Produced by Charles Franks and the Online Distributed Proofreading Team.
THE NE'ER-DO-WELL
By REX BEACH
Author of "THE SILVER HORDE" "THE SPOILERS" "THE IRON TRAIL" Etc.
Illustrated
TO
MY WIFE
CONTENTS
I. VICTORY
II. THE TRAIL DIVIDES
III. A GAP
IV. NEW ACQUAINTANCES
V. A REMEDY IS PROPOSED
VI. IN WHICH KIRK ANTHONY IS GREATLY SURPRISED
VII. THE REWARD OF MERIT
VIII. EL COMANDANTE TAKES A HAND
IX. SPANISH LAW
X. A CHANGE OF PLAN
XI. THE TRUTH ABOUT MRS. CORTLANDT
XII. A NIGHT AT TABOGA
XIII. CHIQUITA
XIV. THE PATH THAT LED NOWHERE
XV. ALIAS JEFFERSON LOCKE
XVI. "8838"
XVII. GARAVEL THE BANKER
XVIII. THE SIEGE OF MARIA TORRES
XIX. "LA TOSCA"
XX. AN AWAKENING
XXI. THE REST OF THE FAMILY
XXII. A CHALLENGE AND A CONFESSION
XXIII. A PLOT AND A SACRIFICE
XXIV. A BUSINESS PROPOSITION
XXV. CHECKMATE!
XXVI. THE CRASH
XXVII. A QUESTION
XXVIII. THE ANSWER
XXIX. A LAST APPEAL
XXX. DARWIN K ANTHONY
THE NE'ER-DO-WELL
I
VICTORY
It was a crisp November night. The artificial brilliance of Broadway
was rivalled by a glorious moonlit sky. The first autumn frost was in
the air, and on the side-streets long rows of taxicabs were standing,
their motors blanketed, their chauffeurs threshing their arms to rout
the cold. A few well-bundled cabbies, perched upon old-style hansoms,
were barking at the stream of hurrying pedestrians. Against a
background of lesser lights myriad points of electric signs flashed
into everchanging shapes, winking like huge, distorted eyes; fanciful
designs of liquid fire ran up and down the walls or blazed forth in
lurid colors. From the city's canons came an incessant clanging roar,
as if a great river of brass and steel were grinding its way toward the
sea.
Crowds began to issue from the theatres, and the lines of waiting
vehicles broke up, filling the streets with the whir of machinery and
the clatter of hoofs. A horde of shrill-voiced urchins pierced the
confusion, waving their papers and screaming the football scores at the
tops of their lusty lungs, while above it all rose the hoarse tones of
carriage callers, the commands of traffic officers, and the din of
street-car gongs.
In the lobby of one of the playhouses a woman paused to adjust her
wraps, and, hearing the cries of the newsboys, petulantly exclaimed:
"I'm absolutely sick of football. That performance during the third act
was enough to disgust one."
Her escort smiled. "Oh, you take it too seriously," he said. "Those
boys don't mean anything. That was merely Youth--irrepressible Youth,
on a tear. You wouldn't spoil the fun?"
"It may have been Youth," returned his companion, "but it sounded more
like the end of the world. It was a little too much!"
A bevy of shop-girls came bustling forth from a gallery exit.
"Rah! rah! rah!" they mimicked, whereupon the cry was answered by a
hundred throats as the doors belched forth the football players and
their friends. Out they came, tumbling, pushing, jostling; greeting
scowls and smiles with grins of insolent good-humor. In their hands
were decorated walking-sticks and flags, ragged and tattered as if from
long use in a heavy gale. Dignified old gentlemen dived among them in
pursuit of top-hats; hysterical matrons hustled daughters into
carriages and slammed the doors.
"Wuxtry! Wuxtry!" shrilled the newsboys. "Full account of the big game!"
A youth with a ridiculous little hat and heliotrope socks dashed into
the street, where, facing the crowd, he led a battle song of his
university. Policemen set their shoulders to the mob, but, though they
met with no open resistance, they might as well have tried to dislodge
a thicket of saplings. To-night football was king.
Out through the crowd came a score of deep-chested young men moving
together as if to resist an attack, whereupon a mighty roar went up.
The cheer-leader increased his antics, and the barking yell changed to
a measured chant, to the time of which the army marched down the street
until the twenty athletes dodged in through the revolving doors of a
cafe, leaving Broadway rocking with the tumult.
All the city was football-mad, it seemed, for no sooner had the
new-comers entered the restaurant than the diners rose to wave napkins
or to cheer. Men stepped upon chairs and craned for a better sight of
them; women raised their voices in eager questioning. A gentleman in
evening dress pointed out the leader of the squad to his companions,
explaining:
"That is Anthony--the big chap. He's Darwin K. Anthony's son. You've
heard about the Anthony bill at Albany?"
"Yes, and I saw this fellow play football four years ago. Say! That was
a game."
"He's a worthless sort of chap, isn't he?" remarked one of the women,
when the squad had disappeared up the stairs.
"Just a rich man's son, that's all. But he certainly could play
football."
"Didn't I read that he had been sent to jail recently?"
"No doubt. He was given thirty days."
"What! in PRISON?" questioned another, in a shocked voice.
"Only for speeding. It was his third offence, and his father let him
take his medicine."
"How cruel!"
"Old man Anthony doesn't care for this sort of thing. He's right, too.
All this young fellow is good for is to spend money."
Up in the banquet-hall, however, it was evident that Kirk Anthony was
more highly esteemed by his mates than by the public at large. He was
their hero, in fact, and in a way he deserved it. For three years
before his graduation he had been the heart and sinew of the university
team, and for the four years following he had coached them, preferring
the life of an athletic trainer to the career his father had offered
him. And he had done his chosen work well.
Only three weeks prior to the hard gruel of the great game the eleven
had received a blow that had left its supporters dazed and despairing.
There had been a scandal, of which the public had heard little and the
students scarcely more, resulting in the expulsion of the five best
players of the team. The crisis might have daunted the most resourceful
of men, yet Anthony had proved equal to it. For twenty-one days he had
labored like a real general, spending his nights alone with diagrams
and little dummies on a miniature gridiron, his days in careful
coaching. He had taken a huge, ungainly Nova Scotian lad named Ringold
for centre; he had placed a square-jawed, tow-headed boy from Duluth in
the line; he had selected a high-strung, unseasoned chap, who for two
years had been eating his heart out on the side-lines, and made him
into a quarter-back.
Then he had driven them all with the cruelty of a Cossack captain; and
when at last the dusk of this November day had settled, new football
history had been made. The world had seen a strange team snatch victory
from defeat, and not one of all the thirty thousand onlookers but knew
to whom the credit belonged. It had been a tremendous spectacle, and
when the final whistle blew for the multitude to come roaring down
across the field, the cohorts had paid homage to Kirk Anthony, the
weary coach to whom they knew the honor belonged.
Of course this fervid enthusiasm and hero-worship was all very
immature, very foolish, as the general public acknowledged after it had
taken time to cool off. Yet there was something appealing about it,
after all. At any rate, the press deemed the public sufficiently
interested in the subject to warrant giving it considerable prominence,
and the name of Darwin K. Anthony's son was published far and wide.
Naturally, the newspapers gave the young man's story as well as a
history of the game. They told of his disagreement with his father; of
the Anthony anti-football bill which the old man in his rage had driven
through the legislature and up to the Governor himself. Some of them
even printed a rehash of the railroad man's famous magazine attack on
the modern college, in which he all but cited his own son as an example
of the havoc wrought by present-day university methods. The elder
Anthony's wealth and position made it good copy. The yellow journals
liked it immensely, and, strangely enough, notwithstanding the
positiveness with which the newspapers spoke, the facts agreed
essentially with their statements. Darwin K. Anthony and his son had
quarrelled, they were estranged; the young man did prefer idleness to
industry. Exactly as the published narratives related, he toiled not at
all, he spun nothing but excuses, he arrayed himself in sartorial
glory, and drove a yellow racing-car beyond the speed limit.
It was all true, only incomplete. Kirk Anthony's father had even better
reasons for his disapproval of the young man's behavior than appeared.
The fact was that Kirk's associates were of a sort to worry any
observant parent, and, moreover, he had acquired a renown in that part
of New York lying immediately west of Broadway and north of
Twenty-sixth Street which, in his father's opinion, added not at all to
the lustre of the family name. In particular, Anthony, Sr., was
prejudiced against a certain Higgins, who, of course, was his son's
boon companion, aid, and abettor. This young gentleman was a lean,
horse-faced senior, whose unbroken solemnity of manner had more than
once led strangers to mistake him for a divinity student, though closer
acquaintance proved him wholly unmoral and rattle-brained. Mr. Higgins
possessed a distorted sense of humor and a crooked outlook upon life;
while, so far as had been discovered, he owned but two ambitions: one
to whip a policeman, the other to write a musical comedy. Neither
seemed likely of realization. As for the first, he was narrow-chested
and gangling, while a brief, disastrous experience on the college paper
had furnished a sad commentary upon the second.
Not to exaggerate, Darwin K. Anthony, the father, saw in the person of
Adelbert Higgins a budding criminal of rare precocity, and a menace to
his son; while to the object of his solicitude the aforesaid criminal
was nothing more than an entertaining companion, whose bizarre
disregard of all established rules of right and wrong matched well with
his own careless temper. Higgins, moreover, was an ardent follower of
athletics, revolving like a satellite about the football stars, and
attaching himself especially to Kirk, who was too good-natured to find
fault with an honest admirer.
It was Higgins this evening who, after the "cripples" had deserted and
the supper party had dwindled to perhaps a dozen, proposed to make a
night of it. It was always Higgins who proposed to make a night of it,
and now, as usual, his words were greeted with enthusiasm.
Having obtained the floor, he gazed owlishly over the flushed faces
around the table and said:
"I wish to announce that, in our little journey to the underworld, we
will visit some places of rare interest and educational value. First we
will go to the House of Seven Turnings."
"No poetry, Hig!" some one cried. "What is it?"
"It is merely a rendezvous of pickpockets and thieves, accessible only
to a chosen few. I feel sure you will enjoy yourselves there, for the
bartender has the secret of a remarkable gin fizz, sweeter than a
maiden's smile, more intoxicating than a kiss."
"Piffle!"
"It is a place where the student of sociology can obtain a world of
valuable information."
"How do we get in?"
"Leave that to old Doctor Higgins," Anthony laughed. "To get out is the
difficulty."
"Oh, I guess we'll get out," said the bulky Ringold.
"After we have concluded our investigations at the House of Seven
Turnings," continued the ceremonious Higgins, "we will go to the Palace
of Ebony, where a full negro orchestra--"
"The police closed that a week ago."
"But it has reopened on a scale larger and grander than ever."
"Let's take in the Austrian Village," offered Ringold.
"Patiently! Patiently, Behemoth! We'll take 'em all in. However, I wish
to request one favor. If by any chance I should become embroiled with a
minion of the law, please, oh please, let me finish him."
"Remember the last time," cautioned Anthony. "You've never come home a
winner."
"Enough! Away with painful memories! All in favor--"
"AYE!" yelled the diners, whereupon a stampede ensued that caused the
waiters in the main dining-room below to cease piling chairs upon the
tables and hastily weight their napkins with salt-cellars.
But the crowd was not combative. They poured out upon the street in the
best possible humor, and even at the House of Seven Turnings, as
Higgins had dubbed the "hide-away" on Thirty-second Street, they made
no disturbance. On the contrary, it was altogether too quiet for most
of them, and they soon sought another scene. But there were deserters
en route to the Palace of Ebony, and when in turn the joys of a full
negro orchestra had palled and a course was set for the Austrian
Village, the number of investigators had dwindled to a choice
half-dozen.
These, however, were kindred spirits, veterans of many a midnight
escapade, composing a flying squadron of exactly the right proportions
for the utmost efficiency and mobility combined.
The hour was now past a respectable bedtime and the Tenderloin had
awakened. The roar of commerce had dwindled away, and the comparative
silence was broken only by the clang of an infrequent trolley. The
streets were empty of vehicles, except for a few cabs that followed the
little group persistently. As yet there was no need of them. The crowd
was made up, for the most part, of healthy, full-blooded boys, fresh
from weeks of training, strong of body, and with stomachs like
galvanized iron. They showed scant evidence of intoxication. As for the
weakest member of the party, it had long been known that one drink made
Higgins drunk, and all further libations merely served to maintain him
in status quo. Exhaustive experiments had proved that he was able to
retain consciousness and the power of locomotion until the first streak
of dawn appeared, after which he usually became a burden. For the
present he was amply able to take care of himself, and now, although
his speech was slightly thick, his demeanor was as didactic and severe
as ever, and, save for the vagrant workings of his mind, he might have
passed for a curate. As a whole, the crowd was in fine fettle.
The Austrian Village is a saloon, dance-hall, and all-night restaurant,
flourishing brazenly within a stone's throw of Broadway, and it is
counted one of the sights of the city. Upon entering, one may pass
through a saloon where white-aproned waiters load trays and wrangle
over checks, then into a ball-room filled with the flotsam and jetsam
of midnight Manhattan. Above and around this room runs a white-and-gold
balcony partitioned into boxes; beneath it are many tables separated
from the waxed floor by a railing. Inside the enclosure men in
street-clothes and smartly gowned girls with enormous hats revolve
nightly to the strains of an orchestra which nearly succeeds in
drowning their voices. From the tables come laughter and snatches of
song; waiters dash hither and yon. It is all very animated and gay on
the surface, and none but the closely observant would note the
weariness beneath the women's smiles, the laughter notes that
occasionally jar, or perceive that the tailored gowns are imitations,
the ermines mainly rabbit-skins.
But the eyes of youth are not analytical, and seen through a rosy haze
the sight was inspiriting. The college men selected a table, and,
shouldering the occupants aside without ceremony, seated themselves and
pounded for a waiter.
Padden, the proprietor, came toward them, and, after greeting Anthony
and Higgins by a shake of his left hand, ducked his round gray head in
acknowledgment of an introduction to the others.
"Excuse my right," said he, displaying a swollen hand criss-crossed
with surgeon's plaster. "A fellow got noisy last night."
"D'jou hit him?" queried Higgins, gazing with interest at the
proprietor's knuckles.
"Yes. I swung for his jaw and went high. Teeth--" Mr. Padden said,
vaguely. He turned a shrewd eye upon Anthony. "I heard about the game
to-day. That was all right."
Kirk grinned boyishly. "I didn't have much to do with it; these are the
fellows."
"Don't believe him," interrupted Ringold.
"Sure! he's too modest," Higgins chimed in. "Fine fellow an' all that,
understand, but he's got two faults--he's modest and he's lazy. He's
caused a lot of uneasiness to his father and me. Father's a fine man,
too." He nodded his long, narrow head solemnly.
"We know who did the trick for us," added Anderson, the straw-haired
half-back.
"Glad you dropped in," Mr. Padden assured them. "Anything you boys want
and can't get, let me know."
When he had gone Higgins averred: "There's a fine man--peaceful,
refined--got a lovely character, too. Let's be gentlemen while we're in
his place."
Ringold rose. "I'm going to dance, fellows," he announced, and his
companions followed him, with the exception of the cadaverous Higgins,
who maintained that dancing was a pastime for the frivolous and weak.
When they returned to their table they found a stranger was seated with
him, who rose as Higgins made him known.
"Boys, meet my old friend, Mr. Jefferson Locke, of St. Louis. He's all
right."
The college men treated this new recruit with a hilarious cordiality,
to which he responded with the air of one quite accustomed to such
reunions.
"I was at the game this afternoon," he explained, when the greetings
were over, "and recognized you chaps when you came in. I'm a football
fan myself."
"You look as if you might have played," said Anthony, sizing up the
broad frame of the Missourian with the critical eye of a coach.
"Yes. I used to play."
"Where?"
Mr. Locke avoided answer by calling loudly for a waiter, but when the
orders had been taken Kirk repeated:
"Where did you play, Mr. Locke?"
"Left tackle."
"What university?"
"Oh one of the Southern colleges. It was a freshwater school--you
wouldn't know the name." He changed the subject quickly by adding:
"I just got into town this morning and I'm sailing to-morrow. I
couldn't catch a boat to-day, so I'm having a little blow-out on my own
account. When I recognized you all, I just butted in. New York is a
lonesome place for a stranger. Hope you don't mind my joining you."
"Not at all!" he was assured.
When he came to pay the waiter he displayed a roll of yellow-backed
bills that caused Anthony to caution him:
"If I were you I'd put that in my shoe. I know this place."
Locke only laughed. "There's more where this came from. However, that's
one reason I'd like to stick around with you fellows. I have an idea
I've been followed, and I don't care to be tapped on the head. If you
will let me trail along I'll foot the bills. That's a fair proposition."
"It certainly sounds engaging," cried Higgins, joyously. "The sight of
that money awakens a feeling of loyalty in our breasts. I speak for all
when I say we will guard you like a lily as long as your money lasts,
Mr. Locke."
"As long as we last," Ringold amended.
"It's a bargain," Locke agreed. "Hereafter I foot the bills. You're my
guests for the evening, understand. If you'll agree to keep me company
until my ship sails I'll do the entertaining."
"Oh, come now," Anthony struck in. "The fellows are just fooling.
You're more than welcome to stay with us if you like, but we can't let
you put up for it."
"Why not? We'll make a night of it. I'll show you how we spend money in
St. Louis. I'm too nervous to go to bed."
Anthony protested, insisting that the other should regard himself as
the guest of the crowd; but as Locke proved obdurate the question was
allowed to drop until later, when Kirk found himself promoted by tacit
consent to the position of host for the whole company. This was a
little more than he had bargained for, but the sense of having
triumphed in a contest of good-fellowship consoled him. Meanwhile, the
stranger, despite his avowedly festive spirit, showed a certain reserve.
When the music again struck up he declined to dance, preferring to
remain with Higgins in their inconspicuous corner.
"There's a fine fellow," the latter remarked, following his best
friend's figure with his eyes, when he and Locke were once more alone.
"Sweet nature."
"Anthony? Yes, he looks it."
"He's got just two faults, I always say: he's too modest by far and
he's lazy--won't work."
"He doesn't have to work. His old man has plenty of coin, hasn't he?"
"Yes, and he'll keep it, too. Heartless old wretch. Mr.--What's your
name, again?"
"Locke."
"Mr. Locke." The speaker stared mournfully at his companion. "D'you
know what that unnatural parent did?"
"No."
"He let his only son and heir go to jail."
Mr. Jefferson Locke, of St. Louis, started; his wandering, watchful
eyes flew back to the speaker.
"What! Jail?"
"That's what I remarked. He allowed his own flesh and blood to languish
in a loathsome cell."
"What for? What did they get him for?" queried the other, quickly.
"Speeding."
"Oh!" Locke let himself back in his chair.
"Yes sir, he's a branded felon."
"Nonsense. That's nothing."
"But we love him just the same, criminal though he is" said Higgins,
showing a disposition to weep. "If he were not such a strong, patient
soul it might have ruined his whole life."
Mr. Locke grunted.
"S'true! You've no idea the disgrace it is to go to jail."
The Missourian stirred uneasily. "Say, it gets on my nerves to sit
still," said he. "Let's move around."
"Patiently! Patiently! Somebody's sure to start something before long."
"Well, I don't care to get mixed up in a row."
Higgins laid a long, white hand upon the speaker's arm. "Then stay with
us, Mr.--Locke. If you incline to peace, be one of us. We're a flock of
sucking doves."
The dancers came crowding up to the table at the moment, and Ringold
suggested loudly: "I'm hungry; let's eat again."
His proposal met with eager response.
"Where shall we go?" asked Anderson.
"I just fixed it with Padden for a private room upstairs," Anthony
said. "All the cafes are closed now, and this is the best place in town
for chicken creole, anyhow."
Accordingly he led the way, and the rest filed out after him; but as
they left the ball-room a medium-sized man who had recently entered
from the street caught a glimpse of them, craned his neck for a better
view, then idled along behind.
II
THE TRAIL DIVIDES
Inspired by his recent rivalry with Mr. Jefferson Locke, Anthony played
the part of host more lavishly than even the present occasion required.
He ordered elaborately, and it was not long before corks were popping
and dishes rattling quite as if the young men were really hungry. Mr.
Locke, however, insisted that his friends should partake of a kind of
drink previously unheard of, and with this in view had a confidential
chat with the waiter, to whom he unostentatiously handed a five-dollar
retainer. No one witnessed this unusual generosity except Higgins, who
commended it fondly; but his remarks went unheeded in the general
clamor.
The meal was at its noisiest when the man whom Locke had so generously
tipped spoke to him quietly. Whatever his words, they affected the
listener strongly. Locke's face whitened, then grew muddy and yellow,
his hands trembled, his lips went dry. He half arose from his chair,
then cast a swift look about the room. His companions were too well
occupied, however, to notice this by-play even when the waiter
continued, in a low tone:
"He slipped me a ten-spot, so I thought it must be something worth
while."
"He--he's alone, you say?"
"Seems to be. What shall I do, sir?"
Locke took something from his pocket and thrust it into the fellow's
hand, while the look in his eyes changed to one of desperation.
"Step outside and wait. Don't let him come up. I'll call you in a
minute."
Ringold was recounting his version of the first touchdown--how he had
been forced inch by inch across the goal line to the tune of thirty
thousand yelling throats and his companions were hanging upon his
words, when their new friend interrupted in such a tone that Anthony
inquired in surprise:
"What's wrong, old man? Are you sick?"
Locke shook his head. "I told you fellows I'd been followed this
evening. Remember? Well, there's a man down-stairs who has given the
waiter ten dollars to let him have his coat and apron so he can come in
here."
"What for?"
"Who is he?"
The men stared at the speaker with a sudden new interest.
"I'm not sure. I--think it's part of a plan to rob me." He let his gaze
roam from one face to another. "You see--I just came into a big piece
of coin, and I've got it with me. I'm--I'm alone in New York,
understand? They've followed me from St. Louis. Now, I want you boys to
help me dodge this--"
Kirk Anthony rose suddenly, moving as lightly upon his feet as a dancer.
"You say he's below?"
Locke nodded. It was plain that he was quite unnerved.
Ringold rose in turn and lurched ponderously toward the door, but Kirk
stepped in front of him with a sharp word:
"Wait! I'll manage this."
"Lemme go," expostulated the centre-rush. "Locke's a good fellow and
this man wants to trim him."
"No, no! Sit down!" Ringold obeyed. "If he wants to join us, we'll have
him come up."
"What?" cried Locke, leaping nervously from his chair. "Don't do that.
I want to get out of here."
"Not a bit like it." Kirk's eyes were sparkling. "We'll give this
fellow the third degree and find out who his pals are."
"Grand idea!" Higgins seconded with enthusiasm. "Grand!"
"Hold on! I can't do that. I've got to sail at ten o'clock. I don't
dare get into trouble, don't you understand? It's important." Locke
seemed in an extraordinary panic.
"Oh, we'll see that you catch your boat all right," Kirk assured him;
and then before the other could interfere he rang for the waiter.
"Give that chap your coat and apron," he ordered, when the attendant
answered, "and when I ring next send him up. Pass the word to Padden
and the others not to notice any little disturbance. I'll answer for
results."
"I'm going to get out," cried the man from St. Louis. "He mustn't see
me."
"He'll see you sure if you leave now. You'll have to pass him. Stick
here. We'll have some fun."
The white-faced man sank back into his chair, while Anthony directed
sharply:
"Now, gentlemen, be seated. Here, Locke, your back to the door--your
face looks like a chalk-mine. There! Now don't be so nervous--we'll
cure this fellow's ambition as a gin-slinger. I'll change names with
you for a minute. Now, Ringold, go ahead with your story." Then, as the
giant took up his tale again: "Listen to him, fellows; look pleasant,
please. Remember you're not sitting up with a corpse. A little more
ginger, Ringie. Good!" He pushed the button twice, and a moment Later
the door opened quietly to admit a medium-sized man in white coat and
apron.
Had the young men been a little less exhilarated they might have
suspected that Locke's story of having been dogged from St. Louis was a
trifle exaggerated; for, instead of singling him out at first glance,
the new-comer paused at a respectful distance inside the door and
allowed his eyes to shift uncertainly from one to another as if in
doubt as to which was his quarry. Anthony did not dream that it was his
own resemblance to the Missourian that led to this confusion, but in
fact, while he and Locke were totally unlike when closely compared,
they were of a similar size and coloring, and the same general
description would have fitted both.
Having allowed the intruder a moment in which to take in the room, Kirk
leaned back in his chair and nodded for him to approach.
"Cigars!" he ordered. "Bring a box of Carolinas."
"Yes, sir. Are you Mr. Locke, sir?" inquired the new waiter.
"Yes," said Kirk.
"Telephone message for you, Mr. Locke," the waiter muttered.
"What's that?" Anthony queried, loud enough for the others to hear.
"Somebody calling you by 'phone. They're holding the wire outside. I'll
show you the booth."
"Oh, will you?" Kirk Anthony's hands suddenly shot out and seized the
masquerader by the throat. The man uttered a startled gasp, but
simultaneously the iron grip of Marty Ringold fell upon his arms and
doubled them behind him, while Kirk gibed:
"You'll get me outside and into a telephone booth, eh? My dear sir,
that is old stuff."
The rest of the party were on their feet instantly, watching the
struggle and crowding forward with angry exclamations. Ringold, with
the man's two wrists locked securely in his own huge paw, was growling:
"Smooth way to do up a fellow, I call it."
"All the way from St. Louis for a telephone call, eh?" Anthony sank his
thumbs into the stranger's throat, then, as the man's face grew black
and his contortions diminished, added: "We're going to make a good
waiter out of you."
Jefferson Locke broke in excitedly: "Choke him good! Choke him! That's
right. Put him out for keeps. For God's sake, don't let him go!"
But it was not Kirk's idea to strangle his victim beyond a certain
point. He relaxed his grip after a moment and, nodding to Ringold to do
likewise, took the fellow's wrists himself, then swung him about until
he faced the others. The man's lungs filled with fresh air, he began to
struggle once more, and when his voice had returned he gasped:
"I'll get you for this. You'll do a trick--" He mumbled a name that did
not sound at all like Jefferson Locke, whereupon the Missourian made a
rush at him that required the full strength of Anthony's free hand to
thwart.
"Here, stand back! I've got him!"
"I'll kill him!" chattered the other.
"Let me go," the stranger gasped. "I'll take you all in. I'm an
officer."
"It's a lie!" shouted Locke. "He's a thief."
"I tell you I'm--an officer; I arrest this--"
The words were cut off abruptly by a loud exclamation from Higgins and
a crash of glass. Kirk Anthony's face was drenched, his eyes were
filled with a stinging liquid; he felt his prisoner sink limply back
into his arms and beheld Higgins struggling in the grasp of big Marty
Ringold, the foil-covered neck of a wine bottle in his fingers.
The foolish fellow had been hovering uncertainly round the edges of the
crowd, longing to help his friends and crazily anxious to win glory by
some deed of valor. At the first opening he had darted wildly into the
fray, not realizing that the enemy was already helpless in the hands of
his captors.
"I've got him!" he cried, joyously. "He's out!'
"Higgins!" Anthony exclaimed, sharply. "What the devil--" Then the dead
weight in his arms, the lolling head and sagging jaw of the stranger,
sobered him like a deluge of ice-water.
"You've done it this time," he muttered.
"Good God!" Locke cried. "Let's get away! He's hurt!"
"Here, you!" Anthony shot a command at the speaker that checked him
half-way across the room. "Ringold, take the door and don't let anybody
in or out." To Higgins he exclaimed, "You idiot, didn't you see I had
his hands?"
"No. Had to get him," returned Higgins, with vinous dignity. "Wanted to
rob my old friend, Mr.--What's his name?"
"We've got to leave quick before we get in bad," Locke reiterated,
nervously, but Anthony retorted:
"We're in bad now. I want Padden." He stepped to the door and signaled
a passing waiter. A moment later the proprietor knocked, and Ringold
admitted him.
"What's the--" Padden started at sight of the motionless figure on the
floor, and, kneeling beside it, made a quick examination, while Anthony
explained the circumstances leading up to the assault.
"Thief, eh? I see."
"Is he badly hurt?" queried Locke, bending a pale face upon them.
"Huh! I guess he's due for the hospital," the owner of the Austrian
Village announced. "He had his nerve, trying to turn a trick in my
place. I thought I knew all the dips, but he's a stranger." With nimble
fingers he ran through the fellow's pockets, then continued:
"I'm glad you got him, but you'd better get together and rehearse
before the police--" He stopped abruptly once more, then looked up
curiously.
"What is it?" questioned the man from Missouri.
Padden pointed silently to the lapel of the fellow's vest, which he had
turned back. A nickeled badge was pinned upon it. "He's no thief; he's
a detective--a plain-clothes man!"
"Wha'd I tell you!" Higgins exulted. "I can smell 'em!"
The crowd looked nonplussed, with the exception of Jefferson Locke, who
became calmer than at any time since the waiter had first whispered
into his ear.
"We didn't know who he was," he began, hurriedly, "You must square it
for us, Padden. I don't care what it costs." He extended a bulky roll
of bank-notes toward the gray-haired man. "These boys can't stand this
sort of thing, and neither can I. I've got to sail at ten o'clock this
morning."
"Looks to me like you've croaked him," said the proprietor, ignoring
the proffered money.
"It's worth a thousand dollars to me not to miss my boat."
"Wait a minute." Padden emptied the unconscious man's pockets, among
other things of some telegrams and a legally folded paper. The latter
he opened and scanned swiftly, then turned his little eyes upon Locke
without a word, whereupon that gentleman, with equal silence, took from
his inside pocket a wallet, and selected a bill, the denomination of
which he displayed to the proprietor before folding it inside the
bundle he held.
"Here! It may cost you something."
Padden nodded and accepted the money, saying:
"Oh, I guess I can fix it. I know the right doctor." He regained his
feet, then warned the onlookers: "But you'll have to keep your traps
closed, understand?"
"Will he die?" asked Ringold, fearfully, his back still against the
door.
"Not a chance. But if he does he'll never know who hit him. You see, we
picked him up in the alley and brought him in." Padden winked
meaningly. "It happens right along in this part of town. Do you get me?
I'll keep these." He indicated the badge and papers in his hand. "Now
go out as if nothing had come off. Drop in again the next time you're
in town. I'll take care of the supper checks."
As the partly sobered visitors struggled into their overcoats Padden
drew Locke aside, and, nodding toward Higgins, who was still talkative,
said:
"If you want to catch that ten o'clock boat you'd better stick close to
your friend; I know him."
"Thanks!" Locke glanced at the prostrate figure, then inquired in a low
tone: "On the level, will he make it?"
"Hard to tell. Just the same, if I was you I'd change my sailing--he
might come to."
"You chaps have done me a big favor to-night," said Locke, a little
later, when he and his companions were safely out of the Austrian
Village, "and I won't forget it, either. Now let's finish the evening
the way we began it."
Anderson, Rankin, and Burroughs, to conceal their nervousness, pleaded
bodily fatigue, while Anthony also declared that he had enjoyed himself
sufficiently for one night and intended to go home and to bed. "That
episode rather got on my nerves," he acknowledged.
"Mine, too," assented Locke. "That's why you mustn't leave me. I just
won't let you. Remember, you agreed to see me off."
"'S'right, fellows," Higgins joined in. "We agreed to put him aboard
and we must do it. Don't break up the party, Kirk."
"I don't want to go home," Ringold muttered.
"It's a breach of hospitality to go home," Higgins insisted. "Besides,
after my bloody 'ncounter with that limb of the law I need a stimulant.
You must look after me."
"I shall tuck you in your little bed," Kirk told him. But Higgins would
hear to nothing of the sort, protesting that he was in honor bound to
conduct his old friend Locke to the steamer, and Anthony feared that
without his protection some harm might befall his irresponsible and
impulsive companion. Candor requires it to be said that he did
hesitate, arguing long with the limp-legged Higgins; but Locke was
insistent, the others grew impatient of the delay, and in the end he
allowed himself to be persuaded.
It is often through just such sudden, inconsequent decisions,
influenced perhaps by the merest trifles, that a man's life is made
great or small; just such narrow forkings of the trail may divert him
into strange adventurings, or into worlds undreamed of. Kirk Anthony,
twenty-six years old, with a heritage at hand, and with an average
capacity for good or evil, chose the turning that led him swiftly from
the world he knew into an alien land.
Numbed as they were by the excesses of the evening, it did not take the
young men long to lose all clear and vivid remembrance of this recent
experience; for the time had come when Nature was offering her last
resistance, and their brains were badly awhirl. Of all the four,
Jefferson Locke was the only one who retained his wits to the
fullest--a circumstance that would have proved him the owner of a
remarkably steady head had it not been for the fact that he had
cunningly substituted water for gin each time it came his turn to
drink. It was a commentary upon the state of his companions that they
did not notice the limpid clearness of his beverage.
Dawn found them in an East Side basement drinking-place frequented by
the lowest classes. Ringold was slumbering peacefully, half overflowing
the wet surface of a table; Anthony had discovered musical talent in
the bartender and was seated at a battered piano, laboriously
experimenting with the accompaniment to an Irish ballad; Higgins and
Locke were talking earnestly. It was the slackest, blackest hour in an
all-night dive; the nocturnal habitues had slunk away, and the day's
trade had not yet begun. Higgins, drawn and haggard beneath his drunken
flush, was babbling incessantly; Locke, as usual, sat facing the
entrance, his eyes watchful, his countenance alert. In spite of the
fact that he had constantly plied his companion with liquor in the hope
of stilling his tongue, Higgins seemed incapable of silence, and kept
breaking forth into loud, garbled recitals of the scene at Padden's,
which caused the Missourian to shiver with apprehension. To a sober eye
it would have been patent that Locke was laboring under some strong
excitement; for every door that opened caused him to start, every
stranger that entered made him quake. He consulted his watch
repeatedly, he flushed and paled and fidgeted, then lost himself in
frowning meditation.
"Grandes' fellow I ever met," Higgins was saying for the hundredth
time. "Got two faults, tha's all; he's modesht an' he's lazy--he won't
work."
"Anthony?"
"Yes."
Locke stirred himself, and, leaning forward, said: "You and he are good
friends, eh?"
"Best ever."
"Would you like to play a joke on him?"
"Joke? Can't be done. He's wises' guy ever. I've tried it an' always
get the wors' of it. Yes, sir, he's wise guy. Jus' got two faults: he
won't work an'--"
"Look here! Why don't you make him work?"
"Huh?" Higgins turned a pair of bleared, unfocusable eyes upon the
speaker.
"Why don't somebody make him work?"
The lean-faced youth laughed moistly.
"Tha's good joke."
"I mean it."
"Got too much money. 'S old man puts up reg'lar."
"Listen! It's a shame for a fine fellow like him to go to the dogs."
Higgins nodded heavily in agreement. "Why don't you send him away where
he'll have to rustle? That's the joke I meant."
"Huh?" Again the listener's mind failed to follow, and Locke repeated
his words, concluding: "It would make a new man of him."
"Oh, he wouldn't work. Too lazy."
"He'd have to if he were broke."
"But he AIN'T broke. Didn't I tell you 's old man puts up reg'lar? Fine
man, too, Misser Anthony; owns railroads."
"I'll tell you how we can work it. I've got a ticket for Central
America in my pocket. The boat sails at ten. Let's send him down there."
"Wha' for?"
Locke kept his temper with an effort. "To make a man of him. We'll go
through his clothes and when he lands he'll be broke. He'll HAVE to
work. Don't you see?"
"No." Anthony's friend did not see. "He don't want to go to Central
America," he argued; "he's got a new autom'bile."
"But suppose we got him soused, went through his pockets, and then put
him aboard the boat. He'd be at sea by the time he woke up; he couldn't
get back; he'd have to work; don't you see? He'd be broke when he
landed and have to rustle money to get back with. I think it's an awful
funny idea."
The undeniable humor of such a situation finally dawned upon Higgins's
mind, and he burst into a loud guffaw.
"Hey there! Shut up!" Anthony called from the piano. "Listen here! I've
found the lost chord." He bore down with his huge hands upon the yellow
keyboard, bringing forth a metallic crash that blended fearfully with
the bartender's voice. "It's a great discovery."
"I'll get him full if you'll help manage him," Locke went on. "And
here's the ticket." He tapped his pocket.
"Where'd you get it?"
"Bought it yesterday. It's first class and better, and he'll fit my
description. We're about the same size."
"Ain't you goin'?"
"No. I've changed my mind. I may jump over to Paris. Come, are you on?"
Higgins giggled. "Darn' funny idea, if you can get him full."
"Wait." Locke rose and went to the bar, where he called loudly for the
singer; then, when the bartender had deserted the piano, he spoke to
Anthony: "Keep it up, old man, you're doing fine."
For some moments he talked earnestly to the man behind the bar; but his
back was to Higgins, Anthony was occupied, and Ringold still slumbered;
hence no one observed the transfer of another of those yellow bills of
which he seemed to have an unlimited store.
Strangely enough, Mr. Jefferson Locke's plan worked without a hitch.
Within ten minutes after Kirk Anthony had taken the drink handed him he
declared himself sleepy, and rose from the piano, only to seek a chair,
into which he flung himself heavily.
"It's all right," Locke told his drunken companion. "I've got a taxi
waiting. We'll leave Ringold where he is."
Twenty-four hours later Adelbert Higgins undertook to recall what had
happened to him after he left Muller's place on East Fourteenth Street,
but his memory was tricky. He recollected a vaguely humorous discussion
of some sort with a stranger, the details of which were almost entirely
missing. He remembered that dawn had broken when he came out of the
saloon, but beyond that he could not go with any degree of certainty.
There was a hazy memory of an interminable ride in a closed vehicle of
some sort, a dizzy panorama of moving buildings, bleak, wind-swept
trees, frosty meadows, and land-locked lakes backed by what were either
distant mountain ranges or apartment houses. This last, however, was
all very blurred and indistinct.
As to who was with him on the ride, or what took place thereafter, he
had no memory and no opportunity of learning, owing to certain
unexpected and alarming occurrences which made it imperative for him to
terminate his connection with his college, as big Marty Ringold had
done earlier in the day, and begin to pack his belongings. Partly out
of deference to the frantic appeals of his widowed mother, partly owing
to the telephoned advice of Mr. Michael Padden, of Sixth Avenue, who
said the injured man had recognized one of his assailants, he booked
passage to Japan by the next steamer out of Vancouver. He left New York
that afternoon by the Twentieth Century Limited, taking with him only
one suit-case and a determination to see the world.
III
A GAP
Strictly speaking, Kirk Anthony did not awake to a realization of his
surroundings, but became conscious of them through a long process of
dull, dreamy speculation. He never knew the precise moment when his
eyes opened and sleep left him, but at cost of considerable mental
effort he finally brought himself to the conviction that hours had
passed and another day had arrived. More than once after long, white
nights in New York City, he had awakened amid strange surroundings and
had been forced to wait upon his lagging memory; but this time his mind
refused to work, even after he knew himself to be fully roused. So he
closed his eyes with the admonition:
"Now, begin all over again, Kirk. When you left Padden's place you went
to Maxim's and listened to the fat quartette, then to the place where
the waiter held out a dollar. After the trouble at that point, you
tried to get into Tony's rathskeller and couldn't, so you started for
the East Side. Ringold was very drunk. Good! Everything is clear so
far. Next you were playing a piano with yellow teeth while somebody
sang something about a 'Little Brown Cot.' After that--Lord, you must
have been drinking! Well, let's run through it again."
But his efforts were vain; he could recall nothing beyond the piano, so
fell to wondering what hotel this could be.
"Some East Side joint," he decided, "and a cheap one too, from the size
of this stall." He noted another brass bed close at hand and reasoned
that Ringold or Higgins must have risen early, leaving him to finish
his sleep. That was considerate, of course, but--Good heavens, it must
be late! And he was due to motor to New Haven at noon! He raised
himself suddenly, and was half out of bed when he fell back, with a
cry, as if an unseen hand had smitten him. He clapped both palms to his
head, realizing that he was very sick indeed. The sensation was unlike
anything he had ever felt before. His head was splitting, he felt a
frightful nausea, the whole room was rocking and reeling as if to pitch
him out of bed. It was terrible; so he arose blindly and felt his way
toward the telephone. Failing to find it, he pushed a button instead,
then tumbled back to bed, reviling the luck that had brought him to
such a miserable place. He closed his eyes tightly and calmed his
stomach by an effort of will. At last he heard the door open and a
voice inquire:
"Did you ring, sir?"
"An hour ago. Haven't you more than one bell-hop in this place?"
"I'm sorry, sir."
"And I'm sick, mighty sick. I'm going to die."
"I think not, sir; the others are sick, too."
"That's good! I was afraid they'd dressed and gone." It was some
consolation to know that Ringold and Higgins had not escaped their
share of suffering. "How is Hig--the bony fellow?"
"Do you mean the gentleman in thirty-two?"
"How should I know his number? That's not Hig's description,
however--even you could tell that he is no gentle--Oh, Lord!"
"Can I get you something, sir--a little champagne, perhaps, to settle
your stomach?"
"NO, NO! Get me a taxicab. I want to go up-town."
"Rather a long drive, isn't it?" snickered the bell-boy.
"Never mind the comedy." Anthony opened his eyes. "Hello! Are you the
clerk?" Instead of the bell-hop he had expected he beheld a man in
white jacket and black trousers.
"No, sir, I'm the steward."
The invalid shook his head faintly. "Funny place I've got into. What's
the name of it?"
"This? Oh! The SANTA CRUZ."
"Never heard of it. Why didn't they give me a good room? This is
fierce."
"Suite A is considered very good, sir. It is one of the best on the
line."
"Line?" Kirk grunted. "So this is some dead-line dump. Well, I'm going
to get out--understand? Hand me my trousers and I'll slip you a
quarter."
The steward did as desired, but a blind search showed the pockets to be
empty.
"Give me the coat and vest." But here again Kirk found nothing, and was
forced to apologize. "Sorry, old man, but I must have left it at the
office. Now be a good fellow and hustle up that taxi. I'm getting
sicker every minute."
"Perhaps you had better have the doctor?"
"Is there a good one handy?"
"Yes, sir."
"Here in the hotel?"
The steward seemed undecided whether to treat the occupant of Suite A
as a humorist or a lunatic, but finally he observed, "This isn't a
hotel, sir."
"That's what I though-t-more like a roadhouse," "This is a ship."
"A--WHAT?" Anthony raised himself and stared at the white-clad figure
over the foot of his little brass bed.
"This is a ship, sir."
"You get out of here!" yelled the infuriated young man. He cast his
eyes about for some missile to hurl at this insolent menial, and,
spying a heavy glass pitcher upon a stand beside him, reached for it,
whereat the steward retreated hastily to the door.
"I beg pardon, sir. I will send the doctor at once."
"Must think I'm still drunk," mumbled Anthony, dazedly, as he once more
laid his head upon his pillow with a groan.