IX

"To-day--I give battle!"

Aunt Clo's voice sounded as though the prospect filled her with mingled

elation and concern.

"Can you amuse yourself, my Lily, if I leave you for the day?

Books--piano--flowers--birds----" Aunt Clo enumerated the resources of

her establishment with large and expressive wavings of her well-shaped

hands over the breakfast-table.

"I can write some letters, and you have lent me so many books. I shall

have plenty to do."

"_Benissimo!_"

"Shall you be away all day?" said Lily tentatively. She had already

learnt that Miss Stellenthorpe rather welcomed enquiries on subjects of

which the importance apparently required an extreme reticence of reply.

A shade of gravity at once fell across her face. "Ah! who can tell?

If the mission is to be successful, a day is not too long ... but I

am very much afraid. Not fearful, you understand, _cara_, but--let me

say--aware of responsibility--immense responsibility."

Lily felt that she, too, must look serious, in sympathy, and

regretfully realized that Aunt Clo was about to rise abstractedly from

the table, although her niece greatly desired another breakfast roll.

Sometimes, interested in discussion, Aunt Clo would sit over a meal

interminably, her elbows on the table, her hands supporting her keen,

handsome face. At others, she would rise impatiently, flinging her

napkin to the ground, and appearing regardless of the incompleteness of

her niece's meal.

Lily had never yet found the necessary courage to remain in her place

and continue stolidly to eat. Aunt Clo had a curious faculty for

throwing into relief the grossness of material needs.

She now stood at the open window and addressed Lily slowly and sadly.

"Little one, do you know what it is to see a frail, foolish, lovely

butterfly dashing itself against a lighted globe? To seek desperately

to turn it elsewhere, to set it free into the cool, dark night

outside--and yet to see it return again and again in search of its own

destruction?"

Lily nodded. She always found it difficult to reply adequately in words

when Aunt Clo became, as she often did, metaphorical.

"I go," said Miss Stellenthorpe, her hands extended, palms uppermost,

"I go to try and deliver the butterfly from the lamp to-day. I can tell

you no more, my Lily."

She left the house with the same mixture of portentous foreboding and

exhilaration in her bearing, saying to Lily in farewell, as though her

new simile still pleased her:

"Who knows but that I myself may come back with singed wings! Not for

nothing has one the privilege of spending oneself upon others!"

"I hope it will be all right," said Lily--inadequately, she felt, as

usual.

Aunt Clo also appeared to be conscious of the inadequacy, for she

replied very gravely indeed:

"Ah! That is what it can never be. _Addio!_" She waved her hand

above her head and strode away, clad in the blue jersey and the

knickerbockers which she never discarded in the day-time, except when

proceeding on a sight-seeing expedition to Rome.

Lily turned back into the house, and felt rather guilty because she

was relieved by the prospect of spending a whole day in solitude, free

from the slight tension of spirit that always assailed her in the lofty

atmosphere wherein Aunt Clo seemed usually to exist. She felt still

more guilty a little later on, when she went in search of a book.

Aunt Clo had recommended several volumes to her niece from the many,

bearing the stamp of the London Library, that lay about the house.

"Pater," had said Aunt Clo. "Incredible that you have not yet made

acquaintance with the beloved Pater! Or Fénelon. Do you know Fénelon?

Then there is the little '_Cinque-cento_' series--light, of course,

but full of appeal. Or you may care for old friends, perhaps--I have

Froissard, Ruskin, d'Annunzio--but not in a translation, I fear. Take

your choice, _bambina mia_--I make you free of all my most precious

companions."

Lily tried hard not to remember Aunt Clo's generous suggestions as she

made her way to a small and remote bookcase that she had observed,

on the first evening of her arrival at Genazzano, in a corner of the

passage. The books were small and old-fashioned looking, and Lily had

had no difficulty in discovering that almost all were children's books,

that no doubt dated from Aunt Clo's incredible childhood. And Lily

liked children's books, just as she liked toys, and sweets, and other

babyish diversions, and she was just as profoundly ashamed of the one

predilection as of the other.

She had read the volumes pressed upon her by Aunt Clo, and had liked

one or two of them, whilst finding the majority strangely wearisome,

but all the time there had lurked at the back of her mind a longing

recollection of those children's books that were never taken from the

shelf.

She knew that she would really enjoy them much more than even the

novels conceded to her youthful tastes by Aunt Clo: "Jude the Obscure,"

"Daisy Miller," and "Sandra Belloni," none of which she had felt

herself able to appreciate, or even to understand.

It was all part of that old sense that she was not a real, live person

at all, but only a little girl pretending.

The relief of dropping the pretence was undeniable. Lily chose "The

Little Duke" because it had pictures, a book called "The Magic Beads"

because she liked the name, and a volume of fairy-tales because she

always loved fairy-tales. She took them out into the garden.

She was a little bit ashamed of herself, because she felt so happy,

knowing that it was childish pleasure in the story-books, and the

sunniness of the day and her own feeling of freedom, that made her

happy.

She had so often been told that happiness is the attribute of

youth that she believed it, although she herself was young and

not particularly happy. And as she had also heard youth spoken of

contemptuously, or else with amused patronage, Lily had retained an

impression that happiness was something slightly to be despised,

especially when springing from trivial causes.

She had lunch by herself and kept "The Magic Beads" propped open on

the table in front of her, and ate several more of the enormous purple

figs than she would have eaten had Aunt Clo, with her superhuman

indifference to food, been sitting, very erect and animated, opposite

to her.

The afternoon was even lazier and more blissful than the morning had

been, the joy of it somehow enhanced as it became more liable to

interruption. But Miss Stellenthorpe had not returned by five o'clock.

Evidently the butterfly was showing determination, in its pursuit of

the flame.

It was nearly six o'clock when Lily heard sounds that caused her to

bestow the three small and shabby volumes into her work-bag, which she

had guiltily extracted from disuse from the bottom of her trunk for the

purpose, and hasten to the little iron gate in welcome.

Aunt Clotilde was not alone, and she looked, if possible, even more

exhilarated than she usually looked after some particularly strenuous

exertion.

"_Ecco!_ I return with a friend, my Lily!"

Was this the butterfly, or the lamp?

Lily at once rejected the former hypothesis, and felt doubtful even of

the latter, as she exchanged greetings with Aunt Clo's friend.

He was a very tall Englishman, in whose long face Lily discovered some

freakish resemblance to a good-looking camel, and he had small, tawny

eyes that twinkled, and very crisp curly hair, touched with iron-grey.

His shoulders were so broad and his carriage so erect that even Aunt

Clo seemed unimposing beside him.

Lily did not learn his name at once, since Miss Stellenthorpe had

merely waved their introduction with both hands, and since throughout

the evening she called the visitor either "Amico," "my very dear

Friend," or "Mon cher."

It appeared that Aunt Clo's very dear friend was serving on a Royal

Commission for the investigation of something unspecified, that

compelled him to sojourn in Rome, now a hot and arid desert.

"But della Torre, you know the young Marchese della Torre, of course?

Well, he is actually kind enough to stay on in a corner of the Palazzo

della Torre, and make me his guest. What a good fellow he is--I met him

once or twice in England, that's all--and now he turns up trumps like

this! Isn't he a brick?"

The hearty English colloquialisms positively rang through the little

room still vibrant with the cosmopolitan inversions and polished

elegancies of Aunt Clo's habitual speech. Aunt Clo, however, was more

animated than ever, and commented vivaciously several times upon the

good fortune that had brought about the encounter with her friend.

"Would that I could offer you the hospitality of _mon toit de

chaumière, amico_! But alas! even my grey hairs would not protect me

from the tongues of _ce bon Genazzano_. I dare not do it," cried Aunt

Clo in humorous despair. "But we meet again, is it not so?"

"I hope so! I should hope so indeed. Won't you and your niece come in

one morning, and let us do some sight-seeing together, and then perhaps

you will allow me to have the pleasure of giving you lunch at the Grand

Hotel?"

He addressed himself to Miss Stellenthorpe, but after her gracious

and sprightly acceptance of the invitation, the Englishman's kindly,

twinkling gaze turned triumphantly to Lily.

She smiled at him shyly and almost involuntarily, attracted by his

eagerness and simplicity, and perhaps by the manifest admiration in

his glance. "Why not to-morrow?" he cried. "Do come in to-morrow. What

could we go and look at to-morrow?"

"Why not San Pietro?" said Aunt Clo.

"As a matter of fact, I've been there already," said the guest with

great simplicity. "But by all means----"

"_Amico_," said Aunt Clo, with some severity in her voice, "you do not

see San Pietro in one visit--nor yet in two, nor perhaps two hundred.

_Je vous donne rendezvous_ at the Bronze Door at eleven to-morrow

morning. _Va bene?_"

Lily looked forward to the proposed excursion and hoped that the

Marchese would be as agreeable as was his friend.

She learnt from Aunt Clo that the name of the latter was Nicholas

Aubray, that she had met him first in Paris, several years ago, and had

then personally demonstrated to him the beauties of the Louvre.

"Not altogether a Philistine," said Aunt Clo thoughtfully. "There are

possibilities there, my Lily; undoubtedly, possibilities. _Ce bon

Nicholas!_ I wonder what he finds in common with Giulio della Torre!"

Lily wondered too, when she met the Marchese della Torre on the

following morning. He looked much younger than did Mr. Aubray, was

extremely good-looking in an elegant pink-and-bronze style, and was

meticulously clad in a beautifully-cut grey suit, with a soft shirt,

a pink tie, pink socks, and shining brown boots. Miss Stellenthorpe's

acquaintance with him was slight, she had told her niece, but she

addressed him as della Torre, in Continental fashion, and extended the

back of her hand for him to kiss. The Marchese also kissed Lily's

hand, and she fancied that she saw amusement lurking in Nicholas

Aubray's long, lean face.

She had expected that Aunt Clo, as usual, would live up to her

rôle of _connaisseuse_ in Beauty, and would deliver eloquent and

pungently-worded dissertations upon the more eclectic subjects for

admiration that surrounded them.

But it speedily became astoundingly evident that Aunt Clo's erudition

was out-matched. Lily and Mr. Aubray, obediently waiting to be told

what they might admire, found themselves overlooked in the clash of

conflicting authorities. The Marchese gracefully countered all Miss

Stellenthorpe's artistic and historical allusions with others even more

recondite, and appeared to have command of ejaculatory phrases in at

least six languages to her three.

"Michelangelo--_il maestro_!" said Aunt Clo reverently, gazing up at

the dome.

"You forget Bramante!" cried the Marchese in tones of courteous

anguish. "_Aïe!_ you forget Bramante!"

"Most certainly I do not forget Bramante," said Aunt Clo with dignified

annoyance. "But I put the Maestro first."

The Marchese bowed with a gesture that far outdid, in its appreciative

humility, the tone of Aunt Clo's tribute, through which an undeniable

asperity had pierced.

"_E le due San Gallo?_" murmured the Marchese.

"Penuzzi!" Aunt Clo retorted with flashing eyes.

"Rosellino," said the Marchese politely, but securing the last word,

since Miss Stellenthorpe had nothing ready with which to defeat the

recollection of Rosellino.

"Your aunt is a wonderful person," said Nicholas Aubray in lowered

tones to Lily. "She knows everything about Art, I suppose?"

"Yes, I suppose she does."

"She and della Torre must revel in one another's company. He's a most

artistic fellow, very well read and full of information. I knew they'd

have a lot in common."

At the triumph in his tone, Lily turned to look at him. He was

evidently not in the least ironical, but full of genuine pride and

satisfaction at an encounter which he obviously accepted entirely at

its face value.

Lily felt momentarily ashamed of her own secret inclination to detect a

concealed and embittered resentment at the other's pretensions on the

part of either of the two exponents of Art.

She was half puzzled and half attracted by that characteristic

simplicity of Nicholas Aubray's, that, to her more critical

perceptions, was later on to account for his curiously limited

capacity to judge correctly of his fellow-creatures, and that so oddly

counteracted his unmistakable shrewdness of mind.

She found in him a very sympathetic companion, as they wandered

together round the interior of the immense building, leaving behind

them fragmentary echoes of the sprightly Spanish proverbs with which

the Marchese appeared to be countering Aunt Clo's interpolated French

exclamations and Latin quotations.

There was a feeling of relaxation in freely pointing out certain

obvious glories and universally acknowledged masterpieces, such as

Aunt Clo regarded as only to be commented upon by the general public,

and Lily felt it to be even more of a relief when Mr. Aubray calmly

suggested, at the end of half an hour, that they should go outside and

wait for the others.

"You'll get tired, if you stand about for so long in the heat," he

observed matter-of-factly, and with a consideration to which she had,

at Genazzano, become unused.

They sat down outside in the shade, and instead of abstract and

impassioned discourse upon all that Beauty stood for, Lily found

herself embarked upon such trivial and comfortable personalities

as she could not help welcoming, after the long course of unbroken

conversational altitudes upon which her hostess habitually promenaded

her.

Nicholas Aubray actually seemed to think that anything about herself

was interesting!

She told him about her home and about Bridgecrap, and he laughed

whole-heartedly when she confessed that she was no good at games, and

seemed to think it of so little account that Lily was encouraged to

make a daring confession.

"Sometimes I read children's books--just because I enjoy them. It makes

me feel as though I was only pretending to be grown up, you know."

"Oh, you splendid person! I think that's simply ripping!"

"You don't think I ought to be ashamed of it?" cried Lily, delightedly

conscious that he did not.

"Good heavens, no! I think it's splendid. Why shouldn't you like

children's books? I read fairy-tales myself and enjoy them immensely."

"Do you really?" Lily was enchanted.

"Tell me some more about yourself," begged Nicholas Aubray warmly, and

Lily was young enough to respond candidly to the invitation.

"We must make some more of these expeditions," was the conclusion

reached by Mr. Aubray, when he and Lily had spent an hour in eager

conversation eminently satisfactory to them both.

"I was a good deal bored at having to stay on and on here, excellent

fellow though della Torre is, but this meeting with you and your aunt

has made all the difference in the world. You'll come with me again,

won't you?"

"Oh, I should love to!"

"Hurrah!" He looked quite boyishly delighted, and flung his hat into

the air and caught it again.

"Now what about lunch? Food--food! I'm starving!"

He reiterated the announcement with the same unabashed exuberance to

Aunt Clo herself, having returned into the Cathedral, to Lily's rather

awed astonishment, for the express purpose of summoning her away.

"Come along, come along. We want our meal!"

He was just as vehemently enthusiastic about their excellent and

prolonged luncheon at the Grand Hotel as he had been about St. Peter's

or in denunciation of Lily's deprecatory confessions of her athletic

short-comings.

Aunt Clo's own vitality, to the strength of which she often made

carelessly thankful allusion, was as nothing beside that of Nicholas

Aubray.

But to-day, Aunt Clo appeared to have fallen rather below her usual

standards of high-spirited graciousness and gallantry of intellect.

She even said "_Ay di me!_" in a rather wearied fashion as she sank

into a chair.

"I'm afraid you are quite tired out," solicitously said the Marchese,

in his fluent English idiom.

"I am not easily wearied of body," returned Miss Stellenthorpe, smiling

sombrely.

"Food--that's what we all want!" Nicholas Aubray declared. "I may not

always be hungry, but thank God I'm greedy, as the man said in _Punch_."

He laughed heartily at the hackneyed jest, and Lily noted with a

slight feeling of disappointment that his laugh was perhaps the least

attractive thing about him. It came too frequently, although always

spontaneously, and was what the French call _saccadé_ in character.

Moreover, his laughter at his own indifferent humour, rooted more often

in light-heartedness than in wit, was over-prolonged.

An adjournment for rest at the Palazzo della Torre was politely

suggested by the Marchese, and Lily rather hoped that the invitation

might be accepted, but Miss Stellenthorpe again gravely repudiated any

suggestion of fatigue.

"But you make the siesta, surely?" cried the Marchese, astonished.

"Never," said Aunt Clo austerely.

The stately proclamation of her own immunity from the prevalent custom

of an afternoon sleep during the hot weather, appeared somehow to

restore to Aunt Clo her usual equanimity.

She bade an agreeable farewell to the two men, by whom an expedition to

Frascati was proposed for the following week.

"We'll make a picnic of it," cried Nicholas Aubray joyously. "Take

plenty of sandwiches and things, and eat them under the trees."

But even Nicholas Aubray's needless insistence upon the grosser aspects

of the day's requirements did not, as Lily half feared, cause Miss

Stellenthorpe to flinch.

"I'm glad," said she graciously that evening at Genazzano, "very glad

to do all in my power _pour égayer un peu les choses_ for Nicholas

Aubray. Tell me, my Lily, how did our friend strike you?"

"I liked him very much."

"Liked!" Aunt Clo shrugged away the conventional phrase in her most

characteristic fashion.

"How significant that contrast was, _n'est-ce pas_? The frankly

_bourgeois_ enthusiasm of our friend--his _naif_ admiration for the

obvious--and then that affectation of preciseness, that pedantic

effrontery of young della Torre! It amused me, Lily--it amused me

greatly."

Aunt Clo's mouth took on an embittered curve at the recollection.

"Let me recommend you to cultivate that young man rather more,

_bambina_, when next our quartette sallies forth in company. He repays

study, I assure you. Besides," added Aunt Clo with some acidity of

tone, "I will not conceal from you that a whole day spent in listening

to so much youthful arrogance would try my nerves considerably. He is

your contemporary, my Lily. I shall leave you to deal with him."

Lily felt vaguely sorry to hear it.

"He is much younger than Mr. Aubray, isn't he?" she asked.

"By at least ten years, I should imagine," said her aunt emphatically.

"Nicholas Aubray must be nearing forty. But the heart of a boy still.

_Ce cher Nicholas!_ He should have married, as I have often told him.

Now della Torre, who could well learn rather more of life in the wider,

bigger sense of the word, is actually in search of a wife, as I know.

But fools have ever rushed in----"

Aunt Clo ended with raised eyebrows and a sigh, leaving no doubt, in

Lily's mind, that her own destined rôle in the Frascati expedition was

that of recipient of the Marchese's polished conversation.

Perhaps her efforts were not sufficiently decided.

Perhaps Nicholas Aubray, with a certain joyful obtuseness that he was

disconcertingly apt to display when dealing with the human equation,

still triumphantly furthered the intercourse of the two fine spirits

between whom he had elected to find so rare an affinity. Perhaps, as

Lily herself suspected, the Marchese liked a youthful and ignorant

hearer less well than one with whom discussion was at least possible,

even if unprofitable. At all events, he explained Frascati to Miss

Stellenthorpe, and twice informed her that she had been misinformed

regarding the remote ancestry of the family of Aldobrandini, while Lily

and Nicholas Aubray loitered beneath the trees, and Nicholas told Lily

that he lived by himself in London and was often very lonely.

"But to you, I suppose, I seem almost old. Too old to want new

friends?" he asked her with a wistful air of desiring contradiction,

and at the same time throwing out his broad chest and straightening his

always straight shoulders with obviously unconscious vanity.

Lily remembered her father. He was over fifty, and she certainly did

not look upon him as being old, if only because she knew that he would

have regarded the application of such an adjective from a child to a

parent as being both disrespectful and disloyal.

Nicholas Aubray was at least twelve years younger than Philip

Stellenthorpe.

She reassured him whole-heartedly and was gratified at the satisfaction

in his face, which he displayed with the frankness of a child.

"I thought you and I would be pals, somehow, from the first moment we

met. Don't you think it's a great thing to have a pal?"

Lily felt herself to be unreasonable for intensely disliking the word

that he had selected.

"That's a word I like--_pal_!" said Nicholas Aubray, striking one hand

into the palm of the other. "Isn't it a splendid, hearty sort of word?

That's what I should really like _us_ to be--regular _pals_."

There was silence between them for the fraction of a moment, and then

he added wistfully: "You don't think it's cheek of me to suggest

it--you don't think it's absurd, at my age?"

On the instant, his odd, intermittent appeal made itself acutely felt

once more.

"I should like it," said Lily, flushing. "I--I think it's an honour for

me."

"No, no--it's all the other way round. What a splendid thing life is!

Don't you think it's splendid, on a day like this, when one's just

struck a bargain like ours? Real pals--that's what you and I are going

to be. I can't tell you how much it's going to mean to me. Of course,

you've got heaps of friends of your own age already I suppose. Perhaps

there's even----"

He paused.

"I haven't any business to ask, I suppose. But since we're to be pals,

you won't mind. You know I'm not asking from impertinent curiosity, but

from very keen interest in anything that belongs to you." His voice had

become very serious.

"Tell me whether there's anybody very special, that you take a--a great

interest in, won't you?"

"No, there isn't," said Lily in a low voice. She did not feel

humiliated by the unromantic admission, because she was acutely aware

that it would somehow intensely gratify her listener.

She heard him exhale a long breath.

"Do you know that's a relief to me! I was somehow certain you were

going to say that there was some young spark--and somehow I didn't want

there to be."

He burst out laughing.

"There's no fool like an old fool, is there? I want my new-found little

pal to myself, you know. I don't want to share her thoughts with some

young blood at Oxford or God knows where----"

He went on laughing, in catches, long after Lily felt that her own

faint smile had died upon her lips.

X

Lily thought a good deal about her friendship with Nicholas Aubray.

Sometimes she rejoiced almost incredulously in his flashes of

sympathetic understanding, and in the frank enjoyment of child-like

things that he, unlike her, never thought it necessary to conceal.

Sometimes she applied to herself the old term of "disloyal," because an

involuntary criticism of his simple vanity, or of his curiously unequal

powers of judgment, occasionally flashed across her.

She was flattered and touched by his enthusiastic liking for herself,

and presently she began to wonder, rather awestruck, whether he could

have fallen in love with her.

When she suddenly found him looking at her in silence with eager,

pleading eyes, or when he said: "We'll let the others go on a bit,

let's walk slowly," she was reminded of the boy Colin Eastwood, and

she then thought that perhaps Nicholas Aubray loved her. When Aunt

Clo said, in her thoughtful, appraising way: "My very good friend,

Nicholas, is accounted an able man in his own line. He has made a

success of his career--oh, undoubtedly!" then Lily felt that only an

incredible presumption could ever have led her to imagine that so

clever a man and one so much her senior, could ever have thought of her

save with the most passing, friendly interest.

His susceptibility to beauty was very evident, and he made it clear

that he admired Lily's.

That, of course, was not at all the same thing as falling in love, Lily

told herself.

She speculated a great deal more upon the state of Nicholas Aubray's

feelings, than upon her own. One of the more solemn counsels which Lily

had received from Miss Melody upon leaving Bridgecrap, had concerned

the question of falling in love.

"Not too many romantic fancies in that little head, childie," had

been Miss Melody's warning. "Remember that you've no mother to

guide you, poor child, and keep a watch upon yourself. Not too much

novel-reading--aha, Lily, isn't that a weakness?--and no day-dreaming,

mind."

Lily had been quite as much annoyed at hearing herself called romantic

as the romantic usually are.

"If love should come--as I hope it will, in due course--let it all come

quite naturally. Don't think about it beforehand; don't indulge in

fancies. Beware of that romantic imagination," Miss Melody had repeated

with great significance.

Lily had listened very dutifully, but if she had ever analyzed this

submissive spirit, she might have discovered that it was founded upon a

curious, calm certainty that Miss Melody knew nothing whatever of what

she talked about.

Not that the daughter of Philip and Eleanor Stellenthorpe, well versed

in distrusting and suppressing her own instincts, would have made

such an admission to herself. She was undeveloped, and had never been

allowed the luxury of intellectual honesty.

She had, as yet, arrived at no conscious weighing of her own

capacities. Her nearest approach to it took the form of an inward and

rather derisive wonder that Miss Melody, who so advocated forethought

and preparation in respect of examinations, choice of a career, and the

like, should appear to suppose that something which Lily classified

to herself as "the most important thing in the world" could be best

approached after a course of completely ignoring its existence and

tacitly denying its potency.

In defiance of Miss Melody, Lily allowed herself to wonder whether

Nicholas meant to ask her to marry him. Her upbringing and her

inexperience alike admitted of no other development of affairs than

a proposal of marriage, to result in either a refusal and eternal

separation, or an acceptance and subsequent wedding.

She saw Nicholas Aubray almost daily.

Lily felt flattered and excited, but her now ingrained incapacity

for facing an issue definitely, allowed her to keep entirely upon

the surface of even her own thoughts, and when she was seized by a

misgiving that she felt no slightest real wish ever to marry Nicholas

Aubray, she hastily rebuked herself for the vanity of supposing that

he had any intention of asking her to do so, thus suppressing her

consciousness of the problem in relative values that confronted her.

It was that policy of suppression upon which her whole education had

been based.

Presently Lily became aware that Miss Stellenthorpe was turning a

thoughtful and critical eye upon the situation.

Her manner to her niece acquired both a more weighty tenderness, and a

slightly humorous air of appraisement.

She tolerated the Marchese della Torre with renewed geniality, and

only upon one occasion relegated him to a lengthy _tête-à-tête_ walk

with Lily whilst she herself strode far ahead, apparently absorbed in

earnest conversation with Nicholas Aubray.

It was on that evening that Aunt Clo, for the first time, spoke with

great frankness and intimacy of herself and her own past to Lily.

"You have wondered, little one, why I have never chosen to marry, have

you not?" she abruptly demanded, gazing shrewdly at her niece.

Fortunately, Lily felt, the shrewdness was not sufficient to penetrate

her own embarrassment and pierce to the true answer of that portentous

question.

Lily had always supposed, on the rare occasions when she had given the

matter a thought, that Aunt Clo must have remained unmarried because

nobody had ever wanted to marry her.

It now became almost overwhelmingly evident that such had not been the

case.

"Why should I not say it? I have been greatly desired, and by many.

Perhaps, _bambina_, it may help you, if I let you in where so few

have ever yet penetrated--into the story of my heart. As a girl I

was, perhaps, not beautiful," Miss Stellenthorpe musingly observed

without, however, any great conviction in her tone. "Certainly I had

not the exquisite daintiness, the porcelain prettiness, that I see

in you, my Lily. But I was a strong, vital, passionate creature, and

intensely magnetic--that, above all. Had I a daughter possessed of that

magnetism, she should be guarded--most carefully guarded. The gift is

not one to be played with. I suppose I was reckless. _Chi lo sa?_ Ah

well, the years have brought their own chastening, maybe. Oh, not in

my proud, solitary virginity--_that_ has been my own choice."

Aunt Clo upreared her head in a sudden, high-souled gesture.

"No. But--_ay di me!_ How I have been loved! And I--I, in my turn have

loved, _carina_. Once--and once only. I cannot tell you the whole

story, little one. Some day, perhaps, when you, too, have lived and

loved--though may you never touch the depths that _I_ have plumbed!

I had rejected many loves--lesser loves, as they seemed to me. Then

came one--there is only _one_, in a woman's life. Our souls rushed

together--_une veritable fusion d'âmes_. There was one summer----"

Aunt Clo became lost in retrospect, her fine eyes fixed upon some point

of the horizon far above Lily's head.

When she spoke again, her voice had flattened dramatically.

"Autumn succeeds to summer, _carina_, and the deep-hearted, passionate

red roses drop their petals one by one.... A cataclysm swept across

my life. There was storm--separation, interference from others. I was

doubly betrayed. There was a woman who had been my dear, dear friend,

in whom I had trusted much. And she failed me, Lily. When the crisis

came, she was incapable of meeting the demands that the privilege of

friendship must always make, sooner or later. Ah yes--she failed me

indeed!"

"Was she--one of the people who interfered?" Lily half fearfully

enquired, as Miss Stellenthorpe paused as though for enquiry.

"Indeed, yes! She was ruthless--ruthless to me, and to that other...."

"But did he--how could he let her...?" stammered Lily.

"Ah how! But--," said Miss Stellenthorpe sombrely, "she was his wife."

No revelation could have come with greater unexpectedness upon her

breathless listener.

"Oh! Was he _married_, Aunt Clo?"

Aunt Clo bent a terrible brow upon Lily at the naïve colloquialism of

the exclamation.

"Bound by our hideous English laws, he was," she said slowly. "But

there are other, higher standards. He and I knew it--we had scaled the

mountain-heights--but the little, feeble soul that had called herself

my friend remained below, weakly wailing. The little soul that had only

strength to hold on, like some small, sharp-toothed rodent! It held

on--grasping the shadow between its tiny, poisoned fangs, when it could

no longer hold the substance."

Aunt Clo passed a hand slowly across her eyes, as though to banish the

vision of so perverted a tenacity.

Then she turned upon Lily a smile of rare, considered sweetness,

blended with great sadness. "I have forgiven--long, long ago. One

can outlive such bitterness, my Lily, and come out from the vortex

stronger, and bigger and braver."

Lily felt a mad desire to enquire whether the unfortunate rodent of

Aunt Clo's history had also emerged from it similarly uplifted.

"There was a time," said Aunt Clo, "when I asked myself

despairingly--'_Does the road wind up-hill all the way?_' You know the

answer, child. '_Yes--to the very end._' I have accepted that answer

now. Acceptance has long ago become part of myself. Not the pallid,

passive acceptance of submission, you understand, but some bright,

strong, vital thing that soars upwards like a flame----"

Aunt Clo paused again, and her niece kept silence.

"You mustn't call me brave, little one," Miss Stellenthorpe suddenly

protested, when both had remained speechless for some while.

Lily showed no sign of defying the prohibition. Her aunt stood up.

"I will leave you. It grows late, and this has cost me something.

But don't reproach yourself, _bambina_--if I can help you but a very

little, be sure that I shall never count the cost."

Aunt Clo crossed the room slowly, with an unwonted gesture of

supporting herself, as she reached a low table near the door and leant

her hand upon it heavily.

She glanced back at Lily, and there was again a slight suggestion of

baffled expectancy on her face.

"_Buona notte_, my child."

With a grave and graceful movement she kissed the tip of her slim, fine

fingers and waved them in the direction of her niece.

Then she appeared to detect suddenly the presence of her other hand,

still grasping the little table, and drew it away with an air of

surprised melancholy.

"Aha!" said Aunt Clo, half playfully, half sadly. "That is the first

time, is it not, that you have seen me in need of extraneous support?

That is not like me."

She slowly nodded, two or three times, as though considering so new an

aspect of herself, and then drew herself up to her full, stately height

as she left the room. Lily felt that she herself had been somehow found

remiss.

Comment, at least, had been expected of her, and she had been utterly

unable to offer any.

She wondered uneasily if it were the measure of her own childishness,

that Aunt Clo's story should merely have left her feeling uncomfortably

bewildered, and anxiously conscious that her father would have been

sincerely shocked by it.

Lily speculated as to what she should do if Nicholas Aubray were

suddenly to discover himself as a married man. She indulged in an

agreeable vision of his impassionate declaration, her own heart-broken

renunciation of him, and their eternal farewell. After a long, long

illness she would face life once more--her hair would be prematurely

whitened. She, too, would tell some young, untried soul the story of

her own experience....

Lily had formulated one or two very beautiful sentences when she

became aware that she was thoroughly enjoying herself. The discovery

scandalized her sincerely.

These things were serious--they constituted reality, and here she was

playing a kind of game with them!

Lily felt profoundly dissatisfied with herself and her own inability

to regard as sacred the many things that her upbringing had taught

her should be classified under that traditional heading of Philip's.

It bewildered her to find that Nicholas himself, although his ardour

touched and pleased her in a strange, exciting way, did not awaken in

her any of the emotions that she had always associated with the dawn of

love.

There was not even the vague, elusive sense of remote and delicate

romance that Colin Eastwood had inspired.

But Philip had implied that episode to have been an undignified and

childish cheapening of herself--something that, in the belittling

phrase of omniscient parenthood, "could not lead to anything," and

Lily herself, translating into the cruder and more direct terms of

youth, had known that, between her and Colin, there could be nothing so

matured and definite as a spoken engagement with definite prospects of

marriage.

Consequently, her relations with Colin must have been unreal--those

with Nicholas must be real. Thus Lily, faithfully endeavouring to

follow the careful rule of thumb laid down for her, and unutterably

perplexed at finding it so much at variance with that inner vision to

which she believed herself to have no right.

Daughter of Philip and Eleanor Stellenthorpe, and product of their

teaching, she found the way of least resistance in allowing herself to

shelve the whole question, telling herself that it would certainly be

mere folly and vanity to envisage prematurely the possibilities latent

in a decision which she might never be called upon to make.

The issues at stake were consequently left to obscure themselves still

further while Lily strove to persuade herself of their non-existence,

and while the necessity for that decision which she was strenuously

unfitting herself to make coherently came nearer to her every day.

The weather had grown crisp and cool long before Nicholas Aubray's

affairs in Rome were concluded, and he came out to the villa at

Genazzano to announce his approaching return to England.

"I shall be very, very sorry to go," he said emotionally. "If anyone

had told me, when I first grumbled at coming to Italy, that six weeks

later I should actually want to stay on--I shouldn't have believed it."

He looked at Lily as he spoke.

"Aha!" quoth Aunt Clo. "Italy claims us all. I--but I was long ago

enslaved, as you perceive. You will return, my friend."

"I hope so. But good-byes are always sad things, I think. One is

always sorry, I mean, to say good-bye to a place in which one has been

happy." He was again addressing himself to Lily, surprising her, as he

occasionally did, by the earnest warmth with which he could deliver

himself of a platitude. She hoped that he did not see Aunt Clo wince as

she rose from her place.

"_Mes très chers, je vous quitte._ One little half-hour. There is

an unhappy child whose supreme moment is drawing very near. I have

told you of my Carla? They are trying to persuade her that she has

sinned--ah, the horrible folly and cruelty of it all!"

Miss Stellenthorpe hastened away, and Nicholas Aubray, after a moment,

exclaimed, as he not infrequently did:

"What a splendid person your aunt is! I can't tell you how much I

admire her."

"She is very kind," said Lily, trying to atone by the fervour of her

voice for a certain blankness that invaded her at this fresh example of

Nicholas Aubray's enthusiasm.

"Isn't she--isn't she? She's been a godsend to the peasantry here, I

feel sure. She has," said Nicholas significantly, "been very kind to

_me_."

"I know she likes you very much."

Lily spoke hurriedly and almost at random, overwhelmed by sudden

nervous shyness.

"She's--she's enjoyed your being here, and all our excursions."

"Did she tell you that we had a long talk the other day?"

"She didn't tell me so specially," said Lily, and added hastily:

"You've known her a long time, haven't you?"

"I have never seen as much of her as I should have liked, but I've

always thought of her as a most splendid person, whom I should like to

know much better. But it's never too late to mend, eh?"

He laughed, in jerks.

Lily seldom felt at ease with Nicholas Aubray when he was amused,

although she forced her own smiles, in sympathy with the child-like

appeal of the gaze that he was fixing directly upon her.

He grew grave again suddenly, after his wont.

"What about you? Am I to say good-bye to my little pal without anything

to look forward to?"

Lily's heart beat with excitement and a sense of flattery, but she also

felt overwhelmingly embarrassed, and quite unable to summon up the warm

reply with which she would have liked to please him.

"I wonder whether you ever write letters?" said Nicholas, when he had

waited in silence for some time.

"I haven't got many people to write to."

"You've got your pal--your old, ancient pal, who perhaps seems to you

almost in his dotage----"

He broke off anxiously, and this time Lily's quick perception of his

unspoken need of reassurance came to her help.

"I think of you as being of my own age," she exclaimed quickly, "or

else just a little bit older, so as to be able to help me about things,

and--and advise me sometimes."

"That's very sweet and dear of you to say that. I can't tell you how

much I appreciate it----" said Nicholas, with the abrupt huskiness of

tone of a man easily moved to emotion.

Suddenly he laid one of his hands very gently over Lily's, with a

tentative, almost timid, gesture.

She knew that his sensitiveness would be instantly hurt by the least

gesture of withdrawal, even though he was giving her the opportunity of

making one.

Tenderness for his feelings, a half-frightened desire to see what would

follow, and a certain exultant vanity, kept her motionless.

Subconsciously, there passed through her a regret, of which she

failed to catch the significance, that it had always been physically

distasteful to her to be touched. She accepted the dislike as being

part of an inevitable state of affairs not susceptible to alteration.

"You didn't mind my doing that, did you?" said Nicholas nervously.

He had taken his hand away, after a prolonged, gentle pressure upon

hers.

Lily shook her head.

She could not have given with truth either a negative or an affirmative

answer, nevertheless she was relieved at Nicholas Aubray's exclamation:

"I'm glad of that! I wouldn't vex you for the whole world, you know. If

ever I do anything that you don't like, you must tell me. Sometimes I

think I'm too clumsy--and rough and--and elderly, to hope to keep your

friendship. And it would make me very sad, if I lost it now."

"No, no--you couldn't!" Lily murmured.

"Well, will you let me hear from you--often--and see you when you're in

England again?"

"I hardly ever go to London, though, I'm afraid," said Lily naïvely.

"Perhaps I might be allowed to come to your part of the world, though.

I want to get to know your father, and--and everyone and everything

that belongs to you. I wonder if you realize that, little pal?"

Lily said: "I think I do," because she felt that that was what he

wanted her to say, and then was terrified at the thought of what his

rejoinder might be.

"Thank God for that!" cried Nicholas, with a sort of boyish, laughing

heartiness.

She was half relieved and half disappointed.

"That's a bargain, then. We'll write to one another."

"Ought I to?" Lily faltered, with a sudden recollection of the

obnoxious phrases as to hole-and-corner correspondence, once employed

by her father. The remembrance caused her to crimson, and Nicholas

Aubray looked at her very kindly.

"I told your aunt, when we had our talk together the other day, how

very much I should like to be allowed to hear from you," he said

quietly, "and she was good enough to suggest that I might propose it to

you. So it only depends upon you, now."

Something chivalrous in the words and manner alike sent a rush of

affection and gratitude through Lily's being.

At such moments she felt that nothing was wanting in her liking for

Nicholas Aubray.

"I'm so glad you did that," she said impulsively.

"You don't think I could ever take advantage of your youth and kindness

to ask you to do anything that you might for an instant regret later

on!" he exclaimed. "I'm not such a skunk as that! No. Thank God, you

never would do anything of the kind that some of these modern girls

seem to go in for.... That was just one of the things that attracted me

to you so awfully--if I may say so."

"You don't think I'm old-fashioned and priggish? I often think I'm not

like most other girls--I think I was brought up differently."

"All the better!" cried Nicholas vigorously.

"I'm glad you think it's all the better," said Lily. "Sometimes I--I've

felt that I hated being unlike other people."

She glanced at him wistfully, half wondering if he would reassure her,

if she confessed to that old, hidden feeling of not being a Real Live

Person, but only a pretender.

"I only wish there were more people like you," said Nicholas Aubray.

"Some day you must tell me all about your bringing-up, and why you

think it's made you different. Will you?"

"It's quite dull, I'm afraid. Only about how I was at home, and then at

a convent for a very little while and afterwards at school."

"I'm sure I shouldn't find it dull," said Nicholas Aubray, "I should

never find anything dull that was about yourself. I want to hear

everything."

His look, straight into her eyes, emphasized his words.

"I should like to feel that you were able to make a real safety-valve

of me--tell me anything and everything, quite freely."

Lily's liking for him just then was so strong that the required

assurance came in a rush of sincerity.

"I don't think I should mind telling you anything, and I've always

wanted a friend. So few people seem to understand----"

A certain recollection, awakened by the words, made her pause.

"Of course there are a few things," she said shyly and wistfully, "that

I suppose no one ever puts into words, exactly. Things one knows about

oneself, that--that nobody else in the world could be expected to

understand----"

"I won't ask for those," gently said Nicholas, smiling at her, rather

puzzled.

He was naturally unaware that Lily was thinking just then of a battered

wax baby-doll lying at the very back of the wardrobe in her bedroom.

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