CHAPTER X

Charles and the Housing Problem. The "carryings on" in the New Town, and

more about "St. Mary of the Snow"; also about Rudolph II and some

troublesome guests of his inviting, called the "Passauer." How Count

Thurn chased the "Passauer" out of town. A word about the Salvation

Army. How the centre of fashion shifted to the Old Town in the days of

Wenceslaus IV, and we move with it down the Karlova Ulice, look at

various matters of interest and listen to a story about a confectioner

and his nocturnal visitors. The 21st of June in Prague and the Hus

celebrations on the 6th of July. The Old Town Hall and the Church of Our

Lady of Tyn. The "Powder Tower," night life in Prague, and a word on

missionaries of long ago and of to-day. A good deal about concerts,

theatres, opera and other recreations. A mention of Jungmann and Kalina,

and the Slav Congress of 1848. A memory of barricades and street

fighting. Something about Sokols.

Charles, we have seen, had added a fourth quarter, the New Town, to his

city of Prague, moved thereto by the acuteness of the "Housing Problem,"

which, by the way, is equally urgent to-day. Prague is again the capital

of a free and flourishing State, and is again hard put to it to find

room for all those who feel attracted to her. The New Town soon entered

into the spirit of mediaeval Prague, put on no airs, but just joined in

any fray that happened to be going on. So New Town and Old were wont to

meet in battle over some vexed question, generally of theology strongly

mixed with politics, and a favourite cockpit was the ground in front of

"St. Mary of the Snow." It was on one of those occasions that the

steeple was brought down, together with a couple of monks who were

hiding in it, and also the big bell Carolus; a gun was brought into

action, and no doubt gave tone to the proceedings. This was in 1434;

nearly two centuries later some visitors generally alluded to as the

"Passauer," plundered this church and monastery.

This visit of the "Passauer" was again due to that noxious mixture,

religion plus politics. The Union of Protestant German Princes had been

broken, and Ravaillac's dagger had killed Henri Quatre, spoiling his

plans towards helping Protestantism, in which plans the French King had

also included Bohemia. Just about this time the Habsburger King of

Bohemia, Rudolph II, who must have been rather mad, was looking out for

a successor. He loathed all his relatives with complete impartiality,

save one, and that one was a cousin, Archduke Leopold, Bishop of

Strassbourg and Passau. Leopold was one of those fighting prelates who

send others to do the dirty work; in this case an army of his, some

thirty thousand bandits led by a foreign _condottiere_, invaded Bohemia,

burning and pillaging until they came to Prague. Rudolph had probably

invited them, as the imperial garrison of the Hrad[vs]any admitted these

"Passauer" to the Mala Strana. In Old Prague these marauders met with

resistance, though here too preparations had been made towards their

visit, as gunpowder and other warlike stores had been found in

monasteries and houses of the Jesuits. The Estates of Bohemia hastily

equipped Count Thurn, who soon got the better of Leopold's mercenaries,

and chased them and the Jesuits out of the country. Fighting about this

quarter of Prague--in fact, anywhere in the city--is now discouraged by

an efficient police force, and the only warlike sounds I have ever heard

proceeding from out the shadows of "St Mary of the Snow" came from the

band of the Salvation Army. A very good band it is too, though the tunes

it plays are not up to the native standard of music. Nevertheless the

Salvation Army is not only tolerated, but enjoys a certain amount of

popularity; deservedly too, for that organization does a great deal of

good rescue work. Jungmann's statue looks down thoughtfully upon this

somewhat corybantic form of religious expression when on a Sunday

afternoon the Salvation Army band is in full blast. Jungmann, who

brought out the value of the Czech language, its poetic possibilities,

by translating into it Milton's _Paradise Lost_, may wonder at this

strange striving after "the Beauty of Holiness," which also comes from

England. But probably he understands.

The New Town seems to have developed along a line of local politics all

its own and at variance with that of its very close neighbours, Old

Town, Vy[vs]ehrad and Mala Strana. Their local politicians did not lack

initiative; no one can accuse them of that failing. I can recall one

instance as example. During the days when the Protestants of Prague, in

their religious ardour, had split up into at least two distinct and

hostile parties, a procession of Utraquists, priests leading with the

Host, passed by the New Town Hall. Some one threw a brick and hit a

priest, thereupon the populace stormed the Town Hall and hurled Mayor

and Corporation out of the window; those of the victims who still showed

signs of life were dispatched with clubs--in fact, a clean-up of

municipal authorities took place. Public spirited certainly,

unconventional, you may say; but if the Bohemian is to have no power of

imagination, who may?

In the days of Wenceslaus IV the fashionable centre of Prague seems to

have been shifted from the impressive Hrad[vs]any side to the Old Town.

The King himself preferred to live in close touch with his people; he

wanted to see life--he certainly made it, for Wenceslaus when young was

quite "one of the lads of the village." Let us look up that good King's

haunts. On crossing the Charles Bridge from the Mala Strana to the Old

Town we keep straight along the Karlova Ulice--that is, as straight as

you can along this narrow old street by which Charles must have made his

way to the Carolinum. I have already pointed out to you the dome which

surmounts the home of the Red Cross Knights, the Knights Crucifer, and

told you that this building and the church that stands somewhat apart on

your left, behind the statue of Charles IV, is the work of the Jesuits.

We may go in by the wide gateway into this mass of buildings, the

Clementinum, also part of the University, but this is guide-book

business, and I prefer to take you my own way. So we go along the

crooked street past a bunch of churches, one of which is the longest in

Prague; you may see their bulbous towers from my terrace, or your own if

you get the right point of view. These churches do not interest me

particularly except for a lovely bit of wrought-iron railing belonging

to the Italian Chapel, just where the street takes a slight twist. Here

you have quaint old houses, with red-tiled roofs and dormer windows. One

of them seems inclined to impede the progress of the traffic, and the

street bends slightly away to the right to oblige this building. There

are quaint ornamentations on the narrow side of this house facing us,

human figures and wreaths, and in the centre of the design a star. This

old house has a little story to tell. Long ago, possibly in the

sixteenth century, it was an inn, or a lodging-house, was said to be

haunted, so the great-grandson of the last innkeeper there gave up

taking lodgers and became a confectioner. One winter's evening, probably

in preparation for Christmas, this confectioner was surveying the day's

handiwork. He was particularly pleased with two little sugar figures he

had fashioned; they represented a lady and her gallant in Spanish dress,

each draped in the heavy folds of a cloak. He was interrupted by a knock

at the door, and in came two figures, in Spanish dress, cloak and all, a

lady and her cavalier. The only thing strange about them were their

faces: they were like masks, beautiful indeed, but lifeless. However,

the couple were quite amiable; they took the proffered seats, and the

gallant spoke. "Have you, good master [gramercies, gadzooks, etc.,

according to taste], a couple of sugar figures in Spanish dress, each

draped in a cloak?" "Zounds!" or something equally effective (in Czech,

please) from the confectioner, "here is the very article!" The little

figures gave satisfaction; the gallant purchased them with much fine

gold, then proffered a request for a favour in return. "Granted," or

words to that effect, from the confectioner. "As it happens," continued

the gallant, "we have lost our heads, and would be much obliged if you

would recover them for us. You see, we called here about a hundred

years ago and were murdered in our beds, here in this house. It was your

great-grandfather's doing; he was a bit peevish that evening. We had

arrived with all our trunks, had searched the whole town for lodgings;

every place was crowded. Some one advised us to call here. The old

gentleman, after a deal of grumbling, showed us into a room, the first

floor front. I feel sure he really never liked us; in fact, we were no

sooner asleep than he came in and cut our heads off. He put our bodies

in one of our trunks, the contents of which he kept as souvenirs; you

know he was a great collector. He mislaid our heads, and we have

suffered much inconvenience in consequence. The ones we are wearing now

are not real ones--wax, you know; quite good of their kind, but not what

we have been used to. If you would be good enough to look around for

those heads, put them in a coffin with our bodies and have our whole

outfit decently buried, we should feel much relieved. By the way, our

old trunks are somewhere about the premises still, down in the cellar;

your great-grandfather was always keen on cold-storage--a collector

should be." The confectioner promised to see to this little matter, the

visitors tried to get up a smile of gratitude, and faded away. Right

enough, after searching diligently amongst his ancestor's collection,

the confectioner found the missing articles, carried out the

instructions given him by his visitors, and never saw them again. They

have left Prague for good and all, I gather.

It is well worth while to dive into the little narrow streets and alleys

to right and left; here you come upon many reminders of ancient Prague.

Look out especially for the quaint house-signs, some of which have not

yet been swept away--signs of exquisite design and workmanship, a lily,

a fish, keys or bunches of grapes. The Karlova Ulice eventually lands us

in the little Old Town Square, where you will find a beautiful

wrought-iron cage over a well, of sixteenth-century workmanship, and

passing on we arrive at one of the most historic spots of Prague, the

Starom[ve]stke Nam[ve]sti, the Old Town Square, or Ring. In shape it is

neither of these two, but that does not detract from the throbbing

interest that clings to it.

* * * * *

There was something unusual in the atmosphere of Prague when on the 21st

of June the sun dispelled the river mist, penetrated the purple shadows

of the quaint old streets, lit up the windows along the modern quays,

and gave promise of a glorious day to those who hurried to their daily

work. The unusual thing was an occasional streak of black in the general

radiance. Above that quarter of the castle where the President's

standard flies, a black flag floated on the morning breeze. The same

black note was repeated at the Czech National Theatre, and elsewhere

black banners waved out over the streets. This 21st of June was a day of

mourning for the children of Prague; on that day they remembered the

events of three centuries ago, events which robbed them of their rights

as a sovereign people, and fixed them firmly, ruthlessly, under the yoke

of Habsburg. It was the commemoration day for those who had made the

supreme sacrifice for the faith that was in them. The battle of the

White Mountain had been lost, and with it went the last remnant of those

able to resist the encroaching Austrians and the band of adventurers

who, under the cloak of religion, waged savage war in this fair country.

The cause of the trouble is far to seek. It arose from a characteristic

of these Slavonic people which should endear them to us, namely, a very

strong feeling of race and its responsibilities and a great tenacity

when defending their political and religious liberty. It is particularly

in the latter direction that the people of Bohemia and Moravia have been

in close touch with English thought. They were among the first, perhaps

the only people of the Continent, to embrace the tenets of Wycliffe, and

they fought for their convictions during the weary vicissitudes of the

Hussite wars. There were many Germans among those who took to the new

religious thought; Germans who had made their home in Bohemia and

Moravia, and were among the most earnest workers for the country's

welfare. But the _Drang nach Osten_ of the Germans of the Holy Roman

Empire under its semi-independent Princes and Electors, all intent on

their own advancement, was a constant menace to the peaceful development

of the Bohemian and Moravian people. They were not protected from

invasion by the silver sea. Bohemia never had a sea-coast, despite the

descriptive scenery in _Measure for Measure_. And here, I fear, is

another shattered illusion. When Shakespeare spoke of Bohemia he meant

Apulia, which at one time was named Bohemundia, after its King Bohemund.

Bohemia has always been exposed to enemies from the west, who could pour

in over the passes from Saxony or Bavaria. So the stout resistance of

the Hussites was eventually broken, and the House of Habsburg, for some

time elected Kings of Bohemia, encroached more and more on the chartered

freedom of the country. A first definite act of imperial bad faith

following on years of a policy inspired by malevolence and tempered by

stupidity, brought matters to a climax. A heated scene in the Council

Chamber of the Castle of Prague ended in what is described as the "Act

of Defenestration." In plain English, the Emperor's lieutenants, who, by

the way, happened to be a couple of Czech gentlemen bringing evidence of

the sovereign's treachery, were thrown out of the window. A midden in

the moat broke their fall; the officials fell soft, and got safely away.

But this very distinct lack of appreciation of the Emperor's demands on

the part of the Bohemian Estates let loose all the horrors of the Thirty

Years' War, a conflict which, waged under the cloak of religion and with

the blessings of Rome, set back civilization in Central Europe for many

generations. For the Czech inhabitants of Bohemia and Moravia, as for

those of Teuton origin who sympathized with the liberal movement of the

time, the battle of the White Mountain and its tragic sequel on that

21st of June was the death-knell of their hopes.

That there were Germans among the victims shows that it was not merely

racial rivalry as between Slav and Teuton, and that there was one Roman

Catholic among the number demonstrates that their protest was not

directed solely against the power and presumption of an intolerant

creed.

[Illustration: ON THE WHITE MOUNTAIN.]

The beauty of the architectural composition grouped about the Town Hall

was spoilt by the same black note that marked the 21st of June of this

year of grace. A large tribune, draped in black, projected well out into

the square from under the slender turret of the Town Hall Chapel.

Escorted by alien mercenaries, the twenty-seven martyrs were led to

execution; the dull, continuous rolling of drums accompanied the scene

until the last victim had been disposed of. Strange to relate, the sword

which was used by the one executioner was discovered some forty-four

years ago in an Edinburgh curiosity shop. On its basket hilt are graven

the names of the Bohemian gentlemen who fell by it (three of the

twenty-seven were hanged), and under those names the remark in the Czech

language: "The last unhappy task, on 21st June 1621. G. M." The sword

has returned to the country where the effects of its fell work are felt

to this day.

This day, the anniversary, the sunlit square saw numbers of pious folk

carrying wreaths to place them where white stones serve as constant

reminder of those men who died in the courage of their convictions, both

religious and political. It seems to be a peculiarly Slavonic trait,

this recalling of sad events in their history. The Serbs still celebrate

Vidovdan, the day of their disastrous defeat at Kossovo, where their

chivalry, the finest in Eastern Europe, went under in a sea of blood.

[Illustration: THE CHAPEL OF THE TOWNHALL.]

As a boy I was very strong on observing national and other holidays, but

cannot recall any celebration of the Saxon defeat at Hastings; it never

occurred to me: lack of imagination probably--and another festive

occasion missed.

There is, however, something fine in this Slavonic conception of events

worth commemorating; they may celebrate victories, but they also observe

the anniversaries of great national disasters, "lest they forget."

In the broad space between the Town Hall and the Tyn Church stands an

imposing group of statuary. Its centre figure of a simple and

convincing dignity represents Master John Hus, the great precursor of

those sons of Bohemia who died for their faith. The figure stands facing

towards the Town Hall.

This group of statuary has only recently found its appropriate site here

in the ancient centre of the city's life--formerly a column surmounted

by the "Virgin" threw its slender shadow across the square.

Looking out over the city on the 6th of July the first sight that caught

my eye was a display of bunting; flags flew everywhere, most of them the

colours of the Czecho-Slovak Republic, red and white with a blue

triangular insertion close up to the flagstaff. There is a correct

heraldic method of describing this, but to most people, as to myself, it

is barely intelligible, and hardly fits in with an everyday account of

things seen from a terrace in the capital of a very modern republic, the

constitution of which allows of no titles of nobility, and therefore has

little use for heraldry.

Titles of nobility have been abolished, and he who under the old regime

of Austria would style himself Count von Potts and Kettlehausen is now

called plain Mr. Potts. Other titles, those that have been won by

individual achievement and cannot be inherited, still remain in use to

brighten our drab existence. Most common amongst these is "Doctor"; you

may be a doctor of any or many more or less exact sciences; Professor

seems to come next in quantity; again you may profess anything you like.

This title is run rather close by Rad, or so it sounds at least, which

seems to be the old German _Rath_ slightly modified; of these also there

is a great and glorious variety. You have Pan (Mister) President for the

august being who presides over boards of financial, commercial or

industrial enterprise; Pan Inspectors are also plentiful and in highly

variegated form. In fact, there is quite an imposing array of titled

dignitaries who as true republicans have risen by their own merits. As

yet the "leprosy of decorations," as Dr. Seton Watson describes the

outbreak of coloured ribbons on manly chests, its spread in inverse

ratio to danger incurred, has not assumed undue proportions--but who

knows? I must, however, get back to the 6th of July and tell you how the

memory of John Hus is kept green.

A glance at the streets on that day shows you groups of wayfarers

carrying wreaths, and they converge on the square outside the Old Town

Hall where stands the monument to John Hus. The shop windows display

portraits of the Czech national hero, which is also reproduced inset in

wreaths, and this recalls to my mind the same day in 1918, when I first

became aware of what Master John Hus stands for to this people of

tenacious memory.

It was a day of pure Italian colour, that 6th of July, 1918, when I set

out from among those lovely Colline Euganie towards the front among the

Alps. First along broad, well-kept roads, through the plains of Veneto,

where trellised vine hung heavy laden, past homesteads, villas of warm

ochre hues or red, or pink, and all embowered in rich green foliage.

Through the narrow winding streets of graceful Vicenza, across the

arcaded market-place of old Verona, past the stately ruins of

Montecchio, till the road reached the foothills of the Alps. Then up by

hairpin turns, gaining an ever wider view of the vast plain lying in a

morning haze beyond which you knew was Venice and the blue Adriatic,

then down by winding ways into a valley. An outpost in Italian

field-grey uniform, not men of the Italian type, but stocky, fair-haired

and square-jawed, their collars decorated with red and white tabs. Every

group displayed a wreath, within it an effigy of John Hus, for these

soldiers were of the Czecho-Slovak Legion, and they were for the first

time in their lives allowed to commemorate without let or hindrance the

anniversary of their national hero's death. On this day five centuries

ago John Hus had met death at the stake for holding to his religious

convictions. Trusting in the word of an Emperor who had promised him a

safe conduct back to his own country, John Hus had gone to Constance to

defend his faith. Rome proved all-powerful, prevailed against the

promise of an Emperor of the Holy Roman Empire, and John Hus perished,

on his lips, they say, the words, "O Sancta Simplicitas!" But his memory

lives, and most surely amongst those of simple faith.

We do not observe the memory of those who suffered martyrdom for

England's spiritual freedom; by the way, there is in Bohemia a church

dedicated to St. Thomas a Becket.

I am describing the space between Town Hall and Cathedral as a square,

which is as about as accurate as the German name "Altstaedter Ring." The

Czech name for it is easier to pronounce than most of their words. Czech

is an immensely difficult language, and I still marvel at the clever

inhabitants of the country who pronounce it with ease--even with great

fluency. They can make jokes in it too, for the pleasant sound of

laughter is often heard in this "City Beautiful." I have never tackled a

Czech joke, but am quite prepared to give it credit for all the wit and

humour required of a joke, and as long as somebody is happy over it all

is well, and I smile with him.

[Illustration: THE TOWER OF OUR LADY OF TYN.]

Really there is something about this city which is smile-producing. It

is difficult to analyse, and may be attributed to the sheer beauty of

the place. And your smile may well go with a catch in your throat, for

there is always pathos in great beauty, and nowhere more so than here in

Prague. There is the delicate beauty of the Town Hall Chapel, and facing

it the tall steeples of the Tyn Church, with clusters of quaint little

pointed turrets, overtop a row of houses that seem to have set

themselves down with the deliberate intention of blocking the west

entrance. Now these houses are arcaded, and so are those on the south

side of the square. You puzzle for a while and then recall Padua, Verona

and other towns of Northern Italy; so now you know whence came the

inspiration that set up arcades in a northern capital. You ask how and

when this influence came to Prague, so I remind you of the relations

that existed between Bohemia and Italy, and of which I have told you

when discussing King John and his great son Charles. Under the guidance

of the latter, the Renaissance was not long in making its influence felt

in Prague--in fact, in all Bohemia--and Italian architects who

introduced the arcaded house added fresh beauties to the city. To the

earlier period of Italian influence must be attributed a quaint arched

house, the one at the corner of the Tynska Ulice. It seems to block the

west entrance to the Church of Our Lady of Tyn. The old house dates back

to the early days of the fourteenth century, at which period the Tyn

Church, though founded in the eleventh century, was still a-building. I

cannot blame the old houses for having squatted down in front of this

church; they were probably under the impression that it would never be

finished. They have at least left a vaulted alley-way leading to the

somewhat insignificant west entrance. The Tyn Church, though not

completed till fairly recently, has actually served as the principal

church of the Old Town since 1310. Here the reformers, preachers that I

have already mentioned, Conrad Waldhauser and Mili[vc] of

Krom[ve][vr]i[vz]e, drew large congregations by their fiery

denunciations and their call to repentance. Our Lady of Tyn is to Prague

what St. Paul's is to London in a certain degree; many celebrities are

buried here, among them that strange character Tycho de Brahe,

astronomer, logician, drunkard and duellist, the friend of Keppler and

his own worst enemy.

The show-entrance to the Tyn Church is a Gothic porch of rarest beauty;

it is tucked away in the little alley on the north side, and generally

closed. You are expected to enter by the south door.

A word of warning here: never try to be enterprising between midday and

2 p.m. in Prague, or for that matter anywhere else in the country,

unless it be in search of food. At midday everything closes

down--churches, museums, shops; they do not open again till the good

people in charge of them have had sufficient time for an ample meal--two

hours are considered sufficient. You will therefore find the cathedral

closed to you until the vergers have dined. But in the meantime you will

find the quaint conglomeration of buildings at the east end of the

cathedral very attractive. These buildings originally served many

purposes--cathedral close, market and custom house, and even at times as

bear-garden or zoo. To my thinking, the outside of the cathedral is far

more attractive than the inside, which suffers from over-decoration in

the incongruous style peculiar to Continental churches. I shall not

conduct you personally round the Church of Our Lady of Tyn.

Good King Wenceslaus, of whom we sing at Christmas-time, seems to have

caused the chapel and tower of the Town Hall to be built, at least

according to archaeologists; the sign of a kingfisher within a wreath

which appears here is taken to denote work done in his time. The master

architect of those last decades of the fourteenth century was Peter

Parler, who also did a good deal of work on the Tyn Church.

[Illustration: A CORNER OF THE OLD TOWN.]

The tower was added to the house of Welflin od Kamene, which was

acquired in 1538, and some fifty years later the beautiful chapel, the

Gothic projection of which looks out on to the scene of martyrdom of

1621. You will find two very interesting and lovely Sessions Rooms in

this Town Hall. In one of these George Podiebrad, a native of Bohemia

and of the country's faith, was elected and proclaimed King in 1458. To

my thinking, the best time of day on which to come upon this old Town

Hall is of an evening, say in late autumn; approach it by that quaint

little alley, the Melantrichova, called so in honour of Melantrich, who

was famous as printer and publisher in the latter half of the sixteenth

century. While wandering about the narrow alleys, these quaint passages

under the houses, a peculiar feature of Prague, you will pick up

something of the old spirit of the city and repeople it with the shades

of former inhabitants or visitors to suit your taste or knowledge of

its history. There is, for instance, one visitor whom I can quite see

roaming about in nocturnal Prague--Dr. Faust. Local legend prefers to

call him Wilhelm instead of Heinrich, but that does not matter--he fits

into the picture.

Sooth to say, I find about this old quarter of the city a certain

atmosphere spiced with wickedness, not thoroughly bad, just enough to

keep you amused. Look round for yourself o' nights, and you will

probably find reason to agree with me. There is again, in this spicy

atmosphere, a local--or shall we say native?--foundation with a markedly

exotic top-dressing. For the foundation of this peculiar atmosphere I

make Good King Wenceslaus responsible. I have already suggested that he

was "hot stuff," and certainly, when he moved into the palace that stood

near the "Powder Tower," he made things merry and bright in the Old

Town. A night out with Wenceslaus was a liberal education. Fundamentally

his form of amusement was probably the same as you may enjoy to-day if

you are inclined that way. An exotic touch is given to nocturnal

diversions nowadays by American bars and "Palais de Danse" varying in

degree of respectability; here the English language seems to

predominate, in our version and that of our distant relatives across the

Atlantic. The natives of the city do not frequent these haunts in any

great numbers; they have their own amusements, but they look in

occasionally, possibly as a mark of respect to the great allied nations,

and their representatives, the bearers of western culture. The Bohemian

when thinking of America recognizes only the United States of that

continent. Many of them emigrate to that country; some return with their

own rendering of the English language and a professed admiration for the

country of their sometime sojourn, of its institutions and leading

citizens. The Pragers have expressed this admiration by naming their

finest railway station after President Wilson of the Lost Points,

whereas their own President has to be content with a rather grubby old

terminus.

It would be quite possible for me to enlarge upon the subject of night

life in Prague, but discretion advises me not to do so; this is a side

of Prague which you must find out for yourself. When after a good dinner

you proceed to draw those furtive covers in the region between the Town

Hall and the "Powder Tower," you may pick up the scent which, I

maintain, hangs about there--that of rather spicy wickedness. I do not

mean anything offensive in this; in fact, everything is conducted

decently and in good order, also with a certain geniality; the

suggestion is rather that you might be mildly wicked if you wanted to

be. However, though we have to live in this world we need not be of it.

For those who do not feel drawn towards the furtive corners of the town,

there are many other opportunities of recreation. One of these was built

by the city itself, and is called the Obecni Dum, which means Town

House, I believe; anyway, when asking your way to it linger on the last

word and pronounce it as if written "doom." This was built about the

site of the palace where Wenceslaus IV held his revels, but it is

informed of a more sober spirit. You come upon this building as you pass

along the broad street, formerly the moat of the Old Town defences,

until you arrive at the street-junction I have already mentioned. Here

stands one of the most beautiful monuments to Prague's former glory, the

"Powder Tower." When first you come upon this, rising serenely in all

its ornate loveliness out of the roar and rattle of the traffic, the

sight of it catches your breath. King Vladislav II caused it to be

erected--one of the gates of the old city. An unhappy King this latter,

I should say; at least his lot was cast in unhappy times. One of the

last Slavs to occupy the throne of Bohemia--he was a Prince of

Poland--Vladislav succeeded one of the most popular of Bohemian

monarchs, George Podiebrad. The times in which Vladislav reigned were

evil; the internal religious struggles of Bohemia had reached a

desperate stage; all attempts to reunite the Utraquists with Rome had

failed, and Alexander Borgia was Pope. The reign of this King, for all

the glory of the monuments that commemorate it, seems as it were

illumined by the false light that presages disaster. His son Louis was

drowned while leaving the battlefield of Moha[vc], which reduced the

greater part of Hungary to a Turkish province, and anarchy held the

lands of the Bohemian Crown until in 1526 Ferdinand of Habsburg bribed

his way to the throne; one noble Bohemian is said to have accepted fifty

thousand gulden for his kind offices.

The "Powder Tower" looks out directly at a somewhat shabby building

opposite to it. I have mentioned it before as standing on the site of an

early monastic institution founded by those Irish monks who did so much

towards bringing Central Europe into the fold of the Church. They were,

in fact, the only missionaries, these pilgrims from the Isle of Saints,

who took up the task in the fifth and sixth centuries, wandering far

afield, through the German forests, along the great rivers Danube and

Main, to Italy and Switzerland, where St. Fridian at Lucca and St. Gall

in the hills above the Bodensee are still held in pious memory. The

Saxon monk Winfrith, better known as St. Boniface, also deserved well of

the people of Central Europe, for it was his zeal and energy which

assisted Charles the Great in his colonizing achievements. In our own

times other missionaries of Anglo-Saxon race, or at least

English-speaking, penetrated to the darkest recesses of the Continent,

even to Bohemia. They started as soon as the war was over and Europe

again a safe place to travel in. They took their toilsome way, by _train

de luxe_ and at Government expense, to such distant places as Prague and

Vienna, even Buda-Pesth. They were of those who were indispensable while

men were fighting, whose services could be spared when danger no longer

threatened. They came deeply imbued with the importance of their

mission, their commission, diplomatic, economic, hygienic, whatever it

was. They came in scores, accompanied by willing and well-paid workers,

to bring relief to those who had suffered in the war. They bought up

the scanty supplies of the countries to which they brought the blessing

arising out of their own high rate of exchange. They came in their

hundreds to spread the light of learning in matters hygienic to Prague,

the old university town famous for its school of medicine. They taught

the young the blessing of western guilds or associations, the young of a

country which forged its weapon of social defence, the Sokol, some

seventy years ago. They expect a deal of gratitude for all this; they

are also entirely devoid of any sense of humour, or they would all go

home and keep quiet.

Of real use to the good relations which have existed, intermittently

perhaps, but never clouded by misunderstanding, was the mission of the

English Singers who came to Prague. They sang to us in the large hall of

the Obecni Dum, the building dedicated to the townsfolk's recreation.

They sang us old-time motettes, madrigals, ballads, and we were taken

back to our own country by the soothing harmonies of Weelkes. We saw

Winchester Cathedral, its long nave and squat tower, standing in lush

meadows in the shade of ancient elms, the College Gate, its pillars so

artfully, invitingly rounded by William of Wykeham, drew us in again. We

were stirred by William Byrd's "Praise our Lord, all ye Gentiles," and

taken to Oxford by Gibbons's "What is our life? A play of passion. Our

mirth? The music of division." Purcell recalled our gracious English

landscape, and English life, "When Myra sings we seek the enchanting

sound"; and Thomas Morley with "Now is the month of maying." Then there

was rollicking Tom Bateson, of Dublin, with his alluring "Come follow

me, fair nymphs!" And the Bohemian audience were loud in generous

applause.

You may well believe that a land which has given to the world Smetana,

Dvo[vr]ak, [vS]ev[vc]ek, and so many other famous musicians, will

concentrate all that is good in music in Prague, its capital. There are

two opera-houses to start with; one of them, the National Theatre,

throws its reflections on the surface of the river at the end of the

Narodni T[vr]ida; the German Theatre stands on the rising ground between

the Museum at the top of the Vaclavske Nam[ve]sti and the Wilson

Station. There are numerous concert-halls, and every restaurant of any

repute has a good little orchestra of its own. Then there is a quaint

old theatre down in the centre of the Old Town; you will find it

standing comfortably among old red-roofed houses, between two open

spaces, market-places bright with fruit and flowers in their season. It

was in this theatre that Mozart's _Don Giovanni_ was performed for the

first time.

It is one of the most interesting parts of Prague, just around this old

theatre, and among the crooked lanes and dark corners; it lets you in to

the intimacy of the city if you set about your investigations in the

right spirit. Alongside of this old theatre, the Mozarteum, divided only

by a narrow alley, runs the front--I suppose it is the front--of the

Carolinum, the collegiate buildings of Charles's foundation. There is

little left outwardly of this building's former aspect, just one

glorious Gothic projection which almost touches the balcony of the

theatre. Within the Carolinum are spacious halls devoted to all manner

of academic functions. In one of these halls I witnessed a scene which

struck me with a sense of incongruity that I have not been able to

explain to myself. The Indian poet and philosopher, Rabindranath

Thagore, was received here by the University of Prague. Learned

professors read lengthy addresses of welcome in Czech, and to their own

entire satisfaction; the Indian poet spoke in English and recited poetry

in his own language, let us hope also to his own satisfaction. Thereupon

Rabindranath Thagore, his hands folded meekly inside his wide sleeves,

his head drooping and eyes half closed as becomes a poet of the tender

kind, passed out from among us--to travel to Paris in an aeroplane. I do

not know whether it was this latter event, or the expression of a

philosophy so entirely at variance with my own, or perhaps the sound of

the high-pitched plaintive voice, that gave me the sense of

incongruity, but there it was undoubtedly.

In your wanderings about the Old Town you will come upon all manner of

quaint corners, old houses with courtyard and balconies, churches of all

sizes and dedicated to many saints, and among these one which to my

thinking deserves particular interest. It is the Church of St.

Martin-in-the-Wall, very old--how old I cannot tell you--much mutilated

and disfigured by restorers whose heads should have gone into the

decorative scheme over the gateway of the Mala Strana bridge-tower; but

here in this church the Sacrament was first given in both forms, _sub

utraque_.

There are many little backwaters in the Old Town; you may people them

with the shades of all those who for centuries have toiled to restore

Bohemia to her rightful place among the States of Europe. You may see

flitting figures in the twilight, cloaked and obvious conspirators to

your discerning eye. These men were probably among those marked down by

the secret police as "patriots." Men who were working for freedom of

thought what time Jungmann and Kalina, another national poet, died, and

twelve thousand of the people joined in the funeral procession as it

passed the Town Hall where Arnold, Kalina's friend, was imprisoned. This

was in 1847. Then the Slav Congress in 1848, and its stirring scenes,

the meeting for Divine Service under the statue of St. Wenceslaus, the

scuffle with a sentry caused by an _agent provocateur_, the charge of

troops on an unarmed mob. Followed the erection of barricades, over a

hundred in half an hour, and street fighting in various quarters of the

city. Ruthless slaughter of citizens as at the Polytechnic School, where

an attack by ten thousand troops with artillery was repulsed by seven

hundred students of the Clementinum. Then the despair of the vanquished.

But the spirit fostered by Bohemia's great men lived on; the people had

their museum, containing books and records of their National Society,

they had their associations, Sokols, and above all, their music. And so

they waited, and not in idleness, for the better days which came to

them out of the Great War.

The Sokol movement should interest you; it has taken a firm hold among

Slavonic nations, and has in it something of the spirit of Freemasonry.

Sokol means "falcon"--no doubt the original badge favoured by Slavonic

societies. You will find the falcon, sometimes eagle, cropping up in

various places. There is a distinguished Order, that of the White Eagle

of Serbia, for instance; then the Poles also have started an Order with

an eagle or a falcon in it--I am not acquainted with this Order. Members

of Sokol societies wear an eagle's feather, or perhaps a falcon's, in

the saucy little head-dress, somewhat like our old cavalry forage-cap,

when in their becoming full dress. But Sokol means a great deal more

than this.

A year or so ago I witnessed a Sokol display on that flat-topped height

called Letna; it is, as it were, an eastward prolongation of the Castle

Hill. Here is a large recreation ground for the use of such bodies as

Sokol societies. In the arena, before a large and appreciative but

critical public, the Socialist Sokols gave their display of gymnastic

exercises on the occasion I have in mind. It was a stirring sight: ten

to twenty thousand young men and maidens went through their graceful

movements in perfect unison to the strains of their national music. It

must be borne in mind that those exercises have not only physical value

but are useful memnonic training. There is much discipline bred of these

exercises; the captain goes through the movements by himself, the team

repeats them after him. Then again, the Sokol is, and has been from the

beginning, a political union. Surely Socialists who submit themselves to

this training, to such discipline, are a powerful asset to a young State

that has got to make its mark in the world.

By the way, what is a Socialist? I take it that any man who has a

flowerpot in his window, whereas his neighbour has none, is no

Socialist. But this is, no doubt, a matter of taste or political

conviction, I am not quite clear which.

From a Terrace in Prague · 第 10 / 12 章