CHAPTER III.

It is a subject of burning curiosity with every woman in Stowel to know

whether it is a fact that the Taylors have taken to having late dinner

instead of supper since Mrs. Taylor's uncle was made a K.C.B. There

was something in a remark made by Miss Frances Taylor which distinctly

suggested that such a change had been effected, but Stowel, on the

whole, is inclined to discredit the rumour. A portrait of the General

has been made in London, from a photograph in uniform which Mrs. Taylor

has of him, and it has been framed, regardless of expense, by the

photographer in the High Street. Mr. Taylor at one time had thought of

having the whole thing done in London, but it had been decided by an

overwhelming majority that it would be only fair to give the commission

to provide the frame to some one in our own town; and Mr. and Mrs.

Taylor have granted a permission, which amounts to a command, that the

portrait of "Sir John" shall be placed in the window for a week before

it is sent home, so that Stowel may see it--for the Taylors, it should

be remembered, do not receive every one at their own house.

To-day I met the younger Miss Blind--Miss Lydia, she is generally

called--at the window of the photographer's, to which she had made a

pilgrimage, as we all intended to do, to see the famous picture.

Probably she had stood there for some time, for she turned nervously

towards me, and said in a tone of apology and with something of an

effort in her speech, "I used to know him."

"Ah!" I replied. "I suppose he has often been down to stay with the

Taylors?"

"He has not been once in twenty years," said Lydia. I was thinking of

other things, and I do not know why it suddenly struck me that there

was a tone of regret, even of hopelessness, in Miss Lydia's voice, and

that she spoke as one speaks, perhaps, when one has waited long for

something.

Lydia Blind is a tall woman with a slight, stooping figure. Sometimes

I have wondered if it is only her sister's constant ill-health that has

made Miss Lydia stoop a little. There is something delicately precise

about her, if so gentle a woman can fitly be described as precise.

Perhaps her voice explains her best, as a woman's voice will often do;

it is low and of a very charming quality, although broken now and then

by asthma. Each word has its proper spacing, and does not intrude upon

the next; each vowel possesses the rare characteristic of its proper

sound. I have never heard her use an out-of-the-way expression; but

her simple way of speaking has an old-fashioned gracefulness about it,

and her manner, with all its simplicity, is dignified by reason of its

perfect sincerity. Her eyes are large and gray, and set somewhat far

apart; her hair is worn in a fringe so demure and smooth, so primly

curled, that it has the appearance of plainly-brushed hair. It is Mrs.

Fielden who says that no good woman can do her hair properly, and she

wonders if St. Paul's recommendations as to plain braids has for ever

stamped the hairdresser's profession as a dangerous art.

To-day when I met Lydia it struck me suddenly to wonder how old she is.

Perhaps something in the insolent youthfulness of the springtime

suggested the thought, or it may have been because Miss Lydia looked

tired.

When one meets a friend in Stowel High Street, it is considered very

cold behaviour merely to bow to her. Not only do we stop and chat for

a few minutes, but it is the friendly fashion of the place for ladies

to say to each other, "Which way are you going?" and to accompany their

friend a little way along the sunny, uneven pavement, while offers to

come in and rest are generally given and accepted at the end of the

promenade. Of course it is quite unusual for gentlemen to be detained

in this way, and I am sure it cost Miss Lydia an effort to suggest to

me that I should come in and sit down for a little while, and that she

only did so because I seemed tired. Also I think that a man with a

crutch and with but one leg--and that one not very sound--is not

considered such a source of danger to ladies living alone as a strong

and hale man is supposed to be. We stopped at the little green gate in

the village street, with its red flagged pathway beyond, bordered with

spring flowers--wall-flowers, early blooming in this warm and sheltered

corner, forget-me-nots and primroses, while a brave yellow jasmine

starred with golden flowers covered the walls of the cottage. I asked

after her sister's health, and Miss Lydia begged me to come in and rest

for a few minutes; which I did, for I was horribly tired. But this was

one of Miss Belinda's bad days, and her sister, who watches every

variation in colour in the hollow cheeks and deep-set eyes of the

invalid, saw that she was unable to speak, and motioned me out of the

room. She showed me into her own little sanctum, and gave me a

cushioned chair by the window, and said: "Do wait for a few minutes and

rest. I can see that my sister wants to say something to me, but she

is always more than usually inarticulate when she is in one of these

nervous states."

I have been thinking a good deal about old maids lately--one has time

to think about all manner of subjects when one is lying down most of

the day. Mrs. Fielden is of opinion that an old maid may have an

exaggerated sense of humour. To my mind her danger may be that she is

always rather pathetically satisfied with everything. She prefers the

front seat of a carriage and the back seat of a dog-cart, and the leg

of a chicken and a tiny bedroom. Doubtless this is a form of

self-respect. This suitability of tastes on the part of an old maid

enables her to say, as she does with almost suspicious frequency, that

she gets dreadfully spoiled wherever she goes. Adaptability to

environment is the first law of existence, and yet there may have been

times, even in the life of an old maid, when she has yearned for the

wing of a chicken.

The little room into which Miss Lydia ushered me was plainly furnished,

but Miss Lydia says that she is always getting something pretty given

to her to add to her treasures. Her room is, indeed, rather suggestive

of a stationer's shop window, where a card with "Fancy goods in great

variety" is placed. It would not be unkind to hint of some of the

articles on the table and on the wall-brackets that they must have been

purchased more as a kindly remembrance at Christmas-time or on

birthdays than from any apparent usefulness to the recipient. There

are three twine-cases from which the scissors have long since been

abstracted by unknown dishonest persons; and there are four ornamental

thermometers, each showing its own fixed and unalterable idea

respecting the temperature of the room. A large number of unframed

sketches which children have given her are fastened to the wall by

pins, or hung on tacks whose uncertain hold bespeaks a feminine hand on

the hammer. There are several calendars, and there is quite an

uncountable collection of photograph frames, which fall over unless

they are propped against something. Most of the photographs are old

and faded, and they are nearly all of babies. Babies clothed and

unclothed; babies with bare feet and little nightshirts on; babies

sucking their thumbs; babies lying prone on fur carriage-rugs; babies

riding on their mammas' backs, or sitting on their mammas' knees;

babies crowing or crying. No one who has a baby ever fails to send

this maiden lady a photograph of it.

Miss Lydia settled me with some cushions in my chair, and shut the

doorway leading to her bedroom beyond, where I caught sight of a

painted iron bedstead, and a small indiarubber hot-water bottle hanging

from one of its knobs. It is Miss Lydia's most cherished possession,

and she generally speaks of it reverently as "the comfort of my life."

Poor Miss Lydia! Hers must be, I think, a lonely life, sacrificed

patiently to an invalid and almost inarticulate sister, and yet it is

the very solitude of this little chamber which is one of the few

privileges to which she lays claim. It is to this little room, with

its humble furnishings, that all her troubles are taken, and it is here

by the window that she can sit with folded hands and think perhaps of

something in life which surely poor Lydia has missed. It is here she

prays for those whose sins weigh far more heavily upon her than they do

upon themselves, and it is here that she can pause and question with

gentle faith the perplexities of life.

Miss Lydia tells my sister that she makes a thorough examination of her

room every night before she goes to bed, to see if there is a burglar

concealed anywhere. The movable property in the tiny house is probably

not worth many pounds, as a pawnbroker appraises things, and it would

be a hardened thief that could deprive the sisters of their small

possessions; but the dread remains--the dread of burglars and the dread

of mice. Were it not for the look of the thing, she would almost

rather discover a burglar than a mouse--"for at least burglars are

human," she explains, "and one might be able to reason with them or

pray for them, but who shall control the goings of a mouse?"

Sometimes these fears become quite a terror to Lydia Blind, and she

once said that she felt so defenceless that she thought it would be a

great comfort to have a male defender to protect her.

It is the only unmaidenly remark she ever made, and it makes her blush

in the dark when she thinks of it. She believes every one remembers it

with as vivid a distinctness as she does, and she trembles to think

what sort of construction may have been put upon her words by

ill-natured or thoughtless persons. It is a real trouble to her; but

then all her troubles are real, and so are her bitter repentances over

perfectly imaginary sins. But she has her little room and her faded

photographs--life has its consolations.

A Lame Dog's Diary · 第 3 / 19 章