BOOK I

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BY THE SAME AUTHOR

"THE DESCENDANT"

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"PHASES OF AN INFERIOR PLANET"

CROWNED MASTERPIECES OF MODERN FICTION

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The Voice of the People

BY

Ellen Glasgow

NEW YORK, DOUBLEDAY

PAGE & COMPANY, 1904

Copyright, 1900, by

ELLEN GLASGOW

Published September, 1902

TO REBE GORDON GLASGOW

THE VOICE OF THE PEOPLE

BOOK I

FAIR WEATHER AT KINGSBOROUGH

I

The last day of Circuit Court was over at Kingsborough.

The jury had vanished from the semicircle of straight-backed chairs in

the old court-house, the clerk had laid aside his pen along with his air

of listless attention, and the judge was making his way through the

straggling spectators to the sunken stone steps of the platform outside.

As the crowd in the doorway parted slightly, a breeze passed into the

room, scattering the odours of bad tobacco and farm-stained clothing.

The sound of a cow-bell came through one of the small windows, from the

green beyond, where a red-and-white cow was browsing among the

buttercups.

"A fine day, gentlemen," said the judge, bowing to right and left. "A

fine day."

He moved slowly, fanning himself absently with his white straw hat,

pausing from time to time to exchange a word of greeting--secure in the

affability of one who is not only a judge of man but a Bassett of

Virginia. From his classic head to his ill-fitting boots he upheld the

traditions of his office and his race.

On the stone platform, just beyond the entrance, he stopped to speak to

a lawyer from a neighbouring county. Then, as a clump of men scattered

at his approach, he waved them together with a bland, benedictory

gesture which descended alike upon the high and the low, upon the rector

of the old church up the street, in his rusty black, and upon the

red-haired, raw-boned farmer with his streaming brow.

"Glad to see you out, sir," he said to the one, and to the other, "How

are you, Burr? Time the crops were in the ground, isn't it?"

Burr mumbled a confused reply, wiping his neck laboriously on his red

cotton handkerchief.

"The corn's been planted goin' on six weeks," he said more distinctly,

ejecting his words between mouthfuls of tobacco juice as if they were

pebbles which obstructed his speech. "I al'ays stick to plantin' yo'

corn when the hickory leaf's as big as a squirrel's ear. If you don't,

the luck's agin you."

"An' whar thar's growin' corn thar's a sight o' hoein'," put in an

alert, nervous-looking countryman. "If I lay my hoe down for a spell,

the weeds git so big I can't find the crop."

Amos Burr nodded with slow emphasis: "I never see land take so natural

to weeds nohow as mine do," he said. "When you raise peanuts you're

raisin' trouble."

He was a lean, overworked man, with knotted hands the colour of the

soil he tilled and an inanely honest face, over which the freckles

showed like splashes of mud freshly dried. As he spoke he gave his blue

jean trousers an abrupt hitch at the belt.

"Dear me! Dear me!" returned the judge with absent-minded, habitual

friendliness, smiling his rich, beneficent smile. Then, as he caught

sight of a smaller red head beneath Burr's arm, he added: "You've a

right-hand man coming on, I see. What's your name, my boy?"

The boy squirmed on his bare, brown feet and wriggled his head from

beneath his father's arm. He did not answer, but he turned his bright

eyes on the judge and flushed through all the freckles of his ugly

little face.

"Nick--that is, Nicholas, sir," replied the elder Burr with an

apologetic cough, due to the insignificance of the subject. "Yes, sir,

he's leetle, but he's plum full of grit. He can beat any nigger I ever

seed at the plough. He'd outplough me if he war a head taller."

"That will mend," remarked the lawyer from the neighbouring county with

facetious intention. "A boy and a beanstalk will grow, you know. There's

no helping it."

"Oh, he'll be a man soon enough," added the judge, his gaze passing over

the large, red head to rest upon the small one, "and a farmer like his

father before him, I suppose."

He was turning away when the child's voice checked him, and he paused.

"I--I'd ruther be a judge," said the boy.

He was leaning against the faded bricks of the old court-house, one

sunburned hand playing nervously with the crumbling particles. His

honest little face was as red as his hair.

The judge started.

"Ah!" he exclaimed, and he looked at the child with his kindly eyes. The

boy was ugly, lean, and stunted in growth, browned by hot suns and

powdered by the dust of country roads, but his eyes caught the gaze of

the judge and held it.

Above his head, on the brick wall, a board was nailed, bearing in black

marking the name of the white-sand street which stretched like a

chalk-drawn line from the grass-grown battlefields to the pale old

buildings of King's College. The street had been called in honour of a

duke of Gloucester. It was now "Main" Street, and nothing more, though

it was still wide and white and placidly impressed by the slow passage

of Kingsborough feet. Beyond the court-house the breeze blew across the

green, which was ablaze with buttercups. Beneath the warm wind the

yellow heads assumed the effect of a brilliant tangle, spreading over

the unploughed common, running astray in the grass-lined ditch that

bordered the walk, hiding beneath dusty-leaved plants in unsuspected

hollows, and breaking out again under the horses' hoofs in the sandy

street.

"Ah!" exclaimed the judge, and a good-natured laugh ran round the group.

"Wall, I never!" ejaculated the elder Burr, but there was no surprise in

his tone; it expressed rather the helplessness of paternity.

The boy faced them, pressing more firmly against the bricks.

"There ain't nothin' in peanut-raisin'," he said. "It's jest farmin' fur

crows. I'd ruther be a judge."

The judge laughed and turned from him.

"Stick to the soil, my boy," he advised. "Stick to the soil. It is the

best thing to do. But if you choose the second best, and I can help you,

I will--I will, upon my word--Ah! General," to a jovial-faced,

wide-girthed gentleman in a brown linen coat, "I'm glad to see you in

town. Fine weather!"

He put on his hat, bowed again, and went on his way.

He passed slowly along in the spring sunshine, his feet crunching upon

the gravel, his straight shadow falling upon the white level between

coarse fringes of wire-grass. Far up the town, at the street's sudden

end, where it was lost in diverging roads, there was visible, as through

a film of bluish smoke, the verdigris-green foliage of King's College.

Nearer at hand the solemn cruciform of the old church was steeped in

shade, the high bell-tower dropping a veil of English ivy as it rose

against the sky. Through the rusty iron gate of the graveyard the marble

slabs glimmered beneath submerging grasses, long, pale, tremulous like

reeds.

The grass-grown walk beside the low brick wall of the churchyard led on

to the judge's own garden, a square enclosure, laid out in straight

vegetable rows, marked off by variegated borders of flowering

plants--heartsease, foxglove, and the red-lidded eyes of scarlet

poppies. Beyond the feathery green of the asparagus bed there was a bush

of flowering syringa, another at the beginning of the grass-trimmed

walk, and yet another brushing the large white pillars of the square

front porch--their slender sprays blown from sun to shade like

fluttering streamers of cream-coloured ribbons. On the other side there

were lilacs, stately and leafy and bare of bloom, save for a few

ashen-hued bunches lingering late amid the heavy foliage. At the foot of

the garden the wall was hidden in raspberry vines, weighty with ripening

fruit.

The judge closed the gate after him and ascended the steps. It was not

until he had crossed the wide hall and opened the door of his study that

he heard the patter of bare feet, and turned to find that the boy had

followed him.

For an instant he regarded the child blankly; then his hospitality

asserted itself, and he waved him courteously into the room.

"Walk in, walk in, and take a seat. I am at your service."

He crossed to one of the tall windows, unfastening the heavy inside

shutters, from which the white paint was fast peeling away. As they fell

back a breeze filled the room, and the ivory faces of microphylla roses

stared across the deep window-seat. The place was airy as a summer-house

and odorous with the essence of roses distilled in the sunshine beyond.

On the high plastered walls, above the book-shelves, rows of bygone

Bassetts looked down on their departed possessions--stately and severe

in the artificial severity of periwigs and starched ruffles. They looked

down with immobile eyes and the placid monotony of past fashions,

smiling always the same smile, staring always at the same spot of floor

or furniture.

Below them the room was still hallowed by their touch. They asserted

themselves in the quaint curves of the rosewood chairs, in the blue

patterns upon the willow bowls, and in the choice lavender of the old

Wedgwood. Their handiwork was visible in the laborious embroideries of

the fire-screen near the empty grate, and the spinet in one unlighted

corner still guarded their gay and amiable airs.

"Sit down," said the judge. "I am at your service."

He seated himself before his desk of hand-carved mahogany, pushing aside

the papers that littered its baize-covered lid. In the half-gloom of the

high-ceiled room his face assumed the look of a portrait in oils, and he

seemed to have descended from his allotted square upon the plastered

wall, to be but a boldly limned composite likeness of his race, awaiting

the last touches and the gilded frame.

"What can I do for you?" he asked again, his tone preserving its

unfailing courtesy. He had not made an uncivil remark since the close of

the war--a line of conduct resulting less from what he felt to be due to

others than from what he believed to be becoming in himself.

The boy shifted on his bare feet. In the old-timed setting of the

furniture he was an alien--an anachronism--the intrusion of the

hopelessly modern into the helplessly past. His hair made a rich spot in

the colourless atmosphere, and it seemed to focus the incoming light

from the unshuttered window, leaving the background in denser shadow.

The animation of his features jarred the serenity of the room. His

profile showed gnome-like against the nodding heads of the microphylla

roses.

"There ain't nothin' in peanut-raisin'," he said suddenly; "I--I'd

ruther be a judge."

"My dear boy!" exclaimed the judge, and finished helplessly, "my dear

boy--I--well--I--"

They were both silent. The regular droning of the old clock sounded

distinctly in the stillness. The perfume of roses, mingling with the

musty scent from the furniture, borrowed the quality of musk.

The child was breathing heavily. Suddenly he dug the dirty knuckles of

one fist into his eyes.

"Don't cry," began the judge. "Please don't. Perhaps you would like to

run out and play with my boy Tom?"

"I warn't cryin'," said the child. "It war a gnat."

His hand left his eyes and returned to his hat--a wide-brimmed harvest

hat, with a shoestring tied tightly round the crown.

When the judge spoke again it was with seriousness.

"Nicholas--your name is Nicholas, isn't it?"

"Yes, sir."

"How old are you?"

"Twelve, sir."

"Can you read?"

"Yes, sir."

"Write?"

"Y-e-s, sir."

"Spell?"

The child hesitated. "I--I can spell--some."

"Don't you know it is a serious thing to be a judge?"

"Yes, sir."

"You must be a lawyer first."

"Yes, sir."

"It is hard work."

"Yes, sir."

"And sometimes it's no better than farming for crows."

The boy shook his head. "It's cleaner work, sir."

The judge laughed.

"I'm afraid you are obstinate, Nicholas," he said, and added: "Now, what

do you want me to do for you? I can't make you a judge. It took me fifty

years to make myself one--a third-rate one at that--"

"I--I'd l-i-k-e to take a bo-b-o-o-k," stammered the boy.

"Dear me!" said the judge irritably, "dear me!"

He frowned, his gaze skimming his well-filled shelves. He regretted

suddenly that he had spoken to the child at the court-house. He would

never be guilty of such an indiscretion again. Of what could he have

been thinking? A book! Why didn't he ask for food--money--his best piece

of fluted Royal Worcester?

Then a loud, boyish laugh rang in from the garden, and his face softened

suddenly. In the sun-scorched, honest-eyed little figure before him he

saw his own boy--the single child of his young wife, who was lying

beneath a marble slab in the churchyard. Her face, mild and

Madonna-like, glimmered against the pallid rose leaves in the deep

window-seat.

He turned hastily away.

"Yes, yes," he answered, "I will lend you one. Read the titles

carefully. Don't let the books fall. Never lay them face downwards--and

don't turn down the leaves!"

The boy advanced timidly to the shelves between the southern windows. He

ran his hands slowly along the lettered backs, his lips moving as he

spelled out the names.

"The F-e-d-e-r-a-l-i-s-t," "B-l-a-c-k-s-t-o-n-e-'s

C-o-m-m-e-n-t-a-r-i-e-s," "R-e-v-i-s-e-d Sta-tu-tes of the U-ni-ted

Sta-tes."

The judge drew up to his desk and looked over his letters. Then he took

up his pen and wrote several replies in his fine, flowing handwriting.

He had forgotten the boy, when he felt a touch upon his arm.

"What is it?" he asked absently. "Ah, it is you? Yes, let me see. Why!

you've got Sir Henry Maine!"

The boy was holding the book in both hands. As the judge laughed he

flushed nervously and turned towards the door.

The judge leaned back in his chair, watching the small figure cross the

room and disappear into the hall. He saw the tracks of dust which the

boy's feet left upon the smooth, bare floor, but he was not thinking of

them. Then, as the child went out upon the porch, he started up.

"Nicholas!" he called, "don't turn down the leaves!"

II

A facetious stranger once remarked that Kingsborough dozed through the

present to dream of the past and found the future a nightmare. Had he

been other than a stranger, he would, perhaps, have added that

Kingsborough's proudest boast was that she had been and was not--a

distinction giving her preëminence over certain cities whose charters

were not received from royal grants--cities priding themselves not only

upon a multiplicity of streets, but upon the more plebeian fact that the

feet of their young men followed the offending thoroughfares to the

undignified music of the march of progress.

But, whatever might be said of places that shall be nameless, it was

otherwise with Kingsborough. Kingsborough was the same yesterday,

to-day, and forever. She who had feasted royal governors, staked and

lost upon Colonial races, and exploded like an ignited powder-horn in

the cause of American independence, was still superbly conscious of the

honours which had been hers. Her governors were no longer royal, nor did

she feast them; her races were run by fleet-footed coloured urchins on

the court-house green; her powder-magazine had evolved through

differentiation from a stable into a church; but Kingsborough clung to

her amiable habits. Travellers still arrived at the landing stage some

several miles distant and were driven over all but impassable roads to

the town. The eastern wall of the court-house still bore the sign

"England Street," though the street had vanished beneath encroaching

buttercups, and the implied loyalty had been found wanting. Kingsborough

juries still sat in their original semicircle, with their backs to the

judge and their faces, presumably, to the law; Kingsborough farmers

still marketed their small truck in the street called after the Duke of

Gloucester; and Kingsborough cows still roamed at will over the vaults

in the churchyard. In time trivial changes would come to pass. Tourists

would arrive with the railroad; the powder-magazine would turn from a

church into a museum; gardens would decay and ancient elms would fall,

but the farmers and the cows would not be missed from their accustomed

haunts. On the hospitable thresholds of "general" stores battle-scarred

veterans of the war between the States dealt in victorious reminiscences

of vanquishment. They had fought well, they had fallen silently, and

they had risen without bitterness. For the people of Kingsborough had

opened their doors to wounded foes while the battle raged through their

streets, succouring while they resisted. They lived easily and they died

hard, but when death came they met it, not in grim Puritanism, but with

a laugh upon the lips. They made a joy of life while it was possible,

and when that ceased to be, they did the next best thing and made a

friend of death. Long ago theirs had been the first part in Virginia,

and, as they still believed, theirs had been also the centre of all

things. Now the high places were laid low, and the greatness had passed

as a trumpet that is blown. Kingsborough persisted still, but it

persisted evasively, hovering, as it were, upon the outskirts of modern

advancement. And the outside world took note only when it made tours to

historic strongholds, or sent those of itself that were adjudged insane

to the hospitable shelter of the asylum upon the hill.

It was afternoon, and Kingsborough was asleep.

Along the verdurous, gray lanes the houses seemed abandoned, shuttered,

filled with shade. From the court-house green came the chime of

cow-bells rising and falling in slow waves of sound. A spotted calf

stood bleating in the crooked footpath, which traversed diagonally the

waste of buttercups like a white seam in a cloth of gold. Against the

arching sky rose the bell-tower of the grim old church, where the

sparrows twittered in the melancholy gables and the startled face of the

stationary clock stared blankly above the ivied walls. Farther away, at

the end of a wavering lane, slanted the shadow of the insane asylum.

Across the green the houses were set in surrounding gardens like cards

in bouquets of mixed blossoms. They were of frame for the most part,

with shingled roofs and small, square windows hidden beneath climbing

roses. On one of the long verandas a sleeping girl lay in a hammock, a

gray cat at her feet. No sound came from the house behind her, but a

breeze blew through the dim hall, fluttering the folds of her dress.

Beyond the adjoining garden a lady in mourning entered a gate where

honeysuckle grew, and above, on the low-dormered roof, a white pigeon

sat preening its feathers. Up the main street, where a few sunken bricks

of a vanished pavement were still visible, an old negro woman, sitting

on the stone before her cabin, lighted her replenished pipe with a

taper, and leaned back, smoking, in the doorway, her scarlet

handkerchief making a spot of colour on the dull background.

The sun was still high when the judge came out upon his porch, a smile

of indecision on his face and his hat in his hand. Pausing upon the

topmost step, he cast an uncertain glance sideways at the walk leading

past the church, and then looked straight ahead through the avenue of

maples, which began at the smaller green facing the ancient site of the

governor's palace and skirted the length of the larger one, which took

its name from the court-house. At last he descended the steps with his

leisurely tread, turning at the gate to throw a remonstrance to an old

negro whose black face was framed in the library window.

"Now, Cæsar, didn't I--"

"Lord, Marse George, dis yer washed-out blue bowl, wid de little white

critters sprawlin' over it, done come ter pieces--"

"Now, Cæsar, haven't I told you twenty times to let Delilah wash my

Wedgwood?"

"Fo' de Lord, Marse George, I ain't breck hit. I uz des' hol'n it in

bofe my han's same es I'se hol'n dis yer broom, w'en it come right ter

part. I declar 'twarn my fault, Marse George, 'twarn nobody's fault

'cep'n hit's own."

The judge closed the gate and waved the face from the window.

"Go about your business, Cæsar," he said, "and keep your hands off my

china--"

Then his tone lost its asperity as he held out his hands to a pretty

girl who was coming across the green.

"So you are back from school, Miss Juliet," he said gallantly. "I was

telling your mother only yesterday that I didn't approve of sending our

fairest products away from Kingsborough. It wasn't done in my day. Then

the prettiest girls stayed at home and gave our young fellows a chance."

The girl shook her head until the blue ribbons on her straw hat

fluttered in the wind, and blushed until her soft eyes were like

forget-me-nots set in rose leaves. She possessed a serene, luminous

beauty, which became intensified beneath the gaze of the beholder.

"I have come back for good, now," she answered in a serious sweetness of

voice; "and I am out this afternoon looking up my Sunday-school class.

The children have scattered sadly. You will let me have Tom again, won't

you?"

"Have Tom! Why, you may have him every day and Sunday too--the lucky

scamp! Ah, I only wish I were a boy again, with a soul worth saving and

such a pair of eyes in search of it."

The girl dimpled into a smile and flushed to her low, white forehead, on

which the soft hair was smoothly parted before it broke into sunny curls

about the temples. She exhaled an atmosphere of gentleness mixed with a

saintly coquetry, which produced an impression at once human and divine,

such as one receives from the sight of a rose in a Bible or a curl in

the hair of a saint. The judge looked at her warmly, sighing half

happily, half regretfully.

"And to think that the young rogues don't realise their blessings," he

said. "There's not one of them that wouldn't rather be off fishing than

learn his catechism. Ah, in my day things were different--things were

different."

"Were you very pious, sir?" asked the girl with a flash of laughter.

The judge shook his stick playfully.

"I can't tell tales," he answered, "but in my day we should have taken

more than the catechism at your bidding, my dear. When your father was

courting your mother--and she was like you, though she hadn't your eyes,

or your face, for that matter--he went into her Bible class, though he

was at least five and twenty and the others were small boys under ten.

She was a sad flirt, and she led him a dance."

"He liked it," said the girl. "But, if you will give my message to Tom,

I won't come in. I am looking for Dudley Webb, and I see his mother at

her gate. Good-bye! Be sure and tell Tom to come Sunday."

She nodded brightly, lifted her muslin skirts, and recrossed the street.

The judge watched her until the flutter of her white dress vanished down

the lane of maples; then he turned to speak to the occupants of a

carriage that had drawn up to the sidewalk.

The vehicle was of an old-fashioned make, bare of varnish, with rickety,

mud-splashed wheels and rusty springs. It was drawn by an ill-matched

pair of horses and driven by a lame coloured boy, who carried a peeled

hickory branch for a whip.

"Ah, General Battle," said the judge to a stout gentleman with a red

face and an expansive shirt front from which the collar had wilted away;

"fine afternoon! Is that Eugenia?" to a little girl of seven or eight

years, with a puppy of the pointer breed in her arms, and "How are you,

Sampson?" to the coloured driver.

The three greeted him simultaneously, whereupon he leaned forward,

resting his hand upon the side of the carriage.

"The young folks are growing up," he said. "I have just seen Juliet

Burwell, and, on my life, she gets prettier every day. We shan't keep

her long."

"Keep her!" replied the general vigorously, wiping his large face with a

large pocket handkerchief. "Keep her! If I were thirty years younger,

you shouldn't keep her a day--not a day, sir."

The little girl looked up gravely from the corner of the seat, tossing

her short, dark plait from her shoulder. "What would you do with her,

papa?" she asked. "We've got no place to put her at home."

The general threw back his great head and laughed till his wide girth

shook like a bag of meal.

"Oh, you needn't worry, Eugie," he said. "I'm not the man I used to be.

She wouldn't look at me. Bless your heart, she wouldn't look at me if I

asked her--"

Eugenia clasped her puppy closer and turned her eyes upon her father's

jovial face.

"I don't see how she could help it if you stood in front of her," she

answered gravely, in a voice rich with the blending of negro

intonations.

The general shook again until the carriage creaked on its rusty

springs, and the coloured boy, Sampson, let the reins fall and joined in

the hilarity.

"She won't let me so much as look at a girl!" exclaimed the general

delightedly, stooping to recover the brown linen lap robe which had

slipped from his knees. "She's as jealous as if I were twenty and had a

score of sweethearts."

The little girl did not reply, but she flushed angrily. "Don't,

precious," she said to the puppy, who was licking her cheek with his

warm, red tongue.

"What have you named him, Eugie?" asked the judge, changing the subject

with that gracious tact which was mindful of the least emergency. "He is

nicely marked, I see."

"I call him Jim," replied Eugenia. She spoke gravely, and the gravity

contrasted oddly with the animation of her features. "But his real name

is James Burwell Battle. Bernard and I christened him in the

spring-house--so he'll go to heaven."

"Cap'n Burwell gave him to her, you know," explained the general, who

laughed whenever his daughter spoke, as if the fact of her talking at

all was a source of amazement to him, "and she hasn't let go of him

since she got him. By the way, Judge, you have a first-rate garden spot.

I hear your asparagus is the finest in town. Ours is very poor this

year. I must have a new bed made before next season. Ah, what is it,

daughter?"

"You've forgotten to buy the sugar," said Eugenia, "and Aunt Chris can't

put up her preserves. And you told me to remind you of the whip--"

"Bless your heart, so I did. Sampson lost that whip a month ago, and

I've never remembered it yet. Well, good-day--good-day."

The judge raised his hat with a stately inclination; the general nodded

good-naturedly, still grasping the linen robe with his plump, red hand;

and the carriage jolted along the green and disappeared behind the

glazed brick walls of the church.

The judge regarded his walking-stick meditatively for a moment, and

continued his way. The smile with which he had followed the vanishing

figure of Juliet Burwell returned to his face, and his features softened

from their usual chilly serenity.

He had gone but a short distance and was passing the iron gate of the

churchyard, when the droning of a voice came to him, and looking beyond

the bars, he saw little Nicholas Burr lying at full length upon a marble

slab, his head in his hands and his feet waving in the air.

Entering the gate, the judge followed the walk of moss-grown stones

leading to the church steps, and paused within hearing of the voice,

which went on in an abstracted drawl.

"The most cel-e-bra-ted sys-tem of juris-pru-dence known to the world

begins, as it ends, with a code--" He was not reading, for the book was

closed. He seemed rather to be repeating over and over again words which

had been committed to memory.

"With a code. From the commencement to the close of its history, the

ex-posi-tors of Ro-man Law con-sistently em-ployed lan-guage which

implied that the body of their sys-tem rested on the twelve

De-cem-viral Tables--Dec-em-vi-ral--De-cem-vi-ral Tables."

"Bless my soul!" said the judge. The boy glanced up, blushed, and would

have risen, but the judge waved him back.

"No--no, don't get up. I heard you as I was going by. What are you

doing?"

"Learnin'."

"Learning! Dear me! What do you mean by learning?"

"I'm learnin' by heart, sir--and--and, if you don't mind, sir, what does

j-u-r-i-s-p-r-u-d-e-n-c-e mean?"

The judge started, returning the boy's eager gaze with one of kindly

perplexity.

"Bless my soul!" he said again. "You aren't trying to understand that,

are you?"

The boy grew scarlet and his lips trembled. "No, sir," he answered. "I'm

jest learnin' it now. I'll know what it means when I'm bigger--"

"And you expect to remember it?" asked the judge.

"I don't never forget," said the boy.

"Bless my soul!" exclaimed the judge for the third time.

For a moment he stood looking silently down upon the marble slab with

its defaced lettering. Of the wordy epitaph which had once redounded to

the honour of the bones beneath there remained only the words "who

departed," but he read these with a long abstracted gaze.

"Let me see," he said at last, speaking with his accustomed dignity.

"Did you ever go to school, Nicholas?"

"Yes, sir."

"When?"

"I went 'most three winters, sir, but I had to leave off on o'count o'

pa's not havin' any hand 'cep'n me."

The judge smiled.

"Ah, well," he returned. "We'll see if you can't begin again. My boy has

a tutor, you know, and his playmates come to study with him. He's about

your age, and it will give you a start. Come in to-morrow at nine, and

we'll talk it over. No, don't get up. I am going."

And he passed out of the churchyard, closing the heavy gate with a

metallic clang. Nicholas lay on the marble slab, but the book slipped

from his hands, and he gazed straight before him at the oriel window,

where the ivy was tremulous with the shining bodies and clamorous voices

of nesting sparrows. They darted swiftly from gable to gable, filling

the air with shrill sounds of discord, and endowing with animation the

inanimate pile, wrapping the dead bricks in a living shroud.

On the other side swept the long, colourless grasses, rippling in faint

waves like a still lake that reflects the sunshine and swaying lightly

beneath myriads of gauzy-winged bees that flashed with a droning noise

from blade to blade, to find rest in the yellow hearts of the damask

roses. Across the white vaults and the low-lying marble slabs

innumerable shadows chased, and from above the gnarled old locust trees

swept a fringe of vivid green, the slender blossoms hanging in tassels

from the branches' ends, and filling the air with a soft and ceaseless

rain of fragrant petals. Pale as the ghosts of dead leaves, they fell

always, fluttering night and day from the twisted boughs, settling in

creamy flakes upon the bending grasses, and outlining in delicate

tracery the epitaphs upon the discoloured marbles.

Nicholas lay with wide-open eyes, looking up at the oriel window where

the sparrows twittered. On a near vault a catbird poised for an instant,

surveying him with bright, distrustful eyes. Then, with an impetuous

flutter of slate-gray wings, it fled to the poisonous oak on the far

brick wall. A red-and-white cow, passing along the lane outside, stopped

before the closed gate, and stood philosophically chewing the cud as she

looked within through impeding bars. From the judge's garden came the

faint sound of a negro voice as the old gardener weeded the vegetables.

Nicholas rolled over again and faced the outstretched wings of the

noseless angel on the nearest tombstone. The loss of the nose had

distorted the marble smile into a grimace, which gave a leer to the

remaining features. As the boy looked at it he laughed suddenly, and his

voice startled him amid the droning of bees. Then he sat up and glanced

at his brier-scratched feet stretched upon the slab, and laughed again

for the sheer joy of discord.

III

Nicholas followed the main street to its sudden end at King's College,

and turned into one of the diverging ways which skirted the whitewashed

plank fence of the college grounds, and led to what was known in the

neighbourhood as the Old Stage Road. Passing a straggling group of negro

cabins, it stretched, naked, bleached, and barren, for a good half-mile,

dividing with its sandy length the low-lying fields, which were sown on

the one side in a sparse crop of grain and on the other in the rich

leaves and round pink heads of ripening clover. At the end of the

half-mile the road ascended a slight elevation, and the character of the

soil changed abruptly into clay of vivid red, which, extending a dozen

yards up the rain-washed hillside, appeared, in a general view of the

landscape, like the scarlet tongue protruding from the silvery body of a

serpent.

Far ahead to the right of the highway and beyond the thinly sown wheat a

stretch of pine woodland was darkly limned against the western horizon,

standing a gloomy advance guard of the shadows of the night. At its foot

the newer green of the late spring foliage took a frivolous aspect,

presenting the effect of deep-tinted foam breaking against the

impenetrable mass of darkness.

The boy trudged resolutely along the sandy road, reaching at intervals

to grasp handfuls of sassafras leaves from the bushes beside the way.

From the ditch on the left a brown toad hopped slowly into the dust of

the road. On the worm-eaten rails of the fence, on the other side, a

gray lizard glided swiftly like a stealthy shadow of the leaves of the

poisonous oak.

Nicholas picked up a stone from the roadside and aimed it at the slimy

little body, but his throw erred, and the missile fell harmlessly into

the wheat field beyond, startling a blackbird with scarlet marks, which

soared suddenly above the bearded grain and vanished, with a tremulous

cry and a flame of outstretched wings, into the distant wood.

The sun had gone down behind the pines and a warm mist steamed up from

the cooling earth, condensing into heavy dew on the dusty leaves of the

plants in the ditch. Above the lowering pines the horizon burned to a

deep scarlet, like an inverted brazier at red heat, and one gigantic

tree, rising beyond the jagged line of the forest, was silhouetted

sharply against the enkindled clouds. Suddenly, from the shadows of the

long road, a voice rose plaintively. It was rich and deep and

colourific, and it seemed to hover close to the warmth of the earth,

weighed down by its animal melody. It had mingled so subtly with the

stillness that it was as much a part of nature as the cry of a

whip-poor-will beyond the thicket or the sunset in the pine-guarded

west. At first it came faintly, and the words were lost, but as Nicholas

gained upon the singer he caught more clearly the air and the song.

"_Oh, de Ark hit came ter res'

On-de-hill,

Oh, de Ark hit came ter res'

On-de-hill,

En' dar ole Noah stood,

En' spread his han's abroad,

Er sacri-fice ter-Gawd

On-de-hill._"

Nicholas quickened his pace into a run and, in a moment, saw the

stooping figure of an old negro toiling up the red clay hillside, a

staff in his hand and a bag of meal on his shoulder. In the vivid light

of the sunset his stature was exaggerated in size, giving him an

appearance at once picturesque and pathetic--softening his rugged

outline and magnifying the distortion of age.

As he ascended the gradual incline he planted his staff firmly in the

soil, shifting his bag from side to side and uttering inaudible grunts

in the pauses of his song.

"_En' dar, mid flame en smoke,

De great Jehovah s-poke.

En' awful thunder b-roke,

On-de-hill._"

"Uncle Ish!" called the boy sharply. The old man lowered the bag from

his shoulder and turned slowly round.

"Who dat?" he demanded severely. "Ain't I done tell you dar ain' no

ha'nts 'long dis yer road?"

"It's me, Uncle Ish," said the boy. "It's Nick Burr. I heard you singing

a long ways off."

"Den what you want ter go a-hollerin' en a-stealin' up on er ole nigger

fer des' 'bout sundown?"

"But, Uncle Ish, I didn't mean to scare you. I jest heard--"

"Skeer! Who dat you been skeerin'? Ain't I done tole you dar ain' no

ha'nts round dese parts? What I gwine ter be skeered fer uv er little no

'count white trash dat ain' never own er nigger in dere life? Who you

done skeer dis time?"

He picked up his bag, slung it over his shoulder and went on his way,

the boy trotting beside him. For a time the old man muttered angrily

beneath his breath, and then, becoming mollified by the boy's silence,

he looked kindly down on the small red head at his elbow.

"You ain't said howdy, honey," he remarked in a fault-finding tone. "Dar

ain' no manners dese days, nohow. Dey ain' no manners en dey ain' no

nuttin'. De niggers, dey is gwine plum outer dey heads, en de po' white

trash dey's gwine plum outer dey places."

He looked at Nicholas, who flinched and hung his head.

"Dar ain' nobody lef to keep 'em ter dey places, no mo'. In Ole Miss'

time der wa'nt no traipsin' roun' er niggers en intermixin' up er de

quality en de trash. Ole Miss, she des' pint out der place en dey stay

dar. She ain' never stomach noner der high-ferlutin' doin's roun' her.

She know whar she b'long en she know whar dey b'long. Bless yo' life,

Ole Miss wuz dat perticklar she wouldn't drink arter Ole Marster,

hisself, 'thout renchin' out de gow'd twel t'wuz mos' bruck off de

handle."

He sighed and shifted his bag.

"Ef Ole Miss 'ud been yer thoo' dis las' war, dar wouldn't er been no

slue-footed Yankees a-foolin' roun' her parlour. She'd uv up en show'd

'em de do'--"

"Are all Yankees slue-footed, Uncle Ish?"

"All dose I seed, honey--des' es slue-footed. En dar wuz Miss Chris' en

ole Miss Grissel a-makin' up ter 'em, en a-layin' out er demselves fer

'em en a-spreadin' uv de table, des' de same es ef dey went straight on

dey toes. Dar wan't much sense in dat ar war, nohow, an' I ain' never

knowed yit what 'twuz dey fit about. Hit wuz des' a-hidin' en a-teckin'

ter de bushes, en a-hidin' agin, en den a-feastin', en a-curtsin' ter de

Yankees. Dar wan't no sense in it, no ways hits put, but Ise heered

Marse Tom 'low hit wuz a civil war, en dat's what it wuz. When de

Yankees come a-ridin' up en a-reinin' in dere hosses befo' de front

po'ch, en Miss Chris come out a-smilin' en a-axin' howdy, en den dey

stan' dar a-bowin' en a-scrapin', hit wuz des' es civil es ef dey'd come

a-co'tin'. But Ole Miss wuz dead en buried, she wuz."

Nicholas shook his head without speaking. There was a shade of

consolation in the thought that the awful "Ole Miss" was below the earth

and beyond the possibility of pointing out his place.

The brazier in the west snapped asunder suddenly, and a single forked

flame shot above the jagged pines and went out in the dove-coloured

clouds. In a huge oak beyond the rail fence there was a harsh rustling

of wings where a flock of buzzards settled to roost.

"Yes, Lord, she wuz dead en buried," repeated Uncle Ish slowly. "En dar

ain' none like her lef' roun' yer now. Dis yer little Euginny is des'

de spit er her ma, en it 'ud mek Ole Miss tu'n in her grave ter hear

tell 'bout her gwines on. De quality en de po' folks is all de same ter

her. She ain' no mo' un inspecter er pussons den de Lord is--ef Ole Miss

wuz 'live, I reckon she'd lam 'er twel she wuz black en blue--"

"Is she so very bad?" asked Nicholas in an awed voice.

Uncle Ish turned upon him reprovingly.

"Bad!" he repeated. "Who gwine call Ole Miss' gran'chile bad? I don't

reckon it's dese yer new come folks es hev des' sprouted outer de dut es

is gwine ter--"

At this instant the sound of a vehicle reached them, gaining upon them

from the direction of Kingsborough, and they fell to one side of the

road, leaving room for the horses to pass. It was the Battle carriage,

rolling heavily on its aged wheels and creaking beneath the general's

weight.

"Howdy, Marse Tom!" called Uncle Ishmael. The general responded

good-naturedly, and the carriage passed on, but, before turning into the

branch road a few yards ahead, it came to a standstill, and the bright,

decisive voice of the little girl floated back.

"Uncle Ish--I say, Uncle Ish, don't you want to ride?"

"Dar, now!" cried Uncle Ishmael exultantly. "Ain't I tell you she wuz

plum crazy? What she doin' a-peckin' up en ole nigger like I is?"

He hastened his steps and scrambled into the seat beside the driver,

settling his bag between his knees; and, with a flick of the peeled

hickory whip, the carriage rolled into the branch road and disappeared,

scattering a whirl of mud drops as it splashed through the shallow

puddles which lingered in the dryest season beneath the heavy shade of

the wood.

Nicholas turned into the branch road also, for the poor lands of his

father adjoined the slightly richer ones of the Battles. He felt tired

and a little lonely, and he wished suddenly that a friendly cart would

come along in which he might ride the remainder of the way. Between the

densely wooded thicket on either side, the road looked dark and solemn.

It was spread with a rotting carpet of last year's leaves, soft and damp

under foot, and polished into shining tracks in the ruts left by passing

wheels. Through the dusk the ghostly bodies of beech trees stood out

distinctly from the surrounding wood, as if marked by a silver light

falling from the topmost branches. The hoarse, grating notes of

jar-flies intensified the stillness.

Nicholas went on steadily, spurred by superstitious terror of the

silence. He remembered that Uncle Ish had said there were no "ha'nts"

along this road, but the assurance was barren of comfort. Old Uncle

Dan'l Mule had certainly seen a figure in a white sheet rise up out of

that decayed oak stump in the hollow, for he had sworn to it in the

boy's presence in Aunt Rhody Sand's cabin the night of her daughter

Viny's wedding. As for Viny's husband Saul, he had declared that one

night after ten o'clock, when he was coming through this wood, the

"booger-boos" had got after him and chased him home.

At the end of the wood the road came out upon the open again, and in

the distance Nicholas could see, like burnished squares, the windows of

his father's house. Between the thicket and the house there was a long

stretch of clearing, which had been once planted in corn, and now

supported a headless army of dry stubble, amid a dull-brown waste of

broomsedge. The last pale vestige of the afterglow, visible across the

level country, swept the arid field and softened the harsh outlines of

the landscape. It was barren soil, whose strength had been exhausted

long since by years of production without returns, tilled by hands that

had forced without fertilising. There was now grim pathos in its

absolute sterility, telling as it did of long-gone yields of grain and

historic harvests.

Nicholas skirted the waste, and was turning into the pasture gate on the

opposite side of the road, when he heard the shrill sound of a voice

from the direction of the house.

"Nick!--who--a Nick!"

On one of the cedar posts of the fence of the cow-pen he discerned the

small figure and green cotton frock of his half-sister, Sarah Jane, who

was shouting through her hollowed palms to increase the volume of sound.

"I say, Nick! The she-ep hev' been driv-en u-p! Come to sup-per!"

She vanished from the post and Nicholas ran up the remainder of the road

and swung himself over the little gate which led into the small square

yard immediately surrounding the house. At the pump near the back door

his father, who had just come from work, was washing his hands before

going into supper, and near a row of pointed chicken coops the three

younger children were "shooing" up the tiny yellow broods. The yard was

unkempt and ugly, run wild in straggling ailanthus shoots and littered

with chips from the wood-pile.

As he entered the house he saw his stepmother placing a dish of fried

bacon upon the table, which was covered with a "watered" oilcloth of a

bright walnut tint. At her back stood Sarah Jane with a plate of corn

bread in one hand and a glass pitcher containing buttermilk in the

other. She was a slight, flaxen-haired child, with wizened features and

sore, red eyelids.

As his stepmother caught sight of him she stopped on her way to the

stove and surveyed him with sharp but not unkindly eyes.

"You've been takin' your time 'bout comin' home," she remarked, "an' I

reckon you're powerful hungry. You can sit down if you want to."

She was long and lean and withered, with a chronic facial neuralgia,

which gave her an irritable expression and a querulous voice. For the

past several years Nicholas had never seen her without a large cotton

handkerchief bound tightly about her face. She had been the boy's aunt

before she married his father, and her affection for him was proved by

her allowing no one to harry him except herself.

"How's your face, ma?" asked Nicholas with the indifference of habit as

he took his seat at the table, while Sarah Jane went to the door to call

her father. When Burr came in the inquiry was repeated.

"Face any easier, Marthy?" It was a form that had been gone through

with at every meal since the malady began, and Marthy Burr, while she

deplored its insincerity, would have resented its omission.

"Don't you all trouble 'bout my neuralgy," she returned with resigned

exasperation as she stood up to pour the coffee out of the large tin

boiler. "It's mine, an' I've borne worse things, I reckon, which ain't

sayin' that 'tain't near to takin' my head off."

Amos Burr drank his coffee without replying, the perspiration standing

in drops on his large, freckled face and shining on his heavy eyebrows.

Presently he looked at Nicholas, who was eating abstractedly, his gaze

on his plate.

"I got that thar piece of land broke to-day," he said, "an' I reckon you

can take the one-horse harrow and go over it to-morrow. Them peanuts

ought to hev' been in the ground two weeks ago--"

"They ain't hulled yet," interrupted his wife. "Sairy Jane ain't done

more'n half of 'em. She and Nick can do the balance after supper. Hurry

up, Sairy Jane, and get through. Nannie, don't you touch another slice

of that middlin'. You'll be frettin' all night."

Nicholas looked up nervously. "I don't want to harrow the land

to-morrow, pa," he began; "the judge said I might come in to school--"

Amos Burr looked at him helplessly. "Wall, I never!" he exclaimed.

"Did you ever hear the likes?" said his wife.

"I can go, pa, can't I?" asked Nicholas.

"He can go, pa, can't he?" repeated Sarah Jane, looking up with her

mouth wide open and full of corn bread.

Burr shook his head and looked at his wife.

"I don't see as I can get any help," he said. "You're as good as a hand,

and I can't spare you." Then he concluded with a touch of irritation, "I

don't see as you want any more schoolin'. You can read and write now a

heap better'n I can."

Nicholas choked over his bread and his lips trembled.

"I--I don't want to be like you, pa!" he cried breathlessly, and the

unshed tears stung his eyelids. "I want to be different!"

Burr looked up stolidly. "I don't see as you want any more schoolin',"

he repeated stubbornly, but his wife came sharply to the boy's

assistance.

"I wish you'd stop pesterin' the child, Amos," she said, inspired less

by the softness of amiability than by the genius of opposition. "I don't

see how you can be everlastingly doin' it--my dead sister's child, too."

Nicholas swallowed his tears with his coffee and turned to his father.

"I can get up 'fore day and do a piece of the land, and I can help you

'bout the sowin' when I get back in the evening. I'll be back by

twelve--"

"Oh, I reckon you can go if you're so set on it," said Amos gruffly. He

rose and left the room, stopping in the hall to get a bucket of

buttermilk for the hogs. Nicholas went over to the window and joined

Sarah Jane, who was shelling the peanuts, carefully separating the outer

hulls from the inner pink skins, which were left intact for sowing.

Marthy Burr, who was clearing off the table, let fall a china dish and

began scolding the younger children.

"I declare, if you don't all but drive me daft!" she said, flinching

from a twinge of neuralgia and raising her voice querulously. "Why can't

you take yourselves off and give me some rest? Nannie, you and Jake go

out to the old oak and see if all the turkeys air up. Be sure and count

'em--and take Jubal (the youngest) 'long with you. If you see your pa

tell him I say to look at the brindle cow. She acted mighty queer at

milkin', and I reckon she'd better have a little bran mash--Sairy Jane,"

turning suddenly upon her eldest daughter, "if you eat another one of

them peanuts I'll box your jaws--"

Nicholas finished the peanuts and went upstairs to his little attic

room. He was not sleepy, and, after throwing himself upon his corn-shuck

mattress, he lay for a long time staring at the ceiling, thinking of the

morrow and listening to the groans of his stepmother as she tossed with

neuralgia.

IV

In the first glimmer of dawn Nicholas dressed himself and stole softly

down from the attic, the frail stairway creaking beneath his tread. As

he was unfastening the kitchen door, which led out upon a rough plank

platform called the "back porch," Marthy Burr stuck her head in from the

adjoining room where she slept, and called his name in a high-pitched,

querulous voice.

"Is that you, Nick?" she asked. "I declar, I'd jest dropped off to sleep

when you woke me comin' down stairs. I never could abide tip-toein',

nohow. I don't see how 'tis that I can't get no rest 'thout bein' roused

up, when your pa can turn right over and sleep through thunder. Whar you

goin' now?"

Nicholas stopped and held a whispered colloquy with her from the back

porch. "I'm goin' to drag the land some 'fore pa gets up," he answered.

"Then I'm goin' in to town. You know he said I might."

His stepmother shook her bandaged head peevishly and stood holding the

collar of her unbleached cotton gown.

"Oh, I reckon so," she responded. "I was think-in' 'bout goin' in myself

and hevin' my tooth out, but I s'pose I can wait on you. The Lord knows

I'm used to waitin'."

Nicholas looked at her in perplexity, his arm resting on the little

shelf outside, which supported the wooden water bucket and the

long-handled gourd.

"You can go when I come back," he said at last, adding with an effort,

"or, if it's so bad, I can stay at home."

But, having asserted her supremacy over his inclinations, Marthy Burr

relented. "Oh, I don't know as I'll go in to-day," she returned. "I

ain't got enough teeth left now to chew on, an' I don't believe it's the

teeth, nohow. It's the gums--"

She retreated into the room, whence the shrill voice of Sairy Jane

inquired:

"Air you up, ma? Why, 'tain't day!"

Nicholas closed the door and went out upon the porch. The yard looked

deserted and desolated, giving him a sudden realisation of his own

littleness and the immensity of the hour. It was as if the wheels of

time had stopped in the dim promise of things unfulfilled. A broken

scythe lay to one side amid the straggling ailanthus shoots; near the

wood-pile there was a wheelbarrow half filled with chips, and at a

little distance the axe was poised upon a rotten log. From the small

coops beside the hen-house came an anxious clucking as the fluffy yellow

chickens strayed beneath the uneven edges of their pointed prisons and

made independent excursions into the world.

In the far east the day was slowly breaking, and the open country was

flooded with pale, washed-out grays, like the background of an

impressionist painting. A heavy dew had risen in the night, and as the

boy passed through the dripping weeds on his way to the stable they left

a chill moisture upon his bare feet. His eyes were heavy with sleep,

and to his cloudy gaze the familiar objects of the barnyard assumed

grotesque and distorted shapes. The manure heap near the doorway

presented an effect of unreality, the pig-pen seemed to have suffered

witchery since the evening before, and the haystack, looming vaguely in

the drab distance, appeared to be woven of some phantasmal fabric.

He led out the old sorrel mare and followed her into the large ploughed

field beyond the cow-pen, where the harrow was lying on one side of the

brown ridges. As he passed the pen the startled sheep huddled into a far

corner, bleating plaintively, and the brindle cow looked after him with

soft, persuasive eyes. When he had attached the clanking chains of the

plough harness to the single-tree, he caught up the ropes which served

for reins and set out laboriously over the crumbling earth, which

yielded beneath his feet and made walking difficult.

The field extended from the cow-pen and the bright, green rows of

vegetables that were raised for market to the reedy brook which divided

his father's land from that belonging to General Battle. The brook was

always cool and shady, and silvery with minnows darting over the shining

pebbles beneath the clear water. As Nicholas looked across the neutral

furrows he could see the feathery branches of willows rising from the

gray mist, and, farther still up the sloping hillside, the dew-drenched

green of the mixed woodlands.

The land before him had been upturned by shallow ploughing some days

since, and it lay now pale and arid, the large clods of earth showing

the detached roots of grass and herbs, and presenting a hint of

menacing destruction rather than the prospect of the peaceful art of

cultivation. It was the boy's duty to drag the soil free from grass,

after which it would be laid out into rows some three feet apart. When

this was done two furrows would be thrown together to give what the

farmers called a "rise," the point of which would be finally levelled,

when the ground would be ready for the peanut-sowing, which was

performed entirely by hand.

The boy worked industriously through the deepening dawn, giving an

occasional "gee up, Rhody!" to the mare, and following the track of the

harrow with much the same concentration of purpose as that displayed by

his four-footed friend. He was strong for his years, lithe as a sapling,

and as fearless of elemental changes, and as he walked meditatively

across the bare field he might have suggested to an onlooker the

possible production of a vast fund of energy.

Presently the gray light was shot with gold and a streak of orange

fluttered like a ribbon in the east. In a moment a violet cloud floated

above the distant hill, and as its ends curled up from the quickening

heat it showed the splendour of a crimson lining. A single ray of

sunshine, pale as a spectral finger, pointed past the woodlands to the

brook beneath the willows, and the vague blur of the mixed forest warmed

into vivid tints, changing through variations from the clear emerald of

young maples to the olive dusk of evergreens.

Last of all the ploughed field, which had preserved a neutral cast,

blushed faintly in the sunrise, glowing to pale purple tones where the

sod was newly turned. From the fugitive richness of the soil a warm

breath rose suddenly, filling the air with the genial odour of earth and

sunshine. The shining, dark coils of worms were visible like threads in

the bright brown clods.

Nicholas raised his head and stared with unseeing eyes at the gorgeous

east. A rooster crowed shrilly, and he turned in the direction of the

barnyard. Then he flicked the ropes gently and went on, his gaze on the

ground. His thoughts, which at first were fixed solely upon the teeth of

the harrow, took tumultuous flight, and he reviewed for the hundredth

time his conversation with the judge and the vast avenue of the future

which was opening before him. He would not be like his father, of this

he was convinced--his father, who was always working with nothing to

show for it--whose planting was never on time, and whose implements were

never in place. His father had never had this gnawing desire to know

things, this passionate hatred of the work which he might not neglect.

His father had never tried to beat against the barriers of his ignorance

and been driven back, and beat again and wept, and read what he couldn't

understand. The teacher at the public school had told him that he was

far ahead of his years, and yet they had taken him away when he was

doing his level best, and put him to dragging the land, and gathering

the peanuts, and carrying the truck to market, and marking the sheep

with red paint, and bringing up the cows, and doing all the odd,

innumerable jobs they could devise. He let the ropes fall for an instant

and dug his fist into his eye; then he took them up again and went on

stolidly. At last the sun came out boldly above the hill, and the

hollows were flooded with light. In the centre of the field the boy's

head glowed like some large red insect. A hawk, winging slowly above

him, looked down as if uncertain of his species, and fluttered off

indifferently.

At six o'clock his stepmother came to the back door and called him to

breakfast.

When the meal was over Amos Burr went out to the field, and Nicholas was

sent to drive the sheep to the pasture. With vigorous wavings of a piece

of brushwood, and many darts from right to left, he succeeded finally in

driving them across the road and through the gate on the opposite side,

after which he returned to assist his stepmother about the house. Not

until nine o'clock, when he had seen the Battle children going up the

road, was he free to set off at a run for Kingsborough.

As he sped breathlessly along, past the wastelands, into the woods, down

the road to the hillside, and down the hillside to the road again, he

went too rapidly for thought. The fresh air brushed his heated face

gently, and, at the edge of the wood, where the shallow puddles

lingered, myriads of blue and yellow butterflies scattered into

variegated clumps of colour at his approach, darting from the moist

heaps of last year's leaves to the shining rivulets in the wheel ruts by

the way. A partridge whistled from the yellowing green of the wheat, and

a rabbit stole noiselessly from the sassafras in the ditch and shot shy

glances of alarm; but he did not turn his head, and his hand held no

ready stone.

Though he had run half the way, when at last he reached the judge's

house, and stood before the little office in the garden where the school

was held, his courage misgave him, and he leaned, trembling, against the

arbour where a grapevine grew. The sound of voices floated out to him,

mingled with bright, girlish laughter, and, looking through the open

window, he saw the light curls of a little girl against the darker head

of a boy. He choked suddenly with shyness, and would have hesitated

there until the morning was over had not the judge's old servant, Cæsar,

espied him from the dining-room window.

"Look yer, boy, what you doin' dar?" he demanded suspiciously, and then

called to some one inside the house. "Marse George, dat ar Burr boy is

a-loungin' roun' yo' yawd."

The judge did not respond, but the tutor came to the door of the office

and intercepted the boy's retreat. He was a pale, long-faced young man

in spectacles, with weak, blue eyes and a short, thin moustache. His

name was Graves, and he regarded what he called the judge's "quixotism"

with condescending good-nature.

"Is that you, Nicholas Burr?" he asked in a slightly supercilious voice.

"The judge has told me about you. So you won't be a farmer, eh? And you

won't stay in your class? Well, come in and we'll see what we can make

of you."

Nicholas followed him into the room and sat down at one of the pine

desks, while the judge's son, Tom, nodded to him from across the room,

and Bernard Battle grinned over his shoulder at his sister Eugenia, and

a handsome boy, called Dudley Webb, made a face which convulsed little

Sally Burwell, who hid her merriment in her curls. There were several

other children in the room, but Nicholas did not see them distinctly.

Something had got before his eyes and there was a lump in his throat. He

sat rigidly in his seat, his straw hat, with the shoestring around the

crown, lying upon the desk before him. He looked neither to the right

nor to the left, keeping his frightened gaze upon the tutor's face.

Mr. Graves asked him a few questions, which he could not answer, and

then, giving him a book, turned to the other children. As the lessons

went on it seemed to Nicholas that he had never known anything in his

life; that he should never know anything; and that he should always

remain the most ignorant person on earth--unless that lot fell to Sairy

Jane.

The difficulties besetting the path of knowledge appeared to be

insurmountable. Even if he had the books and the time he could never

learn anything--his head would prevent it.

"Bound Beloochistan, Tom," said the tutor, and Tom, a stout, fair-haired

boy with a heavy face, went through the process to the satisfaction of

Mr. Graves and to the amazement of Nicholas.

The office was a plain, square room, containing, besides the desks and

tables, an old secretary and a corner cupboard of an antique pattern,

which held an odd assortment of cracked china and chemist bottles. There

was also a square mahogany chest, called the wine-cellar, which had been

sent from the dining-room when the last bottle of Tokay was opened to

drink the health of the Confederacy.

Before the war the place had been used by the judge as a general

business room, but when the slaves were freed and there were fewer

servants it was found to be little needed, and was finally given over

entirely to the children's school.

When recess came the tutor left the office, telling Nicholas that he

might go home with the little girls if he liked. "I shall try to have

the books you need by to-morrow," he said, and, his natural amiability

overcoming his assumed superciliousness, he added pleasantly:

"I shouldn't mind being backward at first. The boys are older than you,

but you'll soon catch up."

He went out, and Nicholas had started towards the door, when Tom Bassett

flung himself before him, swinging skilfully over an intervening table.

"Hold up, carrot-head," he said. "Let's have a look at you. Are all

heads afire where you come from?"

"He's Amos Burr's boy," explained Bernard Battle with a grin. "He lives

'long our road. I saw him hoeing potatoes day before yesterday. He's got

freckles enough to tan a sheepskin!"

In the midst of the laugh which followed Nicholas stood awkwardly,

shifting his bare feet. His face was scarlet, and he fingered in

desperation the ragged brim of his hat.

"I reckon they're my freckles," he said doggedly.

"And I reckon you can keep 'em," retorted Bernard, mimicking his tone.

"We ain't going to steal 'em. I say, Eugie, here're some freckles for

sale!"

The dark little girl, who was putting up her books in one corner,

looked up and shook her head.

"Let me alone!" she replied shortly, and returned to her work, tugging

at the straps with both hands. Dudley Webb--a handsome, upright boy,

well dressed in a dark suit and linen shirt--lounged over as he munched

a sandwich.

He looked at Nicholas from head to foot, and his gaze was returned with

stolid defiance. Nicholas did not flinch, but for the first time he felt

ashamed of his ugliness, of his coarse clothes, of his briar-scratched

legs, of his freckles, and of the unalterable colour of his hair. He

wished with all his heart that he were safely in the field with his

father, driving the one-horse harrow across upturned furrows. He didn't

want to learn anything any more. He wanted only to get away.

"He's common," said Dudley at last, throwing a crust of bread through

the open window. "He's as common as--as dirt. I heard mother say so--"

"Father says he's _un_common," returned Tom doubtfully, turning his

honest eyes on Nicholas again. "He told Mr. Graves that he was a most

uncommon boy."

"Oh, well, you can play with him if you like," rejoined Dudley

resolutely, "but I shan't. He's old Amos Burr's son, anyway, who never

wore a whole shirt in his life."

"He had on one yesterday," said Bernard Battle impartially. "I saw it.

It was just made and hadn't been washed."

Nicholas looked up stubbornly. "You let my father alone!" he exclaimed,

spurred by the desire to resent something and finding it easier to

fight for another than himself. "You let my father alone, or I'll make

you!"

"I'd like to see you!" retorted Dudley wrathfully, and Nicholas had

squared up for the first blow, when before his swimming gaze a defender

intervened.

"You jest let him alone!" cried a voice, and the flutter of a blue

cotton skirt divided Dudley from his adversary. "You jest let him alone.

If you call him common I'll hit you, an'--an' you can't hit me back!"

"Eugie, you ought to be--" began Bernard, but she pushed the combatants

aside with decisive thrusts of her sunburned little hand, and planted

herself upon the threshold, her large, black eyes glowing like shaded

lamps.

"He wan't doin' nothin' to you, and you jest let him be. He's goin' to

tote my books home, an' you shan't touch him. I reckon I know what's

common as well as you do--an' he ain't--he ain't common."

Then she caught Nicholas's arm and marched off like a dispensing

providence with a vassal in tow. Nicholas followed obediently. He was

sufficiently cowed into non-resistance, and he felt a wholesome awe of

his defender, albeit he wished that it had been a boy like himself

instead of a slip of a girl with short skirts and a sunbonnet. At the

bottom of his heart there existed an instinctive contempt of the sex

which Eugenia represented, developed by the fact that it was not force

but weakness that had vanquished his victorious opponent. Dudley Webb

was a gentleman, and only a bully would strike a girl, even if she were

a spitfire--the term by which he characterised Eugenia. He remembered

suddenly her exultant, "an' you can't hit me back!" and it seemed to him

that, even in the righteous cause of his deliverance, she had taken an

unfair and feminine advantage of the handsome boy for whom he cherished

a shrinking admiration.

As for Eugenia herself, she was troubled by no such misgivings. She

walked slightly in front of him, her blue skirt swinging briskly from

side to side, her white sunbonnet hanging by its strings from her

shoulders. Above the starched ruffles rose her small dark head and white

profile, and Nicholas could see the determined curve of her chin and the

humorous tremor of her nostril. It was a vivid little face, devoid of

colour except for the warm mouth, and sparkling with animation which

burned steadily at the white heat of intensity--but to Nicholas she was

only a plain, dark, little girl, with an unhealthy pallor of complexion.

He was grateful, nevertheless, and when his first regret that she was

not a boy was over he experienced a thrill of affection. It was the

first time that any one had deliberately taken his part in the face of

opposing odds, and the stand seemed to bring him closer to his

companion. He held her books tightly, and his face softened as he looked

at her, until it was transfigured by the warmth of his emotion. Then, as

they passed the college grounds, where a knot of students greeted

Eugenia hilariously, and turned upon the Old Stage Road, he reached out

timidly to take the small hand hanging by her side.

"It's better walkin' on this side the road," he said with a mild

assumption of masculine supremacy. "I wouldn't walk in the dust."

Eugenia looked at him gravely and drew her hand away.

"You mustn't do that," she responded severely. "When I said you weren't

common I didn't mean that you really weren't, you know; because, of

course, you are. I jest meant that I wouldn't let them say so."

Nicholas stood in the centre of the road and stared at her, his face

flushing and a slow rage creeping into his eyes.

For a moment he stood in trembling silence. Then he threw the books from

him into the sand at her feet, and with a choking sob sped past her to

vanish amid a whirl of dust in the sunny distance.

Eugenia looked thoughtfully down upon her scattered possessions. She was

all alone upon the highway, and around her the open fields rolled off

into the green of far-off forests. The sunshine fell hotly over her, and

straight ahead the white road lay like a living thing.

She stooped, gravely gathered up the books, and walked resolutely on her

way, a cloud of yellow butterflies fluttering like loosened petals of

full-blown buttercups about her head.

V

Battie Hall was a square white frame house with bright-green window

shutters and a deep front porch, supported by heavy pillars, and reached

from the gravelled walk below by a flight of rugged stone steps. In the

rear of the house, through which a wide hall ran, dividing the rooms of

the first floor, there was another porch similar to the one at the

front, except that the pillars were hidden in musk roses and the long

benches at either side were of plain, unpainted pine. At the foot of the

back steps a narrow, well-trodden path led to the vegetable garden,

which was separated from the yard by what was called "Cattle Lane"--a

name derived from the morning and evening passage of the cows on their

way to and from the pasture.

Beginning at the gate into the garden, where the tall white palings were

gay with hollyhocks and heavy-headed sunflowers, a grapevine trellis

extended to the farmyard at the end of the lane, whence an overgrown

walk led across tangled meadows to the negro "quarters"--a long,

whitewashed row of almost deserted cabins. Since the close of the war

the "quarters" had fallen partly into disuse and had decayed rapidly,

though some few were still tenanted by the former slaves, who gathered

as of old in the doorways of an evening to strum upon broken-stringed

banjos and to wrap the hair of their small offspring. Beyond this row

there was a slight elevation called "Hickory Hill," where Uncle Ishmael

had lived for more than seventy years; and at the foot of the hill, on

the other side, near "Sweet Gum Spring," there were several neatly

patched log cabins occupied by the house servants, who held in social

contempt the field hands in the neighbouring "quarters." Overlooking the

"Sweet Gum Spring," on a loftier hill, was the family graveyard, which

was walled off from the orchard near by, where the twisted old fruit

trees had long since yielded the larger part of their abundance.

At the front of the Hall the view was vastly different. There the great

blue-grass lawn was thickly studded with ancient elms and maples, whose

shade fell like a blanket upon the velvety sod beneath. The gravelled

walk, beginning at the front steps, was bordered on either side by rows

of closely clipped box, which ended in the long avenue of cedars leading

from the lawn to the distant turnpike. To the right of the house there

were three pointed aspens, which shivered like skeletons in silver,

holding grimly aloof from the vivid pink of the crêpe myrtle at their

feet. Beyond them was the well-house, with a long moss-grown trough

where the horses and the cows came to drink, and across the road began

the cornlands, which stretched in rhythmic undulations to the dark belt

of the pine forest. On the left of the box walk, in a direct line from

the three aspens, towered a huge sycamore, and from one of its

protecting arms, shaded by large fan-like leaves, a child's swing

dangled by a thick hemp rope. Near the sycamore, where an old oak had

fallen, the rotting stump was hidden by a high "rockery," edged with

conch shells, and over the rough gray rocks a tangle of garden flowers

ran wild--sweet-william, petunias, phlox, and the mossy stems of red and

yellow portulaca. On the western side of the house there was a spreading

mimosa tree, its sensitive branches brushing the green shutters of a

window in the second story.

The Hall had been built by the general's father when, because of family

dissensions, he had decided to move from a central county to the more

thinly settled country surrounding Kingsborough. There the general had

passed his boyhood, and there he had left his wife when he had gone to

the war. At the beginning of the struggle he had freed his slaves and

buckled on his sword.

"They may have the negroes, and welcome," he had said to the judge. "Do

you think I'd fight for a damned darkey? It's the principle, sir--the

principle!"

And the judge, who had not freed his servants, but who would as soon

have thought of using a profane word as of alluding in disrespectful

terms to a family portrait, had replied gravely:

"My dear Tom, you will find principle much better to fight for than to

live on."

But the general had gone with much valour and more vehemence. He had

enlisted as a private, had risen within a couple of years to a

colonelcy, and had been raised to the rank of general by the unanimous

voice of his neighbours upon his return home. After an enthusiastic

reception at Kingsborough he had mounted a heavy-weight horse and ridden

out to the Hall, to find the grounds a tangle of weeds and his wife

with the pallor of death upon her brow. She had rallied at his coming,

had lingered some sad years an invalid in the great room next the

parlour, and had died quietly at last as she knelt in prayer beside her

high white bed.

For days after this the empty house was like a coffin. The children ran

in tears through the shuttered rooms, and the servants lost their

lingering shred of discipline. When the funeral was over, the general

made some spasmodic show of authority, but his heart was not in it, and

he wavered for lack of the sustaining hold of his wife's frail hand. He

dismissed the overseer and undertook to some extent the management of

the farm, but the crops failed and the hay rotted in the fields before

it was got into the barn. Then, as things were galloping from bad to

worse, a letter came from his sister, Miss Christina, and in a few days

she arrived with a cartload of luggage and a Maltese cat in a wicker

basket. From the moment when she stepped out of the carriage at the end

of the avenue and ascended the box-trimmed walk to the stone steps, the

difficulties disentangled and the domestic problems dwindled into the

simplest of arithmetical sums. By some subtle law of the influence of

the energetic she assumed at once the rights of authority. From the

master of the house to the field hands in the "quarters," all bent to

her regenerating rule. She opened the windows in the airy rooms, cleaned

off the storeroom shelves with soda and water, and put the marauding

small negroes to weeding the lawn. Before her passionate purification

the place was purged of the dust of years. The hardwood floors of the

wide old halls began to shine like mirrors, the assortment of odds and

ends in the attic was relegated to an outhouse, and even the general's

aunt, Miss Griselda Grigsby, was turned unceremoniously out of her

apartment before the all-pervading soap-suds of cleaning day.

As for the servants, a sudden miraculous zeal possessed them. Within a

fortnight the garden rows were hoed free from grass, the hops were

gathered from the fence, and the weeds on the lawn vanished beneath

small black fingers. Even the annual threshing of the harvest was

accomplished under the overseeing eye of "Miss Chris," as she was called

by the coloured population. During the week that the old machine poured

out its chaffless wheat and the driver whistled in the centre of the

treadmill Miss Chris appeared at the barn at noon each day to warn the

hands against waste of time and to see that the mules were well watered.

But the revolutions without were as naught to the internal ones. Aunt

Verbeny, the cook, whose tyranny had extended over thirty years, was

assisted from her pedestal, and the hen-house keys were removed from the

nail of the kitchen wall.

"This will never do, Verbeny," said Miss Chris a month after her

arrival. "We could not possibly have eaten three dozen chickens within

the last week. I am afraid you take them home without asking me."

Aunt Verbeny, a fat old woman with a shining black skin, smoothed her

checked apron with offended dignity.

"Hi! Miss Chris, ain't I de cook?" she exclaimed.

But Miss Chris preserved her ground.

"That is no excuse for you taking what doesn't belong to you," she

replied severely. "If this keeps up I shall be obliged to let Delphy do

the cooking. There won't be a chicken in the hen-house by the end of the

month."

Aunt Verbeny still smoothed her apron, but her authority was shaken, and

she felt it. She gave a slow grunt of dissatisfaction.

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