“Oh, dear little dogs,” he said. “Oh, dear! Oh, dear! What dear

little dogs! Just through here, my pretty pets. Gentle, Pelleas!

Gently, very gently! There, there, there! Oh, what dear little dogs!”

He stumbled forward through the quagmire of desolation, picking his

way as though familiar with every inch of ground, to the further

corner where it was even darker, and where the noise of shunting

freight trains drowned every other murmur of the night.

* * * * *

It was eight o’clock when Old Fags reached his room in Bolingbroke

Buildings carrying his heavily laden sack across his shoulders. The

child in Room 476 had been peevish and fretful all the afternoon

and the two women were lying down exhausted. They heard Old Fags

come in. He seemed very busy, banging about with bottles and tins

and alternately coughing and wheezing. But soon the potent aroma of

onions reached their nostrils and they knew he was preparing to keep

his word.

At nine o’clock he staggered across with a steaming saucepan of hot

stew. In contrast to the morning’s conversation, which though devoid

of self-consciousness, had taken on at times an air of moribund

analysis, making little stabs at fundamental things, the evening

passed off on a note of almost joyous levity. The stew was extremely

good to the starving women, and Old Fags developed a vein of

fantastic pleasantry. He talked unceasingly, sometimes on things they

understood, sometimes on matters of which they were entirely ignorant

and sometimes he appeared to them obtuse, maudlin and incoherent.

Nevertheless he brought to their room a certain light-hearted

raillery that had never visited it before. No mention was made of

Meads. The only blemish to the serenity of this bizarre supper party

was that Old Fags developed intervals of violent coughing, intervals

when he had to walk around the room and beat his chest. These fits

had the unfortunate result of waking the baby. When this undesirable

result had occurred for the fourth time Old Fags said:

“Oh, dear! Oh, dear! This won’t do! Oh, no, this won’t do. I must go

back to my hotel!” a remark that caused paroxysms of mirth to old

Mrs. Birdle.

Nevertheless, Old Fags retired and it was then just on eleven

o’clock. The women went to bed, and all through the night Minnie

heard the old man coughing. And while he is lying in this unfortunate

condition let us follow the movements of Mr. Meads.

Meads jumped off the ’bus at Shepherd’s Bush and hurried quickly

in the direction that Old Fags had instructed him. He asked three

people for the Pomeranian Road before an errand boy told him that he

“believed it was somewhere off Giles Avenue,” but at Giles Avenue no

one seemed to know it. He retraced his steps in a very bad temper and

enquired again. Five other people had never heard of it. So he went

to a post office and a young lady in charge informed him that there

was no such road in the neighbourhood.

He tried other roads whose names vaguely resembled it, then he

came to the conclusion “that that blamed old fool had made a silly

mistake.” He took a ’bus back with a curious fear gnawing at the pit

of his stomach, a fear that he kept thrusting back; he dare not allow

himself to contemplate it. It was nearly seven-thirty when he got

back to Hyde Park and his eye quickly scanned the length of railing

near which Old Fags was to be. Immediately that he saw no sign of him

or the little dogs, a horrible feeling of physical sickness assailed

him. The whole truth flashed through his mind. He saw the fabric of

his life crumble to dust. He was conscious of visions of past acts

and misdeeds tumbling over each other in a furious kaleidoscope.

The groom was terribly frightened. Mrs. Bastien-Melland would be in

at eight o’clock to dinner, and the first thing she would ask for

would be the little dogs. They were never supposed to go out after

dark, but he had been busy that afternoon and arranged to take them

out later. How was he to account for himself and their loss? He

visualized himself in a dock, and all sorts of other horrid things

coming up--a forged character, an affair in Norfolk and another at

Enfield, and a little trouble with a bookmaker seven years ago. For

he felt convinced that the dogs had gone for ever, and Old Fags with

them.

He cursed blindly in his soul at his foul luck and the wretched

inclination that had lured him to drink “beer-gin” with the old

thief. Forms of terrific vengeance passed through his mind, if he

should meet the old devil again. In the meantime what should he do?

He had never even thought of making Old Fags give him any sort of

address. He dared not go back to Hyde Park Square without the dogs.

He ran breathlessly up and down peering in every direction. Eight

o’clock came and there was still no sign! Suddenly he remembered

Minnie Birdle. He remembered that the old ruffian had mentioned and

seemed to know Minnie Birdle. It was a connection that he had hoped

to have wiped out of his life, but the case was desperate.

Curiously enough, during his desultory courtship of Minnie he had

never been to her home, but on the only occasion when he had visited

it, after the birth of the child, he had done so under the influence

of three pints of beer, and he hadn’t the faintest recollection now

of the number or the block. He hurried there, however, in feverish

trepidation. Now Bolingbroke Buildings harbour some eight hundred

people, and it is a remarkable fact that although the Birdles had

lived there about a year, of the eleven people that Meads asked not

one happened to know the name. People develop a profound sense of

self-concentration in Bolingbroke Buildings. Meads wandered up all

the stairs and through the slate-tile passages. Twice he passed their

door without knowing it: on the first occasion only five minutes

after Old Fags had carried a saucepan of steaming stew from No. 475

to No. 476.

At ten o’clock he gave it up. He had four shillings on him and he

adjourned to a small “pub.” hard by and ordered a tankard of ale,

and, as an afterthought, three pennyworth of gin which he mixed in

it. Probably he thought that this mixture, which was so directly

responsible for the train of tragic circumstances that encompassed

him, might continue to act in some manner toward a more desirable

conclusion. It did indeed drive him to action of a sort, for he sat

there drinking and smoking Navy Cut cigarettes, and by degrees he

evolved a most engaging but impossible story of being lured to the

river by three men and chloroformed, and when he came to, finding

that the dogs and the men had gone. He drank a further quantity of

“beer-gin” and rehearsed his rôle in detail, and at length brought

himself to the point of facing Mrs. Bastien-Melland....

It was the most terrifying ordeal of his life. The servants

frightened him for a start. They almost shrieked when they saw him

and drew back. Mrs. Bastien-Melland had left word that he was to go

to a breakfast-room in the basement directly he came in and she

would see him. There was a small dinner party on that evening and

an agitated game of bridge. Meads had not stood on the hearthrug of

the breakfast-room two minutes before he heard the foreboding swish

of skirts, the door burst open and Mrs. Bastien-Melland stood before

him, a thing of penetrating perfumes, high-lights and trepidation.

She just said “Well!” and fixed her hard bright eyes on him. Meads

launched forth into his improbable story, but he dared not look at

her. He tried to gather together the pieces of the tale he had so

carefully rehearsed in the “pub.,” but he felt like some helpless

bark at the mercy of a hostile battle fleet, the searchlights of

Mrs. Melland’s cruel eyes were concentrated on him, while a flotilla

of small diamonds on her heaving bosom winked and glittered with

a dangerous insolence. He was stumbling over a phrase about the

effects of chloroform when he became aware that Mrs. Melland was not

listening to the matter of his story, she was only concerned with the

manner. Her lips were set and her straining eyes insisted on catching

his. He looked full at her and caught his breath and stopped.

Mrs. Melland still staring at him was moving slowly to the door.

A moment of panic seized him. He mumbled something and also moved

toward the door. Mrs. Melland was first to grip the handle. Meads

made a wild dive and seized her wrist. But Mrs. Bastien-Melland came

of a hard-riding Yorkshire family. She did not lose her head. She

struck him across the mouth with her flat hand, and as he reeled

back she opened the door and called to the servants. Suddenly Meads

remembered that the rooms had a French window on to the garden. He

pushed her clumsily against the door and sprang across the room. He

clutched wildly at the bolts while Mrs. Melland’s voice was ringing

out:

“Catch that man! Hold him! Catch thief!”

But before the other servants had had time to arrive he managed

to get through the door and to pull it to after him. His hand was

bleeding with cuts from broken glass but he leapt the wall and got

into the shadow of some shrubs three gardens away. He heard whistles

blowing and the dominant voice of Mrs. Melland directing a hue and

cry. He rested some moments, then panic seized him and he laboured

over another wall and found the passage of a semi-detached house.

A servant opened a door and looked out and screamed. He struck her

wildly and unreasonably on the shoulder and rushed up some steps and

got into a front garden. There was no one there and he darted into

the street and across the road.

In a few minutes he was lost in a labyrinth of back streets and

laughing hysterically to himself. He had two shillings and eightpence

on him. He spent fourpence of this on whisky, and then another

fourpence just before the pubs. closed. He struggled vainly to

formulate some definite plan of campaign. The only point that seemed

terribly clear to him was that he must get away. He knew Mrs. Melland

only too well. She would spare no trouble in hunting him down. She

would exact the uttermost farthing. It meant gaol and ruin. The

obvious impediment to getting away was that he had no money and no

friends. He had not sufficient strength of character to face a tramp

life. He had lived too long in the society of the pampered Pekinese.

He loved comfort.

Out of the simmering tumult of his soul grew a very definite

passion--the passion of hate. He developed a vast, bitter, scorching

hatred for the person who had caused this ghastly climax to his

unfortunate career--Old Fags. He went over the whole incidents of the

day again, rapidly recalling every phase of Old Fags’s conversation

and manner. What a blind fool he was not to have seen through the

filthy old swine’s game! But what had he done with the dogs? Sold the

lot for a pound, perhaps! The idea made Meads shiver. He slouched

through the streets harbouring his pariah-like lust.

* * * * *

We will not attempt to record the psychologic changes that harassed

the soul of Mr. Meads during the next two days and nights, the ugly

passions that stirred him and beat their wings against the night,

the tentative intuitions urging toward some vague new start,

the various compromises he made with himself, his weakness and

inconsistency that found him bereft of any quality other than the

sombre shadow of some ill-conceived revenge. We will only note that

on the evening of the day we mention he turned up at Bolingbroke

Buildings. His face was haggard and drawn, his eyes blood-shot and

his clothes tattered and muddy. His appearance and demeanour was

unfortunately not so alien to the general character of Bolingbroke

Buildings as to attract any particular attention, and he slunk like a

wolf through the dreary passages and watched the people come and go.

It was at about a quarter to ten when he was going along a passage

in Block “F” that he suddenly saw Minnie Birdle come out of one door

and go into another. His small eyes glittered and he went on tip-toe.

He waited till Minnie was quite silent in her room and then he went

stealthily to Room 475. He tried the handle and it gave. He opened

the door and peered in. There was a cheap tin lamp guttering on a box

that dimly revealed a room of repulsive wretchedness. The furniture

seemed mostly to consist of bottles and rags. But in one corner on a

mattress he beheld the grinning face of his enemy--Old Fags. Meads

shut the door silently and stood with his back to it.

“Oh!” he said. “So here we are at last, old bird, eh!”

This move was apparently a supremely successful dramatic coup, for

Old Fags lay still, paralyzed with fear, no doubt.

“So this is our little ’ome, eh?” he continued, “where we bring

little dogs and sell ’em. What have you got to say, you old----”

The groom’s face blazed into a sudden accumulated fury. He thrust his

chin forward and let forth a volley of frightful and blasting oaths.

But Old Fags didn’t answer; his shiny face seemed to be intensely

amused with this outburst.

“We got to settle our little account, old bird, see?” and the

suppressed fury of his voice denoted some physical climax. “Why the

hell don’t you answer?” he suddenly shrieked, and springing forward

he lashed Old Fags across the cheek.

And then a terrible horror came over him. The cheek he had struck was

as cold as marble and the head fell a little impotently to one side.

Trembling, as though struck with an ague, the groom picked up the

guttering lamp and held it close to the face of Old Fags. It was set

in an impenetrable repose, the significance of which even the groom

could not misunderstand. The features were calm and childlike, lit by

a half smile of splendid tolerance that seemed to have over-ridden

the temporary buffets of a queer world. Meads had no idea how long he

stood there gazing horror-struck at the face of his enemy. He only

knew that he was presently conscious that Minnie Birdle was standing

by his side and as he looked at her, her gaze was fixed on Old Fags

and a tear was trickling down either cheek.

“’E’s dead,” she said. “Old Fags is dead. ’E died this morning of

noomonyer.”

She said this quite simply as though it was a statement that

explained the wonder of her presence. She did not look at Meads or

seem aware of him. He watched the flickering light from the lamp

illumining the underside of her chin and nostrils and her quivering

brows.

“’E’s dead,” she said again, and the statement seemed to come as an

edict of dismissal as though love and hatred and revenge had no place

in these fundamental things. Meads looked from her to the tousled

head leaning slightly to one side of the mattress and he felt himself

in the presence of forces he could not comprehend. He put the lamp

back quietly on the box and tip-toed from the room.

Out once more in the night, his breath came quickly and a certain

buoyancy drove him on. He dared not contemplate the terror of that

threshold upon which he had almost trodden. He only knew that out of

the surging mælstrom of irresolution some fate had gripped him. He

walked with a certain elasticity in the direction of Millwall. There

would be doss-houses and docks there and many a good ship that glided

forth to strange lands, carrying human freight of whom few questions

would be asked, for the ship wanted them to ease her way through the

regenerating seas....

And in the cold hours of the early dawn Minnie Birdle lay awake

listening to the rhythmic breathing of her child. And she thought

of that strange old man less terrible now in his mask of death than

when she had first known him. No one to-morrow would follow to

his pauper’s grave, and yet at one time--who knows? She dared not

speculate upon the tangled skein of this difficult life that had

brought him to this. She only knew that somehow from it she had drawn

a certain vibrant force that made her build a monster resolution. Her

child! She would be strong, she would throw her frail body between it

and the shafts of an unthinking world. She leant across it, listening

intensely, then kissed the delicate down upon its skull, crooning

with animal satisfaction at the smell of its warm soft flesh.

THE ANGEL OF ACCOMPLISHMENT

In reconstructing the sombre story which gathered round the

professional association of those two clever men, James Wray and

Francis Vallery, it is necessary to know a little of their early

life and up-bringing. I am indebted very considerably to my friend,

Timothy Rallish, for the light of his somewhat sardonic perceptions

upon the character of Wray. They were at Marlborough together, and

afterward at Oxford, although at different colleges; Timothy at

Oriel, and Wray--as one would naturally expect--at Balliol.

“I used to like him,” said Timothy. “I suppose I was the only chap

who did. They hated him at Marlborough; he was so confoundedly

pious. Up at Oxford it was not so bad. There are always such a lot

of precious people at Balliol; it doesn’t stand out so. He was an

idealist, without a conscience, if you know what I mean. He set up

impossible standards, never attempted to live up to them, or to

observe whether any one else attempted to. His contempt for his

fellow-creatures was almost abnormal. I think the whole attitude in

some queer way came out of his music-madness. Music was the absorbing

passion of his life, and even for the best of that he never

appeared to have a very great opinion. I believe he thought that

Bach’s compositions were not too bad, and for Beethoven he sometimes

indulged in mild patronage. Schumann bored him, so did Wagner, and

for Chopin’s ‘sentimental tripe’ he had no use.”

“I am talking now of Wray between the age of seventeen and

twenty-three--the age when one’s critical faculties are relentless,

when one knows every darned thing, don’t you know. I can’t tell

why I liked Wray. He did not--and never has--liked me. Perhaps

there was something about the profundity of his discontent which

appealed to me--his restlessness and detachment. I like people who

are dissatisfied. But there was more than that about him: he was a

spiritual wanton. I believe he would have sacrificed a city full of

babies to perfect one musical phrase. You see, there was no reason at

all why he should have gone up to Oxford. He was only interested in

music, which has never been properly taught there. I think he liked

to compose tone-poems in the society of rich men’s sons who were only

interested in sports and rag-time. The contact satisfied some cynical

kink in his own nature. It was certainly nothing to do with the

mediævalism of Oxford, which only bored him. O Lord! The things which

bored Jimmy Wray when he was twenty-three!”

“At that time,” I asked, “do you know anything of his standard of

accomplishments?”

“Very little,” replied Timothy. “Of course I know nothing about

music myself, but people who did know something used to differ

considerably about Wray. I got the general impression that he was

talented in a nebulous kind of way; that he had ideas but that they

were too involved; that he could create atmosphere but that he

couldn’t construct. He was a very pretty boy at that time, with a

thin æsthetic face, dark reflective eyes and two pink spots in the

centre of each cheek. He had got out of all sport on the ground that

he had a weak heart. It is certainly true that his father--who made a

small fortune out of accordion-pleated skirts--died at an early age

from heart disease. His mother was a gentle negative kind of woman,

who lived at Bournemouth, knitted things for people, and distributed

prizes at Girls’ Friendly Societies. He also had two sisters, one, I

believe, dabbled in Christian Science, the other married a sanitary

inspector. They played no great part in Wray’s life, neither did

any of them, or any relative or ancestor, as far as I can find out,

supply any note to account for the peculiarly individual precocity of

James himself. Afterward, when he became famous, the whole family was

almost shocked.”

This conversation with Timothy impressed itself on my memory very

vividly, for it occurred just after I had had an interview with

Wray’s mother. At that time the study and analysis of suppressions

and complexes had not reached the degree of fashionable absurdity

which it has at the present day, but neurosis has always been a

popular complaint amongst those people unlucky enough to be able to

afford to indulge in it. As an ordinary, rather over-worked local

practitioner, I can only give my opinion that neurosis only exists

amongst that small minority of people who do not have to fight for

existence.

It appears to me that this instinct of fighting for existence is born

in every man or woman. When circumstances rob them of it they are

apt to raise some artificial standard and fight for that, for fight

they must. We have not reached the millennium. During my thirty-three

years’ experience in the medical profession I have never yet met the

case of a man or a woman who worked hard for a living being neurotic,

unless his or her constitution was already undermined by neurotic

parentage. You may say that an artificial standard is as good a thing

to fight for as a real standard, and so it may be. A man who fights

for some spiritual cause is certainly as justified as a man who

fights to earn bread and wine. It is all a question of equipoise. But

a man who in Timothy’s terms would “sacrifice a city full of babies

to perfect one musical phrase” is in my opinion a lunatic.

But I am perfectly willing to admit that I may be wrong. For all I

know the whole social fabric may be changing its face values. We can

only act according to our lights. When Wray’s mother came and spoke

to me about him I knew nothing about the man. He was thirty-one

then. I can see her now, that gentle old lady, with silver curls

and pleading eyes, extremely confiding and rather outraged. Such

things didn’t happen at Bournemouth. But, dear her, Jimmy had only

been to Bournemouth once, and he refused to go again because--the

trams didn’t run on Sundays and it took him two hours to walk out

of the town! Was ever such a ridiculous excuse offered! He was a

dear boy, a lovable, clever--oh, brilliantly clever!--boy, but quite

incomprehensible, and with such awful moods. Then with great solemn

shaking curls, bobbing above the stiff corsets, worse than that--a

terrible temper ... cruel, vindictive, he might do anything in such

moods. She regarded me alertly. I think she thought I might prescribe

some pills--they do that in Bournemouth--one to be taken night and

morning, will cure asthma, sluggish liver or homicidal mania.

I remarked obligingly that I would see the young man. But how was

that to be done? He lived in Chelsea, a terrible, irreligious suburb

of London, inhabited by artists and others ... quite irresponsible

people. Besides, he was so exclusive, so apt to be rude, even violent

and abusive. He detested strangers. He was altogether so unlike his

dear papa, who treated everyone even his _work-people_ as though

they were equals! And then came the terrible crux of the story. It

appeared that on Jimmy Wray’s solitary visit to Bournemouth he had

murdered a cat. Not, mark you, an ordinary stray, vagabond cat,

but his mother’s cat, his mother’s own darling Pee-Wee. The cat, it

appeared, had annoyed him for several nights when he was sitting up

late, trying to compose. He had warned his mother that something

would have to be done. He had appeared haggard and distraught in the

mornings. But Mrs. Wray had not taken the matter very seriously. Such

a trivial affair! Dear Pee-Wee! He was often like that. He made funny

noises in the night.... There were several cats in the neighbouring

houses, doubtless friends of Pee-Wee’s. And then one night the

appalling thing happened. Jimmy got up about one o’clock. He went out

and picked up a piece of plank. He beat the cat to a pulp! He had

never been to Bournemouth since. What can you suggest, Doctor Parsons?

Miss Bracegirdle and others · 第 10 / 18 段