It was, of course, useless for Miss Climpson to try to conceal from the
boarding-house ladies where she had been and what she had been doing.
Her return at midnight in a taxi had already aroused the liveliest
curiosity, and she told the truth to avoid being accused of worse
dissipations.
"My dear Miss Climpson," said Mrs. Pegler, "you will not, I trust,
think me interfering, but I must caution you against having anything
to do with Mrs. Craig or her friends. I have no doubt Miss Booth is
an excellent woman, but I do not like the company she keeps. Nor do I
approve of spiritualism. It is a prying into matters which we are not
intended to know about, and may lead to very undesirable results. If
you were a married woman, I could explain myself more clearly, but you
may take it from me that these indulgences may have serious effects
upon the character in more ways than one."
"Oh, Mrs. Pegler," said Miss Etheredge, "I don't think you should say
that. One of the most beautiful characters I know--a woman whom it is
a privilege to call one's friend--is a spiritualist, and she is a real
saint in her life and influence."
"Very likely, Miss Etheredge," replied Mrs. Pegler, drawing her stout
figure to its most impressive uprightness, "but that is not the point.
I do not say that a spiritualist _may_ not live a good life, but I _do_
say that the majority of them are most unsatisfactory people, and far
from truthful."
"I have happened to meet with a number of so-called mediums in the
course of my life," agreed Miss Tweall, acidly, "and all of them,
without _any_ exception, were people I would not have trusted any
further than I could see them--if as far."
"That is very true of a great many of them," said Miss Climpson, "and
I am sure _nobody_ could have better opportunities of judging than
_myself_. But I think and hope that some of them are at least _sincere_
if _mistaken_ in their claims. What do _you_ think, Mrs. Liffey?" she
added, turning to the proprietress of the establishment.
"We-ll," said Mrs. Liffey--obliged, in her official capacity, to
agree as far as possible with all parties. "I must say, from what I
have read, and that is not a great deal, for I have little time for
reading--still, I think there is a certain amount of evidence to show
that, in certain cases and under strictly safeguarded conditions, there
is possibly some foundation of truth beneath the spiritualists' claims.
Not that I should care to have anything to do with it personally; as
Mrs. Pegler says, I do not as a rule care very much for the sort of
people who go in for it, though doubtless there are many exceptions.
I think perhaps that the subject should be left to properly qualified
investigators."
"There I agree with you," said Mrs. Pegler. "No words can express
the disgust I feel at the intrusion of women like this Mrs. Craig
into realms that should be sacred to us all. Imagine, Miss Climpson,
that that woman--whom I do not know and have no intention of
knowing--actually had the impertinence once to write to me and say
that she had received a message at one of her séances, as she calls
them, purporting to come from my dear husband. I cannot tell you what
I felt. To have the General's name actually brought up, in public, in
connection with such wicked nonsense! And of course it was the purest
invention, for the General was the _last_ man to have anything to do
with goings-on. 'Pernicious poppy-cock,' he used to call it in his
bluff military way. And when it came to telling me, his widow, that
he had come to Mrs. Craig's house and played the accordion and asked
for special prayers to deliver him from a place of punishment, I could
only look on it as a calculated insult. The General was a regular
Church-goer and entirely opposed to prayers for the dead or anything
popish; and as to being in any undesirable place, he was the best of
men, even if he was a little abrupt at times. As for accordions, I
hope, wherever he is, he has something better to do with his time."
"A most shameful business," said Miss Tweall.
"Who is this Mrs. Craig?" asked Miss Climpson.
"Nobody knows," said Mrs. Pegler, ominously.
"She is said to be a doctor's widow," said Mrs. Liffey.
"It's my opinion," said Miss Tweall, "that she is no better than she
should be."
"A woman of her age," said Mrs. Pegler, "with henna'd hair and earrings
a foot long--"
"And going about in those extraordinary clothes," said Miss Tweall.
"And having such very odd people to stay with her," said Mrs. Pegler.
"You remember that black man, Mrs. Liffey, who wore a green turban
and used to say his prayers in the front garden, till the police
interfered."
"What I should like to know," said Miss Tweall, "is, where she gets her
money from."
"If you ask me, my dear, the woman's on the make. Heaven knows what she
persuades people to do in these spiritualistic meetings."
"But what brought her to Windle?" asked Miss Climpson. "I should have
thought London, or some big town, would have been a better place for
her if she is the kind of person you describe."
"I shouldn't be surprised if she was in hiding," said Miss Tweall,
darkly. "There is such a thing as making a place too hot to hold you."
"Without altogether subscribing to your wholesale condemnation," said
Miss Climpson, "I must agree that psychical research can be _very
dangerous indeed_ in the _wrong hands_, and from what Miss Booth tells
me, I do doubt very _much_ whether Mrs. Craig is a suitable guide for
the inexperienced. Indeed, I quite felt it my _duty_ to put Miss Booth
on her guard, and that is what I am endeavouring to do. But, as you
know, one has to do that kind of thing _very_ tactfully--otherwise one
may merely, so to speak, put the person's back up. The first step is to
gain her _confidence_, and then, little by little, one may be able to
induce a more wholesome frame of mind."
"That's _so_ true," said Miss Etheredge, eagerly, her pale blue eyes
lighting with something that was almost animation. "I very nearly fell
under the influence of a dreadful, fraudulent person myself, till my
dear friend showed me a better way."
"Maybe," said Mrs. Pegler, "but in my opinion the whole thing is best
left alone."
Undeterred by this excellent advice, Miss Climpson kept her
appointment. After a spirited exhibition of table-rocking, Pongo
consented to communicate by means of the Ouija board, though at first
he was rather awkward with it. He attributed this, however, to the fact
that he had never learned to write while on earth. Asked who he was, he
explained that he was an Italian acrobat of the Renaissance period, and
that his full name was Pongocelli. He had lived a sadly irregular life,
but had redeemed himself by heroically refusing to abandon a sick child
during the time of the Great Plague in Florence. He had caught the
plague and died of it, and was now working out the period of probation
for his sins by serving as guide and interpreter to other spirits. It
was a touching story, and Miss Climpson was rather proud of it.
George Washington was rather intrusive, and the séance also suffered
from a number of mysterious interruptions from what Pongo described as
a "jealous influence." Nevertheless, "Harry" reappeared and delivered
some consolatory messages, and there were further communications from
Mabel Herridge, who gave a vivid description of her life in India.
On the whole, and taking the difficulties into account, a successful
evening.
On Sunday there was no séance, owing to the revolt of the medium's
conscience. Miss Climpson felt that she could not, really could not,
bring herself to do it. She went to church instead, and listened to the
Christmas message with a distracted mind.
On Monday, however, the two enquirers again took their seats about the
bamboo table, and the following is the report of the séance, as noted
down by Miss Booth.
* * * * *
_7.30 p.m._
On this occasion proceedings were begun at once with the Ouija board;
after a few minutes, a loud succession of raps announced the presence
of a control.
_Question_: Good-evening. Who is that?
_Answer_: Pongo here. Good-evening! Heaven bless you.
_Q._ We are very glad to have you with us, Pongo.
_A._ Good--very good. Here we are again!
_Q._ Is that you, Harry?
_A._ Yes, only to give my love. Such a crowd.
_Q._ The more the better. We are glad to meet all our friends. What can
we do for you?
_A._ Attend. Obey the spirits.
_Q._ We will do all we can, if you will tell us what to do.
_A._ Boil your heads!
_Q._ Go away, George, we don't want you.
_A._ Get off the line, silly.
_Q._ Pongo, can't you send him away?
(Here the pencil drew the sketch of an ugly face.)
_Q._ Is that your portrait?
_A._ That's me. G. W. Ha, ha!
(The pencil zig-zagged violently and drove the board right over the
edge of the table. When it was replaced it started to write in the hand
we associate with Pongo.)
_A._ I have sent him away. Very noisy tonight. F. jealous and sends
him to disturb us. Never mind. Pongo more powerful.
_Q._ Who do you say is jealous?
_A._ Never mind. Bad person. Maladetta.
_Q._ Is Harry still there?
_A._ No. Other business. There is a spirit here who wishes your help.
_Q._ Who is it?
_A._ Very hard. Wait.
(The pencil made a series of wide loops.)
_Q._ What letter is that?
_A._ Silly! don't be impatient. There is difficulty. I will try again.
(The pencil scribbled for a few minutes and then wrote a large C.)
_Q._ We have got the letter C. Is that right?
_A._ C-C-C
_Q._ We have got C.
_A._ C-R-E
(Here there was another violent interruption.)
_A._ (in Pongo's writing) She is trying, but there is much opposition.
Think helpful thoughts.
_Q._ Would you like us to sing a hymn?
_A._ (Pongo again, very angry) Stupid! Be quiet! (Here the writing
changed again) M-O-
_Q._ Is that part of the same word?
_A._ R-N-A.
_Q._ Do you mean Cremorna?
_A._ (in the new writing) Cremorna, Cremorna. Through! Glad, glad, glad!
At this point, Miss Booth turned to Miss Climpson and said in a puzzled
voice:
"This is very strange. Cremorna was Mrs. Wrayburn's stage name. I do
hope--surely she can't have passed away suddenly. She was perfectly
comfortable when I left her. Had I better go and see?"
"Perhaps it's another Cremorna?" suggested Miss Climpson.
"But it's such an unusual name."
"Why not ask who it is?"
_Q._ Cremorna--what is your second name?
_A._ (The pencil writing very fast) Rosegarden--easier now.
_Q._ I don't understand you.
_A._ Rose--Rose--Rose--Silly!
_Q._ Oh!--(My dear, she's mixing up the two names)--Do you mean
Cremorna Garden?
_A._ Yes.
_Q._ Rosanna Wrayburn?
_A._ Yes.
_Q._ Have you passed over?
_A._ Not yet. In exile.
_Q._ Are you still in the body?
_A._ Neither in the body nor out of the body. Waiting. (Pongo
interposing) When what you call the mind is departed, the spirit waits
in exile for the Great Change. Why can't you understand? Make haste.
Great difficulties.
_Q._ We are so sorry. Are you in trouble about something?
_A._ Great trouble.
_Q._ I hope it isn't anything in Dr. Brown's treatment, or mine--
_A._ (Pongo) Do not be so foolish. (Cremorna) My will.
_Q._ Do you want to alter your will?
_A._ No.
_Miss Climpson._ That is fortunate, because I don't think it would be
legal. What do you want us to do about it, dear Mrs. Wrayburn?
_A._ Send it to Norman.
_Q._ To Mr. Norman Urquhart?
_A._ Yes. He knows.
_Q._ He knows what is to be done with it?
_A._ He wants it.
_Q._ Very well. Can you tell us where to find it?
_A._ I have forgotten. Search.
_Q._ Is it in the house?
_A._ I tell you I have forgotten. Deep waters. No safety. Failing,
failing....
(Here the writing became very faint and irregular.)
_Q._ Try to remember.
_A._ In the B--B--B--(a confusion and the pencil staggering wildly)--No
good. (Suddenly, in a different hand and very vigorously) Get off the
line, get off the line, get off the line.
_Q._ Who is that?
_A._ (Pongo) She has gone. The bad influence back. Ha, ha! Get off!
Finished now. (The pencil ran right out of the medium's control, and on
being replaced on the table, refused to answer any further questions.)
"How dreadfully vexatious!" exclaimed Miss Booth.
"I suppose you have no idea where the will is?"
"Not the least. 'In the B--' she said. Now, what could that be?"
"In the Bank, perhaps," suggested Miss Climpson.
"It might be. If so, of course, Mr. Urquhart would be the only person
who could get it out."
"Then why hasn't he? She said he wanted it."
"Of course. Then it must be somewhere in the house. What could B stand
for?"
"Box, Bag, Bureau--?"
"Bed? It might be almost anything."
"What a pity she couldn't finish the message. Shall we try again? Or
shall we look in all the likely places?"
"Let's look first, and then, if we can't find it, we can try again."
"That's a good idea. There are some keys in one of the bureau drawers
that belong to her boxes and things."
"Why not try them?" said Miss Climpson, boldly.
"We will. You'll come and help, won't you?"
"If you think it advisable. I'm a stranger, you know."
"The message came to you as much as to me. I'd rather you came with me.
You might be able to suggest places."
Miss Climpson made no further ado, and then went upstairs. It was a
queer business--practically robbing a helpless woman in the interests
of someone she had never seen. Queer. But the motive must be a good
one, if it was Lord Peter's.
At the top of the beautiful staircase with its ample curve was a long,
wide corridor, the walls hung thickly from floor to ceiling with
portraits, sketches, framed autograph letters, programmes, and all the
reminiscent bric-à-brac of the green-room.
"All her life is here and in these two rooms," said the nurse. "If this
collection was to be sold, it would fetch a lot of money. I suppose it
will be, some day."
"Whom does the money go to, do you know?"
"Well, I've always thought it would be to Mr. Norman Urquhart--he's a
relation of hers, about the only one, I believe. But I've never been
told anything about it."
She pushed open a tall door, graceful with curved panels and classical
architrave, and turned on the light.
It was a stately great room, with three tall windows and a ceiling
gracefully moulded with garlands of flowers and flambeaux. The
purity of its lines was, however, defaced and insulted by a hideous
rose-trellised wall-paper, and heavy plush curtains of a hot crimson
with thick gold fringes and ropes, like the drop-curtain of a Victorian
play-house. Every foot of space was crammed thick with furniture--buhl
cabinets incongruously jostling mahogany chiffoniers; what-not tables
strewn with ornaments cuddling the bases of heavy German marbles and
bronzes; lacquer screens, Sheraton bureaux, Chinese vases, alabaster
lamps, chairs, ottomans of every shape, colour and period, clustered
thick as plants wrestling for existence in a tropical jungle. It was
the room of a woman without taste or moderation, who refused nothing
and surrendered nothing, to whom the fact of possession had become the
one steadfast reality in a world of loss and change.
"It may be in here or in the bedroom," said Miss Booth. "I'll get her
keys."
She opened a door on the right. Miss Climpson, endlessly inquisitive,
tip-toed in after her.
The bedroom was even more of a nightmare than the sitting-room. A
small electric reading-lamp burned dimly by the bed, huge and gilded,
with hangings of rose brocade cascading in long folds from a tester
supported by fat golden cupids. Outside the narrow circle of light
loomed monstrous wardrobes, more cabinets, tall chests of drawers. The
dressing-table, frilled and flounced, held a wide, three-fold mirror,
and a monstrous cheval-glass in the centre of the room darkly reflected
the towering and shadowy outlines of the furniture.
Miss Booth opened the middle door of the largest wardrobe. It swung
back with a creak, letting out a great gush of frangipani. Nothing,
evidently, had been altered in this room since silence and paralysis
had struck the owner down.
Miss Climpson stepped softly up to the bed. Instinct made her move
cautiously as a cat, though it was evident that nothing would ever
startle or surprise its occupant.
An old, old face, so tiny in the vast expanse of sheet and pillow
that it might have been a doll, stared up at her with unblinking,
unseeing eyes. It was covered with fine surface-wrinkles, like a hand
sodden with soapy water, but all the great lines carved by experience
had been smoothed out with the relaxing of the helpless muscles. It
was both puffed and crumpled. It reminded Miss Climpson of a child's
pink balloon, from which nearly all the air has leaked away. The
escaping breath puffed through the lax lips in little blowing, snorting
sounds and added to the resemblance. From under the frilled night-cap
straggled a few lank wisps of whitened hair.
"Funny, isn't it," said Miss Booth, "to think that with her lying like
that, her spirit can communicate with us."
Miss Climpson was overcome by a sense of sacrilege. It was only by a
great effort that she prevented herself from confessing the truth. She
had pulled the garter with the soap-box above her knee for safety, and
the elastic was cutting painfully into the muscles of her leg--a kind
of reminder of her iniquities.
But Miss Booth had already turned away, and was pulling open the
drawers of one of the bureaux.
Two hours passed, and they were still searching. The letter B. opened
up a particularly wide field of search. Miss Climpson had chosen it on
that account, and her foresight was rewarded. By a little ingenuity,
that useful letter could be twisted to fit practically any hiding-place
in the house. The things that were neither bureaux, beds, bags, boxes,
baskets nor bibelot-tables could usually be described as big, black,
brown or buhl or, at a pinch, as being bedroom or boudoir furniture,
and since every shelf, drawer and pigeon-hole in every object was
crammed full of newspaper-cuttings, letters and assorted souvenirs, the
searchers soon found their heads, legs and backs aching with effort.
"I'd no idea," said Miss Booth, "that there could be so many possible
places."
Miss Climpson, sitting on the floor, with her back hair uncoiling
itself and her decent black petticoats tucked up nearly to the
soap-box, agreed wearily.
"It's dreadfully exhausting, isn't it?" said Miss Booth. "Wouldn't you
like to stop? I can go on searching tomorrow by myself. It's a shame to
tire you out in this way."
Miss Climpson turned this over in her mind. If the will were found in
her absence and sent to Norman Urquhart, would Miss Murchison be able
to get hold of it before it was again hidden away or destroyed? She
wondered.
Hidden away, not destroyed. The mere fact that the will had been sent
to him by Miss Booth would prevent the solicitor from making away
with it, for there would be a witness to its existence. But he might
successfully conceal it for a considerable time--and time was of the
essence of the adventure.
"Oh, I'm not a scrap tired," she said brightly, sitting up on her heels
and restoring her coiffure to something more like its usual neatness.
She had a black note-book in her hand, taken from a drawer in one of
the Japanese cabinets, and was turning its pages mechanically. A line
of figures caught her eye: 12, 18, 4, 0, 9, 3, 15, and she wondered
vaguely what they referred to.
"We've looked through everything here," said Miss Booth. "I don't
believe we've missed anything--unless, of course, there is a secret
drawer somewhere."
"Could it be in a book, do you think?"
"A book! Why, of course it might. How silly of us not to think of that!
In detective stories, wills are always hidden in books."
"More often than in real life," thought Miss Climpson, but she got up
and dusted herself and said cheerfully:
"So they are. Are there many books in the house?"
"Thousands," said Miss Booth. "Downstairs in the library."
"I shouldn't have expected Mrs. Wrayburn to be a great reader, somehow."
"Oh, I don't think she was. The books were bought with the house, so
Mr. Urquhart told me. They're nearly all old ones, you know--big things
bound in leather. Dreadfully dull. I've never found a thing to read
there. But they're just the sort of books to hide wills in."
They emerged into the corridor.
"By the way," said Miss Climpson, "won't the servants think it funny of
us to be wandering about the place so late?"
"They all sleep in the other wing. Besides, they know that I sometimes
have visitors. Mrs. Craig has often been here as late as this when we
have had interesting sittings. There's a spare bedroom where I can put
people up when I want to."
Miss Climpson made no more objections, and they went downstairs and
along the hall into the library. It was big, and books filled the walls
and bays in serried ranks--a heart-breaking sight.
"Of course," said Miss Booth, "if the communication hadn't insisted on
something beginning with B--"
"Well?"
"Well--I should have expected any papers to be in the safe down here."
Miss Climpson groaned in spirit. The obvious place, naturally! If only
her misplaced ingenuity--well! one must make the best of it.
"Why not look?" she suggested. "The letter B. may have been referring
to something quite different. Or it may have been an interruption from
George Washington. It would be quite like him to use words beginning
with a B, don't you think?"
"But if it was in the safe, Mr. Urquhart would know about it."
Miss Climpson began to feel that she had let her invention play about
too freely.
"It wouldn't do any harm to make sure," she suggested.
"But I don't know the combination," said Miss Booth. "Mr. Urquhart
does, of course. We could write and ask him."
An inspiration came to Miss Climpson.
"I believe I know it," she exclaimed. "There was a row of seven figures
in that black note-book I was looking at just now, and it passed
through my mind that they must be a memorandum of something."
"Black Book!" cried Miss Booth. "Why, there you are! How could we have
been so silly! Of course, Mrs. Wrayburn was trying to tell us where to
find the combination!"
Miss Climpson again blessed the all-round utility of the letter B.
"I'll run up and fetch it," she cried.
When she came down again, Miss Booth was standing before a section of
the bookshelves, which had swung out from the wall, disclosing the
green door of a built-in safe. With trembling hands, Miss Climpson
touched the milled knob and turned it.
The first attempt was unsuccessful, owing to the fact that the note did
not make it clear which way the knob should be turned first, but at
the second attempt the pointer swung over on the seventh figure with a
satisfying click.
Miss Booth seized the handle, and the heavy door moved and stood open.
A bundle of papers lay inside. On the top, staring them in the face,
was a long, sealed envelope. Miss Climpson pounced upon it.
"Will of Rosanna Wrayburn
5 June 1920."
"Well, isn't that marvellous?" cried Miss Booth. On the whole, Miss
Climpson agreed with her.