CHRISTMAS CONCERT

It was several nights before Christmas, and all along the freeway, cars

were lined up like a vast herd of red-nosed reindeer being led off to

slaughter. I glanced away from the sight and reached out to snap off

the radio. I'd had far too much of the Messiah since Thanksgiving.

You'd think a respectable classical station could think of something

more original to saturate the airwaves with. But I knew that even if I

changed the station, I'd get White Christmas, or Blue Christmas, or

Dixie Christmas, or some other form of musical blasphemy. Traffic

moved along sluggishly, inching up a long, curving hill. It was

raining heavily--one of those sudden tropical storms, only it was

happening in a refrigerator. I had the windshield wipers on full, but

still I could hardly see the vehicle in front of me.

Along with every other irate father, uncle, brother, and son who was

late for some engagement or another, I was in the fast lane. I had

gotten caught in a last-minute sales meeting, and I was going to be

late for my daughter's concert if the idiot in front of me didn't hurry

up. The offending car was a Jeep, jacked up on all fours with tires

big enough to dwarf a road-grader, and had struts and shock absorbers

and what-not sticking out all over the undercarriage--a real useful

piece of machinery for navigating the treacherous Silicon Valley

freeways: when you see a car you don't like, you just roll right over

it. The Jeep had one of those typical California vanity plates, held

in place by a brass frame which, had I been able to read it in the

dark, would have said "My other truck is a Mack." The driver was

pumping on his brakes continually, no doubt keeping time to some

Country Christmas Hit Classic. Lounging on top of this pinnacle of

western automotive engineering was a Christmas tree, lashed with a

couple pieces of thin twine--probably on its way to a living room hung

with paintings of nudes on black velvet, and soon to be littered with

tacky country decorations and strings of popcorn. The tree listed to

one side, bobbing over the edge of the Jeep's roof in time with the

blinking brake lights. The driver's girlfriend was smooching up to him

in the front seat--I could see her outline through the back window,

practically sitting in his lap... maybe she _was_ in his lap. I

started thinking they probably deserved to lose the whole tree. They'd

have a real nice surprise when they got home without it.

I reached over to turn on the radio again, thinking the hourly excerpt

from the Messiah might be over by then. I should have brought a tape

from home, but I'd barely had time to change my suit. Just when my

eyes were averted for an instant, the Christmas-tree bedecked vehicle

in front of me decided to drop its load. I felt my car go bump, bump,

and slammed on my brakes before I even looked up. The car behind me

skidded and swerved to one side, then leaned on his horn as if he'd run

into an iceberg. I just hit the emergency lights and leaned on my own

horn. The guy in front, perhaps hearing the tooting chorus behind him,

stopped just down the road, and like an idiot, put his Jeep into

reverse and came hurtling back toward me. He skidded to a stop and put

on his emergency lights.

What kind of jerk ties down a Christmas tree so loosely that it flops

off in the middle of a freeway? We were only doing twenty miles an

hour--in the rain, no less. I thought I would have to get out and

check the extent of the damage, and I wasn't happy about slogging in

the rain with my dress shoes on. Hallelujah, the jerk stopped, anyway,

so I could at least get the name of his insurance company--I'd already

memorized his personal license number (which doesn't bear

repeating--I'd always thought the DMV had standards of decency).

I hopped out, trying to pull up the collar of my overcoat even though

it wouldn't quite cover my head, and started walking forward to have a

few choice words with Mister Country Jamboree in the over-endowed

automobile. Of course, CJ (as I then dubbed the driver) bounded out of

the Jeep and headed my way, tucking in his shirt as he walked. One

look at him, and I almost turned around and left--CJ could have been

Paul Bunyan's twin brother. He had the shirt to prove it, too: red

and black lumberjack style checks, with the top three buttons undone,

and chest hair that was thicker than my beard. He also wore cowboy

boots and wide red suspenders.

"Holy moley, mister!" he yelled with a tone of real concern. "You

alright?"

I was about to lay into him when his gum-chewing girlfriend appeared

from behind, tucking herself into his armpit. "Oh!" she squealed,

"Ah'm so sorry! Looks like our tree smashed up your brand new car!"

My car wasn't exactly brand new, but I looked around to where she

pointed. Sure enough, the front grill was bent in and one headlight

had gone out, the glass completely smashed. The tree itself was

nestled cozily under the car, nuzzling up against the oil pan.

The look of childish helplessness on both their faces--and frankly what

I considered might be a moderate dose of dull wittedness--somehow got

to me just then, and I couldn't quite bring myself to swear at them.

Besides, the fastest thing to do would be to shrug it off with a happy

face, extract their battered shrubbery from beneath my car, and be on

my way. I decided that silliness would carry the day. "Merry

Christmas!" I called, throwing out my arms. "Sorry about your tree!"

Both of them lit up in grins.

"Look--he ain't even mad," the guy said to his girlfriend.

She batted her lashes in astonishment. "We're awfully sorry about

this," she chimed, wagging her head.

It only took a minute to get the tree out from under the car. All the

while, I was thinking of how to explain it to the patrolman who would

undoubtedly appear in a moment: it's just another roadkill, officer,

nothing to be alarmed about; I'm sure it happens all the time, what

with all these trees swooping down on unsuspecting holiday merrymakers.

The tree was pretty battered up around the lower branches, but it

really could have sufficed to cheer someone's holiday--if one cut off a

couple feet from the bottom and turned the bad side toward the wall so

it couldn't be seen. You only decorate half the tree anyway, right? I

started trying to explain this to my countrified acquaintances, but

they would have none of it.

"Look, mister," CJ drawled, propping up the tree with one hand. "We

busted out yer headlight. Hell, the least I can do is give ya the

tree."

The woman tilted her head and shot out a hand to touch my arm. She had

a horrified look in her wide eyes that I could see even through her

dripping mascara. "You ain't already got one do ya, mister?"

I glanced at my watch and tried to weasel out of it. I'd already nixed

the idea of a Christmas tree--told my family (meaning my daughter,

Jenny) we weren't having one that year, and that was final. They just

shed all over the carpets and had to be tossed out at precisely the

right moment in January or the city garbage folks wouldn't pick them

up. We'd had a tree one year that sat around well into February

because we missed the magic pick-up date. I finally chopped it into

little bits and threw it out a piece at a time over the next six weeks.

I had no use whatever for a Christmas tree.

In the end, I didn't want to argue with them--it was cold, exceedingly

wet, and I was already going to be late for the concert. So CJ helped

me load the mortally wounded conifer into my trunk. We groped around

for the twine, but couldn't find it, so he battened down the lid with

his girlfriend's belt. She had high-tailed it back into the Jeep to

wait for him out of the rain. He whispered into my ear while he

cinched up the belt. "She don't really need her belt," he said. "I'd

have it off her in another couple o' miles anyways." He gave me a wink

and wished me a Merry Christmas.

By the time I arrived at the hall, the concert had long since begun and

it was almost intermission. I detest arriving late for these things,

and I had to wait around the lobby until the first part was over. I

was thankful I'd not been any later. Jenny would have been sorely

disappointed if I'd missed her big debut: about twenty minutes from

the time I arrived in the lobby, she was scheduled to begin her first

public performance as a featured soloist--playing "Harold in Italy".

If you don't know it, it's a fine piece of music, but it's not in the

frequently-performed repertoire, because it's sort of a half-fledged

concerto for viola. Not the violin or the cello--the viola: underdog

of all orchestral instruments.

My daughter Jenny wasn't always a violist. We started her out right on

the violin--something I considered a respectable instrument for a young

lady. My ex-wife and I had faint hopes that someday she'd be a concert

violinist--Jenny was that good from the time she picked up her first

quarter-sized fiddle. We spent a fortune on expensive teachers, and as

soon as she was ready, we started her on the long track: youth

symphony. But just after her fourteenth birthday, something happened

to her brain. I don't mean a pre-mature stroke or some kind of lesion.

She came home one day with this hideous dreamy look in her eyes, and

she puttered around the kitchen nervously helping me cook. She wasn't

talking very much.

I didn't want to probe, figuring she'd tell me what was on her mind

when she was ready. "I have to go to Milan next month," I said, trying

to be cheerful.

She was tearing lettuce leaves into microscopic fragments, and she

looked up. "Will you see Grandma?"

Jenny meant my mother--fountainhead of all family quirks. As a

bright-eyed Italian girl of seventeen she married her American

sweetheart and came to the States. It turned out to be a terrible

marriage, and years later, after dutifully raising four kids, she

divorced my father, American style, and went home to the Old Country.

Jenny had only met her a few times, but when they did meet you couldn't

pry them apart.

"Uh-huh. I thought I might take you along, if you can stand it," I

teased. I pulled the salad bowl away from her and tossed in the tomato

I had been cutting. "We'll leave the day before spring-break."

She brightened a bit at that, and with a very limp wrist, laid a whole

leaf of lettuce on top of the chopped tomato. "Can we stop in Vienna?"

"Oh, I don't know, Jenny... Maybe for a day or two."

She put on a weak smile. "Can we go to the opera?" she asked softly.

Jenny's enthusiasm for opera was phenomenal. She must have inherited

that from my mother, too--I always thought half the reason she went

back to Milan was because they did too many German operas in San

Francisco.

"Only if you can drag Grandma along." I picked up the salad and two

bowls, then waltzed away toward the dining room.

Over dinner she made her momentous announcement. I had just put a big

bite of steak into my mouth and was chewing thoughtfully. I even

recall we were listening to something by Prokofiev.

"Daddy, I'm going to switch," she said quickly with an air of

non-chalance.

I paused, finished chewing, and then fell right into the pit. "That's

fine, honey..." Another pause. She wasn't looking right at me, and I

leaned over to try to catch her eye. "You're going to switch what?"

She stabbed at her steak, fork delicately held in her left hand just

like we'd taught her all her life. "To viola." She slid a small piece

of steak into her mouth and started chewing.

I gagged, and put down my fork, but she kept on chattering with her

mouth full, trying to convince me before I could even voice the

beginning of an objection. Finally she appealed to my conceit. "You

want me to be a great musician, right Daddy?"

I tried to agree that had been our hope, but I was still trying to

catch my breath.

"Well, I'm sitting third-desk right now. Do you know what that

_means_?" she whined. "I'll never get anywhere in a concert career.

You have to sit first-desk--or be the concert mistress."

I coughed a couple more times. "But you're doing fine," I insisted.

"You're the best."

She gave me her old half-frown, pulling down one side of her mouth and

screwing up her eyes, then rolling them away toward the ceiling.

"Daddy," she said, "I'm not the best. Mary is the best." She pushed

another piece of steak onto her fork. "I'm sitting third desk with

Deadpan Wang." She got that dreamy look again, and balanced her fork

on two fingers. "But if I switch to viola--they're always in greater

demand you know, because fewer people play viola, Daddy--I could be

sitting first desk."

"Look," I told her, "you've already won a couple of competitions, are

you going to throw all that effort away, and take up... the _viola_?"

I actually gulped.

"_You_ might call it winning," she shot back, "but I've never taken

better than second place."

"What about the cello?"

"Daddy," she whined again, putting down her knife and picking up her

milk. "The technique is too different--you should have started me on

cello ten years ago."

"Does your mother know about this?"

She twirled her fork among her green beans and wouldn't meet my eyes.

"No." She looked up with knotted eyebrows. "She doesn't care."

"Jenny, she does too..." I let that trail off lamely and we ate in

silence for a while.

Now, I had nothing particular against the viola, as an instrument.

Frankly speaking, I've known a couple of violists pretty

intimately--and I've always found violists to be warm and tender

people. Much less high-strung, so to speak, than violinists. Not

quite as passionate as cellists. But I would hardly have considered

the viola to be a prestigious solo instrument. How many famous

violists can you name? How many great viola concertos? "The

repertoire is too limited," I said, speaking what was on my mind. This

fact did not deter her determination.

"Mr. Rossi thinks I'd make a great violist," she replied. There was

that look again, right in her light brown eyes. Just like her mother.

I had a sudden insight: my teenage daughter had a crush on the

conductor. He needed a violist, and apparently he was astute enough to

take advantage of a young girl's infatuation to get one. Maybe I'd

have a word about cradle robbing with Mr. Rossi. Well, no that was a

bit much, I decided. Jenny would have given me the silent treatment

for a week. I'd have to stay calm. I told her to think about it for a

while, and after a couple weeks, if she still wanted to descend to

being a violist, we'd see.

Half an hour later, while I did the dishes, she was on the phone to

someone, and jabbered away for a couple of hours to her friends while

she dragged the phone all over the living room. I decided again I'd

have to join the modern age and get a cordless phone. She probably was

about ready for her own private line. I thought maybe I ought to make

her pay for it, too.

Jenny worked her way up to first desk within a year of taking up her

beloved viola, and despite myself I was beginning to be slightly proud

of her. She really was in higher demand, and was constantly so

involved with chamber ensembles, youth symphony, flitting here and

there, that a lot of her schoolwork was suffering noticeably. Her

grade-point average dropped until she was barely maintaining a "B". We

had a little talk about that, and decided mutually (or at least I like

to think it was mutual) that she needed to pull it up, or I'd pull the

plug on all her extra-curricular activities.

So there I was, three years later, pacing the lobby, waiting. I heard

applause in the auditorium, so I snuck in the door. The hall was

packed solid. At least it seemed packed solid for a moment. I found a

pretty lousy seat near the back and plopped myself down while I looked

around for something closer. I spotted an aisle seat near the middle,

so I moved down and slid into it. I need not have rushed--it was

intermission, so I sat there for ten minutes contemplating. Soon, the

orchestra filed back in and the audience bustled around to reclaim

their seats. The conductor, the notorious Mr. Rossi, re-appeared on

stage, and the orchestra stood for him. I waited through the next

torturous work on the menu, hoping it would be over quickly. When it

ended, I clapped a couple of times and hoped the rest of the audience

didn't go wild.

When the applause died out, I found I was holding my breath. Then,

Jenny appeared in the wings, and strolled forward, her instrument

dangling easily from one hand. I could see her scan the crowd and

smile--she was really just looking for me. I felt like waving, but

that would have been gauche, so I kept my hands to myself. There she

was, her black skirt billowing from a waist and hips that resembled her

mother's gorgeous figure more each time I noticed it. Her starched

white blouse almost crackled. She had spent half an hour fussing over

it with the iron, then spent another half an hour getting every speck

of lint off her silk skirt. I noticed that her shoe-laces were untied,

as usual, and broke out in a smile. At that instant, she tripped over

the foot of a music stand--an intense foreboding chill shot through my

spine and flashed along every nerve in my body when I saw her sailing

headlong toward the floor. A gasp went up from the crowd, and the

applause stopped immediately.

Her reflexes, I must admit, were those of a well-bred cat, and her

instinct for self-preservation must never have been stronger: her

viola never hit the floor. The conductor, wheeling around when he

heard the clattering sound, stepped from his podium to assist her in

standing again. One of the violinists, whose improperly placed music

stand had done the damage, put down his violin to pick up the debris.

The conductor had a few words with Jenny, and then he escorted her off

the stage. She limped, and would put no weight on one leg. Rossi's

arm seemed to be practically fondling her chest and I felt a surge of

fatherly irritation. I was already on my feet when they started off,

and was trotting down the aisle toward the front of the auditorium.

"I'm her father," I shouted at the old ladies who tried to stop me from

ascending the side stairs. By then, some numbskull appeared from the

wings to make an announcement that there would be a slight delay, and

ask the audience to please wait a few moments. "Tell 'em a few jokes,"

I suggested as I dashed past. I didn't wait to hear what he said next,

but ran into the back, looking for the green room. I was certain

that's where she would have gone. I hoped they had a doctor handy.

In another minute or two, I was with Jenny and the infamous Mr. Rossi,

who had his arm around her waist and was consoling her in oily

whispers. She sat with her priceless viola set across her lap--well,

it was priceless enough to me, as I couldn't afford to buy another one

like it even if I sold both of my cars. Her bow had been snapped in

two and was draped across the viola, two pieces of splintered wood

dangling from white horsehair. She wept into the palm of one hand.

"Darling, are you OK?" I asked, rushing up to her. Mr. Rossi wisely

removed his roaming hand and stood back a few steps.

"I think I just sprained my ankle," she replied, but that was not the

uppermost thing on her mind. "Oh, Daddy--look at my bow!"

"Hey, we can get a new one," I told her, lifting it up. "I saw the way

you saved your viola," I said, trying to sound cheerful. "It was a

great maneuver!"

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