Jurgen chuckled. "I think I understand. Good night, Al."

"Come on back soon, Yoorgin," Al replied. "Play some more with us."

"I'll do that." Jurgen put his hand to his head, then remembered he

had no hat. He smiled and walked out.

Jurgen returned to his room long after midnight, turned on the single

light, and sat upon the bed to look through his sheaf of music. He

tossed the music aside after a few minutes and laid down to think back

over the evening. It had been a long time since he had had as much

fun--sheer enjoyment--as that evening with Plain Al and Mabel. She was

remarkable--sophisticated and graceful--they had played together as if

they knew each other intimately.

Something fluttered and fluttered against his eyelids--he opened his

eyes and looked up. A moth had somehow got into the room, and

fluttered around and around the lightbulb, casting shadows that

flitted. Annoyed to be cast from his reverie, he took his towel and

began flicking at the moth as it circled and circled. Something about

the lightbulb caught his attention then--it was unusually shaped. He

pulled the chair over beneath it and standing carefully on the chair,

looked at the slowly swinging bulb before reaching out to grab the

socket. Stamped upon the end of the bulb in rough, smeared letters

were three words: Made in Hungary. He almost lost his balance for an

instant, and jumped to the floor with a thump. There was an immediate

answering thump from the room below, and Jurgen mentally apologized to

his lower neighbor.

* * * * *

Two days later, on a Saturday evening, after what had become his

accustomed daily rounds of playing on street-corners--Jurgen found

himself again descending the stairs into Calcutta. The place was

noisier than it had been before. There might have been thirty people

inside. He found a seat at the booth closest to the spotlights--the

open tables were full. A young waitress in a slinky white dress came

over to serve him. He decided to have dinner there--a repayment to

Mabel. The last time, he had only ordered one drink, and when he

thought back over the evening, decided that he had in fact never paid

for it or any of the drinks he had with Al and the others. At least he

could give her some business by ordering dinner.

"Where's Mabel this evening?" he asked.

"Huh?" The waitress seemed confused. She let one knee bend, and ran a

hand quickly along the strap of her dress.

"Oh," he stammered, "I thought Mabel would be here."

"Oh, she's here," the waitress said, puzzled. "She don' work tables

though." She leaned on the table with one hand. "Can I get you

something to drink first?"

"I'll have a Coca-Cola."

The waitress left and came back with his drink. She set it lightly on

the table, with a battered cork coaster beneath, and slid it in front

of him. He ordered a few side dishes--words spilling willy-nilly from

his mouth while he glanced over the menu. He was uncertain how much he

should order and ended up ordering far too much food to eat alone--but

he felt that he really owed Mabel something. Plain Al showed up later;

Jurgen walked over to say hello, and to thank him for so kindly

allowing him to play the other evening. Remembering that he had plates

of untouched food, he invited Al over to his table. They ate together

and talked about the late George Gershwin.

"Pity how he passed away so suddenly, ain't it?" Al observed quietly.

"I'm sure he'll be counted among the greatest," Jurgen replied.

Jurgen joined the band and they spent the rest of the evening working

over tunes they all knew. Mabel came out and sang with them, and they

rounded out the evening with a few long numbers just for the enjoyment

of listening to each other. The crowd seemed more appreciative than it

had been before--Jurgen believed that anything would have been an

improvement. There were simply more people present, so he felt they

were more appreciative, but he guessed it was all part of the same

thing they heard every Saturday night in Calcutta. There were a couple

of other musicians--a hot young sax player with a large belly and a

low-hung belt that barely held up a pair of wool pants with worn knees.

There was a wrinkled old man, half blind, who played blues with his

beat-up guitar--he had a hole the size of a silver dollar in one shoe

and he wore no socks. It was far from the symphony, but Jurgen

thoroughly enjoyed his second evening in Calcutta.

* * * * *

Dropping into the Calcutta to play the evening away quickly became a

pleasant habit over the next few weeks. Jurgen came to consider his

previous life as having been sheltered from some of the finest

home-spun music he had ever heard, and he decided there was much to be

learned here. Whether they worked in factories or restaurants, or

tended stores in the neighborhood, the people who congregated around

Mabel all seemed to have one thing in common: concentrated musical

talent. They were all masters of jazz melody. He looked forward to

his regular visits--an especially welcome diversion after playing all

day in the cold, hanging around employment lines looking for symphony

work. The pennies he earned during the day mostly ended up in Mabel's

coffers--where Jurgen thought they should be. His own savings began to

dwindle. He increased the hours he spent searching for good employment.

It seemed to Jurgen that every time he descended the dark stairwell to

Calcutta and opened the door, there were more customers than had been

there the last time. On the last Saturday night before Christmas--it

was Christmas Eve, in fact--Jurgen arrived, thinking he would have

dinner there. He threw open the door and found the whole café crowded

far beyond capacity. Every booth was full, and there were two new

tables plunked down in the corner nearest the spotlights. Every table

had an extra person or two squeezed in. The place was like a morning

train, but the atmosphere of celebration swirled through the room with

the blue haze of cigarette smoke. Jurgen went slowly forward toward

the lights--but could not find a seat anywhere. The musicians were out

on a break, so the customers all talked among themselves, laughing and

cheering. He was about to ask someone at one of the tables if they

would mind him crowding in to watch, but Al spotted him from the back

doorway.

"Yoorgin! Come in back a while," he yelled, flailing his arm.

Jurgen waved back and pushed his way between the tables. "Excuse me.

I'm very sorry," he said as he squeezed through, carrying his viola

case over his head with both hands. He made it to the door, and Al

pulled him into the back.

"Here, have a glass of bourbon," Al said with his silver-toothed grin.

"Christmas Eve's time for a little celebratin'!"

Al brought another rickety wooden chair over to a small table where the

musicians were gathered. Seated on one side was Mabel, dressed in a

fine long gown that sparkled with red sequins, her hair tied up in a

bright green turban; long dangling earrings. She was the picture of

Christmas, with a tipsy smile. A chef and two young men in soiled

aprons worked the kitchen stove and oven, clanking pans and mixing

bowls at the far end of the room; the lights were bright.

"Jurgen," Mabel said as he sat down, "I was hoping you'd be here this

evening. I have something for you." She slid her hand into the bosom

of her low-cut gown, sending a ripple of laughter among the musicians.

"It's a Christmas present," she whispered, fishing deeper and

deeper--her shoulders wiggled in mirth. "If I can find it..." She

drove her hand deeper to keep them all laughing.

Jurgen pulled his chair closer and held his viola case upright between

his legs. Al pushed a tumbler of bourbon in front of him--and Mabel

slapped five dollars onto the table with both hands. "Now you go on

and take this," she insisted. "Ever since you showed up here, business

has been getting better and better. I want you to know how much we

appreciate it."

Jurgen looked at the bill--it was a crisp, fresh five-dollar note that

had been folded, only once, in quarters. "Thank you, Mabel," Jurgen

said, then paused to fumble with his glass. He did not touch the bill,

but left it sitting on the table in front of him. "I'm speechless."

Everyone laughed.

"Now you just sit here a while with me," she continued. "The rest of

you go on out and play for a while. I want to talk to Mr. Jurgen in

private." A low murmuring sound swept them, and they backed away.

When Jurgen and Mabel were alone, she raised her glass. "Here's to

good business," she said.

"To good business," Jurgen replied, raising his own glass and clinking

it delicately against hers. "And a Merry Christmas to all..."

"Now that," Mabel said, "is what I wanted to talk about." She spoke

quickly, with clarity--as if she had a speech memorized, and was

delivering it for an audience. She punctuated her sentences with wispy

motions of her long-nailed fingers. "I've been wondering to myself

just what kind of man you are. And I've concluded that you're a pretty

poor man." When Jurgen's smile suddenly dripped away she stopped and

closed her eyes theatrically. "Oh, that was unfortunately phrased. I

mean... you're not a wealthy man."

Jurgen sat up straight, and Mabel laughed--then set her glass down on

the table. "It takes no Sherlock Holmes," she continued, "to see that.

Why, you've been in here nearly every evening coming on six weeks--and

in all that time, I don't believe I've seen you in any clothes but the

rags you have on now. You must wash 'em, cause you don't smell like my

grandpa's barnyard--but I'd guess you don't have any other clothes."

Jurgen felt himself redden, and looked down, swirling the bourbon in

his glass until it ran up along the edge, almost flowing over the rim.

He should have packed a much larger wardrobe, and left most of his

music behind.

"I'm right, aren't I?"

"Al once told me you read voraciously."

Mabel tossed her head and laughed. "Not in those words, I expect. But

he's right. And Sherlock Holmes is one of my favorites."

"Well," he answered slowly, "I must admit I'm rather between full-time

engagements at this time...and my wardrobe is minimal at the moment...

I do own a suit, and a top hat..."

"So I've been asking myself," she interrupted, "how you live, and where

you live. I've seen you on street-corners a few times, too. Maybe

that's all you do--play your viola--I know well enough it's not just a

'fiddle'. So, where are you living now?" She hung her wrist limply.

"Are you on the street?"

"I'm presently lodging at the Charleston."

"Hew!" she exclaimed, waving her fingers. "That place? Nobody of any

worth lives at the Charleston. It's full of winos and whores."

"It's inexpensive," Jurgen replied. "The decor leaves much to be

desired. But I'm afraid that I'll have to be moving along to even

cheaper lodgings by the new year."

"That bad?"

Jurgen nodded. He could probably hold out for another month or two,

but by then, he would have to close his new bank account.

"Well," she continued, "the Charleston is bad enough. I just won't

stand for one of my friends hanging his hat in a place like that, or

worse. Do you need a place to stay?"

He knew she was sincere, but the situation felt uncomfortably close to

charity. His grandmother had always warned against even seeming to be

in need of charity--let alone actually needing help. "Really, Mabel, I

couldn't presume to burden you with..."

"Now, stop it Jurgen," she said with a shake of her head. She scooted

her hips forward, cupping both hands around her bourbon carefully as if

she were settling in for a serious talk. "Business here has never been

better--and I think you've had a lot to do with that. You bring a new

sound, and people are paying to hear it, and drink a few, and they're

eating food, too... My friend Dotty, just the other day said to me..."

Mabel pressed her hand to her breast and forced her voice to a higher

pitch, "Mabel, honey, I hear deyz a strange waat boy down at

Calcutta--plays jazz on de fiddle."

Jurgen laughed at her feigned accent.

Mabel let her voice drop to its normal pitch. "Are you looking for

regular work?"

"Nothing seems to be available in my line."

"Listen. First thing, we have to get you out of the Charleston. Now,

my brother's got an extra room--and he's already said he'll put you up,

cause I've asked him--any friend of his sister is always welcome. So

that leaves work."

"I really could not allow you to do that..."

"Well, hear me out, first, before you say that," she answered. "I'm

not half finished."

Violists · 第 14 / 20 题