CHAPTER XI

OUR ENGLISH COUSINS

All too soon the time came when grips had to be packed, tackle stowed

away, and the campers start out over the carry to meet the train that

was to take them to New York. The trip was a long and tedious one of

two days' duration. Nevertheless our travelers did not find it

wearisome. On the train were papers and magazines in plenty, and

whenever Dr. Swift went into the smoking car Theo always found

Mr. Croyden near at hand and willing to talk.

"And when Mr. Croyden is around no place could be dull or stupid,"

affirmed Theo to his father.

"I believe I shall begin to be jealous of Mr. Croyden, Theo," laughed

Dr. Swift good-naturedly. "I am coming to fear that if you go to

visit him as he wants you to, you never will come back home."

Theo smiled.

"You can't lose me so easily, Dad," he answered. "Just the same, I

know if I do go and visit the Croydens I'll have a bully time. But I'd

like to wait until I get rid of these crutches so I won't be a bother

to anybody."

"That is wise. I should not feel easy if you started out on a visit

before you were quite well," replied Dr. Swift. "However, it won't be

long now before you can cast your crutches into the rubbish heap. In

the meantime your own family can have a visit with you. I rather fancy

your mother will be thankful to have you home again; she has been

pretty anxious about you. No mother likes having her boy where she

cannot get to him when he is ill."

"But you were there, Dad."

Dr. Swift smiled into the eyes that met his.

"Yes, I was there, to be sure," he assented. "But a doctor is not

necessarily a good nurse."

"I don't see how anybody could be a better nurse than you, Father."

The Doctor shook his head.

"I'm afraid I did not fuss much over you," he answered. "At least I

did not smother you with attention the way your mother would have

done. You got no spoiling from me. I expect, though, that when your

mother gets hold of you she won't be able to do enough for you. I can

see her to-day flying round the house ordering all the things you like

to eat, and getting everything ready for your coming. I shall have no

attention at all."

Theo beamed.

"You will have all the attention you want, and more too, Dad, I

guess," he remarked drily. "Probably a string of patients as long as

this car will be waiting to pounce on you the minute you set foot in

New York."

"I expect so, son. However, I shall not begrudge that sort of a

welcome now, for I feel like a fighting cock."

"You really are rested, aren't you, Father?"

"I am like another man," was the vehement reply. "I was about all in

when we went into camp. Thanks to you and Mr. Croyden I have had a

fine chance to pull myself together and prepare for whatever comes

next. You have been very thoughtful and unselfish, Theo, in leaving me

free to get all I could out of my vacation. It has meant everything."

"I wanted to help you, Dad."

"You've certainly proved that, my boy. I've appreciated every bit of

it."

A quick glance passed between the two.

They understood each other very well, Theo and his father.

"Here is Mr. Croyden," observed Theo. "He has been getting off some

mail and telegrams."

"That is precisely what I must do," declared the Doctor rising. "I'll

leave you to have one of your china-making talks while I am gone."

As the Doctor passed through into the next car Mr. Croyden sauntered

down the aisle and dropped into the seat he had just vacated.

"There," announced the merchant with a satisfied sigh, "I have done my

duty. I have sent off three telegrams and a lot of letters. How funny

it seems to get busy after being so idle! Next week will see us all

back at the grind, I suppose, and rushing about as if we had never

been away."

"Are you sorry?"

"No," was the hearty response. "I like to play when I play; but I like

also to work. I enjoy my business very much. It is an interesting and

useful one, and I like to think that in my small way I am helping to

furnish the world with things that are necessary, and tend toward

comfort and convenience as well as toward beauty. People cannot get on

without dishes--you and I have proved that."

"Not unless we all go back to being savages," said Theo humorously.

"We shall not do that, I hope," returned Mr. Croyden gravely. "Each

century should see the race farther ahead--a more honest, kindlier,

Christian nation. That is the motto we must bring with us out of this

war. Not more territory, more money, more power; but truer manhood and

purer souls. If the conflict does this for our people all the

sacrifice and loss of life it has meant will not have been in

vain. Out of the wreck a better America should arise, and we each must

help it to arise--you as well as I, for we need not only good men and

women but good boys and girls, if we are to have a fine country."

"A boy can't do much toward it, I'm afraid," Theo said.

"On the contrary, a boy can do a great deal," replied Mr. Croyden. "It

is the boys of to-day who are going to be the men of to-morrow; and

there is no such thing as suddenly becoming a good man, any more than

there is such a thing as a seed suddenly becoming a full-blown plant.

Everything has to grow, and grow slowly, too. So if you wish to be a

wise, honest citizen who will help forward this glorious country we

all love so much, you want to be setting about it right now, you and

every other boy. And you want to go at the work earnestly, too, for

you will be a man before you know it."

"It looks a long way off to me now," mused Theo.

"Such things always do; but time flies pretty fast. You will find

yourself in college the next thing you know; and after that you will

be beginning to plan your career. What are you going to be, Theo?"

"I don't know, sir," was the uncertain answer. "I'd just like to do

something that really needs to be done; something that people cannot

get on without."

"That is a splendid ambition," came heartily from Mr. Croyden. "I

thought perhaps you'd be thinking of taking up your father's job."

"I be a surgeon!" gasped Theo.

"Why not?"

"Oh, because I'd be no good at it," the boy said. "I should never

know what to do with sick people. I'd be scared to death. It seems to

me now that I would rather go into making something; but I do not just

know what."

"You want to be a business man, eh?"

"That is what I'd rather do."

"Humph!"

There was an interval of silence; then Mr. Croyden said:

"Well, if when you are through your education, Theo, we are out of

this war and you are still of the same mind, you come to me. Who knows

but you might end your days in my factories?"

The boy's eyes sparkled.

"Croyden and Swift--how would that sound?"

"It would sound all right," chuckled Theo, "but I am afraid the sound

would be the best part of it. Why, I'd never be able to learn all you

know about china if I lived to be a hundred years old."

"Aren't you learning things about china right now? Haven't you already

learned about the pottery and porcelain of almost every nation under

the sun?"

"I have liked to have you tell me about it," replied Theo modestly.

"Well, isn't that making a beginning?" queried the pottery

merchant. "We have discussed the china output of almost every country,

haven't we?"

Theo reflected.

"All the big countries except England."

"How did we happen to leave England out?"

"I guess you did not have time to get round to England," answered

Theo. "Still all the time isn't gone yet, you know; you might tell me

about England now."

They both laughed.

"I believe you are something of a diplomat, Theo," observed

Mr. Croyden. "You are either a diplomat or you are a schemer.

Sometimes it is very hard to tell the one from the other. In either

case you seem determined to give me no peace, so I fancy I may as well

tell you about English porcelain and have done with it. If I do not do

it now I shall have to do it some other time, I suppose."

"I suppose you will," came delightedly from Theo.

"Well, here goes, then!"

The elder man settled back into a comfortable position and Theo

wriggled contentedly into the opposite corner of the seat.

"As you can well understand," began Mr. Croyden, "the discovery of

kaolin set England as eagerly to experimenting at porcelain-making as

it had the other nations. Contrary, however, to other countries the

English Government lent no helping hand to the industry, offering

neither money nor inducements to those who would take it up. Therefore

only those persons who were sufficiently interested in the new

venture, and could afford to make the attempt with their own capital,

dared go into it. Fortunately there were at hand some of these

ambitious manufacturers. Their early experiences are interesting not

so much because of the quality of their work though much of it was

good, as because they were the forerunners of later workers. The paste

they used was not as fine as that of the Chinese or Japanese; or in

fact, that of the early Dresden or Sevres ware. Gradually, however, it

became better, until now--although England turns out almost no true

porcelain, that is, the scientifically blended kaolin and petuntse

clays--she makes some of the most beautiful and durable china

manufactured anywhere."

"What is it made of?" inquired Theo, much puzzled.

"Different combinations of kaolin clays and phosphates; a ware which

in the porcelain trade is known as bone china," replied Mr. Croyden.

"The phosphate of lime that is mixed with the kaolin renders the body

of the ware more porous and elastic. On such china the glaze does not

blend with the body and become an actual part of it as is the case

with a true porcelain, but on the contrary is an outer coating which

can be scratched through. But bone china is very strong, and does not

chip as does a more brittle variety. For that reason where wear and

durability are desired it is often preferred."

Mr. Croyden stopped a second.

"When I tell you these facts you must not think I am crying down the

English wares," he said. "I could show you beautiful varieties of

English porcelain. I merely wish you to understand that it has not the

qualities of the Chinese, Japanese, Sevres, Dresden, or even the more

modern Limoges ware. But what it loses in delicacy and translucence it

makes up in strength, and perhaps after all strength is as desirable

as any other quality."

"Didn't the English ever make any real hard paste china?" asked Theo.

"It is said that between 1730 and 1744 they did make some; and this

product is supposed to be the only true porcelain ever made in

England. It was manufactured at Stratford-le-Bow, and where do you

think the clay for it came from? Strangely enough from our own State

of Virginia. You can imagine the expense of bringing the clay across

the Atlantic. This ware known for convenience as Bow became very

popular. The first of it was hand-painted, but later the designs were

transferred, and the product became cheaper. Not only were tea sets

made, but also a great number of china figures of birds, animals, and

shepherdesses; there were even some statuettes of celebrities of the

time, which remain as an interesting record of the costumes of the

period. Owing to the fact that much of the Bow china was unmarked it

is frequently confused with the soft ware made at Chelsea, which was

also of early English manufacture."

"Did the Bow factories continue?" asked Theo.

"About 1775 the Bow works were merged with those of Derby; and in

1784, the Chelsea fabrique was also absorbed by the Derby

company. Derby china, especially Crown Derby, you must remember, is

one of the finest of present day English wares. About 1777 these

factories came under the patronage of King George III, at which time

the term Crown Derby was bestowed on the product."

"Then an English king did help in English porcelain-making after all!"

exclaimed Theo.

"To a certain extent, yes," answered Mr. Croyden. "The English

nobility, too, patronized the royal factories. The ware was so

beautiful perhaps people were only too glad to do so. There were

plates with deep borders of solid rich color, frequently adorned with

heavy gold work; and there were vases, pitchers, and bowls of

magnificent hue. In fact, the use of blue and gold was brought to a

greater perfection in this ware than ever before, and it established

for the makers a wide-reaching reputation. Possibly this reputation

might have remained preeminent had not the short-sighted manufacturers

begun to sell at a lower rate their imperfect pieces, or seconds.

Great quantities of these flooded the market and immediately the fame

of the ware decreased."

"What a pity!"

"Since then this erroneous policy has been corrected in so far as has

been possible; but the blot on the history of the Derby porcelain

remains, proving that a firm that values its standing should never

allow imperfect products to go beyond its doors. William Cookworthy,

who, by the way, made the Bow china and who lived at Plymouth,

England, in 1760, finally discovered deposits of true kaolin at

Cornwall, and of this material made some more true porcelain; but

unfortunately much of it was injured in the firing. His workmen did

not understand the difficulties and dangers of exposing the ware to

the extreme heat. But this Plymouth ware held an interesting place in

the development of English china-making."

"Did the Plymouth works grow and become larger?" asked Theo.

"Alas, much beautiful porcelain, copied to a great extent from Chinese

and Continental wares, was made there, but the expense of turning it

out was so great that poor Cookworthy sunk a fortune in the

enterprise. However, the venture was not without its fruits, for out

of the Plymouth fabrique developed that of Bristol, and later that of

Shelton, or New Hall. All of these plants manufactured hard paste

chinas. At Bristol in 1774 a wonderfully fine tea and coffee set was

made for Edmund Burke, the renowned English orator. In the meantime

all over England small fabriques were springing up. At Pinxton,

Swansea, Coalport, Liverpool and Rockingham; most of these factories

made soft paste chinas. Then came an innovation. One of the most

perfect of English porcelains, known as Spode, was produced by

combining with this type of paste pulverized bones."

"Bones!"

"Yes. It seems a strange idea, doesn't it? But it was a great

discovery, and one that has been generally adopted and used ever since

by the principal china-making firms of England. The bone element, or

phosphate of lime, as it is more properly termed, imparts both

strength and elasticity to the china. Minton ware, first made in 1791

and now extensively manufactured in England and sold throughout the

china-buying world, is one of these bone chinas. It is a great

favorite because of its durability as well as its beauty. There were

in addition many other very fine chinas made in England--far too many

of them for me to enumerate. One was the Lowestoft, made from about

1756 in soft paste, and in 1775 in hard. Much of it is in imitation of

the Chinese, although some was decorated with roses, and some with

landscapes or coats of arms. As it had no mark upon it it is now

difficult to be sure of the genuine ware. Moreover, a large amount of

the white porcelain, it is said, was sent from China to Lowestoft to

be decorated, and therefore the body of it is of Oriental and not

English make. Worcester is another of the celebrated soft paste

chinas, which at first copied Oriental designs, and later branched off

into imitations of Dresden or Sevres wares. It is still made and

widely sold."

"It seems as if a great many of the English wares were copies of

somebody else's work," remarked Theo.

"I am afraid they were," owned Mr. Croyden. "England was not rich in

originality of design. The work of Wedgwood is the only distinctively

inventive contribution made to the china-making art. However, the

English bone porcelains are very beautiful, and though they are not

genuine feldspathic products they are highly esteemed and in demand

everywhere. Now you must own, Theo, that I have given you a pretty

complete outline of the pottery and porcelain-making of the European

countries. Holland and Belgium, as I have told you, lack both clay and

fuel and therefore had not a fair chance to compete with the other

nations; but they did make some little porcelain. Sweden also turned

out a little. Denmark gave a real contribution to the world in its

Copenhagen ware, a type of white porcelain decorated beneath the glaze

in cobalt. The fabrique for making this china was opened as early as

1760 but it never paid, and in 1775 the Government took over the works

and it became a royal factory where women of rank and position joined

the artists in designing and decorating the porcelain. The

undertaking, however, proved so expensive that in 1876 the factories

went back into private hands. But the porcelain has become

world-famous and holds its place in the list of the distinctive chinas

of the art universe. Look up Royal Copenhagen some time, and see how

beautiful it is."

"I will," nodded Theo. "But in all this china-making did Russia do

nothing?"

"Russia made her try," Mr. Croyden said. "Peter the Great was an

ambitious ruler who traveled the Continent over to see what other

countries were doing in the way of commerce and manufacture. When he

returned from one of his pilgrimages he made the people build a new

commercial and industrial centre--St. Petersburg, now Petrograd. Here

he set his subjects to making all sorts of artistic things such as he

had seen in Europe, especially brass, copper, and silver

articles. From 1744 to 1765 under the Empresses Elizabeth and

Catherine II a little really fine hard paste was produced. It was a

porcelain in imitation of Dresden; but there never was very much of it

manufactured. A little Russian porcelain was also made at Moscow and

Poland. The Russians never excelled in pottery and porcelain-making,

however, as they did in metal work."

Mr. Croyden rose.

"See," he said, "here comes your father! That means that we must bid

good-bye to china-making for to-day. I fear we shall have to say

good-bye to it altogether, too, for by to-morrow morning we shall be

getting into New York and separating for home. But you are not to

forget, Theo, that I want you to come to Trenton the first minute you

are rid of these crutches. Then I shall tramp you through my factories

and you shall see how all this porcelain we have talked of is made."

"I shall be mighty glad to come," responded Theo.

"I must leave it to your father's discretion, then, to notify me when

he thinks you are able to make the visit," added the merchant, turning

to Dr. Swift who had just joined them. "You just telephone me, Doctor,

when you think you can spare this boy of yours; will you?"

"You are very kind, Croyden."

"Not a bit! Not a bit!" protested Mr. Croyden. "I shall want to see

Theo, and I am anxious to have Mrs. Croyden meet him too. I only wish

we had a boy just like him; then I'd have somebody to leave my

business to."

He drummed on the window moodily.

"Who knows but I may be coming to help you make china one of these

days, sir," suggested Theo half jokingly.

The man wheeled sharply.

"I wish I thought you would," was his quick response. "If at the end

of your college career you find yourself with any such notion, sonny,

you'll be very welcome."

With an affectionate glance at the boy Mr. Croyden strode off into

the smoking-car.

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The Story of Porcelain · 第 11 / 18 章