I
The Monceau plain is the quarter of changed fortunes and dice-throwing.
An entire town given over to luxury, born in a single night, suddenly
sprung into existence. The unpremeditated offspring of the aggregation
of millions. Instead of the cobbler's stall, the red-bedaubed shop of
the dealer in wines, the nakedness of an outer boulevard, here in this
spot of earth all styles flourish: the contrast of fancy, the château
throwing the English cottage in the shade; the Louis XIII. dwelling
hobnobbing with the Flemish house; the salamander of Francis I. hugging
the bourgeois tenement; the Gothic gateway opening for the entry of the
carriages of the courtesan. A town within a town. Something novel,
white, extravagant, overdone: the colossal in proximity to the
attractive, the vastness of a grand American hotel casting its shadow
over an Italian loggia. It partook at once of the Parisian and the
Yankee. The Château de Chambord sheltering a chocolate maker, and the
studio of an artist now become the salon of a rich curbstone broker.
The little Hôtel de Vanda,--_one of our charming fugitives_, as those of
the chroniclers who still remember Vanda, say of her in their articles
sometimes--is an elegant establishment, severe in external appearance,
but of entirely modern interior arrangements, with a wealth of choice
knickknacks, and is regarded as one of the most attractive houses in Rue
Prony. Since the flight of the pretty courtesan, it bears the sad
notice: _Residence to let_. Its fast closed shutters give it the gloomy
appearance of a deserted boudoir. Complete silence succeeds feverish
bustle! Vanda was a boisterous, madcap spendthrift. Through the old
windows with their old-fashioned panes there often used to escape
snatches of song, airs of waltzes, fragments of quadrilles. Vanda's
horses pawed the ground spiritedly as they started at the fashionable
hour for the Bois, through the great gateway leading to the stables. And
now, for months, a corner of Rue Prony had been silent and drowsy, and
weighted with the melancholy that surrounds forsaken objects.
It was here that Marianne, in carrying out her determination, entered
with a high head, resolved to cast off her sombre misery or to sink, her
plans defeated. The Dujarrier had greatly assisted her in taking up her
abode, building her hopes on Mademoiselle Kayser's beauty as on some
temporary profitable investment. As the old woman looked at her, she
shook her head. Marianne had to be quick. She was pale, already weary,
and her beauty, heightened by this weariness, was "in full blast," as
the former bungling artiste said in her capacity of a connoisseur.
"After all," Dujarrier said to herself, "it is the favorable moment for
success. One does not become a _general_ except through seniority."
Marianne also experienced the same feelings as the Dujarrier. She
realized that she had reached the turning-point of her life, it was like
a game of baccarat that she was playing with fate. She might come out of
it rich and preserved from the possibility of dying in a hospital or a
hovel after having dragged her tattered skirts through the streets, or
overwhelmed with debts, ruined forever, strangled by liabilities. This
commercial term made her smile ironically when she thought of it.
Against her she had her past, her adventurous life, almost the life of a
courtesan, carried away by the current of her amorous whims; it now
needed only the burden of liabilities for her to become not only
completely disclassed, but ruined by Parisian life. She had given the
Dujarrier receipts for all that that quasi-silent-partner had advanced
her, the old lady excusing herself for the precaution she took by saying
precisely:
"In that way one can hold people. Grateful acknowledgments are good;
written acknowledgments are better!"
The Dujarrier considered herself witty.
Marianne had signed, moreover, all that the other had asked. She still
needed, indeed, to make further outlay. And what mattered it if she
plunged deeper while she was _taking a dive_, as she expressed it in her
language, which was a mixture of street slang and the elegant
phraseology of the salon.
"Bah! I know how to swim."
She suddenly straightened herself under this anxiety, reassured,
moreover, and spurred on as she was by the Dujarrier herself, who said
as she shrugged her shoulders:
"When a woman like you has a man like Vaudrey,--a minister,--she has her
nest lined."
Sulpice was not the man long to resist so refined a Parisienne as
Marianne. In him, the repressed ardors, the poetic ideas of a man of
twenty, had become the appetites of a man of forty. This provincial,
hungry for Parisianism,--very young in feelings and soul,--felt, as soon
as he found himself in Marianne's company, mad with desire for a new
life. The dazzling honors attending his entry into the ministry found
their culmination in the burning glance of Marianne, as their eyes met.
Hardly was she installed in Rue Prony than she reminded him of his
promise to call on her. He hastened to her with strange eagerness and he
left her more disturbed, as if he had just taken a peep at an unknown
world. The feminine elegance of the Hôtel de Vanda had suddenly
intoxicated him. Marianne played her part very calmly in producing the
daily ravage that passion was making on Sulpice. She studied its rapid
progress with all the sang-froid of a physician. She regulated the doses
of her toxicant, the poison of her glance instilled into the veins of
this man. Determined to become his mistress, she desired to fall in the
guise of a woman madly in love, and not as an ordinary courtesan. With
any other man than Vaudrey, she would, perhaps, have yielded more
quickly. But she acted with Vaudrey as formerly she had done with Rosas.
Seeing that these idealists caressed their dreams, she coquetted with
platonic love, besides, she preferred to remain free for a short time,
without the burden of those pleasures of which she had grown tired, and
which had always caused her more disgust than delight.
Moreover, she said to herself that it was necessary in Sulpice's case to
have the appearance of playing frankly, of loving truly, as in the case
of Rosas. But, this time, she would not let Vaudrey escape her by
flight, as the duke did. She would yield at the desired moment, certain
that Sulpice would not leave her the next day.
"Rosas would be here," she said to herself self-confidently, "if he had
been my lover."
After a moment of regretful preoccupation, she shrugged her shoulders
and said quickly:
"Bah! _what is written is written_, as he said. If I haven't him, I have
the other."
The "other" grew day by day more deeply enamored. He rushed off in hot
haste to visit Marianne; his hired hack, in which he sometimes left his
minister's portfolio peacefully at rest, pending his return, stood
before the little door in the Avenue Prony. He was happier when he
thought he had made a forward step in Marianne's affections than when he
had acquired new votes from the minority in the Chamber. Ambitious
projects yielded to the consuming desire that he felt toward this woman.
At the ministry, during the familiar conversations at table with
Adrienne and even during the hurly-burly attendant on private receptions
and morning interviews, he sometimes remained silent, lost in thought,
his mind wandering and, in reality, with Marianne.
Adrienne, at such times, with a sweet smile which made Sulpice shudder
with remorse, would beseech him to work less, to take some recreation,
and not allow himself to be so absorbed in politics.
"You are extremely pale, I assure you. You look worn out. You work too
hard."
"It is due to administrative changes. There are so many documents to
examine."
"I know that very well, but isn't Monsieur Warcolier there? In what way
does he help you?"
"In no way," replied the minister sharply, speaking with truth.
Public affairs, in fact, absorbed him, and he found it necessary to
steal the precious time to make a hasty trip to Rue Prony. A vacation,
it is true, was near. In less than a month, Vaudrey would have more
time at his disposal. But for more than three weeks yet, the minister
would have everything to modify and change,--everything to put into a
healthy shape, as Warcolier said--in the Hôtel Beauvau.
What matter! He found the time to fly incognito to the Maison de Vanda,
leaving his coupé at the ministry. Marianne was always there for him
when he arrived. The male domestic or the femme de chambre received him
with all the deference that "domestics" show when they suspect that the
visitor brings any kind of subsidy to the house. To Vaudrey, there was a
sort of mystery in Mademoiselle Kayser's life. Ramel, who knew her uncle
Kayser, had told him of the poverty of the painter. How then, seeing
that her uncle was so shabby, could the niece be so sumptuously
established?
Kayser, whom he had once met at Marianne's, had answered such a question
by remarking that his niece was a _sly puss_ who understood life
thoroughly and would be sure to make headway. But that was all.
"I have suspected for a long time that that little head was not capable
of much," the painter had added. "I considered her a light-headed
creature, nothing more. Fool that I was! she is a shrewd woman, a clever
woman, a true woman. I only find fault with her for one thing."
"What?" asked Vaudrey.
"Do you ask what, Monsieur le Ministre? The style of her establishment.
It is flashy, tawdry, noisy, it is boudoir art. It lacks seriousness! It
lacks morality! I would have in it figures that have style, character. I
don't ask for saintly pictures, but moral allegories, austere art. I
understand only the severe in art. I am a puritan in the matter of the
brush. For that reason, I shall attain nothing in these days of _genre_
and water-color painting."
And Kayser went on painting allegories, to digest his dinner, the pâté
de foie gras washed down with kummel, of which he had just partaken at
his niece's.
Vaudrey himself viewed those Japanese trifles, those screens, those
carpets, those pedestals surmounted by terra-cotta figures presenting in
their nudity the flesh tints of woman, those clock-cases above the
doors, that profusion of knickknacks, of furniture, of ottomans, that
soft upholstery that seemed to be made only to excuse a fall--nay, even
urged to sudden temptations, to chance love, to violent caprices; and on
leaving the house, where he had spoken to Marianne only in compliments a
hundred times repeated, and where she had but re-echoed sarcasms full of
tender, double meanings, as a woman who would undoubtedly yield, but
would not offer herself, he bore away with him in his nostrils and, as
it were, in his clothes, a permeating, feminine odor, which would now
follow him everywhere, and everywhere float about him in whiffs, urging
him to return to that house in which a new world seemed to be opening to
him.
He would not long persist in enquiring how Marianne Kayser had procured
all those baubles that so highly incensed the puritan instincts of her
honest uncle. He found himself urged forward with profound delight in
this adventure whose mysterious features pleased him. Bah! the very fact
that he found so much inexplicable in the life of this woman enticed him
all the more. It seemed to him that not only had he entered upon a
romantic course, but that he was himself the hero of the romance. Never,
in the days when he rolled about, an unknown student, on the Parisian
wave, and had lifted his thoughts toward some pale patrician girl,
toward some pretty creature he had caught a glimpse of, leaning back in
a dark-blue coupé, or framed in by the red velvet hangings of a
proscenium box, had he more perfectly incarnated the ideal of his desire
than in so charming a creature. Dreams of power, visions of love of his
twentieth year, had now become tangible to him and at forty he stretched
out his feverish hand toward them all.
"Could Ramel have been right?" he said to himself, "and I, only a
provincial, athirst for Parisine? But what matter? Let Mademoiselle
Kayser be what she will and I what I may be, it seems to me that I have
never loved any one as I love this woman."
"Not even Adrienne," added a faint, trembling voice from within. But
Sulpice had a ready answer to stifle it: Adrienne could not be compared
with any creature in the world. Adrienne was the charm, the daily
comfort of the domestic hearth. She was the wife, not the "woman." She
was the darling, not the love. Vaudrey would have severed one of his
arms to spare her any heavy sorrow, but he was not anxious about
Adrienne. She knew nothing, she would know nothing. And what fault,
moreover, had he committed hitherto? In that word _hitherto_, a host of
mental reservations were involved that Sulpice would gladly have
obliterated with his nails, he was ready to cry out with the same good
faith,--that of the husband who deceives the wife whom he loves:
"What wrong have I done?"
One afternoon,--there was no session of the Chamber that day,--Marianne
was seated in her little salon. She was warming the tips of her
slippers, that furtively peeped from beneath the lace of her skirt as a
little bird might protrude its beak from a nest, her right leg crossed
over the other, and she appeared to be musing, her chin resting on her
delicate hand.
She was weary. Justine, her recently engaged femme de chambre, who, like
the silverware, was provided by the Dujarrier, came to announce with the
discreet, bantering little smile of servants, that Monsieur Dachet, the
upholsterer, had called twice.
"The upholsterer!"
Marianne frowned slightly.
"What did he say?"
"Nothing, that he would return to-morrow."
"You call that nothing?" said Marianne, with a short laugh.
When Justine had left the room, she went straight to a small, black,
Italian cabinet inlaid with ivory, of which one drawer was locked. In
opening it, the sound of gold coins rattling on the wood caused her to
smile; then, with the tips of her white fingers, she spread out the
louis at the bottom of the drawer, which she abruptly closed, making a
wry face, and folding her arms, she returned to her seat in front of the
fire, beating her right foot nervously upon the wrought-iron fender.
"The Dujarrier's money will not go much further," she thought. "It is
finished."
She thought of striking a decisive blow. Up to the present time, her
relations with Sulpice had floated in the regions of the
sentimentalities of the novel, or of romance. The minister believed
himself loved for love's sake. He saw in Marianne only an eccentric girl
free from all prejudices and every duty, who disposed of her life as
seemed best to her, without being under the necessity of accounting to
either husband or lover. Free, she made of her liberty pleasure or
passion according to her fancy. The frightful, practical questions, the
daily necessities, were lost sight of by this man who was burdened with
the governmental question of France. Again, he never asked himself the
source of Marianne's luxury. He delighted in it without thinking of
analyzing anything or of knowing anything, and this ingenuously.
Mademoiselle Kayser's first word must necessarily awaken him to the
situation.
She knew that Vaudrey was to come, and suddenly leaving the fire, she
arrayed herself for him in a black satin peignoir lined with red surah,
with lapels of velvet thrown widely apart and allowing the whiteness of
her neck and chest to be seen under folds of old lace. Her fair hair
fell upon her velvet collar, and surmounting this strange costume, her
pale face against the background of the red-draped salon assumed the
disturbing charm of an apparition.
On seeing her, Sulpice could not refrain from stopping short and looking
at her in admiration. Seated there, in the centre of her salon, she was
awaiting him and arranging bundles of papers in a basket with gilded
feet and lined with pink satin. She extended her hand to him. It was a
pale hand, as inanimate as the hand of a dead person, and she languidly
asked him why he remained there stupefied without approaching her.
"I am looking," said the minister.
"You are always the most gallant of men," said Marianne, and she added:
"You are not already tired then of looking at me? Usually, caprices do
not last so long."
"The affection that I have for you is not a caprice."
"What is it, then? I am curious--"
"It is a passion, Marianne, an absolute, deep, mad passion--"
"Oh! nonsense! nonsense!" said Marianne. "I know that you speak
wonderfully well, I have heard you in the tribune. A declaration of love
costs you no more than a ministerial declaration. But to-day, my dear
minister, I am not disposed to listen to it even from you."
In these last words, there was a certain tenderness that in a measure
modified the expression of weariness or sulkiness which Marianne
suggested. Sulpice inferred therefrom an implied acceptance of his
proffered love.
"Yes," said she abruptly; "I am very sad, frightfully sad."
"Without a cause?" asked Vaudrey.
She shrugged her shoulders.
"Oh! I am not of those who allow their nerves to control them. When I am
out of sorts, there is invariably a cause. Let that be understood once
for all."
"And the cause?--I should be delighted to learn it, Marianne, for I
swear to you that I would always bear a half of your troubles and
pains."
"Thanks!--But in life there are troubles so commonplace that one could
only acknowledge them to the most intimate friends."
"You have no more devoted friend than I am," replied Vaudrey, in a tone
that conveyed unmistakable conviction.
She knew it positively. She could read that heart like an open page.
"When one meets friends like you, one is the more solicitous to keep
them and to avoid saddening them with stupid affairs."
"But why?" asked Vaudrey, drawing close to Marianne. "What troubles you?
I beseech you to tell me!"
He gazed earnestly at her eyes, seeking in the depths of their blue
pupils a secret or a confession that evaded him, and with an instinctive
movement he seized Marianne's hands which she abandoned to him; they
were quite cold. As he bent toward her to plead with her to speak, he
felt her gentle breath, inhaled the perfume of her delicate, fair skin,
and saw the exquisite curves of her body outlined beneath the black
folds of her satin peignoir. Marianne's knee gently pressed his own
while her heavy eyelids fell like veils over the young woman's eyes, in
which Vaudrey thought he observed tears.
"Marianne, I entreat you, if you have any sorrow whatever, that I can
assuage, I pray you, tell me of it!"
"Eh! if it were a sorrow!--" she said, quickly withdrawing her left hand
from Sulpice's warm grasp. "But it is worse: it is a financial worry,
yes, financial," she said brusquely, on observing that Vaudrey's face
depicted astonishment.
She seized the handful of papers that she had thrown into the
work-basket, and said in a tone that was expressive of mingled wrath and
disgust:
"There now, you see that? They are bills for this house: the accounts of
clamorous creditors, upholsterers, locksmiths, builders and I don't know
what besides!"
"What! your house?"
"You thought that I had paid for it? It is a rented one and nothing in
it is paid for. I owe for all, and to a hungry pack."
She began to laugh.
"Do you imagine then that old Kayser's niece could lead this life in
which you see her? Without a sou, should I possess all that you see
here?--No!--I have perpetrated the folly of ordering all these things
for which I am now indebted and which must be paid for at once, and now
I am about to be sued. There! you were determined to urge me to confess
all that--Such are my worries and they are not yours, so I ask your
pardon, my dear Vaudrey: so let us talk of something else. Well! how did
the Fraynais interpellation turn out?--What has taken place in the
Chamber?"
"Let us speak only of you, Marianne," said the minister, who looked at
the young woman with a sort of frank compassion as a friendly physician
looks at a sick person.
She nervously snapped her fingers and with her feet crossed, beat the
little feverish march that she had previously done.
He drew still closer to her, trying to calm her and to obtain some
explanation, some information from her; and Marianne, as if she had
already yielded in at once confiding her secret unreflectingly, refused
at present to accord him the full measure of her confidence. She
repeated that nothing that could be a source of annoyance or sordid,
ought to sadden her friends. Besides, one ought to draw the line at
one's life-secret. She was entitled, in fact, to maintain silence. That
Vaudrey should question her so, caused her horrible suffering.
"And you, Marianne," he said, "you torture me much more by not replying
to me, to whom the least detail of your life is interesting. To me who
see you preoccupied and distressed, when I wish, I swear to you, to
banish all your sadness."
She turned toward him with an abrupt movement and with her gray,
gold-speckled eyes flashing, she seemed to yield to a violent, sudden
and almost involuntary decision and said to Sulpice:
"Then you wish to know even the wretchedness of my life? So be it! But I
warn you that it is not very cheerful. For," said she, after a moment's
silence,--Sulpice shuddered under her glance,--"it is better to be
frank, and if you love me as you say you do, you should know me
thoroughly; you can then decide what course to take. For myself, I am
accustomed to deception."
Ah! although this woman were ready to tell him everything, Vaudrey felt
sure that her confidence could only intensify the love that he felt. She
had risen, her arms were crossed over her black gown whose red velvet
trimming suggested open wounds, her ardent eyes were in strong contrast
with her pale face, her lips of unusually heightened color expressed a
strange sensuality that invited a kiss, while her nostrils dilated under
the impulse of bitter anger--standing thus, she began to narrate her
life to Vaudrey who was seated in front of her, looking up to her--as if
at her knees. Her story was a sad one of a wicked childhood, ignorant
youth, wasted early years, melancholy, sins, outbursts of faith, falls,
returns of love, pride, virtue, restitution through repentance, scourged
hopes, dead confidences, the entire heartrending existence of a woman
who had left more of her heart than of the flesh of her body clinging to
the nails of her calvaries:--all, though ordinary and commonplace, was
so cruel in its truth that it appealed at once to Sulpice's heart, a
heart bursting with pity, to that credulous man who was attracted by all
that seemed to him so exquisitely painful and new about this woman.
"Perhaps I am worrying you?" she asked abruptly.
"You!" said he.
He looked at her with a tear in his eye.
Marianne's eyes gleamed with a sudden light.
"Well!" she said, "such is my life! I have loved, I have been betrayed.
I have had faith in some one and I awakened one fine morning with this
prospect before me: to sink in the deep mud or to do like so many
others,--to take a lover and save myself through luxury, since I could
not recover myself through passion. Bah! the world shows more leniency
toward those who succeed than toward those who repent. All that is
necessary is to succeed, and on my word--you know Monsieur de Rosas
well?"
"No," stammered Vaudrey, before whose mind the duke's blond face
appeared.
"You heard him the other evening!"
"I mean that I have never spoken to him. Well! what of Monsieur de
Rosas?"
"Monsieur de Rosas loved me. Oh!" she said, interrupting a gesture made
by Vaudrey, "wait. He said that he loved me. He is rich. Why should I
not have been Rosas's mistress? Deal for deal, that was a good bargain,
at least! I accept Rosas! It was to receive him that I was foolish
enough to make my purchases without reckoning, without knowing. What's
that for a Rosas?" she said, as she crushed the bundle of bills between
her fingers.
"And--Monsieur de Rosas?" asked Vaudrey, who was quite pale.
"He?"
Marianne laughed.
"Well, he has gone--I have told you as much. He has, moreover, perhaps,
done wisely. I regretted him momentarily--but, bah! I should have sent
him away--yes, very quickly, just so! without even allowing him to
touch the tips of my fingers."
"Rosas?" repeated the minister, looking keenly into Marianne's eyes.
"Rosas!" she again said, lowering her voice. "And do you know why I
would have done that?"
"No--" answered Sulpice trembling.
"Simply because I no longer loved him, and that I loved another."
She had spoken these last words slowly and in such passionate, vibrating
tones that Sulpice felt himself shudder with delight.
"Ah," he said, as he went toward her, "is that the reason? Truly,
Marianne, is that the reason?"
She had not confessed whom she loved, she had spoken only by her looks.
But Sulpice felt that he belonged to her, he was burning with passion,
transported, insane from this avowal; his hands sought hers and drew her
to him. He clasped her to his bosom, intoxicated by the pressure of this
body against his own, and added in a very low tone while his fingers
alternately wandered over her satiny neck and her silky hair:
"How can I help loving you, Marianne? Is it true, really true? You love
me?--Ah! what the great nobleman has not done, do you think I cannot do?
You are in your own home, you understand, Marianne.--Then, as he touched
the young woman's exquisite ears with his lips, he added:
"Our home--will you have it so?--Our home!--"
He felt, as she remained in his embrace with her body leaning against
his, that she quivered throughout her frame; his lips wandered from her
ear to her cheek and then to her lips, there they rested long in a
ravishing kiss that filled him with the languishing sensation of
swooning, he holding her so tightly that, with a smile, she disengaged
herself, pink with her blushes, and bright-eyed, said, with an
expression of peculiar delight:
"It is sealed now!"
Sulpice, even in his youthful days, had never felt so intoxicating a
sensation as that which he enjoyed to-day. It was a complete abandonment
of himself, a forgetfulness of everything in the presence of his
absolute intoxication. All the realities of life that were ready to take
possession of him on leaving this place melted before this dream: the
possession of that woman. He forgot the assembly, the foyer, that human
crowd that he ruled from the height of the tribune, and Adrienne, who
was seated yonder at the window, awaiting him. He forgot everything.
Like those who possess the singular faculty of easily receiving and
losing impressions, he fancied that his horizon was limited to these
walls with their silken hangings, these carpets, this feminine salon,
opening on a boudoir, a retreat whence escaped the odors of flowers and
perfume bottles.
Then, too, a special feeling of pride entered his heart. He felt his joy
increased tenfold at the thought that he, the petty bourgeois from
Grenoble, had snatched this woman from a duke and, like a great
nobleman, had paid the debts that she had contracted. He raised his head
proudly from an instinctive impulse of vanity. Rosas! He, the son of
honest Dauphiny folks, would crush him with his liberality.
"What shall I do to silence those creditors?" he said to
Marianne,--whose hands he held and whose face grazed his in a way that
almost made him frantic.
"Nothing," she replied. "What you have promised me is enough. Now I feel
that I am saved. Our house, you said so, we are in our own house here.
If the creditors will not believe me when I tell them to have
patience--"
"They will believe you," said Vaudrey. "Come, we will find the means--On
my signature, any one will lend me money."
It seemed that Marianne was expecting this word _money_, coarse but
eloquent, in order to tell Vaudrey that an old friend, Claire Dujarrier,
was on intimate terms with a certain Adolphe Gochard, who upon the
endorsement of a responsible person, would certainly advance a hundred
thousand francs that he had at this moment lying idle. Gochard only
needed a bill of exchange in his favor for one hundred thousand francs
at three months' date, plus interest at five per cent. This Gochard was
a very straightforward capitalist, who did not make it a business to
lend money, but merely to oblige. It was Madame Dujarrier who had
introduced him and Marianne would have already availed herself of his
courtesy, if she had believed herself able to repay it at the appointed
date.
"And where does this Monsieur Gochard live?" Vaudrey promptly asked.
"Oh! it would not be necessary for you to go to see him," replied
Marianne. "On receipt of a bill of exchange from me, Madame Dujarrier
would undertake to let me have a hundred thousand francs from hand to
hand."
"A hundred thousand francs!--In three months," said Vaudrey to himself,
"in a vast placer like Paris, one can find many veins of gold."
He had, besides, his personal property and land in Dauphiny. If need be,
without Adrienne's even knowing it, he could mortgage his farms at
Saint-Laurent-du-Pont!
"Monsieur de Rosas would not have hesitated. But in his case there would
have been no merit," said Mademoiselle Kayser.
At the name of that man, coupled with the recollection of him, Sulpice
felt himself spurred to a decision. Clearly the great millionaire noble
would not have delayed before snatching this woman from the claws of her
creditors. A hundred thousand francs, a mere trifle for the count! Well,
Vaudrey would give it as the Spaniard would have done. He would find it.
Within three months, he would have put everything right; he did not
know how, but that mattered little.
"Have you a pen, Marianne?"
The minister had not noticed the sheet of white paper that was lying on
the blotting pad of Russia leather, among the satin finished envelopes
and the ivory paper-cutters.
"What are you going to do, my friend?"
She pretended to put away the green, sharkskin penholder lying near the
inkstand, but drew it imperceptibly nearer to Sulpice, who with a quick
movement had already seated himself in front of the secrétaire.
"A minister's signature is sufficient, I suppose?" he said with a smile.
He commenced to write.
"What did you say?--Gochard?--"
She was quite pale as she looked over Sulpice's shoulder and saw him
rapidly write several lines on the paper, then she spelled:
"Adolphe Gochard--Go-go-c-h-ar-d."
"There it is!" he said, as he handed her the sheet of paper.
"I wish to know what is thereon, or I would never consent."
She took the paper between her fingers as if to tear it to pieces.
Sulpice prevented her.
"No," he said, "I request you to keep it; it is the best reply you can
give to those people.--Rely on me!"
"Do you wish it?" asked Marianne, with a toss of her head, speaking in a
very sweet voice.
"Decidedly. It is selfish, but I wish to feel myself not a little at
home here," Sulpice replied.
He seized her hands, her plump, soft, coaxing hands, and as he clasped
them within his own, he carried them to his lips and kissed them, as
well as her face, neck, ear and mouth, which he covered with kisses; and
Marianne, still holding the satin paper that the minister had just
signed, said with a laugh as she feebly defended herself:
"Come--come--have done with it! Oh! the big boy!--You will leave nothing
for another time!"
He left the house, his head was swimming, and he was permeated with
strong odors. He flung to the coachman an address half-way to the
ministry.
"Place de la Madeleine."
He shut his eyes to picture Marianne.
As soon as she was alone, her lips curled as a smile of satisfied vanity
played over them. She began by reading the lines that he had so hastily
written: _I guarantee to Monsieur Adolphe Gochard a bill of exchange at
three months, if he agrees to advance that amount to Mademoiselle
Dujarrier who will hand it to Mademoiselle Marianne Kayser_.
"Well! the Dujarrier was right," she said; "a woman's scheming works
easier than a sinapism."
Then, after a slight toss of the head and still smiling, she opened one
of the drawers of the small Inaltia cabinet and slipped into it the
satin paper to which the minister had affixed his signature and which
she had carefully folded four times. She considered that autograph worth
a thousand times more gold than the few pieces that remained scattered
about the drawer, like so many waifs of luxury. Then, slowly returning
to her armchair, she sank into it, clasping her two hands behind her
head and gazing at the ceiling, her thoughts wandered in dreams--a crowd
of little ambitious thoughts passed through her brain like drifting
clouds across the sky--and while with the top of her foot she again beat
her nervous march on the hem of her petticoat, her lips, the lips whose
fever had been taken away by Vaudrey, still preserved the strange turn
of the corners that indicated the unsatiated person who sees, however,
his opportunity arrive.
She was as fully mistress of herself as Vaudrey was embarrassed and
unbalanced. He seemed to hear voices laughing and singing within him and
his brain was inflamed with joy. Before him opened the immense prospects
of his dreams. Glorious as it was to be all-powerful, it was better to
be loved. Everything whirled about within his brain, he thought he still
heard Denis Ramel talking to him, and in a twinkling, Marianne's smiling
face appeared, and with a kiss she interrupted the old journalist's
sallies, and Sulpice saw her, too, as it were half-fainting, through the
window of her fiacre, like a pastel half-hidden beneath the glass.
He was delighted to walk about for a moment when the carriage had set
him down on the asphalted space that surrounds the Madeleine. The walk
was beneficial. He raised his head instinctively, expanded his lungs
with the air, and threw out his chest. He thought that people looked at
him attentively. Some passers-by turned round to see him. He would have
felt prouder to have heard them say: "That is Mademoiselle Kayser's
lover!" than: "That is Monsieur Vaudrey, the minister!"
He felt a kind of annoyance on returning to Place Beauvau. He was still
with Marianne. He recalled her attitudes, her smile, the tone of her
voice. Public matters now fastened their collar on him, there were
signatures to be subscribed, reports to be read, telegrams, routine
work; in a word, vulgar professional duties were to be resumed. He did
not at once go to his cabinet. Warcolier, the Under Secretary of State,
received and despatched ordinary matters.
Through some strange caprice, he felt a desire to see Adrienne very soon
after leaving Marianne, perhaps to know how he would feel and if "_cela
se voyait_" as they say. There was also a feeling of remorse involved in
this eagerness. He wished to satisfy himself that Adrienne was not
suffering, and as formerly, to smile on her as if redoubled affection
would, in his own eyes, obliterate his fault.
Adrienne was in her salon. Sulpice heard the sound of voices beyond the
door. Some one was talking.
"Madame has a visitor?" he inquired of the domestic.
"Yes, Monsieur le Ministre--Monsieur de Lissac."
"What! Guy! what chance brings him here!" Sulpice thought.
He opened the door and entered, extending his hand to his friend.
"How lucky! it is very kind of you to come."
Guy stood, hat in hand, while Vaudrey stooped toward Adrienne to kiss
her brow unceremoniously in the presence of his friend.
"Oh!" said Lissac, "I have not come to greet Your Excellency. It is your
charming wife that I have called on."
"I thank you for it," said Sulpice, "my poor Adrienne does not receive
many visits outside the circle of official relations."
"And she does not get very much entertainment! So I promise myself to
come and pay court to her--or such court as you would wish--from time to
time. Madame," said Lissac jocosely, "it is a fact that this devilish
minister deserves that you should receive declarations from morning to
night while he is over yonder ogling his portfolio. Such a husband as he
is, is not to be found again--"
Adrienne, blushing a little, looked at Vaudrey with her usual expression
of tender devotion as profound as her soul. Sulpice made an effort to
smile at Lissac's pleasantries.
"No, take care, you know!" added Guy. "As Madame Vaudrey is so often
alone, I shall allow myself to come here sometimes to keep her company,
and I won't guarantee to you that I won't fall in love with her."
He turned respectfully toward Adrienne and added, with the correct
bearing of a gentleman:
"Madame, all this is only to make him comprehend that nothing in the
world, not even a rag of morocco,--is his portfolio a morocco one?--is
worth the happiness of having such a wife as you. And the miserable
fellow doesn't suspect it. You see, I speak of you as the Opposition
journals do."
Sulpice tried to smile but he divined under Guy's jesting, a serious and
truthful purpose. Perhaps Adrienne had just been allowing herself to
complain of the sadness and dreariness of her life. He was hurt by it.
After all, he did all that he could to gratify his wife. But a man like
him was not, in fact, born to remain forever tied down. The wife of a
minister must bear her part of the burden, since there must be a burden.
As if Adrienne had divined Sulpice's very thoughts, she quickly added,
interrupting the jester who had somewhat confused the minister:
"Don't pay any attention to Monsieur de Lissac. I am very happy just as
I am."
Vaudrey had taken her hand to clasp it between his fingers with a
slightly nervous grasp. The trustful, good-natured, pure smile that
Adrienne gave him, recalled the anxious, distracted expression on
Marianne's lip.
"Dear wife!"
He sought to find a word, a cry, some consolation, a sort of caress,
proceeding from one heart and penetrating the other. He could find none.
"Come!" said Guy. "I am going to leave you, and if you will allow me,
madame, I will occasionally come here and tell you all the outside
tittle-tattle."
"You will always be welcome, Monsieur de Lissac," Adrienne said, as she
extended her hand to him.
Guy bowed to Madame Vaudrey in a most profoundly respectful way.
Sulpice accompanied him through the salons as far as the hall.
"Do you want me to tell you?" said Lissac. "Your wife is very weary,
take care! This big mansion is not very cheerful. One must inevitably
catch colds in it, and then a woman to be all alone here! A form of
imprisonment! Do not neglect to wheedle the majority, my dear minister,
but don't forget your wife. Come! I will not act traitorously toward
you, but I warn you that if I often find your wife melancholy, as she is
to-day, I will tell her that I adore her. Yes! yes! your wife is
charming. I would give all the orders in the world for a lock of her
hair. Adieu, Monsieur le Ministre."
"Great idiot," said Vaudrey, giving him a little friendly, gentle tap on
the neck.
"Be it so, but if you do not love her well enough, I shall fall in love
with her, and I forewarn you that it is much better that I should than
any other. Au revoir."
"Au revoir!" Sulpice repeated.
He tried now to force a smile and went down to his cabinet, where he
found heaped-up reports awaiting his attention and he turned the pages
over nervously and read them in a very bad humor.
* * * * *
_She was quite pale as she looked
over Sulpice's shoulder and saw him rapidly write several lines on the
paper, then she spelled:
"Adolphe Gochard--Go-go-ch-a-r-d."_
[Illustration: SULPICE BECOMES SURETY FOR MARIANNE]