XXVI

When the studio door closed upon the emissary of the trust company, the

young couple looked at each other a little ruefully. Archie kicked over

a chair or two and expressed himself volubly, now that it was safe, upon

the priggishness and meanness of such folks as Mr. Solomon Smith. Adelle

might wish that he had expressed himself in these vigorous terms

earlier, when there could have been discussion and a chance of modifying

Mr. Smith's decision. But she realized how raw he was feeling from the

old gentleman's contempt and sweetly put her arms around her husband's

strong shoulders and kissed him tenderly.

"It won't be so bad, Archie," she said hopefully. "We'll get on somehow,

I expect, and it isn't forever--not two years." She could recall much

graver crises in life than being compelled to live for eighteen months

with an adored companion on seventy-five hundred dollars, and people

somehow survived them.

"It isn't just the money," Archie protested, a little shamed, but still

grumpy. "It's his rotten talk. A feller doesn't like being called all

sorts of names."

"Well, he's gone now and he won't come back," Adelle remarked

soothingly, with another effort to caress her young lord into amiability

and resignation to fate. That proved more difficult than usual: Archie

felt the sting of the older man's taunts, especially the horrid word

"adventurer" rankled in his subconsciousness. He saw himself reflected

in the opinion of other men,--at least of stodgy, middle-aged men like

Mr. Smith, who worked hard for what they got and had families,--and it

ruffled him seriously. He was not in a happy temper otherwise. A

fortnight of conjugal picnicking in the perpetual society of Adelle,

whose conversational powers were limited, had chafed him. So Adelle had

her first experience in that woman's pathetic task of endeavoring to

soothe and harmonize the disturbed soul of her lord, who, she is aware,

has only himself to blame for his state of spiritual discomfiture. But

Adelle, like all her sisters who love, since the world began, rose nobly

to her part.

Finally, they sallied forth and with some money that Adelle had

contrived to extract, probably from the sale of another piece of real

jewelry, they consoled themselves with an elaborate dinner at a famous

restaurant in the Champs Elysees, and as it was a warm evening drove

afterwards out to the Bois. The next day Adelle ventured forth to the

bankers alone, and secured the first quarterly installment of the funds

left there to her account by the prim Mr. Smith. With the notes and gold

she hastened back to Archie, and the couple began to plan seriously for

the future.

It is not my purpose to follow the pair in their erratic course during

the next eighteen months, although it had its ludicrous as well as

pathetic steps. That they were not ready for any sort of matrimonial

partnership, is of course obvious, but as they shared their disability

with a goodly proportion of young married people the world over, it does

not count. Adelle, being the woman, learned her lesson more quickly than

Archie, and under conceivable circumstances might have made as much of a

success with her rash choice, in spite of Mr. Smith's prophecies, as

many others make with their more prudently premeditated ones. She wanted

to be married, and on the whole she was content when she got what she

wanted,--at least, in the beginning,--which is the essential condition

of marital comfort. But Archie had not by any means been as anxious to

tie himself up for good as Adelle had been, and was more restive with

what he found marriage to a rich--at least, expectantly rich--wife to

be.

In a blind effort to find a congenial environment, they moved about over

the map a good deal. First they went to Venice, of which Adelle

especially had rosy memories associated with the dawn of love. They took

a furnished apartment in an old palace over the Canal, and set up four

swarthy, muscled rowers in blue sashes. Venice has been for many

generations the haven of love, especially of irregular or illicit love:

but its attraction evaporates swiftly after the ceremony has taken

place. No spot where the male cannot stretch himself and get away from

domesticity for a few hours is safe except for the diviner, more

ecstatic forms of passion. In a few weeks the couple became deadly bored

with Venice and its picture postcard replica of life. At Archie's

suggestion they next sought Munich, where some of his artist

acquaintance had settled.

This was an atmosphere of work, more or less, and Adelle amused herself

by thinking that she and her husband were members of that glorious band

of free lances of art. They took a studio apartment and set up their

crafts jointly. If either had had the real stuff of the artist, it might

have gone well; but two idle and rather uninformed persons in the same

studio produce disaster. Munich soon became an affair of beer, skittles,

and music in company with the more careless spirits that gathered there

that winter. Among them happened to be Sadie Paul.

A good deal had happened to the California sisters, and as the "two

Pols" will come into Adelle's life later on, their story can be briefly

given here. Irene, the sister who had brutally betrayed Adelle in a

spirit of careless mischief, had attracted with her ripe California

charm a young Englishman of family. Mr. Hermann Paul, the "San Francisco

railroad man" referred to by Miss Comstock, meantime had died, and Irene

had gone home to join her mother and younger brothers and ultimately was

married to her Englishman. She divided her time thereafter about equally

between England and the new earthly paradise of the Pacific. Her sister

Sadie had determined to remain in Europe, under other chaperonage than

Pussy Comstock. It was rumored that a young Hungarian nobleman was

hanging somewhere in the horizon, but for the present she played about

with Adelle and Archie. Apparently Sadie Paul did not share her sister's

prejudices about "the red-headed bounder," for she flirted unconcernedly

with Archie as far as he would go, which to do Archie justice was not

dangerously far. Adelle, good-natured and easy-going by disposition,

welcomed the return of her old school friend and was not in the least

disturbed by her flirtatious attempts with Archie. That sort of amorous

pretense was more or less the habit of the world she had known, and

besides, she was aware that Sadie was "having a desperate affair" with

Count Zornec, the Hungarian referred to above, who was temporarily

exiled to his remote estate. Indeed, she became the means of furthering

this passion and speeding it to its destined end in matrimony, which has

to do with a subsequent part of our tale....

To return to the wanderings of Adelle and Archie, in the Easter holidays

they left Munich for Switzerland for the winter sports, and in the

spring Archie conceiving the idea that he wanted to do Dutch landscape,

they went to Holland for a few weeks. That summer they rented a small

villa along the Bay of Biscay and had Sadie Paul and her Count as their

guests for a time. The second winter of their marriage they spent in

Paris, and by this time were rather hard-pressed for ready money, as

neither had relaxed in wanting things and Adelle especially still had

the habit of buying whatever attracted her attention,--bright-colored

stuffs, jewels, and useless odds and ends of bric-a-brac, with the idea

that sometime they should want to establish themselves permanently

somewhere and purchases would all come in usefully. It was much as a

bird gathers sticks, straws, and bright-colored threads, but in Adelle

it was an expensive instinct. Towards the end of their period of

probation, they had to get aid from money-lenders, to whom Sadie Paul

introduced them. Adelle did not find it difficult to raise money on her

expectations, at a stiff rate of interest, and thus the object of the

Puritan Mr. Smith was defeated. It would have pained his thrifty

banker's soul had he known that the trust company's ward was gayly

paying ten and fifteen percent for "temporary accommodation," while her

own funds were barely earning five per cent in the careful investments

of the trust company! When Adelle finally got hold of her fortune, a

goodly sum had to be paid over to settle the claims of these obliging

money-lenders....

Of the quarrels, big and little, that the young couple had these first

months it is useless to speak. Thus far they were neither excessively

severe nor dangerously frequent--no worse, perhaps, than the average

idle couple must create in love's readjustment to prosaic fact. Adelle

no longer believed that her Archie would be the great painter that she

had once fondly dreamed of helping him to become. He was too lazy and

fond of good things to eat and drink and other sensual rewards of life

to become distinguished in anything, unless perchance he were well

starved into discipline. His present life of comparative ease and

expected wealth was the very worst thing for him as man and as artist.

Like an over-fertilized plant he went to leaf and bore little fruit. And

thus again Clark's Field, with its delayed expectations, had a baleful

influence upon a new generation of human beings. The Davises had just

enough money to wander loose over Europe, disturbed, as Addie had once

been disturbed, by the hope of a more golden future.

Adelle herself was content not to work hard at the manufacture of

jewelry, although if she had been encouraged, she might have become

almost second-rate in this minor art. She, too, was indolent, if not by

disposition, by training, and Europe offers abundant distraction of a

semi-intellectual sort to fill the days of people like Archie and

Adelle. To loaf herself was not so fatal for Adelle as to acquiesce in

Archie's loafing, to accept the parasitic notion for her man that

obtained in the easy-going circles she knew. "Oh, well," she said to

Sadie, "why should Archie work if he doesn't want to?"

Sadie saw no reason and suggested,--"There isn't one of those painters

who would stick at it if he didn't have to."

Like all poor people, they hadn't any luck; that was her idea. And

Adelle cultivated another dangerous conception of marriage.

"It's enough for me if he's good to me and loves me--I have plenty of

money for us both."

In other words, she thought that she should be satisfied to keep her

lover always as an appanage of her magic lamp, to maintain a human being

and a male human being as she might maintain a motor-car or an estate or

a stable, as something desirable and pleasurable, contributing to her

happiness,--the privilege of her fortunate position as a woman of means.

There were many rich women who had that idea or cultivated it as a

solace to their defeated souls.

"Isn't he a dear?" she would say to Sadie Paul in these moments of proud

consciousness of possession; and conversely she would say sternly when

some case of masculine errancy was brought to her notice,--"If Archie

treated me like that, he'd find his bag packed and sitting outside the

door!"

So she was very fussy about her husband's appearance,--his dress and

manners and appointments; and insisted upon giving him every accessory

of luxury, everything that rich men supposably enjoy. As her nearest and

dearest possession, she was more concerned with his brave appearance

than she was with her own. She "dolled" him up, as Sadie Paul laughingly

called it. "Isn't he cunning?" was one of her common expressions of

marital happiness. Occasionally, in more serious moods, she might talk

largely about Archie's "going into business" when they "got their

money," but as time went on and Archie displayed little aptitude for

managing money, she talked less about this. Adelle would have been

content to buy the Basque villa they had rented and establish herself

and Archie there in complete idleness and luxury, provided he would

always be "good" to her, by which she meant faithful to those

unconsidered marriage vows made in the Paris consulate, and not too

cross.

And thus Archie and Adelle drifted on towards that great date of their

complete emancipation from control, when all the riches of Clark's

Field, now accumulating in the trust company's pool, should be handed

over to them. That would be, indeed, the ultimate crisis for the old

Field, when, having been finally transmuted into coin of the realm, it

should cease to have an entity or any personal relation with the Clark

race!

Meantime Archie and Adelle were not vicious, though Archie drank too

much for his digestion and was often peevish in consequence, and Adelle

was almost aimless and lazy enough to be described as vicious. Yet they

were no worse than many, many other well-to-do young persons with no

deep roots, no permanent incentives, no profound passions to give them

significance. Likely enough they might have ended in some charming

English country house, or Roman palace, or pink-and-white villa along

the Mediterranean,--if their fate had not been still involved with

Clark's Field. They would have become perfectly respectable, utterly

negligible modern citizens of the world,--the infertile by-product of a

rich civilization with its perfected machinery for the preservation of

accumulated wealth. There are more Archies and Adelles about us than is

commonly recognized: they are on all our calling-lists, in every

European capital or congregation of expensive country homes. Their names

stud the "blue books" and the "red books" of conventional "society."

They fill the great hotels and the mammoth steamships. They, in sum,

make up a large part of that fine fruit of civilization for which the

immense majority toil, and for whom serious people plan and legislate,

for whom laws are interpreted and trust companies formed in order to

handle the money they themselves are incapable of controlling usefully,

even of safely preserving....

Archie and Adelle were hungry at this period for more money and felt

themselves martyrized by the whim of an ill-natured old man who had

arbitrarily made them wait to be wholly happy. They talked perpetually

about what they should do with themselves "after" the great event,--the

sort of touring-car they should buy, the kind of establishment they

should keep, the best place to live in, etc. It must be somewhere in

Europe, of course, for neither was eager to return to America "where

everybody worked and there was nothing fit to eat," according to Archie.

Adelle's ideas of America, never extensive, were growing dimmer every

season, and the occasional friends who returned from the other shore

described their native land in unflattering terms. Adelle thought that

every American who could lived as much of the time as possible somewhere

in Europe, but she did not think much about it at this time.

They had no children. Adelle had no objections to child-bearing and

expected "sometime" to have "two or three" children. Archie thought

there would be plenty of time for that "later on" when they had their

money. Adelle was still very young, and in the present wandering state

of their life children would be a nuisance.

Finally they were neither happy nor unhappy. Restless was the adjective

that described them most closely. Their bodies and stomachs and nerves

and minds and souls were always in a state of disequilibrium, and they

were feeling about for equilibrium like blind kittens without forming

any successful plan of extricating themselves from their subconscious

state of dissatisfaction. With another order of gray matter in their

brains either one might have produced out of this disequilibrium some

fine, rare flower of form or color or words. But Archie's gray matter,

like Adelle's, was not expressive.

Their friends thought them happy as well as fortunate. Sadie Paul

reported to her sister and Eveline Glynn,--"Dell is crazy about her

Archie--she won't let him out of her sight. He's not such a bad sort,

but fearfully stuck on himself, just because Dell pets him so."

Adelle, as she frequently told Archie, infinitely preferred her choice

to Sadie's "Black-and-Tan," as she called the Count Zornec.

This was their state after eighteen months of married life.

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