninjured from the storm.

But alas for the wonders of that old meeting-house, how they are

passed away! Even the venerable building itself has been pulled

down, and its fragments scattered; yet still I retain enough of my

childish feelings to wonder whether any little boy was gratified

by the possession of those painted tulips and grapevines, which my

childish eye used to covet, and about the obtaining of which, in

case the house should ever be pulled down, I devised so many schemes

during the long sermons and services of summer days. I have visited

the spot where it stood, but the modern, fair-looking building that

stands in its room bears no trace of it; and of the various familiar

faces that used to be seen inside not one remains. Verily, I must be

growing old; and as old people are apt to spin long stories, I check

myself, and lay down my pen.

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