word recalled him to himself, and he got up and raised the lid of the
cellaret, lovingly running his hand over the rows of bottles.
“A pig would be better, I think,” said the boy, doubtfully, “or a cow, if
you could afford it. She is a poor woman, you know.”
“Afford it!” chuckled the Major. “Why, I'll sell your grandmother's silver,
but I'll afford it, sir.”
He took out a bottle, held it against the light, and filled a wine glass.
“This is the finest port in Virginia,” he declared; “there is life in every
drop of it. Drink it down,” and, when the boy had taken it, he filled his
own glass and tossed it off, not lingering, as usual, for the priceless
flavour. “Two hundred miles!” he gasped, as he looked at the child with
moist eyes over which his red lids half closed. “Ah, you're a Lightfoot,”
he said slowly. “I should know you were a Lightfoot if I passed you in the
road.” He carved a slice of ham and held it out on the end of the knife.
“It's long since you've tasted a ham like this--browned in bread crumbs,”
he added temptingly, but the boy gravely shook his head.
“I've had quite enough, thank you, sir,” he answered with a quaint dignity,
not unlike his grandfather's and as the Major rose, he stood up also,
lifting his black head to look in the old man's face with his keen gray
eyes.
The Major took up the bundle and moved toward the door. “You must see your
grandmother,” he said as they went out, and he led the way up the crooked
stair past the old clock in the bend. On the first landing he opened a door
and stopped upon the threshold. “Molly, here is poor Jane's boy,” he said.
In the centre of a big four-post bed, curtained in white dimity, a little
old lady was lying between lavender-scented sheets. On her breast stood a
tall silver candlestick which supported a well-worn volume of “The
Mysteries of Udolpho,” held open by a pair of silver snuffers. The old
lady's face was sharp and wizened, and beneath her starched white nightcap
rose the knots of her red flannel curlers. Her eyes, which were very small
and black, held a flickering brightness like that in live embers.
“Whose boy, Mr. Lightfoot?” she asked sharply.
Holding the child by the hand, the Major went into the room.
“It's poor Jane's boy, Molly,” he repeated huskily.
The old lady raised her head upon her high pillows, and looked at him by
the light of the candle on her breast. “Are you Jane's boy?” she questioned
in suspicion, and at the child's “Yes, ma'am,” she said, “Come nearer.
There, stand between the curtains. Yes, you are Jane's boy, I see.” She
gave the decision flatly, as if his parentage were a matter of her
pleasure. “And what is your name?” she added, as she snuffed the candle.
The boy looked from her stiff white nightcap to the “log-cabin” quilt on
the bed, and then at her steel hoops which were hanging from a chair back.
He had always thought of her as in her rich black silk, with the tight gray
curls about her ears, and at this revelation of her inner mysteries, his
fancy received a checkmate.
But he met her eyes again and answered simply, “Dandridge--they call me
Dan--Dan Montjoy.”
“And he has walked two hundred miles, Molly,” gasped the Major.
“Then he must be tired,” was the old lady's rejoinder, and she added with
spirit: “Mr. Lightfoot, will you show Dan to Jane's old room, and see that
he has a blanket on his bed. He should have been asleep hours ago--good
night, child, be sure and say your prayers,” and as they crossed the
threshold, she laid aside her book and blew out her light.
The Major led the way to “Jane's old room” at the end of the hall, and
fetched a candle from somewhere outside. “I think you'll find everything
you need,” he said, stooping to feel the covering on the bed. “Your
grandmother always keeps the rooms ready. God bless you, my son,” and he
went out, softly closing the door after him.
The boy sat down on the steps of the tester bed, and looked anxiously round
the three-cornered room, with its sloping windows filled with small, square
panes of glass. By the candlelight, flickering on the plain, white walls
and simple furniture, he tried to conjure back the figure of his
mother,--handsome Jane Lightfoot. Over the mantel hung two crude drawings
from her hand, and on the table at the bedside there were several books
with her name written in pale ink on the fly leaves. The mirror to the high
old bureau seemed still to hold the outlines of her figure, very shadowy
against the greenish glass. He saw her in her full white skirts--she had
worn nine petticoats, he knew, on grand occasions--fastening her coral
necklace about her stately throat, the bands of her black hair drawn like a
veil above her merry eyes. Had she lingered on that last Christmas Eve, he
wondered, when her candlestick held its sprig of mistletoe and her room was
dressed in holly? Did she look back at the cheerful walls and the stately
furniture before she blew out her light and went downstairs to ride madly
off, wrapped in his father's coat? And the old people drank their eggnog
and watched the Virginia reel, and, when they found her gone, shut her out
forever.
Now, as he sat on the bed-steps, it seemed to him that he had come home for
the first time in his life. All this was his own by right,--the queer old
house, his mother's room, and beyond the sloping windows, the meadows with
their annual yield of grain. He felt the pride of it swelling within him;
he waited breathlessly for the daybreak when he might go out and lord it
over the fields and the cattle and the servants that were his also. And at
last--his head big with his first day's vanity--he climbed between the
dimity curtains and fell asleep.
When he awaked next morning, the sun was shining through the small square
panes, and outside were the waving elm boughs and a clear sky. He was
aroused by a knock on his door, and, as he jumped out of bed, Big Abel, the
Major's driver and confidential servant, came in with the warm water. He
was a strong, finely-formed negro, black as the ace of spades (so the Major
put it), and of a singularly open countenance.
“Hi! ain't you up yit, young Marster?” he exclaimed. “Sis Rhody, she sez
she done save you de bes' puffovers you ever tase, en ef'n you don' come
'long down, dey'll fall right flat.”
“Who is Sis Rhody?” inquired the boy, as he splashed the water on his face.
“Who she? Why, she de cook.”
“All right, tell her I'm coming,” and he dressed hurriedly and ran down
into the hall where he found Champe Lightfoot, the Major's great-nephew,
who lived at Chericoke.
“Hello!” called Champe at once, plunging his hands into his pockets and
presenting an expression of eager interest. “When did you get here?”
“Last night,” Dan replied, and they stood staring at each other with two
pairs of the Lightfoot gray eyes.
“How'd you come?”
“I walked some and I came part the way on a steamboat. Did you ever see a
steamboat?”
“Oh, shucks! A steamboat ain't anything. I've seen George Washington's
sword. Do you like to fish?”
“I never fished. I lived in a city.”
Zeke came in with a can of worms, and Champe gave them the greater share of
his attention. “I tell you what, you'd better learn,” he said at last,
returning the can to Zeke and taking up his fishing-rod. “There're a lot of
perch down yonder in the river,” and he strode out, followed by the small
negro.
Dan looked after him a moment, and then went into the dining room, where
his grandmother was sitting at the head of her table, washing her pink
teaset in a basin of soapsuds. She wore her stiff, black silk this morning
with its dainty undersleeves of muslin, and her gray curls fell beneath her
cap of delicate yellowed lace. “Come and kiss me, child,” she said as he
entered. “Did you sleep well?”
“I didn't wake once,” answered the boy, kissing her wrinkled cheek.
“Then you must eat a good breakfast and go to your grandfather in the
library. Your grandfather is a very learned man, Dan, he reads Latin every
morning in the library.--Cupid, has Rhody a freshly broiled chicken for
your young master?”
She got up and rustled about the room, arranging the pink teaset behind the
glass doors of the corner press. Then she slipped her key basket over her
arm and fluttered in and out of the storeroom, stopping at intervals to
scold the stream of servants that poured in at the dining-room door. “Ef'n
you don' min', Ole Miss, Paisley, she done got de colick f'om a hull pa'cel
er green apples,” and “Abram he's des a-shakin' wid a chill en he say he
cyarn go ter de co'n field.”
“Wait a minute and be quiet,” the old lady responded briskly, for, as the
boy soon learned, she prided herself upon her healing powers, and suffered
no outsider to doctor her husband or her slaves. “Hush, Silas, don't say a
word until I tell you. Cupid--you are the only one with any sense--measure
Paisley a dose of Jamaica ginger from the bottle on the desk in the office,
and send Abram a drink of the bitters in the brown jug--why, Car'line, what
do you mean by coming into the house with a slit in your apron?”
“Fo' de Lawd, Ole Miss, hit's des done cotch on de fence. All de ducks Aun'
Meeley been fattenin' up fur you done got loose en gone ter water.”
“Well, you go, too, every one of you!” and she dismissed them with waves of
her withered, little hands. “Send them out, Cupid. No, Car'line, not a
word. Don't 'Ole Miss' me, I tell you!” and the servants streamed out again
as they had come.
When he had finished his breakfast the boy went back into the hall where
Big Abel was taking down the Major's guns from the rack, and, as he caught
sight of the strapping figure and kindly black face, he smiled for the
first time since his home-coming. With a lordly manner, he went over and
held out his hand.
“I like _you_, Big Abel,” he said gravely, and he followed him out into the
yard.
For the next few weeks he did not let Big Abel out of his sight. He rode
with him to the pasture, he sat with him on his doorstep of a fine evening,
and he drove beside him on the box when the old coach went out. “Big Abel
says a gentleman doesn't go barefooted,” he said to Champe when he found
him without his shoes in the meadow, “and I'm a gentleman.”
“I'd like to know what Big Abel knows about it,” promptly retorted Champe,
and Dan grew white with rage and proceeded to roll up his sleeves. “I'll
whip any man who says Big Abel doesn't know a gentleman!” he cried, making
a lunge at his cousin. In point of truth, it was Champe who did the
whipping in such free fights; but bruises and a bleeding nose had never
scared the savage out of Dan. He would spring up from his last tumble as
from his first, and let fly at his opponent until Big Abel rushed, in
tears, between them.
From the garrulous negro, the boy soon learned the history of his
family--learned, indeed, much about his grandfather of which the Major
himself was quite unconscious. He heard of that kindly, rollicking early
life, half wild and wholly good-humoured, in which the eldest male
Lightfoot had squandered his time and his fortune. Why, was not the old
coach itself but an existing proof of Big Abel's stories? “'Twan' mo'n
twenty years back dat Ole Miss had de fines' car'ige in de county,” he
began one evening on the doorstep, and the boy drove away a brood of
half-fledged chickens and settled himself to listen. “Hadn't you better
light your pipe, Big Abel?” he inquired courteously.
Big Abel shuffled into the cabin and came back with his corncob pipe and a
lighted taper. “We all ain' rid in de ole coach den,” he said with a sigh,
as he sucked at the long stem, and threw the taper at the chickens. “De ole
coach hit uz th'owed away in de out'ouse, en I 'uz des stiddyin' 'bout
splittin' it up fer kindlin' wood--en de new car'ige hit cos' mos' a mint
er money. Ole Miss she uz dat sot up dat she ain' let de hosses git no
sleep--nor me nurr. Ef'n she spy out a speck er dus' on dem ar wheels,
somebody gwine year f'om it, sho's you bo'n--en dat somebody wuz me. Yes,
Lawd, Ole Miss she 'low dat dey ain' never been nuttin' like dat ar car'ige
in Varginny sence befo' de flood.”
“But where is it, Big Abel?”
“You des wait, young Marster, you des wait twel I git dar. I'se gwine git
dar w'en I come ter de day me an Ole Marster rid in ter git his gol' f'om
Mars Tom Braxton. De car'ige hit sutney did look spick en span dat day, en
I done shine up my hosses twel you could 'mos' see yo' face in dey sides.
Well, we rid inter town en we got de gol' f'om Marse Braxton,--all tied up
in a bag wid a string roun' de neck er it,--en we start out agin (en Ole
Miss she settin' up at home en plannin' w'at she gwine buy), w'en we come
ter de tave'n whar we all use ter git our supper, en meet Marse Plaintain
Dudley right face to face. Lawd! Lawd! I'se done knowed Marse Plaintain
Dudley afo' den, so I des tech up my hosses en wuz a-sailin' 'long by, w'en
he shake his han' en holler out, 'Is yer wife done tied you ter 'er ap'on,
Maje?' (He knowed Ole Miss don' w'ar no ap'on des es well es I knowed
hit--dat's Marse Plaintain all over agin); but w'en he holler out dat, Ole
Marster sez, 'Stop, Abel,' en I 'bleeged ter stop, you know, I wuz w'en Ole
Marster tell me ter.
“'I ain' tied, Plaintain, I'm tired,' sez Ole Marster, 'I'm tired losin'
money.' Den Marse Plaintain he laugh like a devil. 'Oh, come in, suh, come
in en win, den,' he sez, en Ole Marster step out en walk right in wid Marse
Plaintain behint 'im--en I set dar all night,--yes, suh, I set dar all
night a-hol'n' de hosses' haids.
“Den w'en de sun up out come Ole Marster, white es a sheet, with his han's
a-trem'lin', en de bag er gol' gone. I look at 'im fur a minute, en den I
let right out, 'Ole Marster, whar de gol'?' en he stan' still en ketch his
breff befo' he say, 'Hit's all gone, Abel, en de car'ige en de hosses dey's
gone, too.” En w'en I bust out cryin' en ax 'im, 'My hosses gone, Ole
Marster?' he kinder sob en beckon me fer ter git down f'om my box, en den
we put out ter walk all de way home.
“W'en we git yer 'bout'n dinner time, dar wuz Ole Miss at de do' wid de sun
in her eyes, en soon es she ketch sight er Ole Marster, she put up her han'
en holler out, 'Marse Lightfoot, whar de car'ige?' But Ole Marster, he des
hang down his haid, same es a dawg dat's done been whupped fur rabbit
runnin', en he sob, 'Hit's gone, Molly en de bag er gol' en de hosses,
dey's gone, too, I done loss 'em all cep'n Abel--en I'm a bad man, Molly.'
Dat's w'at Ole Marster say, 'I'm a bad man, Molly,' en I stiddy 'bout my
hosses en Ole Miss' car'ige en shet my mouf right tight.”
“And Grandma? Did she cry?” asked the boy, breathlessly.
“Who cry? Ole Miss? Huh! She des th'ow up her haid en low, 'Well, Marse
Lightfoot, I'm glad you kep' Abel--en we'll use de ole coach agin',' sez
she--en den she tu'n en strut right in ter dinner.”
“Was that all she ever said about it, Big Abel?”
“Dat's all I ever hyern, honey, en I b'lieve hit's all Ole Marster ever
hyern eeder, case w'en I tuck his gun out er de rack de nex' day, he was
settin' up des es prim in de parlour a-sippin' a julep wid Marse Peyton
Ambler, en I hyern 'im kinder whisper, 'Molly, she's en angel, Peyton--' en
he ain' never call Ole Miss en angel twel he loss 'er car'ige.”
IV.
A HOUSE WITH AN OPEN DOOR
The master of Uplands was standing upon his portico behind the Doric
columns, looking complacently over the fat lands upon which his fathers had
sown and harvested for generations. Beyond the lane of lilacs and the two
silver poplars at the gate, his eyes wandered leisurely across the blue
green strip of grass-land to the tawny wheat field, where the slaves were
singing as they swung their cradles. The day was fine, and the outlying
meadows seemed to reflect his gaze with a smile as beneficent as his own.
He had cast his bread upon the soil, and it had returned to him threefold.
As he stood there, a small, yet imposing figure, in his white duck suit,
holding his broad slouch hat in his hand, he presented something of the
genial aspect of the country--as if the light that touched the pleasant
hills and valleys was aglow in his clear brown eyes and comely features.
Even the smooth white hand in which he held his hat and riding-whip had
about it a certain plump kindliness which would best become a careless
gesture of concession. And, after all, he looked but what he was--a bland
and generous gentleman, whose heart was as open as his wine cellar.
A catbird was singing in one of the silver poplars, and he waited, with
upraised head, for the song to end. Then he stooped beside a column and
carefully examined a newly planted coral honeysuckle before he went into
the wide hall, where his wife was seated at her work-table.
From the rear door, which stood open until frost, a glow of sunshine
entered, brightening the white walls with their rows of antlers and
gunracks, and rippling over the well-waxed floor upon which no drop of
water had ever fallen. A faint sweetness was in the air from the
honeysuckle arbour outside, which led into the box-bordered walks of the
garden.
As the Governor hung up his hat, he begun at once with his daily news of
the farm. “I hope they'll get that wheat field done to-day,” he said: “but
it doesn't look much like it--they've been dawdling over it for the last
three days. I am afraid Wilson isn't much of a manager, after all; if I
take my eyes off him, he seems to lose his head.”
“I think everything is that way,” returned his wife, looking up from one of
the elaborately tucked and hemstitched shirt fronts which served to gratify
the Governor's single vanity. “I'm sure Aunt Pussy says she can't trust
Judy for three days in the dairy without finding that the cream has stood
too long for butter--and Judy has been churning for twenty years.” She cut
off her thread and held the linen out for the Governor's inspection. “I
really believe that is the prettiest one I've made. How do you like this
new stitch?”
“Exquisite!” exclaimed her husband, as he took the shirt front in his hand.
“Simply exquisite, my love. There isn't a woman in Virginia who can do such
needlework; but it should go upon a younger and handsomer man, Julia.”
His wife blushed and looked up at him, the colour rising to her beautiful
brow and giving a youthful radiance to her nunlike face. “It could
certainly go upon a younger man, Mr. Ambler,” she rejoined, with a touch of
the coquetry for which she had once been noted; “but I should like to know
where I'd find a handsomer one.”
A pleased smile broadened the Governor's face, and he settled his waistcoat
with an approving pat. “Ah, you're a partial witness, my dear,” he said;
“but I've an error to confess, so I mustn't forego your favour--I--I bought
several of Mr. Willis's servants, my love.”
“Why, Mr. Ambler!” remonstrated his wife, reproach softening her voice
until it fell like a caress. “Why, Mr. Ambler, you bought six of Colonel
Blake's last year, you know and one of the house servants has been nursing
them ever since. The quarters are filled with infirm darkies.”
“But I couldn't help it, Julia, I really couldn't,” pleaded the Governor.
“You'd have done it yourself, my dear. They were sold to a dealer going
south, and one of them wants to marry that Mandy of yours.”
“Oh, if it's Mandy's lover,” broke in Mrs. Ambler, with rising interest,
“of course you had to buy him, and you did right about the others--you
always do right.” She put out her delicate blue-veined hand and touched his
arm. “I shall see them to-day,” she added, “and Mandy may as well be making
her wedding dress.”
“What an eye to things you have,” said the Governor, proudly. “You might
have been President, had you been a man, my dear.”
His wife rose and took up her work-box with a laugh of protest. “I am quite
content with the mission of my sex, sir,” she returned, half in jest, half
in wifely humility. “I'm sure I'd much rather make shirt fronts for you
than wear them myself.” Then she nodded to him and went, with her stately
step, up the broad staircase, her white hand flitting over the mahogany
balustrade.
As he looked after her, the Governor's face clouded, and he sighed beneath
his breath. The cares she met with such serenity had been too heavy for her
strength; they had driven the bloom from her cheeks and the lustre from her
eyes; and, though she had not faltered at her task, she had drooped daily
and grown older than her years. The master might live with a lavish
disregard of the morrow, not the master's wife. For him were the open
house, the shining table, the well-stocked wine cellar and the morning
rides over the dewy fields; for her the cares of her home and children, and
of the souls and bodies of the black people that had been given into her
hands. In her gentle heart it seemed to her that she had a charge to keep
before her God; and she went her way humbly, her thoughts filled with
things so vital as the uses of her medicine chest and the unexpounded
mysteries of salvation.
Now, as she reached the upper landing, she met Betty running to look for
her.
“O, mamma, may I go to fish with Champe and the new boy and Big Abel? And
Virginia wants to go, too, she says.”
“Wait a moment, child,” said Mrs. Ambler. “You have torn the trimming on
your frock. Stand still and I'll mend it for you,” and she got out her
needle and sewed up the rent, while Betty hopped impatiently from foot to
foot.
“I think the new boy's a heap nicer than Champe, mamma,” she remarked as
she waited.
“Do you, dear?”
“An' he says I'm nicer than Champe, too. He fought Champe 'cause he said I
didn't have as much sense as he had--an' I have, haven't I, mamma?”
“Women do not need as much sense as men, my dear,” replied Mrs. Ambler,
taking a dainty stitch.
“Well, anyway, Dan fought Champe about it,” said Betty, with pride. “He'll
fight about 'most anything, he says, if he jest gets roused--an' that
cert'n'y did rouse him. His nose bled a long time, too, and Champe whipped
him, you know. But, when it was over, I asked him if I had as much sense as
he had, and he said, 'Psha! you're just a girl.' Wasn't that funny, mamma?”
“There, there, Betty,” was Mrs. Ambler's rejoinder. “I'm afraid he's a
wicked boy, and you mustn't get such foolish thoughts into your head. If
the Lord had wanted you to be clever, He would have made you a man. Now,
run away, and don't get your feet wet; and if you see Aunt Lydia in the
garden, you may tell her that the bonnet has come for her to look at.”
Betty bounded away and gave the message to Aunt Lydia over the whitewashed
fence of the garden. “They've sent a bonnet from New York for you to look
at, Aunt Lydia,” she cried. “It came all wrapped up in tissue paper, with
mamma's gray silk, and it's got flowers on it--a lot of them!” with which
parting shot, she turned her back upon the startled old lady and dashed off
to join the boys and Big Abel, who, with their fishing-poles, had gathered
in the cattle pasture.
Miss Lydia, who was lovingly bending over a bed of thyme, raised her eyes
and looked after the child, all in a gentle wonder. Then she went slowly up
and down the box-bordered walks, the full skirt of her “old lady's gown”
trailing stiffly over the white gravel, her delicate face rising against
the blossomless shrubs of snowball and bridal-wreath, like a faintly tinted
flower that had been blighted before it fully bloomed. Around her the
garden was fragrant as a rose-jar with the lid left off, and the very paths
beneath were red and white with fallen petals. Hardy cabbage roses, single
pink and white dailies, yellow-centred damask, and the last splendours of
the giant of battle, all dipped their colours to her as she passed, while
the little rustic summer-house where the walks branched off was but a
flowering bank of maiden's blush and microphylla.